View allAll Photos Tagged FemBot
"REEEEEEEEEEEEEE THAT'S NOT FUCKING LEGO E-Y YOU HACK FRAUD"
Yeah one of the people I'm buying from on bricklink held my order for two and a half weeks after I paid them, now my next build has been set back that long, plus the time it takes for international S&H. So that's where I'm at right now.
In the mean time I thought I'd take a moment to share some photos of one of my favorite figures. Pinkle, the Polynian Motoroid, by Daibadi Productions.
My god she's so fucking cute, it's actually unbearable.
NOLA Fembots performing in a New Orleans night parade 2023. It may be time to run! Austin Powers where are you?
Oh Yeah baby! Help...
A history of Mardi Gras New Orleans; www.mardigrasneworleans.com/history/
Here we have Breez next to uh, another Breez. The set itself isn't that great, but it's a absolute goldmine when it's come to parts, lime green and a red holoshield fuck yes. The minor similarities between my early version of Breez and the new breakout series one is a little suspicious, don't you think?
Also fuck this photo turned out good, so good I had to write this shit in italic.
Yeah, to repeat what I said in the description of the previous image, “She’s so expressive, I love it”.
#LEGO #transformers #fembot #nautica watch the transformation on youtube ... www.youtube.com/watch?v=nwlIizP8v44
an update as my collection has grown a bit since the last pic. 9 are vintage Mego, 7 are more recent (see notes)- the rest are customs; I still need to finish my SMDM series. The Man-Wolf is my first and only custom Mego purchase: it was made by the amazing Type 3 Toys and it really deserves its own closeup! Boxes by Anthony @ the-toyroom.com except the 1966 series.
(I did a little ms paint to counteract the flash)
My Latest #lego #transformer #fembot #NovaStar #FireStar watch the tansformation on youtube ... www.youtube.com/watch?v=szRYmQVWZmo
My favorite BW doll...
Jaime is being attacked by three deadly Fembots.... She must escape from there, they are stronger than Jaime, not as intelligent though…
............. Great smile even when she’s in danger!
"God-dammnit, get off me!"
"Why won't you love me back, you grey whore?"
"Because I've known velcro less clingy than you are!"
"It's only 'cause I love you so much!"
Happy Valentines Day.
Today, the crew of GHL 77-6 received a note that their painfully inefficient, yet fondly beloved cargo hopper won a price in GHL's beauty contest.
Coincidentally they had just opened today's boxes that wouldn't fit into the storage compartment (i.e. all of them).
Even more coincidentally, the boxes contained party equipment for the Kalifaraja of Knßylwrx' 600th birthday, so, inevitably, one thing led to another. And with another, I mean hooking up some speakers to the ship's stereo and gettin' it on galactically with the finest collection of fembots on this side of the neutral zone.
Thierry Mugler Couturissme Musée Des Beaux-Arts Montréal
So, we’re moving on now to the last gallery, near the end of the show. On to the brave new world of Futuristic and Fembot Couture.
en.wikipedia.org/wiki/Thierry_Mugler
www.mbam.qc.ca/expositions/a-laffiche/thierry-mugler/
www.youtube.com/watch?v=chnZ0zc5Klk
www.youtube.com/watch?v=WtmMS3kmRn0
www.youtube.com/watch?v=Qht7JRaePO0
www.youtube.com/watch?v=JQ2DVwSVIIo
George Michael Video Too Funky
Directed by ? ( = Thierry Mugler)
Futuristic and Fembot Couture
“In my work I’ve always tried to make people look stronger than they really are.” The aerodynamic and robot-style looks invented by Mugler are now iconic. He took his inspiration from science fiction and comic-book heroines, from medieval armour and uniforms, from industrial design and futuristic vehicles. At the frontiers of reality, his automotive bodywork-clad creatures and cyborgs foreshadow transhumanist revolutions.
In 1989, Mugler presented his Hiver Buick collection in homage to the American Harley J. Earl, the designer of the 1959 Cadillac Eldorado’s famous tail fins. For it the couturier playfully devised detachable or “convertible” sheath gowns, “fender” bustiers and “radiator” belts, not to mention a “tail fin” bag.
Mugler later collaborated with Jean-Pierre Delcros, an aircraft bodywork specialist and Jean-Jacques Ureun, an industrial designer, in using novel techniques to create magnificent robot-creatures seemingly poured into chrome bustiers and Plexiglas catsuits. His all-time masterpiece is the Maschinenmensch [robot-woman]: in 1995, at his fashion house’s twentieth-anniversary show, the model, wearing a large hat and black chiffon gown under a purple satin evening coat, revealed her robotized body. Paying tribute to the character of Futura from the dystopian novel Metropolis—written in 1925 by Thea von Harbou and adapted for film by Fritz Langin 1927—the outfit required six months of intensive work. Like a crab’s shell, its body armour is jointed by way of pieces attached by leather and rubber, and a plastic internal framework facilitates its movements over skin.
