View allAll Photos Tagged Fertility
THANKS FOR YOUR VISIT AND FAVES
ON THE REACTIONS I WILL TRY TO RESPOND BACK
Een konijn staat symbool voor vruchtbaarheid. Volgens het volksgeloof heeft het konijn magische en geneeskrachtige eigenschappen. Een konijnenpootje zou geluk brengen.
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A rabbit symbolizes fertility. According to popular belief, the rabbit has magical and medicinal properties. A rabbit's foot would bring good luck.
Up on Derwent Edge in the Peak District, the weathered stones take on some strange shapes. This one is popularly known as the Cakes of Bread - it's one of 3 or 4 similar ones standing in a row but at annoying spaces that didn't look great in a collective shot. Definitely a she I think. And struck me as being a rather comical, and now petrified, invading giant.
Generated By Midjourney V7
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**Prompt :**
Portrait cinématographique hyperréaliste d’une femme de profil, au visage sculptural et à la peau lumineuse, dans une forêt luxuriante baignée d’une lumière naturelle douce. Sa chevelure est remplacée par une composition organique spectaculaire de fruits et légumes frais : tomates brillantes, raisins juteux, épis de maïs dorés, brocoli dense, carottes encore terreuses, herbes aromatiques sauvages et feuillages abondants, le tout agencé avec une précision artistique évoquant une couronne vivante.
La lumière, de type golden hour filtrée à travers les feuillages, crée un jeu subtil d’ombres et de reflets sur sa peau satinée, accentuant les textures : la douceur de l’épiderme contraste avec le relief brut et humide des végétaux. Micro-détails extrêmes visibles : gouttelettes d’eau sur les légumes, fibres des tiges, pores de la peau, reflets spéculaires sur les surfaces lisses.
Profondeur de champ très faible , arrière-plan flou avec un bokeh organique vert profond, donnant une sensation immersive et onirique. Colorimétrie riche et naturelle, dominée par des verts profonds, rouges vibrants et jaunes chauds.
Ambiance silencieuse, presque sacrée, évoquant une fusion entre l’humain et la nature, une allégorie de fertilité, d’abondance et de symbiose écologique.
Style visuel proche de la photographie de mode éditoriale haut de gamme mêlée à une direction artistique inspirée de la peinture classique et du réalisme magique. Qualité 8K, ultra-détaillée, rendu HDR, textures photoréalistes, éclairage volumétrique subtil, contraste maîtrisé, grain cinématographique léger.
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**Prompt:**
Hyperrealistic cinematic portrait of a woman in profile, with a sculptural face and luminous, flawless skin, standing in a lush, dense forest bathed in soft natural light. Her hair is transformed into an elaborate organic composition of fresh fruits and vegetables: glossy tomatoes, juicy grapes, golden ears of corn, dense broccoli, earthy carrots, wild herbs, and abundant foliage, intricately arranged like a living crown.
Golden hour lighting filters through the leaves, casting delicate shadows and highlights across her satin-like skin, enhancing texture contrast between smooth human features and the raw, dewy surfaces of the vegetation. Extreme micro-detail visible: water droplets clinging to produce, fibrous stems, skin pores, subtle specular highlights on polished surfaces.
Shallow depth of field , with a soft, creamy green bokeh background that creates an immersive, dreamlike atmosphere. Rich, natural color grading dominated by deep greens, vibrant reds, and warm yellows.
A quiet, almost sacred mood, symbolizing the fusion between humanity and nature, an allegory of fertility, abundance, and ecological harmony.
Visual style blending high-end editorial fashion photography with classical painting influence and magical realism. Ultra-detailed 8K resolution, HDR rendering, photorealistic textures, subtle volumetric lighting, balanced contrast, fine cinematic grain.
