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A coyote, making its way through the meadow on a bright overcast morning, stopped occasionally to gaze in my direction, perhaps it was not comfortable with what was pointing at it.
I took this shot in early June. It is quite surprising that this individual still had some winter coat around the neck and shoulder. But I think the shedding should be completed pretty soon.
Taken on: Early June 2020, Lois Holes Centennial Provincial Park
Nikon D500 w/ 500mmf4G +1.4X
Effective focal length: 1050mm; cropped image
Lightroom 6.0
Thank you very much for the visit and comment
Tenaya Lake, Tioga Pass
Yosemite National Park
Camera: Canon Eos 6D
Lens: EF24-105mmF/4L-USM
Aperture: f/11.0
Focal Length: 50 mm
Shutter Speed: 1/100 sec
ISO: 100
Assemblage de 5 photographies prises à une focale équivalente à 50 mm et 1 photographie à 44 mm avec un trépied.
Station de Tramway Didot
75014 PARIS
Fujinon 50mm 1:1.4 M42
A soft shot with my 50 year old vintage lens wide open and close to minimum focal distance.
Comet C/2006 P1 (McNaught) at 300mm focal length (-1.3mag), Kollbach, Bavaria, Germany
KometMcNaught-12
Snow Canyon SP
Camera: Canon Eos 6D
Lens: EF17-40mmF/4L-USM
Aperture: f/9,0
Focal Length: 17 mm
Shutter Speed: 1/160
ISO: 200
Mashalh*
Nikon D300
F-stop: f/11
Exposure time: 1/125 sec.
ISO speed: ISO-100
Focal length: 85 mm
Max aperture: 1.6
Please don't use my photos for any thing. - © All rights reserved
hey guys... just wana say that i wont be posting pix for a while... due to some changes i am planning to do... hmm ow bas... lol enjoy this pic and wait for updates...
sorry for the late notice..
enjoy ^^
Camera: Canon EOS 50D
Aperture: f/8.0
Focal Length: 18 mm
ISO Speed: 100
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© All rights reserved.
RETURNING TO THE MARINE
NAUTILUS YACHTING CLUB
CANON POWER SHOT SX130 IS:
DISTANCIA FOCAL 21.3 mm
APERTURA f/4.5
ISO/PELÍCULA 80
VELOCIDAD DEL OBTURADOR 1/640
BALANCE DE BLANCOS Auto.
www.nyc.com.uy/index.php?mid=html&func=load&value...
See more of this place:
6/7/2023 3 P.M.
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The Wood Duck is one of the most stunningly pretty of all waterfowl. Males are iridescent chestnut and green, with ornate patterns on nearly every feather; the elegant females have a distinctive profile and delicate white pattern around the eye. These birds live in wooded swamps, where they nest in holes in trees or in nest boxes put up around lake margins. They are one of the few duck species equipped with strong claws that can grip bark and perch on branches.
I have been sitting quietly at my house through most of the winter so far, after October, the mountains tend to look dull, brown. Except for a few days of fog I missed there hasn't been much I have wanted to shoot. Yesterday though, I decided to drag my camera out there was an interesting storm rolling through, and since the parkway is closed, I returned to Chunky Gal. I haven't looked at the other set of photos I have yet, I wanted to do the pano stitch first. I tried balancing the colors, making things look natural, but still fully exposed. So I exposure bracketed across the frame.
ISO: 320
Aperture: f8
SS: 1/8th
Focal: 50mm
This is seven Vertical images stitched, each one is a three step exposure bracket, so 21 total shots.
The principal or Jordan Staircase of the Winter Palace, St Petersburg is so called because on the Feast of the Epiphany the Tsar descended this imperial staircase in state for the ceremony of the "Blessing of the Waters" of the Neva River, a celebration of Christ's baptism in the Jordan River.