These remarkable couture objects continue to fascinate. The chrome bikini, fembot outfit and crystal adorned gold bodysuit with matching articulated armpieces and glove have been immortalized by leading photographers, from Helmut Newton to Herb Ritts, and worn by numerous stars, from Beyoncé to Lady Gaģa.
Mugler’s Metropolis was designed by artist and set designer Philipp Fürhofer, Berlin.
From the placard: Musée Des Beaux-Arts Montréal
So, young & innocent Poppy (left in an Ann Marie-esque ensemble) goes to London on a modeling assignment and gets a Groovy London Makeover, and viola! Platinum Blonde & Mod Madness is created!
SIGN OF THE TIMES
Poppy Parker™ 2 Doll Gift Set
Poppy is in London and she’d like a Carnaby Street makeover. She hits some of the most popular London boutiques like “Sign of the Times” and gets her hair and makeup done at the grooviest salon in London… Sid Vasoon.
Newly arrived from her modeling stint in Paris, Poppy knows it’s time for a new look and this gift set totally delivers! Here you get not one, but two fabulous Poppy Parker dolls in the same super fun collector friendly package, showing Poppy upon her arrival to London from Paris and then post her sleek Mod makeover! Each fully rooted and articulated doll features very distinctive looks, designed to illustrate Poppy’s passage to a new evolution of her look as a “Mod”ern teen idol!
Item: PP116
Edition Size: 825
For the BrickFair collaborative display. I am in need of assistance.
I have plans for the upper arms; I just don't have the parts.
Before you bug me about how lame and skinny the legs look: they will be armored (somwehow). I don't necessarily know how, but that's what you're here for.
And I need good feet. I'm thinking some high-heel-esque feet. Does anyone have any good designs / ideas?
Oh, and regarding the tail: is it too much? It was added at the last minute, and kind of flops around when trying to photograph. Should I keep it?
Yes, yes, I know I need an eye in there, somewhere. Any ideas?
I was a little shocked to find a dusty in such good condition and wearing Fembot's striped Vest as a dress no less.
I can only imagine that Fembot could not make it thru the metal detectors at the airport and left her vest behind. The ever frugal flight attendant then lifted it from lost & found.
Is it just me or does she look like part of the cast from Logan's Run?
I keep seeing instagram girls posing like this and thought it would be fun to have kiri do try it too.
This is not my own creation. I replicated Kiri from Hugebricks, he is the sole creator and original designer
i know she's a crazy hyper-boobed nearly-lifelike fembot, but victoria beckham is so ridiculously hot in this outfit, i can't stand it. LOVE HER.
Thierry Mugler Couturissme Musée Des Beaux-Arts Montréal
So, we’re moving on now to the last gallery, near the end of the show. On to the brave new world of Futuristic and Fembot Couture.
en.wikipedia.org/wiki/Thierry_Mugler
www.mbam.qc.ca/expositions/a-laffiche/thierry-mugler/
www.youtube.com/watch?v=chnZ0zc5Klk
www.youtube.com/watch?v=WtmMS3kmRn0
www.youtube.com/watch?v=Qht7JRaePO0
www.youtube.com/watch?v=JQ2DVwSVIIo
George Michael Video Too Funky
Directed by ? ( = Thierry Mugler)
Futuristic and Fembot Couture
“In my work I’ve always tried to make people look stronger than they really are.” The aerodynamic and robot-style looks invented by Mugler are now iconic. He took his inspiration from science fiction and comic-book heroines, from medieval armour and uniforms, from industrial design and futuristic vehicles. At the frontiers of reality, his automotive bodywork-clad creatures and cyborgs foreshadow transhumanist revolutions.
In 1989, Mugler presented his Hiver Buick collection in homage to the American Harley J. Earl, the designer of the 1959 Cadillac Eldorado’s famous tail fins. For it the couturier playfully devised detachable or “convertible” sheath gowns, “fender” bustiers and “radiator” belts, not to mention a “tail fin” bag.
Mugler later collaborated with Jean-Pierre Delcros, an aircraft bodywork specialist and Jean-Jacques Ureun, an industrial designer, in using novel techniques to create magnificent robot-creatures seemingly poured into chrome bustiers and Plexiglas catsuits. His all-time masterpiece is the Maschinenmensch [robot-woman]: in 1995, at his fashion house’s twentieth-anniversary show, the model, wearing a large hat and black chiffon gown under a purple satin evening coat, revealed her robotized body. Paying tribute to the character of Futura from the dystopian novel Metropolis—written in 1925 by Thea von Harbou and adapted for film by Fritz Lang in 1927—the outfit required six months of intensive work. Like a crab’s shell, its body armour is jointed by way of pieces attached by leather and rubber, and a plastic internal framework facilitates its movements over skin.
These remarkable couture objects continue to fascinate. The chrome bikini, fembot outfit and crystal adorned gold bodysuit with matching articulated armpieces and glove have been immortalized by leading photographers, from Helmut Newton to Herb Ritts, and worn by numerous stars, from Beyoncé to Lady Gaģa.
Mugler’s Metropolis was designed by artist and set designer Philipp Fürhofer, Berlin.
