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Elizabeth 1524 daughter of Sir Hugh Calveley of the Lee, and Lord of the Manor of Calveley Cheshire, (who was killed at the battle of Bloreheath, in 1459) and wife Margaret daughter of Sir John Donne of Utkinton . Elizabeth was the GG (?) grand daughter of Sir Hugh Calveley at Bunbury
www.flickr.com/photos/52219527@N00/7724216122/
Elizabeth lies beside her husband John ap Elis Eyton 1526
Children
1. John m1 Emma daughter of Sir Roger Kynaston of Hordley dsp
m2 Annest daughter of Elissau ab Gruffydd of Cors y Gedol by whom he had 4 sons and 5 daughters .
2. Margaret d1528 wife of Robert ab Edward of Abynbury, Wrexham
He lies on a table tomb surrounded by weepers flic.kr/p/cxXAUf
LONDON, ENGLAND - APRIL 19: (L-R) Katie Eyton, Executive Director Head of Operations and Technology at MGOMD, Angie French, VP, Client and Agency Engagement, EMEA at Xaxis, Julian Brewer, Head of Digital Sales and Products at TSB, Dave Taylor, Senior Consultant (DBi) at Havas Media and Sonia Sudhakar, Director of Digital Growth at Guardian News and Media attend Data: Quality not Quantity during Advertising Week Europe 2016 at Picturehouse Central on April 19, 2016 in London, England. (Photo by Tristan Fewings/Getty Images for Advertising Week Europe)
The diminutive church of All Saints at Eyton lies a couple of miles to the northwest of Leominster and is one of Herefordshire's more humble churches.
The building is a simple nave and chancel with no structural division and only a small bellcote piercing roof level. The real surprise is to be found within, a remarkable 15th century rood screen complete with an enormous coving that would have supported the rood loft.
The church is generally kept open and welcoming to visitors.
Thursday, 23 August 1962
Heron, air crash at Yeovilton, Somerset
EYTON-JONES, Richard H, Lieutenant (P)
SCOTT, David G, Act/Sub Lieutenant
LONDON, ENGLAND - APRIL 19: (L-R) Katie Eyton, Executive Director Head of Operations and Technology at MGOMD, Angie French, VP, Client and Agency Engagement, EMEA at Xaxis, Julian Brewer, Head of Digital Sales and Products at TSB, Dave Taylor, Senior Consultant (DBi) at Havas Media and Sonia Sudhakar, Director of Digital Growth at Guardian News and Media attend Data: Quality not Quantity during Advertising Week Europe 2016 at Picturehouse Central on April 19, 2016 in London, England. (Photo by Tristan Fewings/Getty Images for Advertising Week Europe)
12c-14c Church of St. Mary stands on the site of an earlier possibly saxon one - the south wall being very ancient.
1878 Windows, spire and north aisle added in the renovation of architect H M Eyton
J. FrankBrown (left), Dean, INSEAD, David Eyton (middle), Group Head, Research and Technology BP, Peter Wrobel (right), Founding Director Science|Business.
The ACES is a pan-European competition among companies spun out from universities – to recognise the best academic entrepreneurs from across all technology disciplines. The competition is open to entrepreneurs in the European Union and countries affiliated with European Union’s 7th Framework Programme for research, including Israel and Russia. In 2011, the ACES drew nominations from Europe to Bashkorostan and culminated in an awards ceremony hosted by the ETH Zurich.
Photo: Oliver Bartenschlager
His head resting on his helmt, his gauntlets by his side, John ap Elis Eyton, knight, who died September 28 1526 and fought at the Battle of Bosworth, lies with his wife Elizabeth Calveley 1524 on an alabaster tomb.
Children
1. John m1 Emma daughter of Sir Roger Kynaston of Hordley dsp
m2 Annest daughter of Elissau ab Gruffydd of Cors y Gedol by whom he had 4 sons and 5 daughters .
2. Margaret d1528 wife of Robert ab Edward of Abynbury, Wrexham
He lies on a table tomb surrounded by weepers flic.kr/p/cxXAUf
Operating along similar lines to The Landmark Trust, this beautiful little building is available for two to rent for holidays from the Vivat Trust. It's located at Eyton-on-Severn, Shropshire.
Now rented through Rural Retreats(2022)
In the 1970s, when I used to stay at my Grandparent's house when my Mum and Dad went disco dancing, or whatever they called it before disco dancing was a thing, there was a TV series they used to watch called "How Green was my Valley". I remember little of it, except Granddad saying the valley was go green because of all the rain.
So, on Sunday, the rain was due to fall in the valleys, the hills and all else between.
What to do when we had come away without coasts and umbrella?
Churchcrawling.
