View allAll Photos Tagged ExperienceDesign
My new phone design!
Features:
- donut locator
- satellite TV
- XBox controller
- Frappucino 2.0
- uzi
- chirp
Free Facebook Application Included!
Divers Day - 13 - NOLA 2018
Living With Hurricanes: Katrina and Beyond
Katrina Exhibit Opens in Louisiana State Museum
Combining eyewitness accounts, historical context, immersive environments and in-depth scientific exploration, 'Katrina and Beyond' enables visitors to understand the 2005 storms, Katrina and Rita, and their impact on Louisiana, the Gulf Coast and the nation. It is a story of how a culture - the rich, varied world of New Orleans and coastal Louisiana - has learned to live with the fragility of its environment and how the storms of 2005 gave rise to a new vision for the region.
When it hit southeastern Louisiana and the Mississippi Gulf Coast on the morning of August 29, 2005, the storm caused fearsome destruction. But the disaster wasn't entirely the result of natural causes. Levees and floodwalls - the man-made barriers built to protect New Orleans from the water surrounding it - failed. Their collapse in a dozen or more locations, plus tidal surges from the the low-lying eastern edge of New Orleans, flooded 80 percent of the city. By the time the waters receded and the survivors regrouped, Katrina, and then Hurricane Rita, had claimed more than 1,400 lives and caused billions of dollars worth of property destruction.
Designed by the Boston-based firm ExperienceDesign that worked with the Museum's historians, curators and exhibit designers, 'Living with Hurricanes' stretches across four galleries, each telling one aspect of the story using artifacts and rich media - sound, video and computer graphics.
Gallery One illustrates Louisiana's history with water, from the Mississippi River's benefits to the threats of coastal storm surges and floods. Visitors will move through the 'Evacuation Corridor,' overhearing residents' voices weighing their options as Katrina approaches. A state of the art 'Storm Theater' shows Katrina's full fury with moving and dramatic footage of the hurricane's onslaught.
Gallery Two takes visitors past a leaking floodwall and into an attic and onto a roof of a house surrounded by rising floodwaters where they can view the inundated city surrounding them. They'll hear a firsthand account of a St. Bernard Parish family's rescue and view artifacts, histories and photographs.
Throughout the galleries are compelling artifacts, including music legend Fats Domino's baby grand piano found in his flooded Ninth Ward house, a Coast Guard rescue basket and seats from the heavily damaged Louisiana Superdome where thousands of people sought refuge and rescue. The objects serve as touchstones in recalling the days after the storm.
The forensics of Katrina unfold in Gallery Three where science and innovative displays come together. A large interactive table map shows the paths of Katrina and Rita and the sequence of floods that overwhelmed the region. Visitors will discover how the levees failed through digital animation. Additional displays illustrate the realities of eroding wetlands, disaster management, engineering and the science of predicting and tracking hurricanes and tropical weather patterns and phenomena.
Gallery Four celebrates recovery and promotes preparedness and showcases the ingenuity of Louisianans in rebuilding their lives and communities. The gallery will be updated regularly to reflect advancements in flood protection and coastal restoration and new strategies for living with hurricanes.
In addition to the running videos throughout the exhibit there will be interviews with a number of key individuals who had a part in the rescue and recovery efforts, including National Guard Commander Gen. Russel Honore whose troops helped restore order after a week of chaos.
Divers Photo of the day 13 in New-Orleans with no particular subject
Diverses photos prisent en Nouvel-Orleans (jour : 13) sans sujet reel.
( Deux semaines a Nola pour la ville et pour WWE Wrestlemania XXXIV
Two weeks Nola for the city and for WWE Wrestlemania XXXIV )
Illustration for the ebook Six Circles - an experience design framework.
I started the Six Circles – an Experience Design Framework, as an enquiry into how different design principles can be applied to the field of digital product design. The principles studied led to the emergence of six core themes; persuasion, behavior, visual design, usability, interaction and content.
The book describes the importance of these areas and how working systematically with these themes will require a holistic mindset and approach that require multi-disciplinary teams within organizations to ensure the creation of quality products.
It is also serves as a way to judge the effectiveness of digital products using the six lenses described.
userpathways.com/2012/01/six-circles-an-experience-design...
Divers Day - 13 - NOLA 2018
Living With Hurricanes: Katrina and Beyond
Katrina Exhibit Opens in Louisiana State Museum
Combining eyewitness accounts, historical context, immersive environments and in-depth scientific exploration, 'Katrina and Beyond' enables visitors to understand the 2005 storms, Katrina and Rita, and their impact on Louisiana, the Gulf Coast and the nation. It is a story of how a culture - the rich, varied world of New Orleans and coastal Louisiana - has learned to live with the fragility of its environment and how the storms of 2005 gave rise to a new vision for the region.
