Forfeitures photos on Flickr

The Morris-Jumel Mansion was built in 1765 as a summer house by Colonel Roger Morris for his wife, Mary Philipse and their family on approximately 135 acres of land that stretched from the Harlem to Hudson rivers between what is now 140th and approximately 18oth streets. Their country estate was named Mount Morris and, being situated on one of the highest points of Manhattan, offered clear views of New Jersey, Connecticut, and all of New York harbor. In addition to serving as a summer retreat, Mount Morris was also a working farm with fruit trees, cows, and sheep in addition to a variety of crops.

With the outbreak of the American Revolutionary War, the Morris family abandoned their summer home. Then, in the autumn of 1776, General George Washington and his Patriot officers moved in and made the house their headquarters from September 14th to October 21st. The superb views from Mount Morris made the location ideal for observing troop movements and General Washington used this advantage to plan his army’s first successful victory; the Battle of Harlem Heights. Despite this victory, on October 21st, General Washington was forced to retreat to White Plains. For the remainder of the war, the house was used as a headquarters for both British and Hessian armies.

Following the war, the estate was confiscated under the Forfeiture Laws by the State of New York and sold to cover war debts. For a time, it served as a tavern; however, after some years, the tavern became unsuccessful and the house was abandoned once again. Then on July 10th of 1790, now President George Washington held his first Cabinet dinner at the same place he scored his first victory during the Revolutionary War. n 1810, Eliza and Stephen Jumel purchased Mount Morris, all farmlands, and began a series of alterations to the house. A merchant from the south of France, who emigrated to New York some years earlier, Stephen met and married Eliza Bowen in New York. She grew up in a poor Rhode Island family, a voracious reader and self-educated, she developed into a shrewd businesswoman long before most women worked outside the home, let alone ran businesses. At a moment when Stephen's business was foundering, Eliza applied herself to the real estate trade, buying and selling land and renting properties downtown. Her success made large profits for her husband and herself, making her one of the wealthiest women in New York, after Stephen’s death.

By the 1880s, most of the Jumel land had been sold as the city expanded and fashionable townhouses rose immediately surrounding the Mansion. The City of New York purchased the house and the two acres it sits on creating Roger Morris Park. With the assistance of the DAR, the Mansion was turned into a historic house and museum. The mid-20th Century saw the neighborhood develop into a vibrant home to many artists and celebrities including Paul Robeson, Jackie Robinson, Thurgood Marshall, and Duke Ellington, who once referred to the Morris-Jumel Mansion as “the jewel in the crown of Sugar Hill.” The buildings in this district are protected by the New York Landmarks Commission and must be maintained by their owners reflective of when they were built. Because of this, the appearance of the neighborhood has changed very little since the beginning of the twentieth century.

Today, the Morris-Jumel Mansion is the oldest house in Manhattan and as a museum highlights the art, architecture and lives of the Morris and Jumel families, while celebrating the changing landscape from the now lost Polo Grounds to the contemporary artists who find inspiration from this over 250 year old structure, and culture. We hope to see you soon to experience all that is new at Manhattan’s oldest house.

"As Manhattan’s oldest residence, the Morris-Jumel Mansion Museum presents American life from the colonial era to the present by preserving, collecting, and interpreting history, culture, and the arts to engage and inspire diverse audiences.

Morris-Jumel Mansion, Inc. operates the Morris -Jumel Mansion as a historic house museum and thereby seeks to preserve and interpret Manhattan’s oldest residence, one that has witnessed the evolution of northern Manhattan from rural countryside to a dynamic multicultural community. Through historic site tours and education programs, the museum interprets the mansion in the context of domestic life in New York City from 1765 until 1865, the influx of European immigrants to Washington Heights in the late 1800’s, the City Beautiful movement at the turn of the century, the life of the Jumel Terrace Historic District, and more recent immigration. Morris-Jumel Mansion seeks to serve as a cultural resource for an audience of national and international visitors and, in particular, the diverse audiences of the City of New York."

