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[ CPP Project example -- Fall 1997 ]
This is a part of an ongoing & experimental photo project of mine entitled "Corpse Photo-Poetics." (The particular piece was composed by myself & Melina, my former fiance, and was included in the Florida Emerging Artists exhibit @ the Arts On the Park Gallery in Lakeland, 1998).
CPP was first conceived of as a sort of abstraction a Surrealist game (known as "EXQUISITE CORPSE") while driving the lonely stretches of the 95 through the old American South (rural Georgia) in the spring of 1994. The project languished, a bit, for a while, but has been conferred new life due my ability to connect with other kind, creative souls here on Flickr! ^_^
I can't locate my formal description of the project, but I'll try to succinctly state its simplicity:
With E.C., partipants divide a piece of a paper into thirds or quaters, choosing, for instance, the human form. Each participant chooses a section of the form to complete, covering their work, leaving only lines to give the next player a starting point for the next section of the piece. The result can be something quite surprising and, sometimes even good! ;)
I chose to use double exposure photographs. The CPP images have mostly been produced directly in the camera (35mm). With no fixed form in mind, participants grab an image to be integrated with the photograph of another in the camera, and hopefully the result is just as surprising and, even good!
This is a randomly chosen example -- I have very few digital copies at this time, but will try to change that soon. I'm working on new methods and am always looking for new collaborators.
Let's see, thank you for taking a look, reading about this crazy project, & please LMK if you are interested. ;)
OK. Here's further description that I e-mailed to one recent participant, the amazing Ms. LaDonna Chaos:
Let’s see… I'll do my best to b-r-I-e-f-l-y describe the project off the top o' my chaotic head here.
Firstly, I've hand-picked only a few collaborators for this admittedly odd little project. I plan future gallery shows (a close friend is currently shopping it around NYC, for instance) and even [gasp> a coffee table book.
OK. But first, here' how it started:
In the 90s -- yes, WAY BACK THEN -- I began d-a-b-b-l-i-n-g in photography, and became QUICKLY fascinated w/ multiple exposures when an old Arette 35mm I tried had a broken winding mechanism, producing these wonderful, almost halucinatory double & triple exposures.
I began to then INTENTIONALLY use the double exposure technique (with a properly functioning camera this time) in my compositions.
OK. One day, whilst traveling the long, lonely stretches of the 95 through rural Georgia, it occurred to me to try abstractly applying the dAdAists' and surealists' exquisite corpse game to photography.
With my game -- CPP: Corpse Photo-Poetics -- two photographers each contribute a photo or exposure w/o knowing what the other person had done to see what kind of final composition or new form, if you will, they end up with.
Here's how we'd do this: I'll take a roll of pictures (none of them needing to be complete compositions, not necessarily), and when I'm finished, I'll rewind leaving the film leader extending from the roll so that it can be reloaded into another camera.
THEN, you'll indeed (or so I hope that you’ll want to =) load the roll into your camera and shoot over my set of images, producing (no doubt ;) some AbFAB double exposure photographs -- CPP's!!!
OK. I hope that made SOME sense. ;)
One thing to keep in mind is that many of these won't work out, but there will NO DOUBT be GEMS, my dear.
Well, I t-r-e-m-e-n-d-o-u-s-l-y look forward to discussing this further and to working with you on this!! I AM QUITE honored by your interest!!!
Incidentally, this is the primitive, FUN technique, but I will soon move to enact some refinements to the process. In any case, I just thought that we could have some fun for now in this still early stage of things. What do you reckon?
Mural entitled "Baile Folklorico" by Daniel Toledo aka @mister_toledo, seen at 208 South Van Rensselaer Street in Rennselaer, Indiana.
Drone photo by James aka @urbanmuralhunter on that other photo site.
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Mural entitled "Handmade Happiness" by Naomi Haverland aka @naomihaverland for the Fort Myers Mural Society Next Level Street Art Event, seen at 2330 Dr Martin Luther King Jr Drive in Fort Myers, Florida.
Photo by James aka Urbanmuralhunter on that other photo site.
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Mural entitled "Skyrider" by @spuds_spudbomb seen at 1500 Mill Street in Greensboro, North Carolina.
Photo by James aka @urbanmuralhunter on that other photo site.
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Officially entitled 'The Leviathan' , this sculpture, known as The Plymouth Prawn sits on top of a pole near the Mayflower Steps in Plymouth's Barbican.
Created by Brian Fell and unveiled in 1996 it is made from copper painted mild steel and represents sea creatures landed by Plymouth's fisherman.
It has a cormorant’s feet, a plesiosaurus’s tail, the fin of a John Dory, a lobster’s claws and the head of an angler fish but no actual prawn !
