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Five Features that Dehumidifiers Should Have
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In this article we will explore on five important features that dehumidifiers should have. Whenever you go for dehumidifier shopping then you need to make sure that these five features should be incorporated in your dehumidifier. We will separately explore these five features in Home dehumidifiers, industrial dehumidifier and Swimming pool dehumidifier.
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SAO PAULO, BRAZIL - NOVEMBER 26: "Wens" of BBL Queens at the 2023 VALORANT Game Changers Championship Features Day in São Paulo, Brazil on November 26, 2023. (Photo by Adela Sznajder/Riot Games)
Team Liquid at VALORANT Masters Santiago on set during Features and B-roll in Santiago, Chile (Photo by Colin Young-Wolff/Riot Games)
Canon Headquarters features modern amenities and a 52-acre campus. Measuring more than 500 feet long and nearly 300 feet wide, the building reflects Canon’s strong commitment to environmental sustainability. “One Canon Park” has been awarded LEED® Gold certification, a recognition for the design, construction, operations and maintenance of high-performance green buildings. The facility stands as a model for environmental stewardship and innovation, and is the largest commercial property on Long Island to achieve this level of LEED. Students spoke to directors and managers, toured the product showroom, and also spoke one-on-one with human resource representatives.
Jacket, 1800
JC Frank
Wool, silk, silver thread, wooden buttons
In 1793 the Prince of Wales was appointed colonel of the 10th Light Dragoons, something that caused him to feel 'boundless joy'. The miniature in this case may have been painted to commemorate this event. The Prince of Wales had long been fascinated by the flamboyant uniforms of the Hungarian hussar regiments, a picturesque interpretation of traditional Hungarian peasant dress. Hussar features were incorporated into the clothing of the prince's unit, which was later renamed the 10th Royal Hussars. These included frogging (looped cord decoration), a corded waist sash with tubular gold barrels and tassels, and a fur-lined pelisse cloak.*
From the exhibition
Style & Society: Dressing the Georgians
(April to October 2023)
The display brings together over 200 works from the Royal Collection, including paintings, prints and drawings by artists such as Gainsborough, Zoffany and Hogarth, as well as rare surviving examples of clothing and accessories. The exhibition builds up a layer-by-layer picture of what the Georgians wore - from the practical dress of laundry maids to the glittering gowns worn at court - and chart the transformation of clothing and silhouettes from the accession of George I in 1714 to the death of George IV in 1830.
At the heart of the exhibition is a rarely displayed, full-length portrait of Queen Charlotte by Thomas Gainsborough, c.1781, which usually hangs in the White Drawing Room at Windsor Castle. Painted by candlelight, it depicts the Queen in a magnificent gown, worn over a wide hoop and covered with gold spangles and tassels. The painting is be shown alongside a beautifully preserved gown of a similar style, worn at Queen Charlotte’s court in the 1760s, on loan from the Fashion Museum Bath.
On display for the first time is Queen Charlotte’s book of psalms, covered in the only silk fabric known to survive from one of her dresses. The expensive fabric, decorated with metal threads to glimmer in candlelight, was most likely repurposed after the dress had passed out of fashion. As textiles were highly prized, Georgian clothing was constantly recycled, even by the royal family, and there was a thriving market for second-hand clothes.
The exhibition includes items of jewellery from Queen Charlotte’s famed collection, such as a diamond ring featuring a miniature of her husband George III, given to her on her wedding day. Other accessories on display will include beautiful English and French fans, which reached their fashionable zenith during this period, some representing topical events such as the first hot air balloon flight, and jewel-encrusted snuffboxes, reflecting the craze amongst both men and women for taking snuff throughout the 18th century.
The exhibition reveals how the Georgians ushered in many of the cultural trends we know today, including the first stylists and influencers, the birth of a specialised fashion press and the development of shopping as a leisure activity. From the popularity of fancy-dress and the evolution of childrenswear, to the introduction of military uniforms and the role of clothing in showing support for revolutions at home and abroad, Style & Society will explore what clothing can tell us about all areas of life in the rapidly changing world of 18th-century Britain.
