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Aus Kirche wird Kunstraum: Die Böhm Chapel ist der Kunst der Gegenwart gewidmet.
Die unter Denkmalschutz stehende ehemalige St. Ursula Kirche wurde 2006 entweiht. Sie war 1954-56 in Hürth von dem Kölner Architekt und Pritzker-Preisträger Gottfried Böhm errichtet worden.
Angelegt wurde die Böhm Chapel als runder Zentralbau. An diesen wurden Konchen angefügt, welche durch bodentiefe Fenster viel Tageslicht einlassen. Diese Fenster sind durch jeweils ein unregelmäßiges eisernes Gitter strukturiert das an Fischernetze erinnert. Die sich schneidenden Achsen der Eisenstränge sind mit farbigen Glaskristallen ausgestaltet. Im Inneren ist die Kuppeldecke mit Zedernholzschindeln verkleidet. Die Kuppel der Kirche wird von 24 schlanken, außerhalb des Kirchenraums angebrachten Betonsäulen getragen.
В павильоне "Космос" открылся центр «Космонавтика и авиация». Масштабная экспозиция посвящена истории достижений отечественной космической отрасли. Выставочное пространство состоит из трех разделов. «КБ-1. Космический бульвар» с натурными экспонатами и полноразмерными макетами космических аппаратов демонстрирует реализованные проекты XX века и достижения отечественной космонавтики. Раздел «КБ-2. Конструкторское бюро» рассказывает об исследованиях медицины, биологии и астрономии в космической сфере. «КБ-3. Космодром будущего» повествует о современном изучении космоса и о развитии технологий, межгалактических прогнозах футурологов и фантастов. Здесь можно также опробовать игровые симуляторы и посетить 5D-кинотеатр «Космическая сфера». На двух этажах экспозиции «Авиация. Мечты о полете» рассказано, как создавались первые парашюты, воздушные шары, махолеты и планеры, какие технологии применялись раньше и какими инженеры пользуются сегодня..Центр «Космонавтика и авиация» — это путешествие от первой идеи о покорении Вселенной до будущих проектов освоения космоса. Здесь можно не только совершить путешествие по Солнечной системе, но и увидеть более 120 уникальных образцов летательной и космической техники, экспонаты оборонно-промышленных предприятий, свыше 2 тыс. редких архивных документов, фотографий и видеоматериалов об истории космических и авиационных достижений................The Cosmonautics and Aviation Center has opened in the Cosmos Pavilion. The large-scale exposition is devoted to the history of achievements of the domestic space industry. The exhibition space consists of three sections. "KB-1. Space Boulevard" with full-scale exhibits and full-size models of spacecraft demonstrates the implemented projects of the XX century and the achievements of Russian cosmonautics. Section "KB-2. The Design Bureau" tells about the research of medicine, biology and astronomy in the space sphere. "KB-3. Cosmodrome of the Future" tells about modern space exploration and the development of technologies, intergalactic forecasts of futurologists and science fiction writers. Here you can also try out game simulators and visit the 5D cinema "Space Sphere". On two floors of the exposition "Aviation. Dreams of flight" tells how the first parachutes, balloons, flywheels and gliders were created, what technologies were used before and what engineers use today.The Cosmonautics and Aviation Center is a journey from the first idea of conquering the universe to future space exploration projects. Here you can not only travel around the Solar System, but also see more than 120 unique samples of aircraft and space technology, exhibits of military-industrial enterprises, over 2 thousand rare archival documents, photographs and videos about the history of space and aviation achievements....
Architect De Lucchi has fitted the metal and glass façade with photovoltaic cells and 30,000 LED lights that are powered by solar energy.
Jahrtausendturm / Elbauenpark
Magdeburg / Germany
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Here you can see the panorama with the interactive 360 degree viewer
(8 single shots)
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New image: A child painting his own path to freedom. Discover the "Flamboyant World", a permanent exhibition space at Trust Merchant Bank headquarters in Kinshasa, Congo. Idea, photo, drawing and concept by Ben Heine
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Nouvelle image: Un enfant qui dessine son chemin vers sa liberté. Découvrez le "Monde des Flamboyants", un espace d'exposition permanent à Trust Merchant Bank à Kinshasa au Congo. Idée, photo, dessin, concept de Ben Heine
My Insta: www.instagram.com/benheine
TMB: www.trustmerchantbank.com
Le Monde des Flamboyants: lemondedesflamboyants.com
The OXO tower was originally a power station for the Post Office. It was built towards the end of the 19th century and was after acquisition by the Liebig Extract of Meat Company, who make the famous Oxo beef stock cubes, it was converted into a cold store.