Mural entitled “Axis Mundi” by @mac_arte and @aiseborn seen on the wall of the Akron Civic Theatre at 128 South Main Street in Akron, Ohio.
Drone photo by James aka Urbanmuralhunter on that other photo site.
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A statue entitled The Prospector, sculpted by Alonzo Victor Lewis, serves as the centerpiece of the grounds of the Sitka Pioneer Home. The sculpture was supposed to be modeled after real-life pioneer William Clark "Skagway Bill" Fonda, a resident of Skagway and originally of Fonda, New York. This statue is the larger of two models that Lewis created. The smaller of the pair sits in Seattle's Klondike Gold Rush National Historic Park in Pioneer Square. After more than three tons of clay and 21 years of fundraising, the sculpture was finally shipped to Sitka in time for its dedication at 1949's Alaska Day.
Mural entitled “Sol Rise” by Mauricio Ramirez aka @mauriciopaints seen at 15th Street and Blue Island Avenue in the Pilsen area of Chicago Illinois.
Photo by James aka Urbanmuralhunter on that other photo site.
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Mural entitled "Fish Bowl" by Sarah Joncas aka @sara_joncas for Long Beach Walls 2016, seen at 100 West 8th Street in Long Beach, California.
Photo by James aka Urbanmuralhunter on that other photo site.
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Mural entitled "The Arrival" by Mandy Caskey aka @miss.birdy, seen at 909 Mary Street in Louisville, Kentucky.
Photo by James aka Urbanmuralhunter on that other photo site.
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A work entitled "Remembering Seletar, The Sound of Nature, Memories" 2012, by the Singaporean sculptor Lim Leong Seng, outside the Greenwich V shopping mall at the southeast corner of Yio Chu Kang Road and Seletar Road, Singapore. The vintage pilot in his flying leathers references Seletar Airport (XSP), which lies some 3 km to the north. Built in 1928 for the British Royal Air Force, today it is a civil general aviation airport. Rubber plantations once graced the area, providing ample opportunity for children to chase butterflies. The work evokes memories of those times.
This image was originally entitled, "Gregorian Monk at Prayer" and I love it.
These large caterpillars were common in the trees in the apartment complex when I first moved in. The damage they inflicted, however, earned the wrath of management and a regular dose of insecticides.
Eyespots (markings that resemble vertebrate eyes) have evolved many times in Lepidopterans (butterflies and moths). The fact that this adaptation has arisen independently so often in this group indicates the general effectiveness of this anti-predator startle defence.
Taken September 28, 2012.
Home studio
Pu'er, Yunnan, China
(The enforced hiatus from photo-taking due to the predictably unpredictable weather continues, so I intend to continue some reposts though this time of what I consider my favourite twenty images (in no particular order and in batches of five). I have now surpassed 10000 images in my photostream, so have plenty to choose from. Invariably, these will not be images that have been particularly well received on their initial appearance in my photostream, but have significance to me maybe because of the circumstances related to their capture, as images I have a sentimental, nostalgic and/or emotional connection to or perhaps just what I consider to be a good shot.)
see comments for additional view....
Mural entitled "Godlike" depicting Neptune and Zeus by Shae Petersen aka @srilart at 3267 South 300 West in Salt Lake City, Utah.
Photo by James aka @urbanmuralhunter on that other photo site.
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Mural entitled "Nou se Caribbean" by Oliver A. Ganthier (OliGa) aka @oligarts, seen at 520 NW 27th Street in the Wynwood Arts District of Miami, Florida.
Photo by James aka @urbanmuralhunter on that other photo site.
Edit by Teee.
The artwork, entitled Nativity – This is God: God is Tenderness, is the work of artist and sculptor Father Rory Geoghegan SJ, a Jesuit priest who lives and works at St Beuno’s Jesuit Spirituality Centre in Tremeirchion.
The sculpture is a prayerful reflection on the theme of the Incarnation – the human nature of God – and shows Jesus, Mary and Joseph in an intimate and loving family pose.
Fr Rory, who is in his 80s, decided on the title for the work just as he was finishing the sculpture.
By chance, he came across a description of the people of Buenos Aires, Argentina, recalling how at Christmas, their archbishop used to take baby Jesus from the crib to show to the congregation, saying: “This is God. God is tenderness.” That Archbishop is now Pope Francis.
The Nativity sculpture gradually came to life over a period of several months in Fr Rory’s workshop. The basic shape was constructed over pieces of chicken wire and foam blocks covered in many layers of plaster, which were then cut back, shaped and smoothed. The ‘shot silk’ finish is achieved by meticulously applied paint of assorted colours, again built up in layers.