[*IanVisits]
From the Queen's Gallery, Buckingham Palace
Buckingham Palace
Royal Palace. 1825 design, begun 1826 by John Nash, rebuilding Buckingham House of 1705 as a palace for George IV, completed 1837 with alterations by Edward Blore; The east range added 1847-50 by Blore; the Ballroom block of 1853-54, with Ambassadors' Court, by Sir James Pennethorne; the east front refaced 1913 by Sir Aston Webb for George V
Marble faced east front, the rest Bath stone except for Blore's west quadrangle front in Caen stone; slate and leaded roofs. Quadrangle plan. Monumental Graeco-Roman, composed with picturesque intent by Nash; Webb's east front a stiff Dixhuitieme exercise constrained by Blore's existing range but with elegant detailing: East front: three storeys with ground and attic floor mezzanines. Fenestration in rhythm 3:7:3:7:3 with centrepiece and terminal pavilion. Channelled ground floor with semicircular arched central gateway flanked by square headed doorways, all with fine ornamental iron gates of 1847; end pavilions and main range with square headed and semicircular arched gateways respectively; architraved sashes with open pediments on first floor and cornices on second floor; fluted Corinthian pilasters rise through first and second floors supporting main entablature with blocking course and balustraded parapet; centrepiece and terminal pavilions with Corinthian columns in antis and plain outer pilasters, in pairs on centrepiece, crowned by blind attics with pediments; continuous balustraded balcony to first floor.
West front: of Blore's east range; advanced centrepiece with tetrastyle giant fluted Corinthian column portico above archway; sculpture in pediment. North and South quadrangle ranges: by Nash and given uniform three storey height, with attic, by him in 1828; slightly advanced five-window wide pilastered centrepieces; ground floor Greek Doric colonnades filled in by Blore; to the south Ambassadors' Court with temple portico-porch and flanking ranges with Corinthian colonnade in antis, adjoining Pennethorne's 1853-1854 Ballroom block which continues giant columned corner pavilion theme of Nash's garden front.
East front of Nash's West range: originally open to deep forecourt and Mall, has storeys and attic main block, 11 windows wide, with three storey three-window wings, the main block with prominent, tetrastyle, two storey portico centrepiece, its low ground storey with cast iron coupled Greek Doric columns and the upper with giant coupled stone Corinthian columns carrying entablature and pediment with sculpture by Baily and crowning figures in Coade stone by W Croggan; the cast iron Doric colonnade is returned across ground floor of main block which has pavilion end bays dressed with giant pairs of Corinthian columns; tall blind attic; the friezes either side of portico by Westmacott and originally intended for the attic of Marble Arch.
West garden front, by Nash: Long symmetrical composition with five accents; basement, ground floor, piano nobile through two storeys and attic to main block with three-storey wings; the main block with five-window central bow and three-window side ranges terminating in one-window pavilions; the wings each of four windows with similar pavilion end bays; ground floor channelled, giant engaged Corinthian columns to bow and detached coupled Corinthian columns to pavilions carrying entablature with rich rinceau frieze; large frieze panels of Coade stone over first floor by Croggan; the attic above half dome of bow (Blore's replacement of Nash's dome) has a frieze by Westmacott intended for Marble Arch; the range is flanked at east of terrace by projecting conservatories in the form of hexastyle Ionic temples with pediments; the south conservatory altered as palace chapel in 1893 and as the Queen's Gallery in 1962.
Interior: State Apartments in west range at firs floor level, with two suites divided by the Picture Gallery, c1829-36 by Nash and Blore, in rich and already eclectic Graeco-Roman style with Louis XIV and Wren details in mouldings and motifs, approached via the Grand Hall with marble columns and Nash's recasting of the original Buckingham House staircase as well as by Pennethorne's Grand Staircase to south extended by Pennethorne to give access to his Ballroom block; the Picture Gallery redecorated 1914; the interior of the Ballroom retains Pennethorne's ceiling and throne recess but redecorated by Ludwig Gruner in 1902 when the walls, windows and doorways were remodelled by Verity; the plainer ground floor rooms below the State Apartments survive virtually as designed by Nash. Marble Arch (qv) designed by Nash in 1828 as the forecourt gateway was removed by Blore's east range and re-erected in 1851 on its present site.