When it hit southeastern Louisiana and the Mississippi Gulf Coast on the morning of August 29, 2005, the storm caused fearsome destruction. But the disaster wasn't entirely the result of natural causes. Levees and floodwalls - the man-made barriers built to protect New Orleans from the water surrounding it - failed. Their collapse in a dozen or more locations, plus tidal surges from the the low-lying eastern edge of New Orleans, flooded 80 percent of the city. By the time the waters receded and the survivors regrouped, Katrina, and then Hurricane Rita, had claimed more than 1,400 lives and caused billions of dollars worth of property destruction.
Designed by the Boston-based firm ExperienceDesign that worked with the Museum's historians, curators and exhibit designers, 'Living with Hurricanes' stretches across four galleries, each telling one aspect of the story using artifacts and rich media - sound, video and computer graphics.
Gallery One illustrates Louisiana's history with water, from the Mississippi River's benefits to the threats of coastal storm surges and floods. Visitors will move through the 'Evacuation Corridor,' overhearing residents' voices weighing their options as Katrina approaches. A state of the art 'Storm Theater' shows Katrina's full fury with moving and dramatic footage of the hurricane's onslaught.
Gallery Two takes visitors past a leaking floodwall and into an attic and onto a roof of a house surrounded by rising floodwaters where they can view the inundated city surrounding them. They'll hear a firsthand account of a St. Bernard Parish family's rescue and view artifacts, histories and photographs.
Throughout the galleries are compelling artifacts, including music legend Fats Domino's baby grand piano found in his flooded Ninth Ward house, a Coast Guard rescue basket and seats from the heavily damaged Louisiana Superdome where thousands of people sought refuge and rescue. The objects serve as touchstones in recalling the days after the storm.
The forensics of Katrina unfold in Gallery Three where science and innovative displays come together. A large interactive table map shows the paths of Katrina and Rita and the sequence of floods that overwhelmed the region. Visitors will discover how the levees failed through digital animation. Additional displays illustrate the realities of eroding wetlands, disaster management, engineering and the science of predicting and tracking hurricanes and tropical weather patterns and phenomena.
Gallery Four celebrates recovery and promotes preparedness and showcases the ingenuity of Louisianans in rebuilding their lives and communities. The gallery will be updated regularly to reflect advancements in flood protection and coastal restoration and new strategies for living with hurricanes.
In addition to the running videos throughout the exhibit there will be interviews with a number of key individuals who had a part in the rescue and recovery efforts, including National Guard Commander Gen. Russel Honore whose troops helped restore order after a week of chaos.
Divers Photo of the day 13 in New-Orleans with no particular subject
Diverses photos prisent en Nouvel-Orleans (jour : 13) sans sujet reel.
( Deux semaines a Nola pour la ville et pour WWE Wrestlemania XXXIV
Two weeks Nola for the city and for WWE Wrestlemania XXXIV )
Divers Day - 13 - NOLA 2018
Living With Hurricanes: Katrina and Beyond
Katrina Exhibit Opens in Louisiana State Museum
Combining eyewitness accounts, historical context, immersive environments and in-depth scientific exploration, 'Katrina and Beyond' enables visitors to understand the 2005 storms, Katrina and Rita, and their impact on Louisiana, the Gulf Coast and the nation. It is a story of how a culture - the rich, varied world of New Orleans and coastal Louisiana - has learned to live with the fragility of its environment and how the storms of 2005 gave rise to a new vision for the region.
When it hit southeastern Louisiana and the Mississippi Gulf Coast on the morning of August 29, 2005, the storm caused fearsome destruction. But the disaster wasn't entirely the result of natural causes. Levees and floodwalls - the man-made barriers built to protect New Orleans from the water surrounding it - failed. Their collapse in a dozen or more locations, plus tidal surges from the the low-lying eastern edge of New Orleans, flooded 80 percent of the city. By the time the waters receded and the survivors regrouped, Katrina, and then Hurricane Rita, had claimed more than 1,400 lives and caused billions of dollars worth of property destruction.
Designed by the Boston-based firm ExperienceDesign that worked with the Museum's historians, curators and exhibit designers, 'Living with Hurricanes' stretches across four galleries, each telling one aspect of the story using artifacts and rich media - sound, video and computer graphics.