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--v 7 --ar 3:2 --style raw --q 2 --s 250 --chaos 8 --seed 1234
Detail from-
Volkmar Haase-'Skulptur Fruchtbarkeitsschrein' (steel, 1968)
Berlin-Zehlendorf
Rolleicord Va
Fomapan 200
Adox Rodinal 1+50
Statue of Cybele Goddess of Fertility , Selçuk, Izmir Efes Müzesi
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(¸.•´ (¸.•` Moltes gràcies per la visita - Thanks for your visit
Martvili Monastery is a Georgian monastic complex located in the village of Martvili in the Martvili District of the Samegrelo-Zemo Svaneti Province of Georgia. It sits upon the highest hill in the vicinity and was of strategic importance.
The site upon the hill where the monastery stands today was used in ancient times as a pagan cultural center and was a sacred site. There once stood an ancient and enormous oak tree that was worshipped as an idol of fertility and prosperity. Infants were once sacrificed here as well. After the conversion of the native population to Christianity, the ancient tree was cut down so as not to worship it anymore. A church was originally constructed in the late 7th century upon the roots of the old oak tree and was named in honor of Saint Andrew who preached Christianity and converted the pagans across the Samegrelo region.
The main Martvili-Chkondidi Cathedral (Mingrelian: Chkoni translates to "oak") was reconstructed in the 10th century after invasions that destroyed the prior church. Preserved in the church are frescoes of the 14th to 17th centuries.
Reproductive apparatus of the prolific hibiscus — untidy and spectacular growing to five metres in my Gold Coast hinterland garden. On a misty morning.
Detail from-
Volkmar Haase-'Skulptur Fruchtbarkeitsschrein' (steel, 1968)
Berlin-Zehlendorf
Rolleicord Va
Fomapan 200
Adox Rodinal 1+50
Elephantine is an island on the Nile, forming part of the city of Aswan in Upper Egypt. The archaeological sites on the island became a World Heritage Site in 1979 along with other examples of Upper Egyptian architecture, as part of the "Monuments from Abu Simbel to Philae" (despite Elephantine being neither Nubian, nor between Abu Simbel and Philae.)
According to the ancient Egyptian religion and Kushite religion, Elephantine was the dwelling place of Khnum, the ram-headed god of the cataracts, who guarded and controlled the waters of the Nile from caves beneath the island. He was worshipped here as part of a late triad of Egyptian deities. This "Elephantine Triad" included Satis and Anuket. Satis was worshipped from very early times as a war goddess and protector of this strategic region of Egypt. When seen as a fertility goddess, she personified the bountiful annual flooding of the Nile, which was identified as her daughter, Anuket. The cult of Satis originated in the ancient city of Aswan. Later, when the triad was formed, Khnum became identified as her consort and, thereby, was thought of as the father of Anuket. His role in myths changed later and another deity was assigned his duties with the river. At that time his role as a potter enabled him to be assigned a duty in the creation of human bodies.
en.m.wikipedia.org/wiki/Elephantine
Kodachrome 64 @35mm prime lens.
One consequence of what I have said recently would be to completely withdraw from my digital existence. It is not necessarily the recognition (that sweet poison :) that makes me post my pictures here, nor is it to proselytize (although I do feel like I am on a mission), but because I see myself as a creative person—and this platform as my window to the world. Perhaps I am a little too open and much of what I say actually belongs to the most intimate private sphere—I will work on that—
but
no musician writes music not to be heard,
no author writes a book not to be read,
and no one lights a light only to put it under a stool.
While these figures seem to be of about the same age, I have no idea whether they belong together. Legend Rock State Petroglyph Site, Wyoming.
Dragon dance (simplified Chinese: 舞龙; traditional Chinese: 舞龍; pinyin: wǔ lóng) is a form of traditional dance and performance in Chinese culture. Like the lion dance, it is most often seen during festive celebrations. The dance is performed by a team of experienced dancers who manipulate a long flexible giant puppet of a dragon using poles positioned at regular intervals along the length of the dragon. The dance team simulates the imagined movements of this river spirit in a sinuous, undulating manner.