Entitled "Checking the Road" a massive thanks to Chris and Simon for agreeing to my request for a 5 second stillness at Bury Bolton street with visiting 8f 48305 on a Halloween special
Mural entitled "Rhythm is Gonna Get You" by Mr. Kas aka @kasartofficial, seen on the wall of Paul Lawrence Dunbar School at 505 NW 20th Street in Miami Florida.
Drone photo by James aka @urbanmuralhunter on that other photo site.
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Mural entitled "Love Each Other" by Chris Chanyang Shim (Royyal Dog 심찬양 ) aka @royyaldog, seen at 1499 Seaton Street in Los Angeles, California.
Back in 2010, the Illinois Railway Museum started a series of WWII reenactments. Entitled "The Anzio Express & North Platte Canteen," the reenactments depicted soldiers boarding at their local depot before departing for war, the rail yard battle of Anzio, Italy, the troops returning from war, and finally a "canteen," whereby housewives of any given town greeted returning troops at their local depots with home-cooked food. These "canteens" were set up at depots all across the country, with the first one in North Platte, Nebraska.
In this particular scene, the troops have returned from the front lines and are now waiting at the depot to "go home." After the troops boarded the train, then the depot platform would be transformed into a canteen, with tables set up and food brought out for the reenactors. The platform was then cordoned off so as to allow the returning troops to have no interference from the public, as well as to keep the public away from the food.
The gentleman depicted here is a WWII reenactor named Malte Grohnert who has appeared in some movies and television productions.
"Vintage"
This image is being submitted as part of the #Flickr21 Photo Challenge, celebrating Flickr's 21st anniversary on February 10, 2025. The theme for the 13th day of the 21 day photo challenge is "Vintage." This image is quite fitting for this particular theme. Not only was this taken at a WWII reenactment, but it also took place at the oldest operating passenger depot west of Pittsburgh. East Union Depot, as it is now known, was built in 1851 in Marengo, IL, the next town to the west of Union. It remained in operation until passenger service ceased after WWII. It was acquired by the museum and moved to IRM in 1967. Since then it has appeared in several period movies, most notably the baseball movie "A League of Their Own."
The depot was the reason why the WWII Reenactment took place at the museum. It would serve as an authentic vintage backdrop for the "Departing For War" and the postwar "North Platte Canteen" scenarios. Museum volunteers and reenactment coordinators decked out the depot, both inside and out, in reproductions of vintage WWII posters. The famous Uncle Sam army recruitment poster is visible in the top center of the frame.
And since there was nothing in this image to date it to 2010, I wanted to "vintage" it up as much as possible. Through a series of Photoshop techniques, I desaturated and sepia-toned the background. Then through selective-coloring, I desaturated the reenactor and added noise to replicate film grain to give this image that "filmic" look. I doubt I could recreate this process now. I did not label my Photoshop layers then as I do now, nor did I record the steps. I wish I had though, because this would have made for a great Action, as the result came out pretty good. To date this is still one of my favorite "photoshopped" images.
Mural entitled "Hopeful" by DEVONA aka @devonastimpson for the Big Walls Big Dreams mural festival sponsored by Up Art Studio, seen at 2118 Washington Avenue in Houston, Texas.
Photo by James aka @urbanmuralhunter on that other photo site.
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the title of this photo was inspired by lyrics to the chapter in your life entitled san francisco by the lucksmiths
Mural entitled "Bert Raccoons" by D. Terra aka @d.terrastencils, seen at 920 Mercer Street in Windsor, Ontario, Canada.
Photo by James aka Urbanmuralhunter on that other photo site.
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self entitled people having a drink and taking up all the pavement space so that pedestrians had to walk in the road.
Model entitled "Dryad7" with thanks to faestock on deviantART found here:
browse.deviantart.com/art/Dryad7-268413824
Texture entitled "Clover - FREE Texture" from my stock found here:
I have entitled this photograph, “Barry’s Bike” after local San Diego photographer, Barry Alman, who popularized this composition of the bike sculpture cruising on the Coronado Bridge. Barry is a fixture on KUSI News and can be seen most days making photographs of the sunset along San Diego’s many beaches.
Purchase my fine art prints:
My Stock Photography:
Photo copyright by ©Sam Antonio Photography 2022
Contact me to license my images:
sam@samantoniophotography.com
You must detach your life from an awareness of the multiple and reduce it to a geometrical point before God. You have but one life, and it is not just anything; this life is everything for you, and it owes its greatness to its divine origin and goal. The human condition is something great because its foundation is God; the modern error is to believe we are small, that we are biological accidents, that we are entitled to be lukewarm—that we are free to be small, apathetic, mediocre. In reality we are condemned to greatness, if I may express it this way, and we find this greatness in spiritual smallness before the divine Greatness. It is God who is great, but we must open ourselves up to this Greatness, knowing that there is only He, that we are bound to Him, that we cannot escape Him; knowing this we must resign ourselves to our human and personal condition—to the fact that the sacred is everywhere—and we must repose in trust.