Obituary by Omar Lanzetti

1

Fonte Official Obituary FB Page :

Upon switching their name from Xecutioner to Obituary, the career of one of the most successful and influential Death Metal bands began. Hailing from Florida and featuring John Tardy (vocals), brother Donald Tardy (drums), Trevor Peres (guitar), Allen West (guitar), and Daniel Tucker (bass), the band signed to Roadracer Records, a now defunct division of Roadrunner, for the recording of their debut album—the immense and immeasurably heavy “Slowly We Rot” (1989). The album was engineered by the legendary Scott Burns at Morrisound Studio, which would come to be the most sought after facility for production of albums during 1990’s rise of the Death Metal genre. Unlike much death metal preceding it, the album had a sludgy feel and integrated devastatingly slow passages along with obliterating overtures that reached far beyond any point of mayhem that metal had yet to reach; the result was a carnal pleasure for doom, death and thrash fans alike coupling the adrenaline of a speedball with the slow, degrading measures of a sewer at dusk. Like them or not, Obituary was unlike anything anyone had heard before.

“Slowly We Rot” was chaotic, bass heavy mix of manic guitar solos and crashing drums, but it was undeniably characterized by vocalist John Tardy’s disarmingly horrific, gargling style, that created guttural chasms of dread which though often strived for, to date have been paralleled by none. The ability to augment tempo so drastically became the band’s trademark along with Tardy’s unique vocal style, which distinguished them clearly from the rest of the emerging Florida Death Metal bands; nowhere is this more apparent than on the prophetic title track of their debut. The fact that Obituary refrained from printing lyric sheets with their albums led people to believe that they didn't actually write any lyrics. Some may question the verbosity or absence of documented lyrics, however, any true fan has each grunt, growl and howling grimace committed to memory like an utterance from God in painstaking form—what does not exist can not be remembered, and an Obituary show is testimony to the re-creation of what your ears couldn't believe in the first place. Once again bringing augmentation to irony, Live and Dead worked quite well for the quintet, dividing your conscience yet leaving much to the imagination; not since birth have your senses been so graphically assaulted yet pleased at the same time. While such differing sensations once seemed incongruous, Obituary have proven the ability to merge unlikely dichotomies, from their slow-as-hell-yet-fast-as-fuck style to the non-evil, homegrown approach to what would largely become the satanized, bastardized, make-up wearing movement known as Death Metal.

The maturation of the musicians into songwriters taking more visionary and complex forms would soon be heard world wide as Obituary took metal by storm in 1990. Despite their youth upon release of their sophomore offering, “Cause of Death” embodied the confident swagger of the most fearsome pack-leading hound. From the insidious growls of John’s vocals to the barrage of Donald Tardy’s thunderously-metered explosions of double bass, “Cause of Death” was the intention and method as promised by the early threat of “Slowly We Rot”; for Obituary, Death was just the beginning. Accordingly, the title track alone (“Cause of Death”) would be heard, regurgitated, manipulated, complimented and collapsed—but never duplicated—on third and forth generation death metal albums for years to come. Lovecraftian imagery and aural morbidity aside, even a deaf man found fear when confronted by the formidable visage of guitarist Peres; entering Frank Watkins, the hulking henchman of a bassist from South Florida, finally provided long-needed and powerful rhythm stability to the line up. However, the grinding of the axes would not be complete until the return of Xecutioner veteran Allen West, who, along with Peres and Tardy, crafted the foundation for most of Obituary’s most primordial and historic moments. Attack now whole, Obituary had given birth—sight, sound and feel—to a true horror greater than metal had ever known.

The paradox herein lies that Obituary was anything but a summation to and end, but more an exploratory journey into the infinite dehumanization of all that is known, as confronted brazenly by their best selling release yet, “The End Complete” and later followed by the cynical and dark expedition of “World Demise”. Reunited with songwriter West, the band was conjoined like quintuplets sharing life and a name. Though finality was possibly inferred by these titles, Obituary was anything but finished. Ironically, the images conjured by songs such as “Don’t Care”, “Platonic Disease” and “World Demise” seemingly foretold of the millennium as can now be seen daily, displayed plainly across the screens of CNN and reality TV programs world wide; not bad for a bunch of rednecks from Florida with Budweiser dreams and bongwater nightmares.

2004 brings reason for Obituary fans to rejoice, the sunken eyes and heaving cries have all but abated. Obituary has only aspired to live up to the standard they have set for themselves, one that numerous bands have strived to duplicate, but never attained, falling short both creatively and in lack of the unique talent that each member contributes to the near indescribable Obituary sound. Like a forgotten corpse in the basement, Obituary are back to haunt, taunt and fully pollute your senses. Fermenting like waste in the hot Florida sun, Obituary return from hiatus with the voracity of a starven wretch. The forfeiture of time brings blessings of brutality, and assurance that the Dead shall indeed rise again. Such aural abrasion can only be heard on an Obituary album or the live circumcision of a thirty-year-old man, the choice is yours...

