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Madrazo reached the pinnacle of his success at the 1878 Exposition Universelle, where he was proclaimed the successor to his brother-in-law Mariano Fortuny as the foremost contemporary Spanish painter. In this work, he displays his dramatic sense of color, mastery of atmospheric effects, and technical skill.
This painting explores the inequalities of modern life; the population of 19th-century European cities ballooned as rural workers migrated to urban environments looking for employment. The artist highlights the social and economic disparities that resulted. As wealthy, fashionably dressed women leave a church, they pass numerous men and women seated on its steps who have no source of income and are asking them for money.
H: 25 3/16 x W: 39 3/8 in. (64 x 100.01 cm)
Framed H: : 37 13/16 × W: 51 15/16 × D: 4 15/16 in. (96 × 132 × 12.5 cm)
medium: oil on canvas
Walters Art Museum, 1931, by bequest.
Le motif de fond des vitrines est évocateurs, il est à la fois image scénographique et "contextualisatrice".
Scénographie de la Galerie de zoologie du Muséum de Toulon, 2013
Exposition of the paintings by students of the painting -course organized by the Master of Arts Willem van Naarden(mail to: wvnaarden@ziggo.nl) in Haarzuilens / the Netherlands
The exposition of the imaginary blocks, you can find the car and toys with the concept of the movies and films