And thanks to the Church Conservation Trust, you ban fairly reply on those under their care to be open. I made a list of their churches in Shropshire, and after breakfast we set off for the first one, passing through the village of Knocking
.
I kid ye not.
Where the village shop is called, of course, The Knockin Shop.
I also kid ye not.
Rain fell, roads were nearly flooded, so we splish-splashed our way across the county, down valley and up hills until we came to the entrance of an estate.
Here be a church.
Not sure if we could drive to it, I got out and walked, getting damp as the rain fell through the trees.
But the church was there, and open, if poorly lit inside. And I was able to get shots before walking up the hill to the car.
Two more churches tried, but they were locked and no keyholder about. So onto Wroxter, where a large and imposing church towered over the road. And to get there we passed through a former Roman settlement from which the modern town took its name. Most impressive was a reconstruction of a villa.
-------------------------------------------
When you open the wrought iron gate to enter the churchyard of St James' Church, the first impression is of a typical small 18th-century church.
It is built of brick with round arches dressed with local sandstone in a simple neo-classical style with its west tower and simple nave.
Walk round the side of the church, however, and the solid mass of sandstone blocks that make up the heavy square chancel, comes as something of a shock.
The tiny narrow windows give an impression of great antiquity.
This is part of the original church building that was built around the middle of the 12th century. It is almost 900 years old.
Inside the church, the same startling contrast can be seen.
High box pews and a wooden two-decker pulpit typical of the 1700s are set against a magnificent Norman arch carved with three different motifs.The earliest arch dates from about the year 1150.
Both the church and its churchyard are Scheduled Ancient Monuments and the church building itself has a Grade I listing, reflecting both its national historical and architectural importance.
Architectural evidence shows Stirchley church to be of Norman origin and to date from the 12th century. However, it is also suggested that the chancel arch may actually be set in an even older Anglo-Saxon one.
Walter, described as the chaplain of Stirchley, is the first rector whose name is known. He was the priest here from c1220-1230. However, the church was over 100 years old by the time Walter conducted the services here.
Of the foundation of Stirchley church, Rev Robert Eyton wrote in his ‘The Antiquities of Shropshire' 1885:
‘This was in its original state a chapel, probably in the Parish of Idsall [Shifnal], and founded by the Manorial Lords of Stirchley in the twelfth century.’
The chancel is the oldest visible part of the building and probably dates from about 1150. It is almost square and has small Norman round-arched windows. Old masonry on the inner face of the nave and tower walls is also likely to be 12th century. The work may have been financed by first recorded lord of the manor, Osbert of Stirchley who was the under-tenant here from 1167 to 1180.
The ornate late-12th-century chancel arch is set in a larger and earlier arch, probably of the mid-12th century. The stone used is local sandstone. This is a particularly fine chancel arch with two orders of shafts with scalloped and foliage capitals and three orders of arches with rosette, chain-link and zigzag patterns.
stirchleychurchandrectorysalop.jimdofree.com/stirchley-ch...
In the 1970s, when I used to stay at my Grandparent's house when my Mum and Dad went disco dancing, or whatever they called it before disco dancing was a thing, there was a TV series they used to watch called "How Green was my Valley". I remember little of it, except Granddad saying the valley was go green because of all the rain.
So, on Sunday, the rain was due to fall in the valleys, the hills and all else between.
What to do when we had come away without coasts and umbrella?
Churchcrawling.
And thanks to the Church Conservation Trust, you ban fairly reply on those under their care to be open. I made a list of their churches in Shropshire, and after breakfast we set off for the first one, passing through the village of Knocking
.
I kid ye not.
Where the village shop is called, of course, The Knockin Shop.
I also kid ye not.
Rain fell, roads were nearly flooded, so we splish-splashed our way across the county, down valley and up hills until we came to the entrance of an estate.
Here be a church.
Not sure if we could drive to it, I got out and walked, getting damp as the rain fell through the trees.
But the church was there, and open, if poorly lit inside. And I was able to get shots before walking up the hill to the car.
Two more churches tried, but they were locked and no keyholder about. So onto Wroxter, where a large and imposing church towered over the road. And to get there we passed through a former Roman settlement from which the modern town took its name. Most impressive was a reconstruction of a villa.
-------------------------------------------
When you open the wrought iron gate to enter the churchyard of St James' Church, the first impression is of a typical small 18th-century church.
It is built of brick with round arches dressed with local sandstone in a simple neo-classical style with its west tower and simple nave.
Walk round the side of the church, however, and the solid mass of sandstone blocks that make up the heavy square chancel, comes as something of a shock.
The tiny narrow windows give an impression of great antiquity.
This is part of the original church building that was built around the middle of the 12th century. It is almost 900 years old.