Gallery One illustrates Louisiana's history with water, from the Mississippi River's benefits to the threats of coastal storm surges and floods. Visitors will move through the 'Evacuation Corridor,' overhearing residents' voices weighing their options as Katrina approaches. A state of the art 'Storm Theater' shows Katrina's full fury with moving and dramatic footage of the hurricane's onslaught.
Gallery Two takes visitors past a leaking floodwall and into an attic and onto a roof of a house surrounded by rising floodwaters where they can view the inundated city surrounding them. They'll hear a firsthand account of a St. Bernard Parish family's rescue and view artifacts, histories and photographs.
Throughout the galleries are compelling artifacts, including music legend Fats Domino's baby grand piano found in his flooded Ninth Ward house, a Coast Guard rescue basket and seats from the heavily damaged Louisiana Superdome where thousands of people sought refuge and rescue. The objects serve as touchstones in recalling the days after the storm.
The forensics of Katrina unfold in Gallery Three where science and innovative displays come together. A large interactive table map shows the paths of Katrina and Rita and the sequence of floods that overwhelmed the region. Visitors will discover how the levees failed through digital animation. Additional displays illustrate the realities of eroding wetlands, disaster management, engineering and the science of predicting and tracking hurricanes and tropical weather patterns and phenomena.
Gallery Four celebrates recovery and promotes preparedness and showcases the ingenuity of Louisianans in rebuilding their lives and communities. The gallery will be updated regularly to reflect advancements in flood protection and coastal restoration and new strategies for living with hurricanes.
In addition to the running videos throughout the exhibit there will be interviews with a number of key individuals who had a part in the rescue and recovery efforts, including National Guard Commander Gen. Russel Honore whose troops helped restore order after a week of chaos.
Divers Photo of the day 13 in New-Orleans with no particular subject
Diverses photos prisent en Nouvel-Orleans (jour : 13) sans sujet reel.
( Deux semaines a Nola pour la ville et pour WWE Wrestlemania XXXIV
Two weeks Nola for the city and for WWE Wrestlemania XXXIV )
Photo Credit: Basil Childers
Bluish lights and soft ambient music help people transition from the noise of the outside world into the otherworldly Dream Cube experience.
Experience Design: ESI Design
Architect: Yung Ho Chang of Atelier FCJZ
Media Producer: Spinifex
Systems Integrator: PRG
Lighting Design: Full Flood
Exhibit Design: Pico
Divers Day - 13 - NOLA 2018
Living With Hurricanes: Katrina and Beyond
Katrina Exhibit Opens in Louisiana State Museum
Combining eyewitness accounts, historical context, immersive environments and in-depth scientific exploration, 'Katrina and Beyond' enables visitors to understand the 2005 storms, Katrina and Rita, and their impact on Louisiana, the Gulf Coast and the nation. It is a story of how a culture - the rich, varied world of New Orleans and coastal Louisiana - has learned to live with the fragility of its environment and how the storms of 2005 gave rise to a new vision for the region.
When it hit southeastern Louisiana and the Mississippi Gulf Coast on the morning of August 29, 2005, the storm caused fearsome destruction. But the disaster wasn't entirely the result of natural causes. Levees and floodwalls - the man-made barriers built to protect New Orleans from the water surrounding it - failed. Their collapse in a dozen or more locations, plus tidal surges from the the low-lying eastern edge of New Orleans, flooded 80 percent of the city. By the time the waters receded and the survivors regrouped, Katrina, and then Hurricane Rita, had claimed more than 1,400 lives and caused billions of dollars worth of property destruction.
Designed by the Boston-based firm ExperienceDesign that worked with the Museum's historians, curators and exhibit designers, 'Living with Hurricanes' stretches across four galleries, each telling one aspect of the story using artifacts and rich media - sound, video and computer graphics.
Gallery One illustrates Louisiana's history with water, from the Mississippi River's benefits to the threats of coastal storm surges and floods. Visitors will move through the 'Evacuation Corridor,' overhearing residents' voices weighing their options as Katrina approaches. A state of the art 'Storm Theater' shows Katrina's full fury with moving and dramatic footage of the hurricane's onslaught.
Gallery Two takes visitors past a leaking floodwall and into an attic and onto a roof of a house surrounded by rising floodwaters where they can view the inundated city surrounding them. They'll hear a firsthand account of a St. Bernard Parish family's rescue and view artifacts, histories and photographs.
Throughout the galleries are compelling artifacts, including music legend Fats Domino's baby grand piano found in his flooded Ninth Ward house, a Coast Guard rescue basket and seats from the heavily damaged Louisiana Superdome where thousands of people sought refuge and rescue. The objects serve as touchstones in recalling the days after the storm.
