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Merav Elbaz Belschner (SUDDENLY) at Filmmaker Lounge at 2014 Woodstock Film Festival
(photo by Gabriele Giugni)
Flake & Flames - The Kustom Kulture Adventure DVD
Copyright 2013. All rights reserved. Photos by Dirk Behlau for Flake & Flames
Samuel Crow (Twelve-Foot-Tall Rabbits Of Rokeby Farm) at Filmmaker Lounge at 2014 Woodstock Film Festival
(photo by Gabriele Giugni)
Amber Marie Bollinger (LISTENING) at Filmmaker Lounge at 2014 Woodstock Film Festival
(photo by Gabriele Giugni)
MAHJONG AND THE WEST director Joseph Muszynski signs in at 2014 Woodstock Film Festival (photo by Gabriele Giugni)
This event is presented with the Robert Flaherty Film Seminar, who are presenting Hong’s film, Lessons of the Blood, October 11th at Anthology Film Archives as part of their Flaherty NYC screening series.
James T. Hong’s work emerges from the conflicts between different regimes of truth, of power, and of what is unsaid. As a filmmaker, he emphasizes the manipulative features of cinema itself, where the essential hermeneutic aspect of filmmaking, even so-called “experimental film,” makes cinema a form of ideology or propaganda par excellence.
He will present some of his older and more obscure works, and a small selection of works that has influenced his cinematic practice. He hopes this small selection of films, and two of his own that have never screened in New York, will inspire the audience’s capacity for brightness and cheerfulness in a time of economic uncertainty and cinematic boredom.
Tribulation 99byCraig Baldwin
USA, 1992, five minute excerpt, digital projection
In the year 1000, aliens from the planet Quetzalcoatl flee their dying planet and take refuge under the Earth’s surface . . . A classic and perfect rendering of found-footage.
The Spear of Destiny: A Film for Everyone and No OnebyJames T. Hong
USA, 2004, 5 minute excerpt, digital projection or 16mm
A film about the dot-com revolution in San Francisco, the history of the West, and an anti-hero crushed by capitalism. A film for no one.
Hiroshima Nagasaki August 1945byErik Barnouw
Japan/USA, 1970, 5 minute excerpt, digital projection or 16mm film
Footage from the aftermath of the atomic bombs on Hiroshima and Nagasaki. Previously banned by US authorities. Gruesome and necessary — a film for everyone.
Nanjing 1937 (aka Don’t Cry Nanjing)byWu Ziniu
China, 1996, 5 minute excerpt, digital projection
A narrative film chronicling a family’s attempt to survive the Japanese onslaught of Nanjing in 1937. Again, gruesome and necessary – another film for everyone.
Behold the Asian: How One Becomes What One IsbyJames T. Hong
USA, 1999, 15 min, from 16mm
An Asian-American walks to Death Valley and his end. Identity politics for everyone and no one.
Hitler: ein Film aus Deutschland by Hans-Jurgen Syberberg
Germany, 1977, 5 minute excerpt, digital projection
A 1977 German film about the “Hitler within us.” Susan Sontag acclaimed Hitler “one of the great works of art of the twentieth century.”
The End of Oneby Paul Kocela
USA, 1970, 7 minutes, digital projection
An educational/art film. A document of the death of a seagull. Presented by the New York Film Festival in 1970.
“Paul Kocela’s seven-minute ‘The End of One’ shows us seagulls going out of their small minds with delight at a huge garbage dump, crosscut with shots of one very ill bird staggering off to die alone down the beach. Although I don’t have much feeling one way or the other for a seagull, I did wonder why the film maker photographed rather than helped it.” Vincent Canby, The New York Times
Taipei 101: A Travelogue of Symptoms by James T. Hong
USA, 2004, 23 min, digital projection
An Asian-American discovers that Taipei 101 — currently the world’s tallest building — Taiwan’s culture, and his own consciousness are marked by globalization, America, capitalism, the transnational power of white men, and the power of the unsaid. A movie for everyone and no one.
Total Program Runtime: 70 minutes
James T. Hong has been producing thought-provoking, unconventional, and occasionally controversial films and videos for over a decade. His moving image works, described by Steve Seid of the Pacific Film Archive as “a sump-hole of chilling irony,” have shown at many prominent and obscure film festivals and galleries throughout the world. He shoots a lot of film, but completes few. He has been nominated for many awards, but wins next to none. His works are designed for everyone and no one. He currently temporarily resides in Amsterdam, The Netherlands.
Chi-hui Yang is a film programmer, lecturer and writer based in New York. From 2000-2010 he was the Director and Programmer of the San Francisco International Asian American Film Festival, the largest showcase of its kind in the US. As a guest curator, Yang has presented film and video series at film festivals and events internationally, including the 2008 Robert Flaherty Film Seminar (“The Age of Migration), Seattle International Film Festival, Washington D.C. International Film Festival and Barcelona Asian Film Festival.
Yang also contributes writes on politics and culture and lectures on Asian American cinema. He has also served on funding panels for Creative Capital, Rockefeller Foundation, ITVS and the San Francisco Arts Commission. Yang holds a BA in Political Science/International Relations from Stanford University and is currently a Visiting Scholar at NYU’s Center for Media, Culture and History.
Photos by Miller Taylor.
October 2015 CreativeMornings/Raleigh event (global theme: Shock) with guest speaker David Hambridge.