Asset forfeiture Dresses-19 by Office of Public Affairs

The US Marshals and GSA are selling 2,000 dresses and accessories near Baltimore Nov. 18-20, 2015. These dresses were seized by the U.S. Marshals Service in connection with the criminal conviction of an Upper Marlboro, Maryland, woman who had embezzled more than $5 million from her employer in order to, among other things, keep her wedding boutique afloat. She funneled about $1.8 million of the stolen funds into her store. Net proceeds from this sale of bridal dresses and other wedding-related goods from the Couture Miss shop will go back to the Association of American Medical Colleges, the non-profit that employed Ephonia Green.

Photo by Shane T. McCoy / US Marshals

Recognizing community crime fighters by Province of British Columbia

Over 120 community safety leaders gathered to recognize their peers with the Community Safety and Crime Prevention awards.

Learn more about the five community crime fighters who were recognized: news.gov.bc.ca/releases/2015JAG0272-001868

Asset forfeiture Dresses-43 by Office of Public Affairs

The US Marshals and GSA are selling 2,000 dresses and accessories near Baltimore Nov. 18-20, 2015. These dresses were seized by the U.S. Marshals Service in connection with the criminal conviction of an Upper Marlboro, Maryland, woman who had embezzled more than $5 million from her employer in order to, among other things, keep her wedding boutique afloat. She funneled about $1.8 million of the stolen funds into her store. Net proceeds from this sale of bridal dresses and other wedding-related goods from the Couture Miss shop will go back to the Association of American Medical Colleges, the non-profit that employed Ephonia Green.

Photo by Shane T. McCoy / US Marshals

Asset forfeiture Dresses-49 by Office of Public Affairs

The US Marshals and GSA are selling 2,000 dresses and accessories near Baltimore Nov. 18-20, 2015. These dresses were seized by the U.S. Marshals Service in connection with the criminal conviction of an Upper Marlboro, Maryland, woman who had embezzled more than $5 million from her employer in order to, among other things, keep her wedding boutique afloat. She funneled about $1.8 million of the stolen funds into her store. Net proceeds from this sale of bridal dresses and other wedding-related goods from the Couture Miss shop will go back to the Association of American Medical Colleges, the non-profit that employed Ephonia Green.

Photo by Shane T. McCoy / US Marshals

Leamaneh Castle by Lorcan Keating

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Legends of Máire Rua

Maire Rua was born in 1615, or possibly 1616. Her father was Torlach Rua MacMahon, Lord of Clonderlaw and her mother was Mary O'Brien, daughter of the third Earl of Thomond. Her place of birth is unclear. An elegy composed for her gives Bunratty as her birthplace but local tradition claims that she was born at Clonderlaw.

Her first husband was Daniel Neylon of Dysert O'Dea in north Clare. They had three sons, William, Daniel and Michael. William was the father of Baron Francis Patrick O'Neillan. It seems that a fourth son was born but died in infancy. When Daniel Neylon died Maire Rua gained control of the estate.

Around 1639 Maire Rua married Conor O'Brien of Leamaneh. From State documents about Leamaneh it seems that he got a £1,000 fortune with her. In 1648 they built a more comfortable mansion on to the original fifteenth century tower house at Leamaneh. Only the four walls with their mullioned windows are left in what must have been Clare's most magnificent seventeenth century house. Conor and Maire had eight children, Donough (or Donat) ,Teige, Turlough, Murrough, Honora, Mary and two daughters who may have died of the plague that had raged in the Limerick district in the year of the siege.

Conor was killed in 1651 at the Pass of Inchicronan while leading his men against the Cromwellians. There are varied reports of Maire Rua's reaction to Conor's death. One report is that he was taken home in a very weak condition by his followers and that Maire Rua nursed him until he died at nightfall. She would have realised that the punishment for Conor's rebellion was forfeiture of his property. It is reported that immediately after Conor's death she went, richly dressed, to Limerick. In a bid to retain her lands and estates she offered to marry immediately any Cromwellian officer who was willing. This is refuted in other versions of the story which state that Maire Rua didn't marry until 1653, two years after Conor's death.