The forensics of Katrina unfold in Gallery Three where science and innovative displays come together. A large interactive table map shows the paths of Katrina and Rita and the sequence of floods that overwhelmed the region. Visitors will discover how the levees failed through digital animation. Additional displays illustrate the realities of eroding wetlands, disaster management, engineering and the science of predicting and tracking hurricanes and tropical weather patterns and phenomena.
Gallery Four celebrates recovery and promotes preparedness and showcases the ingenuity of Louisianans in rebuilding their lives and communities. The gallery will be updated regularly to reflect advancements in flood protection and coastal restoration and new strategies for living with hurricanes.
In addition to the running videos throughout the exhibit there will be interviews with a number of key individuals who had a part in the rescue and recovery efforts, including National Guard Commander Gen. Russel Honore whose troops helped restore order after a week of chaos.
Divers Photo of the day 13 in New-Orleans with no particular subject
Diverses photos prisent en Nouvel-Orleans (jour : 13) sans sujet reel.
( Deux semaines a Nola pour la ville et pour WWE Wrestlemania XXXIV
Two weeks Nola for the city and for WWE Wrestlemania XXXIV )
I/P/O-cle
2013
Light Installation
Lenses, light, mirror, sound, container, fog
1200X240X240 cm
Scientific Inquiries Exhibition / Bilimsel Sorgulamalar Sergisi
07.11-2013-07.12.2013, Koç University Campus
Design and Concept: Candaş Şişman
Sound Design: Giray Gürkal, Candaş Şişman
Thanks to: Osman Koç, Deniz Kader, Yunus Dölen, Sani Karamustafa, Prof. Dr. Tekin Dereli, Prof. Dr. Alphan Sennaroglu, Başak Şenova, Mirhan Kıvanç Özdemir
Curator: Başak Şenova
Commisioned by: Koc University
Photos by: Flufoto, Yunus Dölen
I – Input, P – Process, O – Output, cle – Cycle
IPOcle is an installation simulating the way we perceive the reality that exist in
our physical world and the various layers, variables, cycles that are present in this
process of perceiving. With the senses that we have, we can perceive only a limited
portion of the physical reality that surrounds us. This perceived physicality keeps
altering as it goes through many layers and processes (biological and psychological)
in our brains. These perceptions draw our perceptual schemas and these schemas in
turn shape the reality we perceive. Our perceptions and what we perceive, therefore,
constantly reshape call each other into being, as in a vicious cycle. At this point, how
can we define what reality really is, what constant can we refer to, and aren’t we
supposed to look at this issue in a more holistic and intertwined manner?
The IPOCle is made of a strong light source, lenses, a convex mirror, a fog machine
and a sound system; installed inside a dark container. The light source is located
so that the goes through the lenses, hung one after another. The refracted light
reaches the mirror. The convex mirror transforms the light and reflects it back. The
fog machine keeps running to make the dispersed light visible for us; while a base
frequency keeps running in the background.
The light and the light source describe physical reality and input / The lenses: The process and various
factors of perception / The mirror: What is perceived, the output and the cycle.
Divers Day - 13 - NOLA 2018
Living With Hurricanes: Katrina and Beyond
Katrina Exhibit Opens in Louisiana State Museum
Combining eyewitness accounts, historical context, immersive environments and in-depth scientific exploration, 'Katrina and Beyond' enables visitors to understand the 2005 storms, Katrina and Rita, and their impact on Louisiana, the Gulf Coast and the nation. It is a story of how a culture - the rich, varied world of New Orleans and coastal Louisiana - has learned to live with the fragility of its environment and how the storms of 2005 gave rise to a new vision for the region.
When it hit southeastern Louisiana and the Mississippi Gulf Coast on the morning of August 29, 2005, the storm caused fearsome destruction. But the disaster wasn't entirely the result of natural causes. Levees and floodwalls - the man-made barriers built to protect New Orleans from the water surrounding it - failed. Their collapse in a dozen or more locations, plus tidal surges from the the low-lying eastern edge of New Orleans, flooded 80 percent of the city. By the time the waters receded and the survivors regrouped, Katrina, and then Hurricane Rita, had claimed more than 1,400 lives and caused billions of dollars worth of property destruction.
Designed by the Boston-based firm ExperienceDesign that worked with the Museum's historians, curators and exhibit designers, 'Living with Hurricanes' stretches across four galleries, each telling one aspect of the story using artifacts and rich media - sound, video and computer graphics.
Gallery One illustrates Louisiana's history with water, from the Mississippi River's benefits to the threats of coastal storm surges and floods. Visitors will move through the 'Evacuation Corridor,' overhearing residents' voices weighing their options as Katrina approaches. A state of the art 'Storm Theater' shows Katrina's full fury with moving and dramatic footage of the hurricane's onslaught.
