View allAll Photos Tagged FILMSWAP
Film swap (Minneapolis/Edinburgh) with Lomography member HoneyGrahams224 www.lomography.com/homes/honeygrahams224
Zenit B with Helios 44-2 58mm f2, and Canon F1.
Safeway 200 ISO 35mm colour film.
Processed at home with Tetenal C-41 kit.
A double exposure project I did with Brazilian artist Beatriz Moreira. Sadly, I underexposed my images a bit too much so that most of the roll we see only Bea's images but here and there we see a wonderful effect of both her and my images showing through.
This is one of the images where we cannot make out any of my initial exposure. This is disappointing in a way but at least Bea's images are good and we have learned a lesson about planning exposure values for a project like this.
Shot in Toronto, Canada and somewhere near Belo Horizonte, Brazil.
My model: Danae
Bea's model: Barbara
A film swap project made by me and my friend Hmoong from Vietnam. Photos were exposed both in Vietnam by him and in İstanbul by me. Here are the results.
Series: Transatlantic
Cameras: Zero 2000 Pinhole
Film: Fuji Across 100
Location: Seattle, USA and Norwich, UK
One roll of film exposed twice in two cities located in different countries separated by roughly 7700 kilometers or 4800 miles and one gigantic ocean. The Transatlantic Series is a pinhole film swap collaboration with felllow Flickrite The Old Penfold. We both exposed a roll of Fuji Across 100 re-rolled it and sent it across the Atlantic Ocean to be exposed again. The overlaying theme of the series is the relationship between natural and urban landscapes. This was not a planned outcome, just the result of two creative minds working together in a blind fashion.
The first installment of the series is a bit more subtle than others images to follow, but that is what I like most about it. The tall steel reeds jetting towards the sky is an art instillation by John Fleming titled Grass Blades , notice the double exposure reveals grassy bush like features within each blade. its as though the piece of art is becoming a reality before your eyes.
This is an old collaboration with JOCKO.HOMO made in 2005.
He shot the first layer, I shot the second.
Have a look at the whole set
Please visit his stream :
www.flickr.com/photos/brunovanwassenhove
LC-A✦ xpro (traitement croisé) ✦ double exposure ✦ 2005
film swap with dreifachzucker from Switzerland
dreifachzucker - motos
panelomo - snowmen
LC-A+
Agfa Precisa CT 100
Primer carrete Doble exposicionado por el Roldan y Fascinatingirl.
Cameras:
El Roldan: Vivitar Ultra Wide and Slim
Fascinatingirl: Vivitar Wide & Slim Clone Gold Harikin ---> Redscale
Film: Fotoprix 100 ISO 36 exp.
Scan: HP G4050
Software: VueScan 8.5.4 + Photoshop
Film Swap i.e. double exposure
First Run: Marios (my brother) - Lomo Fisheye
Second run: 25ThC - Lomo Fisheye 2 - London
Kodak Ultra Max 400
A double exposure project I did with Brazilian artist Beatriz Moreira. Sadly, I underexposed my images a bit too much so that most of the roll we see only Bea's images but here and there we see a wonderful effect of both her and my images showing through.
This is one of the images where we cannot make out any of my initial exposure. This is disappointing in a way but at least Bea's images are good and we have learned a lesson about planning exposure values for a project like this.
Shot in Toronto, Canada and somewhere near Belo Horizonte, Brazil.
My model: Danae
Bea's model: Barbara
I participated in the fluster magazine "swappa." my partner was Khánh Hmoong of Vietnam. He was the first shooter. I was the second and took most of my photos in Chicago with my trusty Pentax K1000. flustermagazine.com/swappa/
Doubles project with Anna.
She took the camera to Bangalore on the 13th March 2013 and took photos, I rewound the film and took pictures over the top in Liverpool on Saturday 30th March 2013. This technique is explained here in this video - www.youtube.com/watch?v=JTuV1AK0mBA
Vivitar Ultra Wide and Slim and colour film of no particular distinction.
Filmswap with www.flickr.com/photos/25thc/
Holga 135BC both times. Expired Fuji Velvia 100, cross processed.
Another film swap project made by me and Hồng Nhung from Hanoi, Vietnam. Photos were exposed both in Hanoi by Nhung and in Nha Trang by me.