In either case her third husband was Cornet John Cooper, a Cromwellian soldier. They had a son, Harry (or Henry), and possibly a daughter also. Through this marriage of expediency Maire Rua succeeded in keeping her estates intact for her children. John Cooper left the army and became wealthy through land and property speculation, though he later ran into financial difficulty resulting in the mortgaging of Leamaneh.

In fact and in fable Maire Rua was a formidable woman. Legends have grown up around her, many of them exaggerated with the passage of time and many of them simply untrue. In 1664 she was granted a royal pardon on murder charges brought against her two years previously. These charges related to her supposed involvement with Conor O'Brien's raiding parties in the 1640's. Without doubt, she was a tough, forceful and determined woman but there is no evidence to support the story of her throwing her third husband out of the window of Leamaneh, or of her forcing him to ride his horse over the Cliffs of Moher. In fact, it seems that financially and legally the marriage of convenience lasted for many years although they perhaps lived separate lives later on. She spent the final years of her life at Dromoland Castle. Her son, Donough, had moved the family seat from Leamaneh to Dromoland. He was brought up as a protestant and eventually became the "richest commoner in Ireland."

It is claimed by some that Maire Rua is buried at Coad church in Kilnaboy parish. Her two daughters are buried there and it is thought that Maire had constructed the church there following a dispute with the Rector at Kilnaboy.

Legends about Maire Rua may be exaggerated but documented history shows that she was indeed a remarkable and fearless character.

1

The Morris-Jumel Mansion was built in 1765 as a summer house by Colonel Roger Morris for his wife, Mary Philipse and their family on approximately 135 acres of land that stretched from the Harlem to Hudson rivers between what is now 140th and approximately 18oth streets. Their country estate was named Mount Morris and, being situated on one of the highest points of Manhattan, offered clear views of New Jersey, Connecticut, and all of New York harbor. In addition to serving as a summer retreat, Mount Morris was also a working farm with fruit trees, cows, and sheep in addition to a variety of crops.

With the outbreak of the American Revolutionary War, the Morris family abandoned their summer home. Then, in the autumn of 1776, General George Washington and his Patriot officers moved in and made the house their headquarters from September 14th to October 21st. The superb views from Mount Morris made the location ideal for observing troop movements and General Washington used this advantage to plan his army’s first successful victory; the Battle of Harlem Heights. Despite this victory, on October 21st, General Washington was forced to retreat to White Plains. For the remainder of the war, the house was used as a headquarters for both British and Hessian armies.

Following the war, the estate was confiscated under the Forfeiture Laws by the State of New York and sold to cover war debts. For a time, it served as a tavern; however, after some years, the tavern became unsuccessful and the house was abandoned once again. Then on July 10th of 1790, now President George Washington held his first Cabinet dinner at the same place he scored his first victory during the Revolutionary War. n 1810, Eliza and Stephen Jumel purchased Mount Morris, all farmlands, and began a series of alterations to the house. A merchant from the south of France, who emigrated to New York some years earlier, Stephen met and married Eliza Bowen in New York. She grew up in a poor Rhode Island family, a voracious reader and self-educated, she developed into a shrewd businesswoman long before most women worked outside the home, let alone ran businesses. At a moment when Stephen's business was foundering, Eliza applied herself to the real estate trade, buying and selling land and renting properties downtown. Her success made large profits for her husband and herself, making her one of the wealthiest women in New York, after Stephen’s death.

By the 1880s, most of the Jumel land had been sold as the city expanded and fashionable townhouses rose immediately surrounding the Mansion. The City of New York purchased the house and the two acres it sits on creating Roger Morris Park. With the assistance of the DAR, the Mansion was turned into a historic house and museum. The mid-20th Century saw the neighborhood develop into a vibrant home to many artists and celebrities including Paul Robeson, Jackie Robinson, Thurgood Marshall, and Duke Ellington, who once referred to the Morris-Jumel Mansion as “the jewel in the crown of Sugar Hill.” The buildings in this district are protected by the New York Landmarks Commission and must be maintained by their owners reflective of when they were built. Because of this, the appearance of the neighborhood has changed very little since the beginning of the twentieth century.

Today, the Morris-Jumel Mansion is the oldest house in Manhattan and as a museum highlights the art, architecture and lives of the Morris and Jumel families, while celebrating the changing landscape from the now lost Polo Grounds to the contemporary artists who find inspiration from this over 250 year old structure, and culture. We hope to see you soon to experience all that is new at Manhattan’s oldest house.