The dragon dance is often performed during Chinese New Year. Chinese dragons are a symbol of China's culture, and they are believed to bring good luck to people, therefore the longer the dragon is in the dance, the more luck it will bring to the community. The dragons are believed to possess qualities that include great power, dignity, fertility, wisdom and auspiciousness. The appearance of a dragon is both fearsome and bold but it has a benevolent disposition, and it was an emblem to represent imperial authority. The movements in a performance traditionally symbolize the power and dignity of the dragon.
Chinese New Year is the festival that celebrates the beginning of a new year on the traditional lunisolar Chinese calendar. In Chinese, the festival is commonly referred to as the Spring Festival (traditional Chinese: 春節; simplified Chinese: 春节; pinyin: Chūnjié) as the spring season in the lunisolar calendar traditionally starts with lichun, the first of the twenty-four solar terms which the festival celebrates around the time of the Chinese New Year. Marking the end of winter and the beginning of the spring season, observances traditionally take place from New Year's Eve, the evening preceding the first day of the year to the Lantern Festival, held on the 15th day of the year. The first day of Chinese New Year begins on the new moon that appears between 21 January and 20 February. S20N_1334
Only through extreme (some would say over the top) processing could I bring out the sunrays in the sky, which to me was necessary to create the fairy tale like atmosphere of the place and the moment. The field is sloping slightly up to the right which may deceive you into thinking that the horizon is not straight.
-- Only my contacts can see 'large' --
The Easter Bunny can be traced back to Thirteenth Century, pre-Christian Germany, where people worshiped several gods and goddesses. The Teutonic deity Eostra was the goddess of spring and fertility, and feasts were held in her honor on the Vernal Equinox. Her symbol was the rabbit because of the animal’s high reproduction rate. In the Eighteenth Century, the tradition of an egg-laying hare called “Osterhase” or “Oschter Haws” also came out of Germany.
Easter Eggs are represent the birth of new life, and it’s believed that decorating eggs for Easter also dates back to the Thirteenth Century. Hundreds of years ago, churches had their congregations abstain from eggs during Lent, allowing them to be consumed again on Easter.
And thus we arrive at Easter 2021, which I am celebrating with Peter Rabbit, who whilst not the Easter Bunny, is a well loved character from my childhood. "The Tale of Peter Rabbit" is a children's book written and illustrated by Beatrix Potter, published in 1901, that follows mischievous and disobedient young Peter Rabbit as he gets into, and is chased around, the garden of Mr. McGregor.
This Peter Rabbit egg-shaped lidded tin was a gift from a friend last Easter, and the brightly foil wrapped eggs are from Haigh's Chocolates, a company that began in 1915 in Adelaide, and to this day still makes very high quality chocolate. They make a special blend of creamy chocolate especially for Easter.
Happy Easter to all my Flickr friends and followers!
Thor is usually associated with strength, thunder, and protection, but seen in the light of shamanism he can also be understood as a spiritual mediator between humans and the forces of nature. In Norse mythology, Odin is more directly linked to shamanic practices—such as seiðr, trance, and communication with the spirit world—yet Thor represents the more earthly and collective dimension of the same worldview. His thunder and lightning can be seen as expressions of ecstatic natural forces, a kind of “cosmic drumbeat” reminiscent of the drumming in shamanic rituals. Thor also travels in his sky chariot drawn by the goats Tanngnjóstr and Tanngrisnir, a motif that recalls the shaman’s journey between worlds with the aid of a totem animal. In addition, his hammer, Mjölnir, functions as a ritual tool: it consecrated, protected, and sanctified, much like the shaman’s drum or staff. Thor can therefore be viewed as a link between the practical, down-to-earth cult—where people sacrificed to him for protection and fertility—and the more spiritual ideas of power and communication with the spirits of nature. In this way, he stands at the meeting point between the shaman’s world and the farmer’s reality.
When leaves fall, they undergo decomposition by fungi, bacteria, and invertebrates. Softer tissues are broken down first, while tougher structures such as the leaf veins (xylem and phloem) remain, creating delicate leaf skeletons.
