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Camera Yashica FX-3 Super, film Fomapan 400
the fields were still under snow in April and now in mid-May the fields are sown
haran boots by AZOURY(Belleza Event)
jinebra dress by Madame Noir
vulcanni (FX) by MXS
topanga hair by babe
Leider kann ich mit meinem 24-120 mm bei Teleaufnahmen nicht wirklich was "reissen", auch die 36 MP meiner NIKON ersetzen dabei keine Brennweite. Der Himmel war dazu auch noch leicht verschleiert, So ist das das Beste was ich vom Supermond bei Heidelberg zeigen kann. Jeder aber, der den Mond im Moment des Aufgangs gesehen hat weiĆ: er war RIESIG.
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Unfortunately I have only a 24-120 mm, the 36 MP of my NIKON don't help too much, too. So, this is the best I can show of the supermoon in Heidelberg. But everybody who saw the supermoon rising knows: it was HUGE
see light fixtures in comment section. the polar distortion and darker blue color were added with corel paintshop
airport hilton hotel
santa rosa, california
Evaluating the combination of Adox CHS 100 II and Crawley's FX-15 developer (1:1 for 10 minutes)
Resolution is excellent, grain structure is smooth and not too pronounced (Looks finer/smoother than Thornton 2-bath gave). Good tonal scale, and about half a stop speed boost.
Voigtlander Perkeo II used.
tripod vessel with animals
300 - 390
ceramic, stucco and mineral pigments
Teotihuacan exhibit
De Young Museum
San Francisco, California
Created for Handheld Art - May 2019 Contest "Text as an Element".
www.flickr.com/groups/handheldart/discuss/72157706787359571/
Text elements from Pixabay.
The typewriter is from my 11-year-old grandson.
All processing was done with iColorama, Leonardo, Distressed FX, and Snapseed.
HE>i
NOTW
Strobist: AB1600 with gridded 60X30 softbox camera left. White reflector camera right. Triggered by Cybersync.
The FX was the first Holden car produced in Australia. It rolled off the production line 75 years ago.
Nostalgia abounds when I see a car like this on the track. I learned to drive in an FJ Holden Ute which was 1953 but the same shape.
Beautiful summer days with mighty clouds - that's what life is for...
Hasselblad 500 C/M
Carl Zeiss C 4/50 Distagon w/red filter
Ilford FP 4 plus
dev FX-39; 1+9, 6min @ 20Ā°
Scan Epson V 850 @3600dpi, cropped to 3000px@300dpi
Tangled FX 2.1 (Apr 10, 2015, 6:08:31 AM)
Perfecting preset
TangledFX://?Sc=59&PreSh=2_2&Str=2_L&Sh=6_1&Smu=0&PostSh=6_5&C_C_G_H=50_0_0_0