[Historic England]
SAO PAULO, BRAZIL - NOVEMBER 26: "sarah" of Shopify Rebellion at the 2023 VALORANT Game Changers Championship Features Day in São Paulo, Brazil on November 26, 2023. (Photo by Adela Sznajder/Riot Games)
Goblin Valley State Park is a state park of Utah, in the United States. The park features thousands of hoodoos, referred to locally as goblins, which are formations of mushroom-shaped rock pinnacles, some as tall as several yards (meters). The distinct shapes of these rocks result from an erosion-resistant layer of rock atop relatively softer sandstone. Goblin Valley State Park and Bryce Canyon National Park, also in Utah about 190 miles (310 km) to the southwest, contain some of the largest occurrences of hoodoos in the world.
The park lies within the San Rafael Desert on the southeastern edge of the San Rafael Swell, north of the Henry Mountains. Utah State Route 24 passes about four miles (6.4 km) east of the park. Hanksville lies 12 miles (19 km) to the south.
Evidence of Native American cultures, including the Fremont, Paiute, and Ute, is common throughout the San Rafael Swell in the form of pictograph and petroglyph panels. Goblin Valley is noted for several rock art panels, as well as the rock formations. The secluded Goblin Valley was then found by cowboys searching for cattle. Then, in the late 1920s, Arthur Chaffin, later owner/operator of the Hite Ferry, and two companions, were searching for an alternate route between Green River and Caineville. They came to a vantage point about 1 mile (1.6 km) west of Goblin Valley and were awed by what they saw – five buttes and a valley of strange, goblin-shaped rock formations surrounded by a wall of eroded cliffs. In 1949, Chaffin returned to the area he called Mushroom Valley. He spent several days exploring the mysterious valley and photographing its scores of intricately eroded rocks.
Publicity attracted visitors to the valley despite its remoteness. In 1954, it was proposed that Goblin Valley be protected from vandalism. The state of Utah later acquired the property and established Goblin Valley State Reserve. It was officially designated a state park on August 24, 1964. In 2019 the state park was expanded by adding 6,261 acres of federal land.
The unusual stone shapes in Goblin Valley result from the weathering of Entrada sandstone. The Entrada consists of debris eroded from former highlands and redeposited on a former tidal flat of alternating layers of sandstone, siltstone, and shale. The rocks show evidence of being near the margins of an ancient sea with the ebb and flow of tides, tidal channels that directed currents back to the sea and coastal sand dunes.
Joint or fracture patterns within the Entrada sandstone beds created initial zones of weakness. The unweathered joints intersected to form sharp edges and corners with greater surface-area-to-volume ratios than the faces. As a result, the edges and corners weathered more quickly, producing the spherical-shaped 'goblins'.
en.wikipedia.org/wiki/Goblin_Valley_State_Park
en.wikipedia.org/wiki/Wikipedia:Text_of_Creative_Commons_...
Bangkok, Thailand - February 19 : paTiTek of Team Liquid speaks at VALORANT Masters Bangkok Media Day on February 19, 2025 in Bangkok, Thailand. (Photo by Yicun Liu/Riot Games)
SAO PAULO, BRAZIL - NOVEMBER 26: "XiMiLu" of Chao Hui EDward Gaming at the 2023 VALORANT Game Changers Championship Features Day in São Paulo, Brazil on November 26, 2023. (Photo by Adela Sznajder/Riot Games)
(2010/12/02) Alexander Tretiakov of Russia, mentally prepares for his Skeleton Race at the Federation Internationale de Bobsleigh et de Tobogganing (FIBT) World Cup on Thursday, Dec. 2, 2010 at Canada Olympic Park. Photo by Genesta Walz
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SAO PAULO, BRAZIL - NOVEMBER 26: "Blue" of Chao Hui EDward Gaming at the 2023 VALORANT Game Changers Championship Features Day in São Paulo, Brazil on November 26, 2023. (Photo by Adela Sznajder/Riot Games)
Features.The session takes place during the International Transport Forum's 2024 Summit on "Transport Enabling Sustainable Economies" in Leipzig, Germany on 22 May 2024.