• Film: Fuji Superia 200
Series: "Norwich, UK x Oʻahu, USA"
Cameras: Cardboard Pinhole Cameras
Film: Fujifilm Superia 200
Locations: Norwich, UK and O‘ahu, Hawai‘i, USA
This is one in a series of images taken collaboratively with fellow pinholer, The Old Penhold. We both each exposed a roll of film, rewound it, and then mailed it to the other. The film was re-exposed, developed, and the multiple-exposed images assimilated.
Preconceived ideas of the other's photographic style and usual subject matter are often considered in these types of "collaborations", but the final outcome of the images is mostly left to serendipity and chance.
For more images from this collaboration, please look at The Old Penhold's Flickr set [Click Here], and on my photostream [Click Here].
Brighton Pavilion meets Mexican nopales (prickly pear cactus) thanks to a Holga film swap with the extremely lovely Mike Oddhayward, whom I highly recommend as a film-swap partner :)
El Pabellón Real de Brighton, Inglaterra y unos nopales mexicanos, vistos por el ojo Holga... un intercambio de rollos con Don Mike Oddhayward :)
Film swap - i.e. Double exposre:
First run: Fl:ckrnauta Lomo LC-A Italy
Second run : captainbonobo Olympus XA2 UK
Fuji Velvia 50
Cross processed
A film swap with Tatiana. She took the portrait of her daughter and mailed me the film where I spent some time in my garden doing the second exposure.
Filmswap with myself using an Olympus XA2 & expried Agfa RSX II 100. Cross processed. First shot in the V&A museum, second shot somewhere else in London...can't think where :)
If Ben could just move a little to the left please...
When I saw this one, I thought about that line in the title; it's from Sylvia Plath's poem "Last Words", and I think it fits perfectly.
-----------------
2 people
+ 2 cameras
+ 1 roll of film
= FILM SWAP!
After I said here on Flickr that I'd like to try a film swap, a few people responded and we decided to collaborate. The first film swap was with Yutaka/Prestonbot. Each of us shot a roll of film and then sent it to the other (to Canada or to Germany). Luckily enough, both film rolls made it to their transatlanitc destination without any harm, and the results are awesome I think.
These here are some of my favourites.
EMULSIVE: By way of a quick preface, regular readers and followers of EMULSIVE-related ramblings on Twitter will be familiar with our Interview and Photographer’s Daypack series should be familiar with Jonas Lundström. In fact, Jonas was also the man behind our very first #filmswap and one...
Large version at: emulsive.org/reviews/filmswap-03-eastman-double-x-5222
Filed under: #Articles #Featured #FilmReviews #Reviews #BlackAndWhiteNegativeFilm #Eastman #EMULSIVE #Filmswap #ISO200 #JonasLundstrom #Kodak #KodakEASTMANDOUBLEX5222 #KodakPlusX5231 #KodakTriX400 #M42 #Minolta #MinoltaXD #MotionPictureFilmBlackAndWhite #Pentax #PentaxTakumar5518 #Rodinal
For my second international film swap project, I was delighted to be able to work with the wonderful Catfordst32 from Japan - you should check out her superb photostream! She shot the outdoor patio at the Lucent tower building in Nagoya (I really want to see this place!!), and I shot a foot passage underneath the Marylebone Road in London, near Baker Street.
This will be my last upload from this project, for now at least. Thank you Akiko for making this such a fun film swap!
LC-A+, Lomography Chrome 100, X-Pro
Film swap - i.e. Double exposre:
First run: Fl:ckrnauta Lomo LC-A Italy
Second run : 25ThC Olympus XA2 UK
Agfa CT Precisa 100
Cross processed
From my first ever film swap with the wonderful captainbonobo
Wales vs Cornwall
Olympus XA2 & LC-A+, Fuji Astia 100
Doubles with frauspatzi for the lomography.de christmas filmswap double rumble | Lomo LC-Wide, Fuji Sensia 400, cross-processed
A shot from the film swap with Yutaka/Prestonbot which I hadn't posted yet. The double exposure is practically invisible though; still I like the colours and I need a bit of rainbow happiness right now. (It's too grey outside and I'm grumpy.)