Gallery Two takes visitors past a leaking floodwall and into an attic and onto a roof of a house surrounded by rising floodwaters where they can view the inundated city surrounding them. They'll hear a firsthand account of a St. Bernard Parish family's rescue and view artifacts, histories and photographs.
Throughout the galleries are compelling artifacts, including music legend Fats Domino's baby grand piano found in his flooded Ninth Ward house, a Coast Guard rescue basket and seats from the heavily damaged Louisiana Superdome where thousands of people sought refuge and rescue. The objects serve as touchstones in recalling the days after the storm.
The forensics of Katrina unfold in Gallery Three where science and innovative displays come together. A large interactive table map shows the paths of Katrina and Rita and the sequence of floods that overwhelmed the region. Visitors will discover how the levees failed through digital animation. Additional displays illustrate the realities of eroding wetlands, disaster management, engineering and the science of predicting and tracking hurricanes and tropical weather patterns and phenomena.
Gallery Four celebrates recovery and promotes preparedness and showcases the ingenuity of Louisianans in rebuilding their lives and communities. The gallery will be updated regularly to reflect advancements in flood protection and coastal restoration and new strategies for living with hurricanes.
In addition to the running videos throughout the exhibit there will be interviews with a number of key individuals who had a part in the rescue and recovery efforts, including National Guard Commander Gen. Russel Honore whose troops helped restore order after a week of chaos.
Divers Photo of the day 13 in New-Orleans with no particular subject
Diverses photos prisent en Nouvel-Orleans (jour : 13) sans sujet reel.
( Deux semaines a Nola pour la ville et pour WWE Wrestlemania XXXIV
Two weeks Nola for the city and for WWE Wrestlemania XXXIV )
I/P/O-cle
2013
Light Installation
Lenses, light, mirror, sound, container, fog
1200X240X240 cm
Scientific Inquiries Exhibition / Bilimsel Sorgulamalar Sergisi
07.11-2013-07.12.2013, Koç University Campus
Design and Concept: Candaş Şişman
Sound Design: Giray Gürkal, Candaş Şişman
Thanks to: Osman Koç, Deniz Kader, Yunus Dölen, Sani Karamustafa, Prof. Dr. Tekin Dereli, Prof. Dr. Alphan Sennaroglu, Başak Şenova, Mirhan Kıvanç Özdemir
Curator: Başak Şenova
Commisioned by: Koc University
Photos by: Flufoto, Yunus Dölen
I – Input, P – Process, O – Output, cle – Cycle
IPOcle is an installation simulating the way we perceive the reality that exist in
our physical world and the various layers, variables, cycles that are present in this
process of perceiving. With the senses that we have, we can perceive only a limited
portion of the physical reality that surrounds us. This perceived physicality keeps
altering as it goes through many layers and processes (biological and psychological)
in our brains. These perceptions draw our perceptual schemas and these schemas in
turn shape the reality we perceive. Our perceptions and what we perceive, therefore,
constantly reshape call each other into being, as in a vicious cycle. At this point, how
can we define what reality really is, what constant can we refer to, and aren’t we
supposed to look at this issue in a more holistic and intertwined manner?
The IPOCle is made of a strong light source, lenses, a convex mirror, a fog machine
and a sound system; installed inside a dark container. The light source is located
so that the goes through the lenses, hung one after another. The refracted light
reaches the mirror. The convex mirror transforms the light and reflects it back. The
fog machine keeps running to make the dispersed light visible for us; while a base
frequency keeps running in the background.
The light and the light source describe physical reality and input / The lenses: The process and various
factors of perception / The mirror: What is perceived, the output and the cycle.
Jones, Peter H. 2013. Design for Care. New York: Rosenfeld Media. rosenfeldmedia.com/books/design-for-care/
Lombardi, Victor. 2013. Why We Fail. New York: Rosenfeld Media. rosenfeldmedia.com/books/why-we-fail/
I/P/O-cle
2013
Light Installation
Lenses, light, mirror, sound, container, fog
1200X240X240 cm
Scientific Inquiries Exhibition / Bilimsel Sorgulamalar Sergisi
07.11-2013-07.12.2013, Koç University Campus
Design and Concept: Candaş Şişman
Sound Design: Giray Gürkal, Candaş Şişman
Thanks to: Osman Koç, Deniz Kader, Yunus Dölen, Sani Karamustafa, Prof. Dr. Tekin Dereli, Prof. Dr. Alphan Sennaroglu, Başak Şenova, Mirhan Kıvanç Özdemir
Curator: Başak Şenova
Commisioned by: Koc University
Photos by: Flufoto, Yunus Dölen
I – Input, P – Process, O – Output, cle – Cycle
IPOcle is an installation simulating the way we perceive the reality that exist in
our physical world and the various layers, variables, cycles that are present in this
process of perceiving. With the senses that we have, we can perceive only a limited
portion of the physical reality that surrounds us. This perceived physicality keeps
altering as it goes through many layers and processes (biological and psychological)
in our brains. These perceptions draw our perceptual schemas and these schemas in
turn shape the reality we perceive. Our perceptions and what we perceive, therefore,
constantly reshape call each other into being, as in a vicious cycle. At this point, how
can we define what reality really is, what constant can we refer to, and aren’t we
supposed to look at this issue in a more holistic and intertwined manner?