During state receptions and functions the Jordan Staircase was a focal point for arriving guests. After entering the palace through the Ambassadors' entrance, in the central courtyard, they would pass through the colonnaded ground floor Jordan Hall before ascending the staircase to the state apartments. Following a ball at the Winter Palace in 1902, The Duchess of Sutherland wrote: "The stairs of the palace were guarded by cossacks, with hundreds of footmen in scarlet liveries, I have never in my life seen so brilliant a sight—the light, the uniforms, the enormous rooms, the crowd, the music..
For a change of style, but to stay on the theme of Paris, I propose you some views of the city taken with long focal lenses, which can give a tight frame and sometimes original points of view
Faro de Cabo de Palos
Altura focal 81 m
Altura soporte 51m
Alcance 23 millas náuticas (43Km)
Grupos de 2 destellos cada 10 s
Captured this one again at different angle and focal distance...somehow lucky with some editing ...Good remaing week..almost have done...Thanks, Udo.
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Dati Tecnici
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a) Fuji X-H1 + Anello adattatore Fringer EF-FX ProII + Sigma 105mm f.1,4 Art DG HSM (attacco canon).
b) Tempo 1/115s apertura a f.5,6 + 2/3 di stop (a mano libera no flash);
c) Focale nell'ottica 105mm, reale circa 157,5 mm, ISO/ASA 200
d) Tecnica di impressione del sensore (Tecnica dell'Esposizione a Destra)
e) Lettura Esposimetrica in Media a Prevalenza Centrale con esposimetro della macchina;
f) Messa a fuoco (auto);
g) File Raw/Raf - 137Mb convertito in Tiff;
h) Lux Ambiente indiretta fonte di luce naturale con cielo coperto pomeridiano, luce diffusa 4550° kelvin
i) Prima Post-Produzione per effettuare un minimo intervento del bilanciamento tonale nelle varie aree del fotogramma con Nikon Capture NX 2
l) Seconda Post-Produzione con Adobe Photoshop CS6 64Bit per il bilanciamento della compensazione dell’Esposizione con le zone d’ombra;
m) Postproduzione di correzione con CorelPhotoPaint X7 64Bit;
n) Post-Produzione di completamento con Nikon Capture NX 2;
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Mio breve Curriculum Vitae su LinkedIn: - My Brief Curriculum Vitae on LinkedIn:
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Visualizza il profilo di Luigi Mirto/ArchiMlFotoWord
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Tutti i diritti riservati ©2023/2035 da ArchiMlFotoWord/Luigi Mirto/Photography
Nessuna immagine o parte di essa può essere riprodotta o trasmessa in qualsiasi forma e con qualsiasi mezzo senza preventiva autorizzazione.
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All rights reserved ©2023/2035 by ArchiMlFotoWord/Luigi Mirto/Photography
No images or part thereof may be reproduced or transmitted in any form or by any means
Without prior permission.
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Guardate l’immagine, ascoltate questo brano e leggete le parole della poesia sotto:
Look at the image, listen to this passage and read the words of the poem below:
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Billie Eilish - No Time To Die - Non c'è tempo per morire
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Non c'è tempo per morire
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…eravamo una coppia
ma per te…
solo per mostrarsi
agli occhi degli altri.
Ero stupido ad amarti
credevo nella famiglia ma
per te era solo una farsa,
avrei dovuto capirlo,
avrei voluto sapere
quello che adesso conosco
quello che tutti sanno
e.... me ne sarei andato da solo.
La vita?,... è lontana dall’essere giusta
troppo angosce da sopportare
era troppo ovvio a tutti, io....
avevo gli occhi chiusi dalla fiducia
avevo gli occhi chiusi dal mio cuore.
Avrei dovuto comprendere
non sei mai stata al mio fianco,
eri la mia vita, ma continuavi
a ingannare il mondo intero: una,
due, tante volte, all’infinito.
Io mi fidavo. Adesso libero
da questo enorme peso
che tormentava il cuore
non sei più un mio problema.
