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“Cheerfulness keeps up a kind of daylight in the mind, filling it with a steady and perpetual serenity.”- Joseph Addison
♫ Michael Bublé - I'll Never Not Love You ♫
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I'll Never Not Love You
Every time my hand reaches for yours
I feel the hesitation
I'm sure that you're not sure
Every time your lips are kissing mine
I taste the indecision
It's messing with my mind
I know there's a part of you
That's terrified to love again
But I promise to the end
I'll never run
Leave you behind
I'll never hurt you like he hurt you
I'll never make you cry
I'll treat you right
I'll stand by you
And no matter whatever happens
I'll never not love you
All of me, it's diving in the deep
You're standing at the shoreline
The waves are at your feet
Trust will never happen overnight
But if you give me more time
I swear you'll see the light
I know there's a part of you
That's terrified to love again
But I promise to the end
I'll never run (never run)
Leave you behind (you behind)
I'll never hurt you like he hurt you
I'll never make you cry
I'll treat you right (treat you right)
I'll stand by you (stand by you)
And no matter whatever happens
I'll never not love you
Ooh, ooh
I'll never not, I'll never not...
I know there's a part of you
That is terrified to love again
But I promise 'til the end
Yeah, I promise 'til the end
I'll never run (never run)
Leave you behind (you behind)
I'll never hurt you like he hurt you
I'll never say goodbye
I'll treat you right (treat you right)
I'll stand by you (stand by you)
And no matter whatever happens
I'll never not love you
Ooh, ooh
I'll never not, I'll never not love you
Thank you so much, Babss and Dee for the group cover at Floyd's :) You two are awesome!
Check out this amazing group here:
www.flickr.com/groups/floydstore/
Original photo here:
Thank you very much for all your kindness, support and love. I'm glad I was chosen for the cover of this amazing group. Hugs! 💙💛
⭐️Dee Floyd
⭐️Babss Floyd
⭐️Original Picture: Quiet Time!
Published on Smile on Saturday! :-) 2020-10-24
Theme: Song Title
Time, a song by Pink Floyd.
The fourth song from the album “The dark side of the moon”.
Time
Ticking away the moments that make up a dull day
You fritter and waste the hours in an offhand way.
Kicking around on a piece of ground in your home town
Waiting for someone or something to show you the way.
Tired of lying in the sunshine staying home to watch the rain.
You are young and life is long and there is time to kill today.
And then one day you find ten years have got behind you.
No one told you when to run, you missed the starting gun.
So you run and you run to catch up with the sun but it's sinking
Racing around to come up behind you again.
The sun is the same in a relative way but you're older,
Shorter of breath and one day closer to death.
Every year is getting shorter never seem to find the time.
Plans that either come to naught or half a page of scribbled lines
Hanging on in quiet desperation is the English way
The time is gone, the song is over,
Thought I'd something more to say.
Thank you so much, Babss, for using my photo as your new group cover. :)
Check out this amazing group here:
www.flickr.com/groups/floydstore/
Original photo:
Philippe, un photographe passionné, se promenait dans les rues pittoresques de Bruxelles lorsqu’il remarqua un chat noir, élégant et mystérieux, assis sur le rebord d’une fenêtre.
Ce n’était autre que Floyd, le chat de sa voisine, qui semblait totalement absorbé par sa séance de toilette.
Floyd se léchait les pattes avec une grâce délicate, comme s’il était en train de préparer une performance pour un public invisible.
Philippe, intrigué par cette scène charmante, décida de capturer ce moment. Il sortit son appareil photo et se mit à l’affût, prêt à immortaliser les gestes raffinés de Floyd …
°°°°°°°°°°°°
Philippe, a keen photographer, was strolling through the picturesque streets of Brussels when he noticed an elegant and mysterious black cat sitting on a windowsill.
It was none other than Floyd, his neighbour's cat, who seemed completely absorbed in his grooming session.
Floyd licked his paws with delicate grace, as if preparing a performance for an unseen audience.
Philippe, fascinated by this charming scene, decided to capture the moment. He took out his camera and got ready to immortalise Floyd's refined gestures...
