View allAll Photos Tagged FACE
Ses serres se sont refermées sur le piquet de vigne pour résister aux fortes rafales.
Buse variable (Buteo buteo)
“You use a glass mirror to see your face; you use works of art to see your soul..”--George Bernard Shaw.
Face detail on one of George John Vulliamy's dolphin lamp standards on the Queen's Walk, between Southwark and Waterloo Bridges.
On closer inspection, the face is covered in cobwebs but I didn't notice them until I was processing the image at home.
Photo location : Fushimi Inari shrine, Kyoto. October 20, 2009.
These faces are KITSUNE (KITSUNE is Fox) EMA tags. And people who come to Fushimi Inari shrine pray to God for something wish with writing on the back side of these tags.
Sunrise at Face Rock State Scenic Viewpoint. The sun rising above the bluffs behind us illuminating just face rock in a golden hue.
Finally after my pig face plant was attacked the flowers are returning and this is the first to fully bloom.
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Shot with Canon EOS 5D Mark II + Canon 50mm f/1.8 II
Angkor, the area in Cambodia that is surrounding Siam Reap town, has a lot more to offer than Angkor Wat, even though thats everything that many visitors see. The region is full of temples, pagodas and ruins of long ago times.
While visiting one of the other, rather popular temples, Bayon, I got surprised by a heavy rain shower. I seeked shelter together with a nun and a policewoman. I figured that I might be able to profit from the weather as the temple now was completely empty. I looked around for a perspective that would work for me and quickly found one. The rain lets the pillars in the background look like a painting, its fascinating how it can help an image.
BTW: I am publishing my Asia travel photography and stories daily on my Blog. A lot more than here on Flickr. Follow my Asia Adventure
On a partly cloudy late Spring day, with the high altitude winds chasing the clouds across the face of the sun, a pair of California bush sunflowers along Arrowhead Lake Road raise their own yellow faces to the fluctuating sunlight above.
Camera: Mamiya/Sekor 500TL (1966-1968, with Mamiya-Sekor 50mm f/2 lens).
Film: 35mm Kodak Ektar 100 ISO Color Negative Film, developed using The Film Photography Project's C-41 Home Processing Kit, and scanned with an Epson V600 scanner.
Close-up photo, enlarged detail from a new painting.
The real face is only about an inch and a quarter!
My granddaughter loves to paint rocks when she visits us. She also thinks it's fun to draw silly faces.
Macro Mondays
April Fool's