The building was largely rebuilt to an Art Deco design by company architect Albert Moore between 1928 and 1929. Much of the original power station was demolished, but the river facing façade was retained and extended. Liebig wanted to include a tower featuring illuminated signs advertising the name of their product. When permission for the advertisements was refused, the tower was built with four sets of three vertically-aligned windows, each of which "coincidentally" happened to be in the shapes of a circle, a cross and a circle.
Jahrtausendturm / Elbauenpark
Magdeburg / Germany
See where this picture was taken. [?]
Here you can see the panorama with the interactive 360 degree viewer
(14 single shots)
Explore # 406 on Thursday, October 24, 2013
© All Rights Reserved - you may not use this image in any form without my prior permission.
Leeuwarden, Fries Museum, May 2017
Taken during the exhibition Beladen Landschap ("Burdened Landscape"; 4 February – 4 June 2017), with works by Anselm Kiefer, Sophie Ristelhueber and others.
One of the Pencil Vs Camera artworks I made for Trust Merchant Bank, everywhere in Democratic Republic of Congo. I captured the photo, made the drawing and conceptualized the image.
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Une des créations Pencil Vs Camera que j'ai faites pour la Trust Merchant Bank, partout en République Démocratique du Congo. J'ai pris la photo, fait le dessin et conceptualisé l'image.
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Step into a world of words at the Hirshhorn Museum, where this immersive, black-and-white text installation completely transforms the gallery space into a thought-provoking, visually striking experience. The artist’s dynamic brushwork covers every inch of the floor, walls, and even the ceiling with handwritten text, illustrations, and graffiti-like scrawls, all in stark black and white. Snippets of phrases, poetry, and protest statements intermingle, challenging visitors to consider questions of identity, politics, history, and the human condition.
Visitors are dwarfed by towering phrases that ask, “What is truth?” and “Who owns the future?”, while figures and animals emerge from the painted chaos, including a prominent black sculpture of a raven—a potent symbol of transformation and observation. At the center of the room, a bright yellow canoe pops against the monochrome backdrop, an unexpected dash of color that invites both curiosity and contemplation.
The installation’s scale and detail create a sense of total immersion, urging visitors to physically move through and around the words, reading, pondering, and engaging with the artist’s urgent message. Each visitor becomes part of the artwork itself, their shadows cast on the text-laden floor as they navigate the space.
This installation exemplifies contemporary art’s power to challenge perceptions and invite dialogue, transforming a museum into an interactive environment where language and imagery converge. It’s a place where every footstep lands on a phrase or thought, and every glance finds new questions to ponder.
The Hirshhorn Museum, part of the Smithsonian Institution, continues to champion innovative, boundary-pushing contemporary art, and this installation stands as a testament to that mission. For those seeking an unforgettable, interactive experience that bridges text and visual art, this exhibit offers a unique journey through the written word’s raw energy and expressive power.
Jahrtausendturm / Elbauenpark
Magdeburg / Germany
See where this picture was taken. [?]
Here you can see the panorama with the interactive 360 degree viewer
(13 single shots)
© All Rights Reserved - you may not use this image in any form without my prior permission.
Bargehouse exhibition space, Oxo Tower Wharf, Bargehouse Street, South Bank, London, England, UK.
Please contact me to arrange the use of any of my images. They are copyright, all rights reserved.
Bargehouse exhibition space, Oxo Tower Wharf, Bargehouse Street, South Bank, London, England, UK.
Please contact me to arrange the use of any of my images. They are copyright, all rights reserved.
Inside Oscar Niemeyer's Cultural Center, I documented the interplay between architecture and art exhibition. The stark black and white treatment emphasizes the modernist space's clean lines, while the single displayed photograph creates a dialogue between the built environment and curated art.
Singapore 2017: Art Science Museum Exhibition Space
License image from wypictures.pixieset.com/architecture/2017/
"Listen Buddy. No splashing!" Paddleboard Derby indoors at the Toronto International Boat Show. Regular demonstrations throughout the day at Exhibition Place in Toronto. Lake Wow was just recently filled with near freezing water from nearby Lake Ontario.