"As Manhattan’s oldest residence, the Morris-Jumel Mansion Museum presents American life from the colonial era to the present by preserving, collecting, and interpreting history, culture, and the arts to engage and inspire diverse audiences.

Morris-Jumel Mansion, Inc. operates the Morris -Jumel Mansion as a historic house museum and thereby seeks to preserve and interpret Manhattan’s oldest residence, one that has witnessed the evolution of northern Manhattan from rural countryside to a dynamic multicultural community. Through historic site tours and education programs, the museum interprets the mansion in the context of domestic life in New York City from 1765 until 1865, the influx of European immigrants to Washington Heights in the late 1800’s, the City Beautiful movement at the turn of the century, the life of the Jumel Terrace Historic District, and more recent immigration. Morris-Jumel Mansion seeks to serve as a cultural resource for an audience of national and international visitors and, in particular, the diverse audiences of the City of New York."

globalnews.ca/news/1603048/more-forfeited-gangster-vehicl...

Asset forfeiture Dresses-11 by Office of Public Affairs

The US Marshals and GSA are selling 2,000 dresses and accessories near Baltimore Nov. 18-20, 2015. These dresses were seized by the U.S. Marshals Service in connection with the criminal conviction of an Upper Marlboro, Maryland, woman who had embezzled more than $5 million from her employer in order to, among other things, keep her wedding boutique afloat. She funneled about $1.8 million of the stolen funds into her store. Net proceeds from this sale of bridal dresses and other wedding-related goods from the Couture Miss shop will go back to the Association of American Medical Colleges, the non-profit that employed Ephonia Green.

Photo by Shane T. McCoy / US Marshals

Forfeited vehicle to support Surrey youth safety by Province of British Columbia

Students at Queen Elizabeth Secondary school in Surrey meet with Solicitor General Mike Farnworth on Feb. 1. The Range Rover unveiled at the school, which the Province has provided to Surrey RCMP, will support the End Gang Life program and Surrey RCMP’s own “Shattering the Image” program, which work to keep young people out of gangs and crime.

Learn more: news.gov.bc.ca/16294

Forfeited vehicle to support Surrey youth safety by Province of British Columbia

Students at Queen Elizabeth Secondary school in Surrey meet with Solicitor General Mike Farnworth on Feb. 1. The Range Rover unveiled at the school, which the Province has provided to Surrey RCMP, will support the End Gang Life program and Surrey RCMP’s own “Shattering the Image” program, which work to keep young people out of gangs and crime.

Learn more: news.gov.bc.ca/16294

Police car BMW SUV by D70

1 1

2016 Vancouver International Autoshow.

Three former gangster-owned vehicles are already in use by police forces around B.C.; a Nissan 350z sports car by the Kelowna RCMP; a BMW SUV by the CFSEU-BC; and a Hummer by the Abbotsford Police.

Over the past eight years of the civil forfeiture program, approximately 250 vehicles have been forfeited, most with links to drugs, gangs or organized crime.

The Combined Forces Special Enforcement Unit – British Columbia is the province's anti-gang agency.

For the video; youtu.be/DV-TFteZ04o

www.cfseu.bc.ca/

Asset forfeiture Dresses-5 by Office of Public Affairs

The US Marshals and GSA are selling 2,000 dresses and accessories near Baltimore Nov. 18-20, 2015. These dresses were seized by the U.S. Marshals Service in connection with the criminal conviction of an Upper Marlboro, Maryland, woman who had embezzled more than $5 million from her employer in order to, among other things, keep her wedding boutique afloat. She funneled about $1.8 million of the stolen funds into her store. Net proceeds from this sale of bridal dresses and other wedding-related goods from the Couture Miss shop will go back to the Association of American Medical Colleges, the non-profit that employed Ephonia Green.

Photo by Shane T. McCoy / US Marshals

Asset forfeiture Dresses-12 by Office of Public Affairs

The US Marshals and GSA are selling 2,000 dresses and accessories near Baltimore Nov. 18-20, 2015. These dresses were seized by the U.S. Marshals Service in connection with the criminal conviction of an Upper Marlboro, Maryland, woman who had embezzled more than $5 million from her employer in order to, among other things, keep her wedding boutique afloat. She funneled about $1.8 million of the stolen funds into her store. Net proceeds from this sale of bridal dresses and other wedding-related goods from the Couture Miss shop will go back to the Association of American Medical Colleges, the non-profit that employed Ephonia Green.