“Les petites histoires de PdF”
__________________________________________PdF_____
Regno Unito, Londra, Battersea Power Station, Estate 2023
Battersea Power Station è una centrale elettrica a carbone ormai in disuso situata sulla riva sud del Tamigi, a Battersea, nell’area sud-ovest di Londra. Il sito comprende due centrali singole, costruite in due fasi successive e formanti un singolo edificio. La Battersea Power Station “A” è stata costruita negli anni ’30 e la Battersea Power Station “B” negli anni ‘50. Le due stazioni sono state costruite su un disegno identico e possiedono la ben nota forma con 4 camini. La stazione è il più grande edificio in mattoni d'Europa e si distingue in suo stile Art Deco e per le finiture interne e l'arredamento. La stazione poteva fornire fino a un quinto del fabbisogno elettrico di Londra. La stazione ha cessato di produrre energia elettrica nel 1983, ma nel corso degli ultimi 50 anni è diventato uno dei più noti punti di riferimento di Londra. La stazione deve la sua celebrità a numerose apparizioni culturali, tra cui la copertina dell’album “Animal” Pink Floyd del 1977 nella quale la stazione è stata fotografata con un maiale gonfiabile rosa che fluttua tra i due camini anteriori.
Battersea Power Station is a decommissioned coal-fired power station located on the south bank of the River Thames, in Battersea, an inner-city district of South West London. It comprises two individual power stations, built in two stages in the form of a single building. Battersea A Power Station was built in the 1930s, with Battersea B Power Station to its east in the 1950s. The two stations were built to an identical design, providing the well known four-chimney layout. The station is the largest brick building in Europe and is notable for its original, lavish Art Deco interior fittings and decor. The station provided a fifth of London's electricity needs. The station ceased generating electricity in 1983, but over the past 50 years it has become one of the best known landmarks in London. The station's celebrity owes much to numerous cultural appearances, which include the cover art of Pink Floyd's 1977 album Animals where the station was photographed with a inflatable pink pig floating between the two front chimneys.
With storm clouds overhead, UP Train ZG4CI 15 makes its way up the short grade at MP 420 on the BNSF Marceline Sub, running through a temporary speed restriction. If you look closely next to the signal, you can see the AC4400CW acting as the Mid-Train DPU, cut in between the well cars and the spine cars towards the rear of the train.
Locomotives: UP 2561, UP 8844, UP 6541
9-15-16
Floyd, MO
Thank you very much for all your love and support. It's a great pleasure to be chosen for the cover of this amazing group. Hugs! Ƹ̵̡Ӝ̵̨̄Ʒ.
⭐️Dee.Floyd
⭐️Babss Floyd
I found this statue outside a school and it reminds me of the teacher from Pink Floyds "The wall". I simply could not resist taking a picture of it.
Taken with Yashica Minister D and Ilford Pan f Plus 50 at ISO 25. Developed in Fomadon Excel.
Shinne - Floyd
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Spent Christmas Day in Floyd Lamb park. Photographed this beautiful hawk
you can buy my art at james-sage.pixels.com/
My good friend, Eric Thomas, put up a work yesterday regarding time and Pink Floyd. I loved his idea so much that I asked if he would mind if I did another version of the song and he sweetly said that he would be delighted for me to do one.
Time - Pink Floyd
www.youtube.com/watch?v=JwYX52BP2Sk
Time is a Relative That Won't Go Away! by Eric Thomas
www.flickr.com/photos/169445064@N04/52032601966/in/datepo...
Thank you for your kind visit. Have a wonderful and beautiful day! ❤️❤️❤️
Heart of Georgia GP38-2 2038 brings the southbound local into Cordele, Georgia on December 11, 2019.
remember how she said that we would meet again
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i was inspired by pink floyd -- as i tend to be! -- and decided to portray my interpretation of "vera".
ok, i'm a dork who knows her stuff - vera is vera lynn, who was a singer during ww2. pink floyd (well, roger waters) is referring to her song "we'll meet again" when he asks, "remember how she said that we would meet again some sunny day?" in the film, pink (waters) loses his father in the war, someone he'll never meet again, as vera may have led him to believe. also, vera herself is a bit of an elusive character, since waters (pink) asks "what has become of you?" which implies that she, like her words, are no longer there, either not accessible or not applicable.