This process is ecologically vital, as it returns nutrients like nitrogen, phosphorus, and carbon to the soil cycle, supporting soil fertility and the functioning of forest ecosystems.
Open that up !!! it' s full with seeds of luck and health.
Thank you dear friends for your visits, faves and comments.
Have a healthy and lucky Sunday ❤️ ❤️
DSC_0089
Snake's Head Fritillary | Fritillaria meleagris | Liliaceae
Explored on 11th June 2017 #06
Samsung NX1 & Kiron 105mm f/2.8 Macro
Wide Open | Manual Focus | Available Light | Handheld
All Rights Reserved. © Nick Cowling 2017.
photo rights reserved by B℮n
The Sanctuary of Truth is a magnificent temple in Pattaya, Thailand, that stands as a tribute to traditional Thai architecture and craftsmanship. The temple is entirely made of wood, with intricate carvings depicting various Hindu and Buddhist deities, as well as ancient Thai mythological figures. The construction of the Sanctuary of Truth began in 1981 and is still ongoing. The temple covers an area of over two hectares and is over 100 meters tall. It was designed by a local businessman named Lek Viriyaphant. The Sanctuary of Truth is not affiliated with any specific religion, but rather serves as a symbol of the unity of all religions and beliefs. It is a peaceful and tranquil place where visitors can reflect and appreciate the beauty of Thai culture and tradition. The Sanctuary of Truth also serves as a cultural and educational center. It hosts various workshops and events throughout the year, aimed at promoting traditional Thai arts and crafts. The temple is known for its beautiful carvings and statues of mythological figures. One of the goddesses seen there is the Goddess of the Earth, who is often depicted sitting on the ground. This goddess is associated in many cultures with fertility, growth and the cycle of the seasons. She is often depicted embracing the earth or digging into the ground with her hands. Her presence in the Sanctuary of Truth can be seen as a tribute to the power of nature and the important role the earth plays in our lives.
The left hall in the Sanctuary of Truth is an impressive wooden structure that resembles a cathedral. The hall has an imposing height of about 30 meters and is decorated with numerous statues and sculptures depicting Thai mythology and history. With high arches, vaults and elaborate carvings, it is reminiscent of Gothic architecture. Built using traditional woodworking techniques, the hall has over 100 beautiful carvings and sculptures depicting various aspects of Buddhism, Hindu mythology, and Thai culture. It represents the birth of life and humanity. It contains statues and sculptures depicting the creation of humanity, the earth and the cosmos. It is a fascinating place to visit for anyone interested in Thai culture and history, and who appreciate the beauty of traditional woodworking and architecture. There are images of gods and goddesses, Buddhist teachings and symbols of life and nature. Another interesting feature of the interior of the left hall is the large central atrium, which is lit by a skylight. This atrium serves as a kind of sanctuary, where visitors can meditate. In general, the inside of the left hall is a wonderful example of the rich Thai culture and history, and the wood carving techniques used to create it are very impressive.