The IPOCle is made of a strong light source, lenses, a convex mirror, a fog machine
and a sound system; installed inside a dark container. The light source is located
so that the goes through the lenses, hung one after another. The refracted light
reaches the mirror. The convex mirror transforms the light and reflects it back. The
fog machine keeps running to make the dispersed light visible for us; while a base
frequency keeps running in the background.
The light and the light source describe physical reality and input / The lenses: The process and various
factors of perception / The mirror: What is perceived, the output and the cycle.
Photo Credit: Basil Childers
The LED facade of the Dream Cube pulses different colors and designs in response to the the physical actions of the visitors participating inside.
Experience Design: ESI Design
Architect: Yung Ho Chang of Atelier FCJZ
Media Producer: Spinifex
Systems Integrator: PRG
Lighting Design: Full Flood
Exhibit Design: Pico
Photo Credit: Basil Childers
The Shanghai Corporate Pavilion is co-financed by more than 30 large and medium-sized state-owned enterprises under the State-owned Asset Supervision and Administration Commission of Shanghai Municipal Government, and has been constructed by the Shanghai Guosheng (Group) Company Limited. The Shanghai Corporate Pavilion occupies an area of approximately 4,000 square meters and is located in the corporate pavilion area of the Puxi section of the Expo site.
Experience Design: ESI Design
Architect: Yung Ho Chang of Atelier FCJZ
Media Producer: Spinifex
Systems Integrator: PRG
Lighting Design: Full Flood
Exhibit Design: Pico
This comment by Neil Perkin is a great reminder that we shouldn’t start believing that our own – simplified – views and models actually represent the customer’s reality. The best we can do is approximate this reality. That is why we need to always make sure that the processes and models we build around our customer interactions allow enough flexibility for the people in our organisation to do what is *really* needed.
For more of these one-slide thoughts, follow us on @Futurelab and @FLB_alainthys
I like a nice luxury once in awhile; these headphones definitely count as such (but were obtained at a substantial discount!)
I'd say Monster has learned a thing or two from Apple. When you're designing a premium product, the "premium" extends to the whole experience, including the unboxing. This series of images shows the very nice packaging on the Beats by Dr. Dre headphones. Just opening it put a smile on my face, never mind the awesome sound quality!
In recent years, there has been a substantial movement in built environment that prioritizes human welfare and improvement. Experience design, a fresh and interesting concept which brings to life what great design looks like, is built on those key concepts. @ www.spaceagency-design.com/services
I/P/O-cle
2013
Light Installation
Lenses, light, mirror, sound, container, fog
1200X240X240 cm
Scientific Inquiries Exhibition / Bilimsel Sorgulamalar Sergisi
07.11-2013-07.12.2013, Koç University Campus
Design and Concept: Candaş Şişman
Sound Design: Giray Gürkal, Candaş Şişman
Thanks to: Osman Koç, Deniz Kader, Yunus Dölen, Sani Karamustafa, Prof. Dr. Tekin Dereli, Prof. Dr. Alphan Sennaroglu, Başak Şenova, Mirhan Kıvanç Özdemir
Curator: Başak Şenova
Commisioned by: Koc University
Photos by: Flufoto, Yunus Dölen
I – Input, P – Process, O – Output, cle – Cycle
IPOcle is an installation simulating the way we perceive the reality that exist in
our physical world and the various layers, variables, cycles that are present in this
process of perceiving. With the senses that we have, we can perceive only a limited
portion of the physical reality that surrounds us. This perceived physicality keeps
altering as it goes through many layers and processes (biological and psychological)
in our brains. These perceptions draw our perceptual schemas and these schemas in
turn shape the reality we perceive. Our perceptions and what we perceive, therefore,
constantly reshape call each other into being, as in a vicious cycle. At this point, how
can we define what reality really is, what constant can we refer to, and aren’t we
supposed to look at this issue in a more holistic and intertwined manner?