it's a sad feeling, because if you reject the belief that "we *will* meet again", you probably are left skeptical and feeling hopeless. in my photo, i tried to create that mood. the despondency, the heartache, the loss.. and it seems to me that those feelings would paint a pretty bleak picture of the future. even though MY vera has her eyes closed, she is not at peace with herself or her situation. instead, i'm having her revisiting memories, remembering the most beautiful times and reliving them over and over again. clinging to the blanket like she does to the past. lastly, i thought that with such a gloomy way of living/thinking, the pitchblack room save for the two floating lights was right on target... tiny lights, swallowed up in the sea of darkness and misery.
aaaand... that's me in the shawl blanket thing, perched atop the glass dining room table. you can't see the table, because it's glass, and the two green things are stone pillars that hold up the glass. i took all the chairs away from the table, switched off every light except for the three that hang from the ceiling over the table - those two (pictured) and another one that i cloned out because it was the closest to the camera, so bigger and kind of obstructive. i like these two little guys hanging out, hovering around me. it makes me look like princess leia :P
i'm actually really pleased with how this came out! pink floyd is my favorite band and i couldn't give them anything but (what i judge to be) my best.
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hmm. i'm really happy to explain all of the thoughts, plans, ideas, setting up the stage, etc. that go into my shots. of course i always have these silly mustache shots or grrrawrr clint shots, or just blah "look at my beautiful eyes and lips" close-up shots, but i really love when i try to create a scene. a mood. play a character, one who's real, who's been done a million times, or that i just make up as i go along. the most consistent compliment (at least, i think it is a compliment!) i get from you peeps and others who look at my portfolio is that i create a cast of characters, i put on a show for myself and the camera just happens to be there. i love using props, and i love paying tribute to my literary, artistic & musical heroes and heroines (and obama!), but only if i do it well. i do put an awful lot of pressure on myself, especially for tribute shots; i always end up thinking, well, thom yorke did it better! or whatever.. sometimes my safest bet is to aim for a certain style. noir, or vintage in general, outlandish, ethereal, surreal, rough/raw. i don't know what i'm talking about now, but i'm kind of having this renaissance with my 365... embracing it again, really excited about what i can do next and happy with what i've been doing.
(sorry, london, but you had some weeeeird effect on me! poo faces)
This is the memorial plaque belonging to Floyd Bertrand Wieck - only the "o" is Floyd remains. He was the son of John and Nancy Wieck. John was from Germany; Nancy was from Indiana. They were married in 1889 and homesteaded in Kansas for most of their lives.
It's difficult to say for certain, but it appears that they had nine children. Two did not live to see adulthood. Lucy, who was born in 1900, lived about a year. She is buried in a now-lost grave in St. Francis, Kansas. Floyd (whose grave I photographed) died in 1910, is buried about ten miles southwest of his older sister in St. Pauls Lutheran Cemetery south of Wheeler.
I only took two cemetery photos on this day - both of Floyd's grave. I don't remember why this was the only location. It was probably a "travel" day, where I was making time to get from one general location to another.
Two shots were taken because, according to my notes, I under-exposed one of them. I was wrong (or at least not as correct as I thought I was).
I meant to shoot with the aperture wide open at f/3.5, but instead accidentally shot one photo at f/9. I don't know why I made that mistake. The photo you're seeing here is the second of the two, the "corrected" one.
I waited for a breeze, I remember that. This one, if anything, is over-exposed. But I like it best. I'm finding that my little imperfections make me happy.
You can see at the top of the photo that there were some development issues. There are scratches all around it. To me, these just make it all the more human. I develop these sheets in trays under a red light. I don't use a timer. I rely on whatever skill I've gathered and eyeball it. Sometimes I nail it. Usually it's close enough.
There is also a Melvin Dale Wieck buried in the same very small cemetery. He died in 1927, less than a year old. This is likely a cousin.
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'Floyd Bertrand Wieck'
Camera: Chamonix 45F-2
Lens: Schneider Xenar 3.5; 150mm
Film: Agfa CP-BU M X-Ray Film; 50iso
Exposure: f/9; 2sec
Process: HC-110; 1+100; 4mins