The Sanctuary of Truth is een prachtige tempel in Pattaya, Thailand, die een eerbetoon is aan de traditionele Thaise architectuur en vakmanschap. De tempel is volledig gemaakt van hout, met ingewikkeld houtsnijwerk dat verschillende hindoeïstische en boeddhistische godheden uitbeeldt, evenals oude Thaise mythologische figuren. In de Thaise cultuur worden godinnen vaak afgebeeld met blote borsten als symbool van vruchtbaarheid, overvloed en zorgzaamheid. De bouw van het Sanctuary of Truth begon in 1981 en is nog steeds aan de gang. De tempel heeft een oppervlakte van ruim twee hectare en is meer dan 100 meter hoog. Het is ontworpen door een lokale zakenman genaamd Lek Viriyaphant. The Sanctuary of Truth is niet gelieerd aan een specifieke religie, maar dient eerder als een symbool van de eenheid van alle religies en overtuigingen. Het is een vredige en rustige plek waar bezoekers de schoonheid van de Thaise cultuur en traditie kunnen overdenken en waarderen. De linker hal in de Sanctuary of Truth is een indrukwekkende houten structuur die lijkt op een kathedraal. Met hoge bogen, gewelven en uitgebreide houtsnijwerk versieringen doet dit denken aan gotische architectuur. Het vertegenwoordigt de geboorte van het leven en de mensheid. Het bevat beelden en sculpturen die de schepping van de mensheid, de aarde en de kosmos weergeven. Het is een fascinerende plek om te bezoeken voor iedereen die geïnteresseerd is in de Thaise cultuur en geschiedenis, en die de schoonheid van traditionele houtbewerking en architectuur waarderen. Er zijn afbeeldingen van goden en godinnen, boeddhistische leerstellingen en symbolen van het leven en de natuur. Eén van de godinnen die daar te zien is, is de Godin van de Aarde, die vaak wordt afgebeeld terwijl ze op de grond zit. Deze godin wordt in veel culturen geassocieerd met vruchtbaarheid, groei en de cyclus van de seizoenen. Ze wordt vaak afgebeeld terwijl ze de aarde omhelst of met haar handen in de grond graaft. Haar aanwezigheid in de Sanctuary of Truth kan worden gezien als een eerbetoon aan de kracht van de natuur en de belangrijke rol die de aarde speelt in ons leven. Een ander interessant kenmerk van de binnenkant van de linker hal is het grote centrale atrium, dat wordt verlicht door een dakraam. Dit atrium dient als een soort van heiligdom, waar bezoekers kunnen mediteren en ontspannen
photo rights reserved by B℮n
The Sanctuary of Truth is a magnificent temple in Pattaya, Thailand, that stands as a tribute to traditional Thai architecture and craftsmanship. The temple is entirely made of wood, with intricate carvings depicting various Hindu and Buddhist deities, as well as ancient Thai mythological figures. The construction of the Sanctuary of Truth began in 1981 and is still ongoing. The temple covers an area of over two hectares and is over 100 meters tall. It was designed by a local businessman named Lek Viriyaphant. The Sanctuary of Truth is not affiliated with any specific religion, but rather serves as a symbol of the unity of all religions and beliefs. It is a peaceful and tranquil place where visitors can reflect and appreciate the beauty of Thai culture and tradition. The Sanctuary of Truth also serves as a cultural and educational center. It hosts various workshops and events throughout the year, aimed at promoting traditional Thai arts and crafts. In Thai culture, goddesses are often depicted with bare breasts as a symbol of fertility, abundance and caring. This is a common motif in many Asian cultures and also appears in Indian and Balinese art, for example.
The left hall in the Sanctuary of Truth is an impressive wooden structure that resembles a cathedral. The hall has an imposing height of about 30 meters and is decorated with numerous statues and sculptures depicting Thai mythology and history. With high arches, vaults and elaborate carvings, it is reminiscent of Gothic architecture. Built using traditional woodworking techniques, the hall has over 100 beautiful carvings and sculptures depicting various aspects of Buddhism, Hindu mythology, and Thai culture. It represents the birth of life and humanity. It contains statues and sculptures depicting the creation of humanity, the earth and the cosmos. It is a fascinating place to visit for anyone interested in Thai culture and history, and who appreciate the beauty of traditional woodworking and architecture. There are images of gods and goddesses, Buddhist teachings and symbols of life and nature. Another interesting feature of the interior of the left hall is the large central atrium, which is lit by a skylight. This atrium serves as a kind of sanctuary, where visitors can meditate. In general, the inside of the left hall is a wonderful example of the rich Thai culture and history, and the wood carving techniques used to create it are very impressive.