Photo by Shane T. McCoy / US Marshals

Asset forfeiture Dresses-20 by Office of Public Affairs

The US Marshals and GSA are selling 2,000 dresses and accessories near Baltimore Nov. 18-20, 2015. These dresses were seized by the U.S. Marshals Service in connection with the criminal conviction of an Upper Marlboro, Maryland, woman who had embezzled more than $5 million from her employer in order to, among other things, keep her wedding boutique afloat. She funneled about $1.8 million of the stolen funds into her store. Net proceeds from this sale of bridal dresses and other wedding-related goods from the Couture Miss shop will go back to the Association of American Medical Colleges, the non-profit that employed Ephonia Green.

Photo by Shane T. McCoy / US Marshals

The Morris-Jumel Mansion was built in 1765 as a summer house by Colonel Roger Morris for his wife, Mary Philipse and their family on approximately 135 acres of land that stretched from the Harlem to Hudson rivers between what is now 140th and approximately 18oth streets. Their country estate was named Mount Morris and, being situated on one of the highest points of Manhattan, offered clear views of New Jersey, Connecticut, and all of New York harbor. In addition to serving as a summer retreat, Mount Morris was also a working farm with fruit trees, cows, and sheep in addition to a variety of crops.

With the outbreak of the American Revolutionary War, the Morris family abandoned their summer home. Then, in the autumn of 1776, General George Washington and his Patriot officers moved in and made the house their headquarters from September 14th to October 21st. The superb views from Mount Morris made the location ideal for observing troop movements and General Washington used this advantage to plan his army’s first successful victory; the Battle of Harlem Heights. Despite this victory, on October 21st, General Washington was forced to retreat to White Plains. For the remainder of the war, the house was used as a headquarters for both British and Hessian armies.

Following the war, the estate was confiscated under the Forfeiture Laws by the State of New York and sold to cover war debts. For a time, it served as a tavern; however, after some years, the tavern became unsuccessful and the house was abandoned once again. Then on July 10th of 1790, now President George Washington held his first Cabinet dinner at the same place he scored his first victory during the Revolutionary War. n 1810, Eliza and Stephen Jumel purchased Mount Morris, all farmlands, and began a series of alterations to the house. A merchant from the south of France, who emigrated to New York some years earlier, Stephen met and married Eliza Bowen in New York. She grew up in a poor Rhode Island family, a voracious reader and self-educated, she developed into a shrewd businesswoman long before most women worked outside the home, let alone ran businesses. At a moment when Stephen's business was foundering, Eliza applied herself to the real estate trade, buying and selling land and renting properties downtown. Her success made large profits for her husband and herself, making her one of the wealthiest women in New York, after Stephen’s death.

By the 1880s, most of the Jumel land had been sold as the city expanded and fashionable townhouses rose immediately surrounding the Mansion. The City of New York purchased the house and the two acres it sits on creating Roger Morris Park. With the assistance of the DAR, the Mansion was turned into a historic house and museum. The mid-20th Century saw the neighborhood develop into a vibrant home to many artists and celebrities including Paul Robeson, Jackie Robinson, Thurgood Marshall, and Duke Ellington, who once referred to the Morris-Jumel Mansion as “the jewel in the crown of Sugar Hill.” The buildings in this district are protected by the New York Landmarks Commission and must be maintained by their owners reflective of when they were built. Because of this, the appearance of the neighborhood has changed very little since the beginning of the twentieth century.

Today, the Morris-Jumel Mansion is the oldest house in Manhattan and as a museum highlights the art, architecture and lives of the Morris and Jumel families, while celebrating the changing landscape from the now lost Polo Grounds to the contemporary artists who find inspiration from this over 250 year old structure, and culture. We hope to see you soon to experience all that is new at Manhattan’s oldest house.

"As Manhattan’s oldest residence, the Morris-Jumel Mansion Museum presents American life from the colonial era to the present by preserving, collecting, and interpreting history, culture, and the arts to engage and inspire diverse audiences.