The IPOCle is made of a strong light source, lenses, a convex mirror, a fog machine
and a sound system; installed inside a dark container. The light source is located
so that the goes through the lenses, hung one after another. The refracted light
reaches the mirror. The convex mirror transforms the light and reflects it back. The
fog machine keeps running to make the dispersed light visible for us; while a base
frequency keeps running in the background.
The light and the light source describe physical reality and input / The lenses: The process and various
factors of perception / The mirror: What is perceived, the output and the cycle.
Eric Meyer presenting Debug/Reboot in the conference room at the Palace Hotel from the back of the room. This image is a composite of 7 photos automatically aligned and exposure matched using Autopano Pro 1.4.2.
Divers Day - 13 - NOLA 2018
Living With Hurricanes: Katrina and Beyond
Katrina Exhibit Opens in Louisiana State Museum
Combining eyewitness accounts, historical context, immersive environments and in-depth scientific exploration, 'Katrina and Beyond' enables visitors to understand the 2005 storms, Katrina and Rita, and their impact on Louisiana, the Gulf Coast and the nation. It is a story of how a culture - the rich, varied world of New Orleans and coastal Louisiana - has learned to live with the fragility of its environment and how the storms of 2005 gave rise to a new vision for the region.
When it hit southeastern Louisiana and the Mississippi Gulf Coast on the morning of August 29, 2005, the storm caused fearsome destruction. But the disaster wasn't entirely the result of natural causes. Levees and floodwalls - the man-made barriers built to protect New Orleans from the water surrounding it - failed. Their collapse in a dozen or more locations, plus tidal surges from the the low-lying eastern edge of New Orleans, flooded 80 percent of the city. By the time the waters receded and the survivors regrouped, Katrina, and then Hurricane Rita, had claimed more than 1,400 lives and caused billions of dollars worth of property destruction.
Designed by the Boston-based firm ExperienceDesign that worked with the Museum's historians, curators and exhibit designers, 'Living with Hurricanes' stretches across four galleries, each telling one aspect of the story using artifacts and rich media - sound, video and computer graphics.
Gallery One illustrates Louisiana's history with water, from the Mississippi River's benefits to the threats of coastal storm surges and floods. Visitors will move through the 'Evacuation Corridor,' overhearing residents' voices weighing their options as Katrina approaches. A state of the art 'Storm Theater' shows Katrina's full fury with moving and dramatic footage of the hurricane's onslaught.
Gallery Two takes visitors past a leaking floodwall and into an attic and onto a roof of a house surrounded by rising floodwaters where they can view the inundated city surrounding them. They'll hear a firsthand account of a St. Bernard Parish family's rescue and view artifacts, histories and photographs.
Throughout the galleries are compelling artifacts, including music legend Fats Domino's baby grand piano found in his flooded Ninth Ward house, a Coast Guard rescue basket and seats from the heavily damaged Louisiana Superdome where thousands of people sought refuge and rescue. The objects serve as touchstones in recalling the days after the storm.
The forensics of Katrina unfold in Gallery Three where science and innovative displays come together. A large interactive table map shows the paths of Katrina and Rita and the sequence of floods that overwhelmed the region. Visitors will discover how the levees failed through digital animation. Additional displays illustrate the realities of eroding wetlands, disaster management, engineering and the science of predicting and tracking hurricanes and tropical weather patterns and phenomena.
Gallery Four celebrates recovery and promotes preparedness and showcases the ingenuity of Louisianans in rebuilding their lives and communities. The gallery will be updated regularly to reflect advancements in flood protection and coastal restoration and new strategies for living with hurricanes.
In addition to the running videos throughout the exhibit there will be interviews with a number of key individuals who had a part in the rescue and recovery efforts, including National Guard Commander Gen. Russel Honore whose troops helped restore order after a week of chaos.
Divers Photo of the day 13 in New-Orleans with no particular subject
Diverses photos prisent en Nouvel-Orleans (jour : 13) sans sujet reel.
( Deux semaines a Nola pour la ville et pour WWE Wrestlemania XXXIV
Two weeks Nola for the city and for WWE Wrestlemania XXXIV )
Divers Day - 13 - NOLA 2018
Living With Hurricanes: Katrina and Beyond
Katrina Exhibit Opens in Louisiana State Museum
Combining eyewitness accounts, historical context, immersive environments and in-depth scientific exploration, 'Katrina and Beyond' enables visitors to understand the 2005 storms, Katrina and Rita, and their impact on Louisiana, the Gulf Coast and the nation. It is a story of how a culture - the rich, varied world of New Orleans and coastal Louisiana - has learned to live with the fragility of its environment and how the storms of 2005 gave rise to a new vision for the region.
