View allAll Photos Tagged Error
We've had a discussion recently about what appears to have been an update to the maps data that has left our area wrongly identified. Just to explain the problem, referring to this image:
1. We are not looking at Over Stowey. Over Stowey is about 5 miles North East on the other side of the Quantock hills. For some reason, Over Stowey and the neighbouring Aisholt have been duplicated in my immediate area.
2. The road next to the red marker is not called Crowcombe Heathfield. This is the name of the area. The road is called Bakers Orchard.
3. The road further up is not called Kings Acre - this is the name for the four houses on the corner (numbers 1 to 4 Kings Acre).
4. And if one searches for Crowcombe Heathfield then the map moves to Crowcombe Village, about 2 miles away. Afraid not.
So hopefully this will explain the problem. It was fine until recently. Sigh ...
Update in August 2010. I've been on the NAVTEQ site and (hopefully) corrected the Bakers Orchard name, but can't see how to remove the area duplication. And with the new Flickr photo page, the map is even worse - before at least one could put "West Somerset" or just "Somerset" for the alternate location, but no more.
Now this is good error design. It's clear and straightforward, explains the problem, and tells you where you can get more help if you need it.
Faccio per aprire un blog. Dice "Manutenzione. Ripassa un'altra volta". Chissà come, mi viene in mente il governo.
I think I know what the problem with DSB is, they run Windows! Maybe if they'd switch to something a little more stable they'd have fewer delays.
It's actually a little scary to think about, if they can't even get the signs to work properly, what about the trains?
Error 404 page - POP do seu lado
Client: Portal POP
Visual Concept and Creation Designer: Tiago de Andrade
Responsable Designer: Márcio Nantes
Agency: Redirect Digital Marketing
See entire project: www.behance.net/gallery/404-Errors-POP/3634453
Con solo una mirada es el primer single de Ensayo y error, el álbum debut en solitario de Georgina (ex-Tisuby & Georgina), que se pondrá a la venta el próximo 1 de septiembre.
Según la cantante el álbum "sorprenderá a más de uno, con temas de un pop contundente, que oscila entre el desamor y la alegría, de todo un poco pero siempre desde un prisma positivo".
Un álbum producido por Pablo Cebrián e Ismael Guijarro. El primero componente de Fábula (¡cuanto les echamos de menos!), y el segundo amigo, mánager y productor del proyecto que Cebrián compartían con Iván Mur.
November 10, 2018 at 2:00pm- 3:30pm at Centrespace Gallery, VRC
Taking this idea as a starting point, we would like you to interpret this principle
Sustain your errors, is a series of workshops and events re-interpreting a set of ideas by artist and musician David Cunningham first used for his 1976 album Grey Scale.
In an introduction to the project taking place during NEoN, writer Cicely Farrer invites artist Katie Hare to together explore the ‘error system’ in the algorithmic age, through dialogue, sound, projection and human movement, extending Cunningham’s album in a new performative encounter.
Katie Hare is an artist whose work examines the effects of the increasing rapidity of technological progress, particularly with regards to memory and obsolescence and the way narrative and storytelling is shifting as a result of this development.
Introduction to David Cunningham’s Error System
David Cunningham’s art work evades visual description as it is mostly real-time sound based and site specific. His installations and performances are experienced across sound, music, light, movement and the architectures of space. He frequently uses a systems approach. This systems approach could be through a sound loop, overlapping cycles, a set of instructions, collaborative conditions or the space the work inhabits.
Sustain your errors draws on an early work of David’s, Grey Scale, for which he set up scores/instructions in the production of his sound work in the late 70s. In its original form, Grey Scale is an album that was originally released as a vinyl record in a grey card sleeve in 1976. The album features tracks which are played across a range of instruments, percussion, tape recorders, synthesisers and water.
The project is based on conversations between Cicely Farrer and David Cunningham around ways of interpreting the scores and their guiding principles. Cicely has received mentorship from artist Pernille Spence.
Supported by the National Lottery through Creative Scotland.
Image Credit: Kathryn Rattray Photography
Caleb's lake at night. I feel like the picture turned out a bit funky with the partially healed bits, and one big ol' scar.... So I may have to update with a healed picture. We did tons of little details and highlights, sculpted out the trees a bit, and touched up this gnarly scarred area in the clouds that with trial and error, we figured was a freak accident between over-ointmenting and over-working maybe.... At first we thought it was a purple reaction, but the next session he got a tiny bit of the same in a green spot. So we decided he should semi-dry heal it, and it's been smooth sailing since...
Sorry, but this site has gone all
500 Application Error on you. Something's wrong with the server, most likely. Please email John, the slack bastard who built this. Feel free to give him a piece of your mind.
37 signals is the nicest and best at copy and usability. I actually just found their defensive design book that I've had for a long time, but hadn't actually seen any of their error messages. In their defense, it was me who broke it by clicking back and forward too much - but at least it didn't lose any unsaved work.
November 10, 2018 at 2:00pm- 3:30pm at Centrespace Gallery, VRC
Taking this idea as a starting point, we would like you to interpret this principle
Sustain your errors, is a series of workshops and events re-interpreting a set of ideas by artist and musician David Cunningham first used for his 1976 album Grey Scale.
In an introduction to the project taking place during NEoN, writer Cicely Farrer invites artist Katie Hare to together explore the ‘error system’ in the algorithmic age, through dialogue, sound, projection and human movement, extending Cunningham’s album in a new performative encounter.
Katie Hare is an artist whose work examines the effects of the increasing rapidity of technological progress, particularly with regards to memory and obsolescence and the way narrative and storytelling is shifting as a result of this development.
Introduction to David Cunningham’s Error System
David Cunningham’s art work evades visual description as it is mostly real-time sound based and site specific. His installations and performances are experienced across sound, music, light, movement and the architectures of space. He frequently uses a systems approach. This systems approach could be through a sound loop, overlapping cycles, a set of instructions, collaborative conditions or the space the work inhabits.
Sustain your errors draws on an early work of David’s, Grey Scale, for which he set up scores/instructions in the production of his sound work in the late 70s. In its original form, Grey Scale is an album that was originally released as a vinyl record in a grey card sleeve in 1976. The album features tracks which are played across a range of instruments, percussion, tape recorders, synthesisers and water.
The project is based on conversations between Cicely Farrer and David Cunningham around ways of interpreting the scores and their guiding principles. Cicely has received mentorship from artist Pernille Spence.
Supported by the National Lottery through Creative Scotland.
Image Credit: Kathryn Rattray Photography