David Hambridge is a commercial and documentary filmmaker based in NC. His interest lies in honest, intimate storytelling that focuses on the simplicity of human nature. His style relies heavily on an intuitive approach towards filming his subjects—with the principle of giving time and respect to gain it. The mediums he uses range from 4K digital cinema production to Super 8mm film. He is most interested in understanding how digital media/video is consumed in the modern age and experimenting with those trends.
Special thanks to our host CAM Raleigh and sponsors CompostNow, Myriad Media, Counter Culture Coffee, who generously provided us with complimentary coffee, and lucettegrace, who provided the tasty breakfast snacks.
Press: hudsonreporter.com/view/full_story/20838118/article-Showi...
111 first street. From Paris to Jersey City, They Showed No Love.
a Branko Documentary Film
In the area of Jersey City NJ, for about 20 years, existed a warehouse building where artists had about 130 art studios. The artists left in 2005 and the building was demolished in 2007.
This movie only deals with the art, presented by the artists.
This documentary is a historical document of a very important part of Art in America.
Screening on:
2-23-2012
1:00 PM
Jersey City Library
Biblioteca Criolla, 4th. Floor
472 Jersey Avenue
Jersey City, NJ 07302
111 First Street (film) - Wiki
en.wikipedia.org/wiki/111_First_Street_(film)
111 First Street (a Branko Film), Trailer
111 Jam Band (a Branko Film). Unedited
Faizulla Khamraev (a Branko Film)
Maria Benjumeda, Flamenco and Bulerias at 111 First Street
American Watercolor Movement, Live at Coney Island. A Branko Film (Unedited)
© branko
Branko: Entrevista TV Español
Movies:
Books:
West Indian Parade (Photo Book)
Cecilia Mamede, Times Square NYC (Photo Book)
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Cassandra Sechler: Director of Wireboy
posing with one of the cameras that will be used to shoot the film.
For more information see the description here:
www.kickstarter.com/projects/67838875/wireboy-a-short-exp...
This is our friend Jon Jost, an Independent Film maker. You can look him up in the IMD if you're interested. I admire his persistence and dedication to his art. He's about my age and has managed to continue making his unique films without any conventional backing. My wife Kate has appeared in several of them, including "The Bed You Sleep In".
Sue Kenney, author of My Camino, wearing her design, "Barebottom Shoes" barebottomshoes.com, 3rd Annual Filmmaker Music Series © Linda Dawn Hammond / IndyFoto.com , Sept.9, 2013, during TIFF, Cherry Colas, Toronto
Thomas Stroppel (Listening) at Filmmaker Lounge at 2014 Woodstock Film Festival
(photo by Gabriele Giugni)
A classic Katie Holmes attends/hosts the Independent Filmmaker Project 30th year celebration at the Cooper Square Hotel on April 26, 2009 in New York City. (Photographed by Kambouris)
Hungarian filmmaker Laszlo Nemes’ debut feature, Son of Saul, won an Academy Award for Best Foreign Language Film at this year’s Oscars in Hollywood. Together with the Hungarian Cultural Centre, the EBRD screened this moving, intimate story which concerns one man’s quest in the impossible circumstances of a Nazi concentration camp.
After the screening, film critic Henry Fitzherbert interviewed actor Géza Röhrig who plays the main character in the film.
SPNC - Year 2 - Instruction # 26
"Photography should be fun and humour an important tool. Make me laugh-out-loud." - Peter Dench
Sebastián Silva, director de La Nana (anoten en sus agendas, estreno 13 de agosto! no se la pierdan!!!)
Foto publicada en página 4 del artículo "25 NEW FACES OF INDEPENDENT FILM".
(aunque no sé por qué la pusieron tan saturada ahí)
véala así también
Chilean film director Sebastián Silva. Portrait featured (though a lot more saturated, dunno why) in page 4 of the article 25 NEW FACES OF INDEPENDENT FILM (Filmmaker Magazine).
On April 22 UNDP marked International Earth Day with a screening of 'One Day On Earth' in the UN General Assembly Hall in New York City. More than 1,500 people attended the event which was organized through UNDP's partnership with the One Day On Earth organization.
The feature-length documentary comprises footage taken by filmmakers in every country on earth on a single day - 10 October 2010. The film was screened on the same day in more than 150 countries around the world. For more information visit www.onedayonearth.org.
Photo Dylan Lowthian/UNDP
As a first-time filmmaker, British director Simon West got off to a cracking start with his all-star action adventure CON AIR. His most recent project, the Jason Statham Vegas-set thriller WILD CARD, sees him back in the genre where it all started and working alongside the bald beefcake for a...
Magdeburg / Germany
9. Lange Nacht der Wissenschaft
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James River Filmmakers Forum held on Saturday, February 23 at 8 p.m. at the Visual Arts Center of Richmond, 1812 W. Main Street. Admission is free. Donations encouraged.
The lineup:
• Robert Massa (visiting filmmaker from NC) – The Box (4 minutes)
• Paul Hugins (visiting filmmaker from Alexandria) – Applications (8 minutes)
• James Mattise – As Best I Can Remember (12 minutes)
• Nils Westergard / Daniel Ardura – William (15 minutes)
• John Cappello – Cain (15 minutes)
• Christine Stoddard / David Fuchs – The Persistence of Poe (22 minutes)
jamesriverfilm.org/event/james-river-filmmakers-forum-2/
info@jamesriverfilm.org