When it hit southeastern Louisiana and the Mississippi Gulf Coast on the morning of August 29, 2005, the storm caused fearsome destruction. But the disaster wasn't entirely the result of natural causes. Levees and floodwalls - the man-made barriers built to protect New Orleans from the water surrounding it - failed. Their collapse in a dozen or more locations, plus tidal surges from the the low-lying eastern edge of New Orleans, flooded 80 percent of the city. By the time the waters receded and the survivors regrouped, Katrina, and then Hurricane Rita, had claimed more than 1,400 lives and caused billions of dollars worth of property destruction.
Designed by the Boston-based firm ExperienceDesign that worked with the Museum's historians, curators and exhibit designers, 'Living with Hurricanes' stretches across four galleries, each telling one aspect of the story using artifacts and rich media - sound, video and computer graphics.
Gallery One illustrates Louisiana's history with water, from the Mississippi River's benefits to the threats of coastal storm surges and floods. Visitors will move through the 'Evacuation Corridor,' overhearing residents' voices weighing their options as Katrina approaches. A state of the art 'Storm Theater' shows Katrina's full fury with moving and dramatic footage of the hurricane's onslaught.
Gallery Two takes visitors past a leaking floodwall and into an attic and onto a roof of a house surrounded by rising floodwaters where they can view the inundated city surrounding them. They'll hear a firsthand account of a St. Bernard Parish family's rescue and view artifacts, histories and photographs.
Throughout the galleries are compelling artifacts, including music legend Fats Domino's baby grand piano found in his flooded Ninth Ward house, a Coast Guard rescue basket and seats from the heavily damaged Louisiana Superdome where thousands of people sought refuge and rescue. The objects serve as touchstones in recalling the days after the storm.
The forensics of Katrina unfold in Gallery Three where science and innovative displays come together. A large interactive table map shows the paths of Katrina and Rita and the sequence of floods that overwhelmed the region. Visitors will discover how the levees failed through digital animation. Additional displays illustrate the realities of eroding wetlands, disaster management, engineering and the science of predicting and tracking hurricanes and tropical weather patterns and phenomena.
Gallery Four celebrates recovery and promotes preparedness and showcases the ingenuity of Louisianans in rebuilding their lives and communities. The gallery will be updated regularly to reflect advancements in flood protection and coastal restoration and new strategies for living with hurricanes.
In addition to the running videos throughout the exhibit there will be interviews with a number of key individuals who had a part in the rescue and recovery efforts, including National Guard Commander Gen. Russel Honore whose troops helped restore order after a week of chaos.
Divers Photo of the day 13 in New-Orleans with no particular subject
Diverses photos prisent en Nouvel-Orleans (jour : 13) sans sujet reel.
( Deux semaines a Nola pour la ville et pour WWE Wrestlemania XXXIV
Two weeks Nola for the city and for WWE Wrestlemania XXXIV )
SMASHfestUK 2018 - Living in Space
"If the world really was devastated by natural disaster, we might have no option except to look to space for a new home for civilisation - could it be the Moon? Could we live on Mars? What would it take to build a world in outer space? How could we resource ourselves out is space?" This was the question that drove our big Living in Space collaborative project through 2017, into 2018. Working with over 6000 members of the public across the UK, during 6 different events; bringing together 5 universities, 4 schools, 2 museums, a software company, Astrocymru and the Royal Astronomical Society, we created a multi-part, semi-immersive experience which debuted at SMASHfestUK FLOOD! 2018 in Deptford.
SMASHfestUK joined with Middlesex University, Deptford Green School, Llangatwg Community School, Haberdashers’ Aske’s Hatcham College, Christ The King Sixth Form School, Monster Paw Games, Kerbal Space Program, Swansea University, Cardiff University, The National Museum of Wales, The Royal Observatory, Greenwich, Queen Mary University London, AstroCymru, and Dr. Sheila Kanani and Dr Lucinda Offer of the Royal Astronomical Society, in a project ‘Living in Space’ funded by the Science and Technology Facilities Council. Building on projects funded by the UK Space Agency ‘Space for All’ and the Royal Academy of Engineering ‘INGENIOUS’, exploring ideas and creating experiences with a diverse group of public visitors, young people, and engineering, design, mathematics and science professional experts.
Jones, Peter H. 2013. Design for Care. New York: Rosenfeld Media. rosenfeldmedia.com/books/design-for-care/