The Sanctuary of Truth is een prachtige tempel in Pattaya, Thailand, die een eerbetoon is aan de traditionele Thaise architectuur en vakmanschap. De tempel is volledig gemaakt van hout, met ingewikkeld houtsnijwerk dat verschillende hindoeïstische en boeddhistische godheden uitbeeldt, evenals oude Thaise mythologische figuren. In de Thaise cultuur worden godinnen vaak afgebeeld met blote borsten als symbool van vruchtbaarheid, overvloed en zorgzaamheid. De bouw van het Sanctuary of Truth begon in 1981 en is nog steeds aan de gang. De tempel heeft een oppervlakte van ruim twee hectare en is meer dan 100 meter hoog. Het is ontworpen door een lokale zakenman genaamd Lek Viriyaphant. The Sanctuary of Truth is niet gelieerd aan een specifieke religie, maar dient eerder als een symbool van de eenheid van alle religies en overtuigingen. Het is een vredige en rustige plek waar bezoekers de schoonheid van de Thaise cultuur en traditie kunnen overdenken en waarderen. De linker hal in de Sanctuary of Truth is een indrukwekkende houten structuur die lijkt op een kathedraal. Met hoge bogen, gewelven en uitgebreide houtsnijwerk versieringen doet dit denken aan gotische architectuur. Het vertegenwoordigt de geboorte van het leven en de mensheid. Het bevat beelden en sculpturen die de schepping van de mensheid, de aarde en de kosmos weergeven. Het is een fascinerende plek om te bezoeken voor iedereen die geïnteresseerd is in de Thaise cultuur en geschiedenis, en die de schoonheid van traditionele houtbewerking en architectuur waarderen. Er zijn afbeeldingen van goden en godinnen, boeddhistische leerstellingen en symbolen van het leven en de natuur. Een ander interessant kenmerk van de binnenkant van de linker hal is het grote centrale atrium, dat wordt verlicht door een dakraam. Dit atrium dient als een soort van heiligdom, waar bezoekers kunnen mediteren en ontspannen
fertility and birth as a condition for resurrection and rebirth ... Easter ...
coincidence and duplicity of events ...
Zufall und Duplizität der Ereignisse ...
Deichtorhallen Hamburg mit Otto-Dix-Ausstellung und dazu passenden anderen Künstlerarbeiten ...
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I can’t take my eyes off the green tulip leaves with the great light on it… Then I’ve asked myself: What’s the meaning of green? To me it’s nature & restful energy… Here is what I found from different sources: “Green, the color of life, renewal, nature, and energy, is associated with meanings of growth, harmony, freshness, safety, fertility, and environment.The color green has healing power and is understood to be the most restful and relaxing color for the human eye to view. Green can help enhance vision, stability and endurance. Green takes up more space in the spectrum visible to the human eye and it is the dominant color in the natural.The color green affects us physically and mentally in several different ways. Green is soothing, relaxing, and youthful. Green is a color that helps alleviate anxiety, depression, and nervousness. Green also brings with it a sense of hope, health, adventure, and renewal, as well as self-control, compassion, and harmony” Bourncreative “Since the beginning of time, green has signified growth, rebirth, and fertility. In pagan times, there was the "Green Man" - a symbol of fertility. In Muslim countries, it is a holy color and in Ireland, a lucky color. It was the color of the heavens in the Ming Dynasty.” Colormatters BeNowMeHere, Keukenhof, Lisse, Netherlands, 2015 via 500px ift.tt/21SqnYF
EXPLORE Worthy, Challenge #33 - FANTASY
after: Jeannette Woitzik
Textures Only ~ Competition #156
Source image with thanks to ~Brenda-Starr~
texture by SkeletalMess
texture by Pareeerica
model is the Marcus Ranum
mjranum-stock.deviantart.com/art/Goddess-5-104902330
background by Moonchilde-Stock
"One is constantly reminded of the infinite lavishness and fertility of Nature—inexhaustible abundance amid what seems enormous waste. And yet when we look into any of her operations that lie within reach of our minds, we learn that no particle of her material is wasted or worn out. It is eternally flowing from use to use, beauty to yet higher beauty; and we soon cease to lament waste and death, and rather rejoice and exult in the imperishable, unspendable wealth of the universe."
— John Muir
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