Inside the church, the same startling contrast can be seen.
High box pews and a wooden two-decker pulpit typical of the 1700s are set against a magnificent Norman arch carved with three different motifs.The earliest arch dates from about the year 1150.
Both the church and its churchyard are Scheduled Ancient Monuments and the church building itself has a Grade I listing, reflecting both its national historical and architectural importance.
Architectural evidence shows Stirchley church to be of Norman origin and to date from the 12th century. However, it is also suggested that the chancel arch may actually be set in an even older Anglo-Saxon one.
Walter, described as the chaplain of Stirchley, is the first rector whose name is known. He was the priest here from c1220-1230. However, the church was over 100 years old by the time Walter conducted the services here.
Of the foundation of Stirchley church, Rev Robert Eyton wrote in his ‘The Antiquities of Shropshire' 1885:
‘This was in its original state a chapel, probably in the Parish of Idsall [Shifnal], and founded by the Manorial Lords of Stirchley in the twelfth century.’
The chancel is the oldest visible part of the building and probably dates from about 1150. It is almost square and has small Norman round-arched windows. Old masonry on the inner face of the nave and tower walls is also likely to be 12th century. The work may have been financed by first recorded lord of the manor, Osbert of Stirchley who was the under-tenant here from 1167 to 1180.
The ornate late-12th-century chancel arch is set in a larger and earlier arch, probably of the mid-12th century. The stone used is local sandstone. This is a particularly fine chancel arch with two orders of shafts with scalloped and foliage capitals and three orders of arches with rosette, chain-link and zigzag patterns.
stirchleychurchandrectorysalop.jimdofree.com/stirchley-ch...
66020 pounds up the bank over Eyton Lane crossing towards Baschurch with 6M86 Margam to Dee Marsh loaded steel, 29.5.12
John Dering acquired the Pluckley Manor of Surrenden through his marriage to Christian Haut.
They had two sons, and he died in 1425. Christian died about 1473 having remarried Reynold Dryland. The eldest son Richard married twice, his second marriage to Agnes Eyton produced four sons and two daughters. He died in 1481.
The eldest son John then married Julian Darrell. They had two daughters and two sons, the eldest Nicholas married Alice Bettenham and died in 1517. The other son Richard, was Lieutenant of Dover Castle, and the five ports under five Lord wardens, and died in 1556. Nicholas had four daughters and one son John, who married Margaret Brent. They had nine children including Richard Dering who died in 1612 aged 82. He married Margaret Twysden, they had five sons, Anthony, Thomas, Twysden, George, and Edward.
Anthony the eldest son, married twice, firstly Mary Goring, they had a daughter Jane who died in 1607. Anthony secondly married Frances Bell and they had six sons and two daughters, the eldest son was Edward. Anthony died in 1636 aged 78.
Many of the Dering Brasses were forgeries, or certainly "alterations" by Sir Edward Dering in the 17th C. in an effort to enhance his lineage.
Died 1550, son of Nicholas Dering.
John Dering acquired the Pluckley Manor of Surrenden through his marriage to Christian Haut.
They had two sons, and he died in 1425. Christian died about 1473 having remarried Reynold Dryland. The eldest son Richard married twice, his second marriage to Agnes Eyton produced four sons and two daughters. He died in 1481.
The eldest son John then married Julian Darrell. They had two daughters and two sons, the eldest Nicholas married Alice Bettenham and died in 1517. The other son Richard, was Lieutenant of Dover Castle, and the five ports under five Lord wardens, and died in 1556. Nicholas had four daughters and one son John, who married Margaret Brent. They had nine children including Richard Dering who died in 1612 aged 82. He married Margaret Twysden, they had five sons, Anthony, Thomas, Twysden, George, and Edward.
Anthony the eldest son, married twice, firstly Mary Goring, they had a daughter Jane who died in 1607. Anthony secondly married Frances Bell and they had six sons and two daughters, the eldest son was Edward. Anthony died in 1636 aged 78.
Many of the Dering Brasses were forgeries, or certainly "alterations" by Sir Edward Dering in the 17th C. in an effort to enhance his lineage.
2012-11-20 18:54
Vill påpeka att skillnaden i ljuset på Eyton och Cesar är ren fysisk ljussättning och ingen efterredigering
Photographer: Henrik "Pettsson" Pettersson
This photo is CreativeCommons: Attribution, Non-commercial; it may be used for non-commercial reasons as long as one credit the photographer and link back here
Millennium Gallery, Arundel Gate, Sheffield.
Ruskin Collection.
American Avocet.
Printmaker - Robert Havell Junior (1793-1878).
Date Made - 1836.
Artist - after John James Audubon (1785-1851).
Material and Medium - hand-coloured engraving and aquatint on paper.