4me4you Features - ‘reducing her colour palette..’
Artist: Vanessa Garwood
4me4you recently enjoyed a visit to PM/AM Gallery, where the spotlight illuminated the work of the talented artist Vanessa Garwood.
Vanessa Garwood, initially known for her mastery in oil-based portraiture, has evolved her artistic journey to embrace a diverse range of mediums and disciplines. This expansion has provided her with a broader canvas for creative expression, pushing the boundaries of her subject matter. Transitioning to a limited palette of black, white, and grey, Garwood delves into life's contrasting narratives with a literal visual representation, capturing the dynamic interplay on her canvases. Despite the constraint of this aesthetic choice, her works resonate with humour and satire, offering viewers an accessible entry point into her candid exploration of life's challenges.
In her latest artistic phase, Garwood has made bold decisions to paint exclusively in greyscale and switch from oils to the quicker drying medium of acrylics. These changes have streamlined her process, fostering a deeper immediacy in her work, which she considers her most personal to date. While her earlier focus was primarily on human subjects, including portraits, nudes, and dancers over two decades, she now draws inspiration from both reality and fantasy, blending boundless imagination with real-life figures. Despite the whimsical elements infused into her compositions, Garwood's commitment to naturalism ensures a relatable connection for the viewer.
The transition to a shorter window for paint manipulation may limit the time for technical refinement, yet it ignites a newfound spontaneity in Garwood's expression. Embracing this flux state, she thrives without the burden of overthinking. Surprisingly, the absence of colour doesn't diminish the vitality of her work; rather, it amplifies the raw energy of her paintings, captivating the viewer's imagination in monochrome. Garwood achieves a remarkable feat, activating the perception of colour in the mind without its physical presence, underscoring the power of her artistic vision.
A notable theme in Garwood's oeuvre is the strong presence of women engaged in everyday rituals seldom depicted in traditional art history—moments shared over drinks, cigarettes, laughter, and embraces. These scenes epitomise expressive freedom, celebrating vivacity while acknowledging underlying insecurities and challenges. They serve as a poignant reflection of a world grappling with oppressive struggles, yet reaching out for moments of joy and camaraderie amidst uncertainty.
Rb of Nongshim RedForce at VALORANT Masters Santiago on set during Features and B-roll in Santiago, Chile (Photo by Colin Young-Wolff/Riot Games)
Features:
• Easy to edit.
• Optimized for printing / 300 Dpi
• CMYK color mode.
• Image is not included in main file
• 8.5×11 inch dimension.
• 0.25 Bleed.
• Help Guide Included.
• Adobe photoshop CS6 version.
Global Esports at VALORANT Masters London on set during Features Day on June 05, 2026 in London, England (Photo by Jianhua Chen/Riot Games)
carpe T1 at VALORANT Masters Santiago on set during Features and B-roll in Santiago, Chile (Photo by Colin Young-Wolff/Riot Games)
Indoor Tabletop Water Fountain Feature - Fountains / Features
A tabletop fountain is a great home accent and they will bring a sense of serenity to your indoor space. The water and natural elements bring a little bit of nature indoors. Our indoor tabletop fountains are made with hand thrown ceramic, copper, stainless steel and natural elements such as slate, gemstones, crystals and bamboo. The features made of semi precious stones often include a rotating object on the fountain such as a crystal sphere which rotates using water pressure, bringing movement to the table fountain which is both interesting and soothing to watch. Table fountains are ideal accents for small rooms and office desks where space is a concern. They easily fit into small spaces such as the corner of a desk, a bedroom table, mantle, around door entryways and coffee tables.
