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Lowland Plain Trail
Broad Run Park
The Parklands of Floyds Fork
Louisville Kentucky
Camera - Nikon D750
Lens - Nikon 24-120mm f4g
Photo uploaded - July 14, 2020
Thank you very much for the pleasure you give me by choosing my photo to represent your amazing group. Hugs! Ƹ̵̡Ӝ̵̨̄Ʒ.
⭐️Dee.Floyd
⭐️Babss Floyd
Thank you very much for all your kindness, support and love. I'm glad I was chosen for the cover of this amazing group. Hugs! 💙💛
⭐️Dee Floyd
⭐️Babss Floyd
⭐️Original Picture: Quiet Time!
Thank you very much for the happiness you give me by choosing my photo to represent your amazing group. Hugs! Ƹ̵̡Ӝ̵̨̄Ʒ.
⭐️Dee.Floyd
⭐️Babss Floyd
Published on Smile on Saturday! :-) 2020-10-24
Theme: Song Title
Time, a song by Pink Floyd.
The fourth song from the album “The dark side of the moon”.
Time
Ticking away the moments that make up a dull day
You fritter and waste the hours in an offhand way.
Kicking around on a piece of ground in your home town
Waiting for someone or something to show you the way.
Tired of lying in the sunshine staying home to watch the rain.
You are young and life is long and there is time to kill today.
And then one day you find ten years have got behind you.
No one told you when to run, you missed the starting gun.
So you run and you run to catch up with the sun but it's sinking
Racing around to come up behind you again.
The sun is the same in a relative way but you're older,
Shorter of breath and one day closer to death.
Every year is getting shorter never seem to find the time.
Plans that either come to naught or half a page of scribbled lines
Hanging on in quiet desperation is the English way
The time is gone, the song is over,
Thought I'd something more to say.
Philippe, un photographe passionné, se promenait dans les rues pittoresques de Bruxelles lorsqu’il remarqua un chat noir, élégant et mystérieux, assis sur le rebord d’une fenêtre.
Ce n’était autre que Floyd, le chat de sa voisine, qui semblait totalement absorbé par sa séance de toilette.
Floyd se léchait les pattes avec une grâce délicate, comme s’il était en train de préparer une performance pour un public invisible.
Philippe, intrigué par cette scène charmante, décida de capturer ce moment. Il sortit son appareil photo et se mit à l’affût, prêt à immortaliser les gestes raffinés de Floyd …
°°°°°°°°°°°°
Philippe, a keen photographer, was strolling through the picturesque streets of Brussels when he noticed an elegant and mysterious black cat sitting on a windowsill.
It was none other than Floyd, his neighbour's cat, who seemed completely absorbed in his grooming session.
Floyd licked his paws with delicate grace, as if preparing a performance for an unseen audience.
Philippe, fascinated by this charming scene, decided to capture the moment. He took out his camera and got ready to immortalise Floyd's refined gestures...
“Les petites histoires de PdF”
__________________________________________PdF_____
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My good friend, Eric Thomas, put up a work yesterday regarding time and Pink Floyd. I loved his idea so much that I asked if he would mind if I did another version of the song and he sweetly said that he would be delighted for me to do one.
Time - Pink Floyd
www.youtube.com/watch?v=JwYX52BP2Sk
Time is a Relative That Won't Go Away! by Eric Thomas
www.flickr.com/photos/169445064@N04/52032601966/in/datepo...
Thank you for your kind visit. Have a wonderful and beautiful day! ❤️❤️❤️
Daniela Fatpack
Featuring .:FLOYD:. DANIELA Fatpack available in 40 colors & compatible with LaraX, Legacy, Reborn & Waifu. Available in store & on marketplace.
Heart of Georgia GP38-2 2038 brings the southbound local into Cordele, Georgia on December 11, 2019.
remember how she said that we would meet again
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i was inspired by pink floyd -- as i tend to be! -- and decided to portray my interpretation of "vera".
ok, i'm a dork who knows her stuff - vera is vera lynn, who was a singer during ww2. pink floyd (well, roger waters) is referring to her song "we'll meet again" when he asks, "remember how she said that we would meet again some sunny day?" in the film, pink (waters) loses his father in the war, someone he'll never meet again, as vera may have led him to believe. also, vera herself is a bit of an elusive character, since waters (pink) asks "what has become of you?" which implies that she, like her words, are no longer there, either not accessible or not applicable.
it's a sad feeling, because if you reject the belief that "we *will* meet again", you probably are left skeptical and feeling hopeless. in my photo, i tried to create that mood. the despondency, the heartache, the loss.. and it seems to me that those feelings would paint a pretty bleak picture of the future. even though MY vera has her eyes closed, she is not at peace with herself or her situation. instead, i'm having her revisiting memories, remembering the most beautiful times and reliving them over and over again. clinging to the blanket like she does to the past. lastly, i thought that with such a gloomy way of living/thinking, the pitchblack room save for the two floating lights was right on target... tiny lights, swallowed up in the sea of darkness and misery.
aaaand... that's me in the shawl blanket thing, perched atop the glass dining room table. you can't see the table, because it's glass, and the two green things are stone pillars that hold up the glass. i took all the chairs away from the table, switched off every light except for the three that hang from the ceiling over the table - those two (pictured) and another one that i cloned out because it was the closest to the camera, so bigger and kind of obstructive. i like these two little guys hanging out, hovering around me. it makes me look like princess leia :P
i'm actually really pleased with how this came out! pink floyd is my favorite band and i couldn't give them anything but (what i judge to be) my best.
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hmm. i'm really happy to explain all of the thoughts, plans, ideas, setting up the stage, etc. that go into my shots. of course i always have these silly mustache shots or grrrawrr clint shots, or just blah "look at my beautiful eyes and lips" close-up shots, but i really love when i try to create a scene. a mood. play a character, one who's real, who's been done a million times, or that i just make up as i go along. the most consistent compliment (at least, i think it is a compliment!) i get from you peeps and others who look at my portfolio is that i create a cast of characters, i put on a show for myself and the camera just happens to be there. i love using props, and i love paying tribute to my literary, artistic & musical heroes and heroines (and obama!), but only if i do it well. i do put an awful lot of pressure on myself, especially for tribute shots; i always end up thinking, well, thom yorke did it better! or whatever.. sometimes my safest bet is to aim for a certain style. noir, or vintage in general, outlandish, ethereal, surreal, rough/raw. i don't know what i'm talking about now, but i'm kind of having this renaissance with my 365... embracing it again, really excited about what i can do next and happy with what i've been doing.
(sorry, london, but you had some weeeeird effect on me! poo faces)