Bought by Ruskin from the collection of Thomas Campbell Eyton.
John James Audubon was a naturalist and is famous for his illustrations of birds. He was born on a sugar plantation in Haiti in 1785. As a child, Audubon’s father took him on bird watching expeditions and these trips shaped Audubon’s future life as an illustrator of birds and their habitats. He spent most of his adult life travelling in America and studying birds. His aim was to produce a definitive book of American ornithology and illustrate it with a high degree of accuracy and beauty. He therefore made watercolour illustrations of birds and their natural habitats and took this portfolio to England in 1826. Here, he gained enough subscribers to publish his great seven-volume work, Birds of America, which he published in sections between 1827 and 1839.
The Ruskin Collection, known officially as the Collection of the Guild of St George was created by John Ruskin (1819-1900), an influential Victorian writer.
Throughout the mid 1800s, Ruskin gained fame by writing about art, architecture, geology and landscapes. By the 1870s Ruskin's interest had turned to social policy, and he founded the Guild of St George with the aim of making England a better place for the everyday worker. With the help of his Guild, Ruskin put together this collection to display in Sheffield as a creative and educational tool for Sheffield’s metalworkers.
The collection is an eclectic mix that reflects Ruskin’s many interests. Early renaissance art, gothic architecture, Albrecht Dürer and JMW Turner’s engravings, mosaic decoration, Japanese cloisonné enameling, illustrations of birds, flowers, insects and landscapes all have their place. In addition, Ruskin added collections of geology and coins, and a library of illustrated books and medieval manuscripts. The Guild of St George has since added to the collection with drawings and paintings, late Victorian photographs and pieces from the Ruskin Linen Industry.
Most of the drawings and watercolours in the collection were carried out by Ruskin’s assistants, who carefully copied paintings by Italian painters of the late 1400s and, made detailed records of gothic architecture and byzantine mosaic using pencil, watercolour and plaster cast. Other pieces come via Ruskin’s own collections of nature drawing, engraving and books. Few watercolours are by Ruskin himself, but everything he included was given with a set purpose to educate and inspire.
The Ruskin Collection is still owned by the Guild of St George, but is maintained and displayed by Museums Sheffield.
collections.museums-sheffield.org.uk/view/objects/aslist/359
2011-04-09
Ett redigerat foto på Axel Eyton, pedell 18.
Fotot taget inför kårbalen 2011, Axel hade kavaj för att ta emot medalj.
Image ©JTW Equine Images. Unauthorised use strictly prohibited. Please contact the photographers at jtwequineimages@outlook.com for permission to use this image.
Many of the Dering Brasses were forgeries, or certainly "alterations" by Sir Edward Dering in the 17th C. in an effort to enhance his lineage.
John Dering acquired the Pluckley Manor of Surrenden through his marriage to Christian Haut.
They had two sons, and he died in 1425. Christian died about 1473 having remarried Reynold Dryland. The eldest son Richard married twice, his second marriage to Agnes Eyton produced four sons and two daughters. He died in 1481.
The eldest son John then married Julian Darrell. They had two daughters and two sons, the eldest Nicholas married Alice Bettenham and died in 1517. The other son Richard, was Lieutenant of Dover Castle, and the five ports under five Lord wardens, and died in 1556. Nicholas had four daughters and one son John, who married Margaret Brent. They had nine children including Richard Dering who died in 1612 aged 82. He married Margaret Twysden, they had five sons, Anthony, Thomas, Twysden, George, and Edward.
Anthony the eldest son, married twice, firstly Mary Goring, they had a daughter Jane who died in 1607. Anthony secondly married Frances Bell and they had six sons and two daughters, the eldest son was Edward. Anthony died in 1636 aged 78.
African Black Duck - Anas sparsa Eyton, 1838 [more of this species]
Date: February 9, 2013
Location: Walter Sisulu Botanical Gardens [more at this location]
Country: South Africa
Click here to view my photographic wildlife checklists
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This photograph and all those within my photostream are protected by copyright. They may not be reproduced, copied, transmitted or manipulated without written permission.
LONDON, ENGLAND - APRIL 19: (L-R) Katie Eyton, Executive Director Head of Operations and Technology at MGOMD, Angie French, VP, Client and Agency Engagement, EMEA at Xaxis, Julian Brewer, Head of Digital Sales and Products at TSB, Dave Taylor, Senior Consultant (DBi) at Havas Media and Sonia Sudhakar, Director of Digital Growth at Guardian News and Media attend Data: Quality not Quantity during Advertising Week Europe 2016 at Picturehouse Central on April 19, 2016 in London, England. (Photo by Tristan Fewings/Getty Images for Advertising Week Europe)