Morris-Jumel Mansion, Inc. operates the Morris -Jumel Mansion as a historic house museum and thereby seeks to preserve and interpret Manhattan’s oldest residence, one that has witnessed the evolution of northern Manhattan from rural countryside to a dynamic multicultural community. Through historic site tours and education programs, the museum interprets the mansion in the context of domestic life in New York City from 1765 until 1865, the influx of European immigrants to Washington Heights in the late 1800’s, the City Beautiful movement at the turn of the century, the life of the Jumel Terrace Historic District, and more recent immigration. Morris-Jumel Mansion seeks to serve as a cultural resource for an audience of national and international visitors and, in particular, the diverse audiences of the City of New York."

www.youtube.com/watch?v=3KIGWTPTbV4&list=PLjjudGdjGHa...

The room where "Hamilton" was written by Lin Manuel Miranda:

The Morris-Jumel Mansion was built in 1765 as a summer house by Colonel Roger Morris for his wife, Mary Philipse and their family on approximately 135 acres of land that stretched from the Harlem to Hudson rivers between what is now 140th and approximately 18oth streets. Their country estate was named Mount Morris and, being situated on one of the highest points of Manhattan, offered clear views of New Jersey, Connecticut, and all of New York harbor. In addition to serving as a summer retreat, Mount Morris was also a working farm with fruit trees, cows, and sheep in addition to a variety of crops.

With the outbreak of the American Revolutionary War, the Morris family abandoned their summer home. Then, in the autumn of 1776, General George Washington and his Patriot officers moved in and made the house their headquarters from September 14th to October 21st. The superb views from Mount Morris made the location ideal for observing troop movements and General Washington used this advantage to plan his army’s first successful victory; the Battle of Harlem Heights. Despite this victory, on October 21st, General Washington was forced to retreat to White Plains. For the remainder of the war, the house was used as a headquarters for both British and Hessian armies.

Following the war, the estate was confiscated under the Forfeiture Laws by the State of New York and sold to cover war debts. For a time, it served as a tavern; however, after some years, the tavern became unsuccessful and the house was abandoned once again. Then on July 10th of 1790, now President George Washington held his first Cabinet dinner at the same place he scored his first victory during the Revolutionary War. n 1810, Eliza and Stephen Jumel purchased Mount Morris, all farmlands, and began a series of alterations to the house. A merchant from the south of France, who emigrated to New York some years earlier, Stephen met and married Eliza Bowen in New York. She grew up in a poor Rhode Island family, a voracious reader and self-educated, she developed into a shrewd businesswoman long before most women worked outside the home, let alone ran businesses. At a moment when Stephen's business was foundering, Eliza applied herself to the real estate trade, buying and selling land and renting properties downtown. Her success made large profits for her husband and herself, making her one of the wealthiest women in New York, after Stephen’s death.

By the 1880s, most of the Jumel land had been sold as the city expanded and fashionable townhouses rose immediately surrounding the Mansion. The City of New York purchased the house and the two acres it sits on creating Roger Morris Park. With the assistance of the DAR, the Mansion was turned into a historic house and museum. The mid-20th Century saw the neighborhood develop into a vibrant home to many artists and celebrities including Paul Robeson, Jackie Robinson, Thurgood Marshall, and Duke Ellington, who once referred to the Morris-Jumel Mansion as “the jewel in the crown of Sugar Hill.” The buildings in this district are protected by the New York Landmarks Commission and must be maintained by their owners reflective of when they were built. Because of this, the appearance of the neighborhood has changed very little since the beginning of the twentieth century.

Today, the Morris-Jumel Mansion is the oldest house in Manhattan and as a museum highlights the art, architecture and lives of the Morris and Jumel families, while celebrating the changing landscape from the now lost Polo Grounds to the contemporary artists who find inspiration from this over 250 year old structure, and culture. We hope to see you soon to experience all that is new at Manhattan’s oldest house.

"As Manhattan’s oldest residence, the Morris-Jumel Mansion Museum presents American life from the colonial era to the present by preserving, collecting, and interpreting history, culture, and the arts to engage and inspire diverse audiences.

Morris-Jumel Mansion, Inc. operates the Morris -Jumel Mansion as a historic house museum and thereby seeks to preserve and interpret Manhattan’s oldest residence, one that has witnessed the evolution of northern Manhattan from rural countryside to a dynamic multicultural community. Through historic site tours and education programs, the museum interprets the mansion in the context of domestic life in New York City from 1765 until 1865, the influx of European immigrants to Washington Heights in the late 1800’s, the City Beautiful movement at the turn of the century, the life of the Jumel Terrace Historic District, and more recent immigration. Morris-Jumel Mansion seeks to serve as a cultural resource for an audience of national and international visitors and, in particular, the diverse audiences of the City of New York."