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"Don’t ask what the work is. Rather, see what the work does.”

Quote - Eva Hesse

 

For the "Crazy Tuesday" theme: "Minimalism"

 

Happy Crazy Tuesday ;-))

This is a multiple exposure based on the art sculpture created by Eva Hesse of this title (Right After)

 

Taken at the Milwaukee Art Gallery

 

**All photos are copyrighted**

altered newspaper. with teabags, machine stitching, ink and wax.

hommage to Eva Hesse.

Image created for my #ArtistsInStillLife project. Check back here next week for the next one.

currently working on a body of work that is inspired by the work of Eva Hesse

currently working on a body of work that is inspired by the work of Eva Hesse

always been a fan of eva hesse.

Eva Hesse, Untitled, Enamel paint, string, papier-mâché, elastic cord, 1966 (The Museum of Modern Art)

 

www.smarthistory.org/eva-hesse.html

 

Day Six

Eva Hesse (1936-70)

Untitled, 1966 (image by profzucker via flickr)

 

Working in what was then a ‘man’s artworld’, Eva Hesse experimented with materials that would hang, sag, or slump. Her drawings are also very beautiful, bringing together a Minimalist approach with a sensitivity of touch. See www.evahesse.com/index.php

 

Sans II, 1968. Fibreglass and polyester resin (1936-1970) SFMOMA

the work has slick plastic, wrapped in cord, so it formally mirrors the black net bag, and then dangles. it has this both highly biological (like muscles and mussels) and mechinchal (teh colour, the use of found forms) effect, and i find it destabilizing

Untitled or Not Yet, 1966. Cotton, plastic, paper, lead and string (1936-1970) SFMOMA

Untitled or Not Yet, 1966. Nets, polyethylene, paper, lead weights, cord (1936-1970) SFMOMA

Sans II, 1968. Fibreglass and polyester resin (1936-1970) SFMOMA

I Love—The Eyelid Clicks/I See/Cold Poetry, Chapter 18, 2010. Gesso and oil on wood.

TP Accesorios

Material: Latex

Eva Hesse (American, b. Germany 1936-1970)

Right After, 1969

The S2dio, center of the S2osphere. pictured: my pilot, EvaHesse on the left and my navigator, Artimisia (with her lover Fred) on the right. On the extreme left is the output device and in front is mug of brown,non-nutrative beverage.

Hang Up, 1966. Acrylic paint, cloth, wood, cord, and steel tubing (1936-1970) Art Institute of Chicago

(detail) Untitled or Not Yet, 1966. Cotton, plastic, paper, lead and string (1936-1970) SFMOMA

Test Pieces, 1967. Natural rubber over cheesecloth (1936-1970) BAM

(detail) To Spot, 1965. Enamel paint, conduit, cord, pipes, hardware, wood on particle board (1936-1970) SFMOMA

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