blowz of Leviatán at VALORANT Masters London on set during Features Day on June 05, 2026 in London, England (Photo by Jianhua Chen/Riot Games)
Features.The session takes place during the International Transport Forum's 2024 Summit on "Transport Enabling Sustainable Economies" in Leipzig, Germany on 23 May 2024.
carpe T1 at VALORANT Masters Santiago on set during Features and B-roll in Santiago, Chile (Photo by Colin Young-Wolff/Riot Games)
micaela of KRÜ Blaze at the 2025 VALORANT Game Changers Championship Features Day at in Seoul, South Korea on November 19, 2025. (Photo by Christina Oh/Riot Games)
Global Esports at VALORANT Masters London on set during Features Day on June 05, 2026 in London, England (Photo by Jianhua Chen/Riot Games)
SAO PAULO, BRAZIL - NOVEMBER 26: (L-R) "XiMiLu", "Clem" and "WawaLee" of Chao Hui EDward Gaming at the 2023 VALORANT Game Changers Championship Features Day in São Paulo, Brazil on November 26, 2023. (Photo by Adela Sznajder/Riot Games)
wayne and nAts of Team Liquid at VALORANT Masters Santiago on set during Features and B-roll in Santiago, Chile (Photo by Colin Young-Wolff/Riot Games)
xavi8k of Global Esports at VALORANT Masters London on set during Features Day on June 05, 2026 in London, England (Photo by Jianhua Chen/Riot Games)
Karmine Corp GC at the 2025 VALORANT Game Changers Championship Features Day at in Seoul, South Korea on November 19, 2025. (Photo by Christina Oh/Riot Games)
BABYBAY of G2 Esports at VALORANT Masters Santiago on set during Features and B-roll in Santiago, Chile (Photo by Colin Young-Wolff/Riot Games)
Reference: APAAME_20211022_DS-0408
Photographer: Dana Salameen
Credit:
Copyright: Creative Commons Attribution-Noncommercial-NoDerivative Works
The entrance to the temple courtyard features a low gopuram. Most of the deities at the left of the entrance are Shaivaite (followers of Lord Shiva) while on the right hand side the deities are Vaishnavaites (followers of Lord Vishnu). A two-storeyed gateway opens to reveal a U-shaped courtyard. The dimensions of the courtyard are 82 m x 46 m at the base. The courtyard is edged by a columned arcade three stories high. The arcades are punctuated by huge sculpted panels, and alcoves containing enormous sculptures of a variety of deities. Originally flying bridges of stone connected these galleries to central temple structures, but these have fallen.
These are the sculptures in the arcade on three sides of the Kailasa Temple.
Each panel depicts the Lord Shiva in various attitudes. Quite a few of them depict him with Parvati. There are also some depictions of Vishnu in various attitudes.
Size:LED800W+48"X48"X80"
Features :
High Efficiency Optimized for PAR, Extremely Sufficient Lights Spectrum, Super Light Penetration
Plants grow faster and flower bigger: Enhanced spectral output covering full PAR (380-800nm) promotes photosynthesis for Growth & Bloomming, Powerful Cooling fan system inside, Cool and Quieter
Revolutionary Heat Aluminium PCB, Run 80% cooler than high intensity discharge (HID) lights
All LEDs with a Zener to ensure One LED Goes Out the Rest Continue to Operate
3 years Long Life Span, Energy Saving and Environmental Protection
Specification
LED output Power: 800W
Actual Power Consumption: 210W
4PCS*200W high intensityCOB(64*3W chip on board)
view Angle: 120 degree Reflector
9 Bands for Indoor Plants Growth & Flower
Spectrum of Light: 28pcs 660nm 16pcs 640nm;8pcs 440nm;4pcs 460nm;4pcs 470nm;2pcs 525nm;2pcs 730nm
Packing:
1 x 800W LED Grow Panel Light ;1 x Power Line;2 x Stainless Steel hanging kits
Please note:Before using LED grow light, you should separate from HPS(High Pressure Sodium) lamp. They can not work together. If not,LED grow light will burning out.
Grow
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