A distinctive red seating piece occupies a spacious gallery, showcasing intricate gold details and crystal chandeliers in daylight.
The Crystal Palace was the largest glass and iron structure built up to that point in history, and it was a significant achievement in structural engineering. Originally erected in Hyde Park, London, for the Great Exhibition of 1851, it was a groundbreaking structure made from cast iron and plate glass.
The Crystal Palace was enormous, spanning 1,851 feet in length and 128 feet in height, and it housed a 990,000-square-foot exhibition space. It was a pioneering example of using prefabricated cast iron and glass, which were relatively new materials at the time. Despite its size, the Crystal Palace was completed in a remarkably short period of 39 weeks using modular construction techniques.
The Crystal Palace demonstrated the potential of industrial-age materials and construction methods, influencing the design of future large-scale structures. It became a symbol of the Victorian era and British Empire's technological prowess. While the Crystal Palace was later moved and eventually destroyed by fire in 1936, its legacy as a groundbreaking glass and iron structure remains.
[Note: Ackermann & Co. was a prominent London publisher and print seller, known for its fine illustrated books, decorative prints, and magazines. Pioneered lithography in Britain.]
[Source: Google Gemini]
One of the Pencil Vs Camera artworks I made for Trust Merchant Bank, everywhere in Democratic Republic of Congo. I captured the photo, made the drawing and conceptualized the image.
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Une des créations Pencil Vs Camera que j'ai faites pour la Trust Merchant Bank, partout en République Démocratique du Congo. J'ai pris la photo, fait le dessin et conceptualisé l'image.
----
Join me! Subscribe to my pages!
Instagram: www.instagram.com/benheine
Facebook: www.facebook.com/benheineart
Youtube: www.youtube.com/user/BenHeineChannel
Site web: benheine.com
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View of the MoMA lobby from the stairs leading to the exhibitionspaces. The colored floor is part of the Color Chart exhibition.
Seen at The Drawing Center as part of the installation of the exhibition, "The Way I See It: Selections from the KAWS Collection." (The installation was one of drawings, but some objects were thrown in.) The Drawing Center is an exhibition space in the Soho neighborhood of Lower Manhattan.
Jahrtausendturm / Elbauenpark
Magdeburg / Germany
See where this picture was taken. [?]
Here you can see the panorama with the interactive 360 degree viewer
(14 single shots)
© All Rights Reserved - you may not use this image in any form without my prior permission.
Bicocca | Via Chiese
Juan Muñoz: Double Bind & Around exhibition
Pirelli Foundation, Milan
April 9 - August 30, 2015
The Wasteland
Juan Muñoz
1986
Empty at the moment and just altering the rigging.
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All Rights Reserved, as stated. Re-posts are with expressed permission only. You may not use this image, edit it or alter it in any way (and as a result, claim the image or the derivative as your own).
The nicely decorated front of Arts West Side in Old Market Street, Bristol which describes itself as a volunteer led, not-for-profit arts cafe, workshop and exhibition space.
This immersive art installation bathes visitors in an otherworldly blue light, creating an infinite effect through strategically placed mirrors and LED arrays. The space transforms into a seemingly endless corridor of light, where guests become part of the installation through their reflected images multiplying throughout the environment. The monochromatic blue lighting scheme dominates the space, casting everything in various shades of electric and royal blue. Visitors move through the space, their silhouettes creating interesting patterns against the illuminated backdrop. The walls and ceiling feature thousands of small lights, creating a star-like effect that extends in every direction. The mirrored surfaces amplify the lighting effects, producing an illusion of infinite depth and space. The installation demonstrates advanced lighting technology while creating an atmosphere that encourages exploration and wonder. Visitors can observe their reflections repeated countless times in the mirrored surfaces, while the blue illumination creates a cool, ethereal atmosphere. The photograph captures people examining their surroundings, some carrying bags or phones, their casual attire contrasting with the theatrical lighting environment. The technical precision of the lighting grid works in harmony with the mirrors to create multiple layers of reflection, making it difficult to distinguish real space from reflection. This intersection of light, space, and reflection produces an environment that challenges viewers' perception of depth and dimension, while the consistent blue palette unifies the entire experience into a cohesive whole.