Mai più vedrai il mio volto
non sentirai più la mia voce
non avrai mai il mio perdono,
nemmeno in punto dell'ultimo respiro,
lascio che tutto bruci alle mie spalle
non guarderò più indietro
che tu sia morte o paradiso
da quando ti ho visto lì
dove tu mi hai guardato.
Adesso?..,
che vi sia buio o luce...
non c’è più tempo per vivere
non c’è tempo per morire
non ci sarà tempo per…
tornare indietro.
Un’altra lezione l’ho imparata
e non avrai più nulla
dalla mia vita.
……………………..Luigi Mirto
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No time to die
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…we were a couple
but for you…
just to show off
in the eyes of others.
I was stupid to love you
I believed in family but
for you it was just a farce,
I should have known,
I wish I knew
what I know now
what everyone knows
and.... I would have gone alone.
Life?,... is far from being fair
too much anguish to bear
it was too obvious to everyone, I....
I had my eyes closed with trust
I had my eyes closed by my heart.
I should have understood
you've never been by my side
you were my life, but you continued
to deceive the whole world: one,
twice, many times, endlessly.
I trusted. Now free
from this enormous weight
that tormented the heart
you are no longer my problem.
You will never see my face again
you will no longer hear my voice
you will never have my forgiveness,
not even at the point of the last breath,
I let it all burn behind me
I will never look back
whether you are death or heaven
since I saw you there
where you looked at me.
Now?..,
whether it's dark or light...
there is no more time to live
there is no time to die
there will be no time to…
come back.
I learned another lesson
and you will have nothing more
from my life.
……………………..Luigi Mirto
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Amsterdam Central Station is a magnificent monument that was built towards the end of the 19th century.
Note: assembly of 3 photos taken at 1/200, F9, ISO 100, focal length: 29 mm
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La splendide gare centrale d'Amsterdam.
La gare centrale d'Amsterdam est un superbe monument qui fut construit vers la fin du 19ème siècle.
Nota : assemblage de 3 photos prises au 1/200, F9, ISO 100, longueur focale : 29 mm
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Amsterdam- Netherlands / Amsterdam - Pays-Bas
Camera : NIKON D5000
Exposure : 0.017 sec (1/60)
Aperture : f/9.0
Focal Length : 300 mm
ISO Speed : 200
with Flash
قبل المعالجة
farm5.static.flickr.com/4120/4803992479_2ac54ffac0.jpg
للإستفادة هنا
ar.wikipedia.org/wiki/%d8%b2%d9%87%d8%b1%d8%a9_%d8%a7%d9%...
صورة جديدة أتمنى أن تنال على إعجابكم
Camera: Canon EOS 50D
Exposure: 2.5
Aperture: f/16.0
Focal Length: 50 mm
ISO Speed: 100
Camera: Canon Eos 6D
Lens: EF24-105mmF/4L-IS-USM
Aperture: f/4.0
Focal Length: 45 mm
Shutter Speed: 1/100
ISO: 160
Cámara: Kowa Six
Película: Velvia 50@32
ISO: 50
Velocidad Obturación: 30 seg
Apertura : f11
Distancia Focal: 55mm
Objetivo: Kowa 3.5 / 55mm
Datos Revelado Axel Color C41
Prelavado Tanque 5’ a 30º
Revelador: Axel Color 9’ a 30º
Blanqueo/Fijador: 15’ 30º
Lavado agua: 3’ cambio cada 30’’ 30/40º
Estabilizador: 1’ 20/40º
Of course, Goslar could not be missing on our short trip. Who visits Goslar, should also plan the Butterhanne. Gose beer is here certainly some a term. After a Butterhanne visit you are now up here and try this shot;)) Yes the Gose beer 🍺
cloth — old bear ♫
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EOSR | RF35mm f/1.8 IS STM
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This image is subject to full copyright © Please do not use my images on websites, blogs, or in other media without express written permission. F̶̅G̅. 2023 © all rights reserved