From the placard: Musée Des Beaux-Arts Montréal
what i was listening to : www.youtube.com/watch?v=NROmYctUAm4
© 2013 Scott Sturdy Photography All Rights Reserved No Use Allowed without Permission
Thierry Mugler Couturissme Musée Des Beaux-Arts Montréal
en.wikipedia.org/wiki/Thierry_Mugler
www.mbam.qc.ca/expositions/a-laffiche/thierry-mugler/
www.youtube.com/watch?v=chnZ0zc5Klk
www.youtube.com/watch?v=WtmMS3kmRn0
www.youtube.com/watch?v=Qht7JRaePO0
www.youtube.com/watch?v=JQ2DVwSVIIo
George Michael Video Too Funky
Directed by ? ( = Thierry Mugler)
Futuristic and Fembot Couture
“In my work I’ve always tried to make people look stronger than they really are.” The aerodynamic and robot-style looks invented by Mugler are now iconic. He took his inspiration from science fiction and comic-book heroines, from medieval armour and uniforms, from industrial design and futuristic vehicles. At the frontiers of reality, his automotive bodywork-clad creatures and cyborgs foreshadow transhumanist revolutions.
In 1989, Mugler presented his Hiver Buick collection in homage to the American Harley J. Earl, the designer of the 1959 Cadillac Eldorado’s famous tail fins. For it the couturier playfully devised detachable or “convertible” sheath gowns, “fender” bustiers and “radiator” belts, not to mention a “tail fin” bag.
Mugler later collaborated with Jean-Pierre Delcros, an aircraft bodywork specialist and Jean-Jacques Ureun, an industrial designer, in using novel techniques to create magnificent robot-creatures seemingly poured into chrome bustiers and Plexiglas catsuits. His all-time masterpiece is the Maschinenmensch [robot-woman]: in 1995, at his fashion house’s twentieth-anniversary show, the model, wearing a large hat and black chiffon gown under a purple satin evening coat, revealed her robotized body. Paying tribute to the character of Futura from the dystopian novel Metropolis—written in 1925 by Thea von Harbou and adapted for film by Fritz Langin 1927—the outfit required six months of intensive work. Like a crab’s shell, its body armour is jointed by way of pieces attached by leather and rubber, and a plastic internal framework facilitates its movements over skin.
These remarkable couture objects continue to fascinate. The chrome bikini, fembot outfit and crystal adorned gold bodysuit with matching articulated armpieces and glove have been immortalized by leading photographers, from Helmut Newton to Herb Ritts, and worn by numerous stars, from Beyoncé to Lady Gaģa.
Mugler’s Metropolis was designed by artist and set designer Philipp Fürhofer, Berlin.
From the placard: Musée Des Beaux-Arts Montréal
As a company, Reveniens fills a complicated and legally dubious niche in the Goodfellow Cluster's mobile frame marketplace. Although not technically a member company of the Free Allied Ergotocracies, they remain faithful to enough of the FAE's Best Practice Standards that they qualify for a special trade status that allows them to operate freely in FAE space and avoid many of the taxes levied against non-members. This status allows them to buy second-hand, damaged and decomissioned Phayze Fructifiation, inc. products at much lower prices than other non-FAE companies, work their particular brand of magic on them, and then sell them at absurd profit margins to parties that are unable to achieve the same special trade status or pay FAE taxes on mobile frames.
For this reason, Reveniens is frequently brought up in conversations that begin with talk of the Cluster's more unsavory elements, such as pirates, unlicensed mercenaries and, of course, the Etton Conglomerate.
The Nagini were built primarily for space combat, housing a large number of small verniers within the segments of the tail which provide extreme mobility in microgravity. On land, however, they are almost as effective and can use those verniers in concert with rapid tail movements to propel themselves at shocking speeds.
***
Originally, this was meant to be a modified version of my Alfar frame posted previously, but by the time I finished modifying it there was basically nothing left of the original, except a few parts in the head - oh, and they're both about the same height, so there's that. ^^;
"Naga", I discovered, is an interesting word. Most depictions of Naga that I found were female, which is odd because "Naga" actually refers to the males, and "Nagini" to females. I think the confusion comes from the very similar "Lamia" of Greek myth - a woman transformed into a baby-eating snake monster. Cool, right? This is why I use mythical names for my mechs - I learn a lot while wiki-walking to find the perfect name for a build. ^^
Anyway, ever since building Arcee a while back I've wanted to try building more "feminine" mechs, but I really wanted to avoid the cheesy fembot look. The snake tail helps to convey a long, lithe body, and gave me a nice cinching effect at the waist. Slim forearms and a narrow 1-stud torso enhance the effect.
Fun personal pics, wearing some event skins coming up!!! SYSP!! Bevlin And Tanya, I adore pale, gawd do I lol.
....Jaime Sommers takes a Spring walk in her favorite pink jumpsuit.
Reproduction pink suit originall planned, but never officially released, Kenner outfit. You can see the art for this outfit on the Fembot box.
#Lego #Transformer #fembot #Flamewar is here...
watch the transformation on youtube ... www.youtube.com/watch?v=nuJNdsosaSU