F. Schuon
Mural entitled "The Blossoming of Trust" by Huariu aka @huariu, seen at 937 Orange Street in Jacksonville, Florida.
Drone photo by James aka Urbanmuralhunter on that other photo site.
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A Tea for the Tillerman
Wickedly Delicious and Delightful
Years ago while doing research for a boring university project I stumbled across old archives for the Glamorgan Gazette from the pre-Great War 1900s.
A story entitled ‘Tea Party Misadventure’ caught my eye.
It was of interest mostly because my mum likes to put on elaborate dress-up tea parties of her own doing in our almost one-hectare backyard garden at home.
There was not much to this old story really, only reporting that at a certain fancy Tea held at the manor house recently the hostess and several guests reported jewels had turned up missing. I was suspiciously under the impression that they were wearing said jewels at the time, for no mention of them being nicked from rooms was made.
This piqued my curiosity because, due I’m sure to some quirk in my DNA, I get perilous shivers thinking some uncommon thief could be that skilled, he/she could undetected, nick the very jewels I’m wearing. Would love to know if I’m unique in that feeling.
That said ….
No mention of an investigation, the cause, or any outcome was given. Nor could I find a follow-up story.
I hate it when I cannot find answers to stories. And this one certainly piqued my rather offbeat interest over how something like that could occur.
^^^^^^^^^^^
Then, much more recently, I had been out with Ginny to see the movie “Cruella.” She had “commandeered” her older Brother’s twin 8-year-old daughters for the occasion.
The movie basically sets up how Cruella became a thief, starting out with these tendencies as a young child.
I will admit that as we sat drinking at the pub afterward later that same evening (after seeing the giggling twin girls off back to thief mum) my mind pictured some of my own Mum’s past fancy tea parties.
I soon combined third memories with that long ago newspaper story of ‘misadventure at a similar function.
Certain scenes of that movie clicked in my alcohol-induced mind as to how the ladies at the fancy tea may have lost their jewellery.
Soon I came up with the seeds of the fictional story below using bits of those tea parties and my ideas on how dropping in a resourceful thief amongst the dressed-up guests' midst them could play out the unanswered questions in the Glamorgan Gazette’s missing jewellery storyline. Sort of filling in the gaps.
The descriptions of that tea described below are taken from years of tea parties Mum has hosted. The details are accurate including the settings, clothing, and jewels worn by the hostess(Mum) and her guests, including Ginny and I at various times.
The character studies of Estella, the wooden bead lady, and the Shannons are also loosely based on past tea party guests.
I guess any posh affair of that sort if carried on for enough years will have its odd occurrences and occasional uninvited guests. Which we have…
And of course, the story as told is a work of fiction.
No actual robbery-related misadventures have ever occurred at one of my Mum’s teas. They were always known to be sensible affairs.
I need to say that because mum still popularly puts them on, and I don't wish to scare anyone off. They are such fun.
The story below may seem far-fetched, but is it really? For something indeed quite odd had happened at that tea in Glamorgan to warrant a reporter’s story?
Next up :
Acte 1
My Tale
A Brief Characterization
<<<<<<<<<<<<<<<<<<<<<<<
A Tea for the Tillerman
Acte 1
A Brief Characterization
Like her Mum before her(my Gamma), mine liked to hold these once a fortnight dress up “High” tea affairs with her friends. Held either inside the sunroom, or larger parties carried out in the backyard gardens during warmer months.
The invited were pretty much just ladies our mum knew, which was extensive. But during the summer months, these friends were more than welcome to also invite along daughters, relatives, and such.
They all would certainly get in the mood and have fun with the ongoing theme of a posh tea, trying to outdo one another in the dress-up department.
Elegant evening attire mixed in with cocktail dresses, silk and satin blouses with formal long skirts, and even the occasional repurposed wedding or bridesmaid gowns were the unwritten attire required to attend.
Copious displays of pearls and rhinestones were displayed with added panache. And many a real gemstone was snuck in to show its glitter and gleam off.
It was like they were expecting a member of the royal family to attend, Mum’s affair had grown to be simply that posh.
Tea (and stronger drink) was served and by the time the soirée died down by twilight, our yard(or house) contained a very happily cheerful lot. A laughing and huggy group of well-dressed, inebriated ladies.
A pickpockets dream, I always fancifully told myself as I watched it all play out many times.
This time it was no different, with soon giggling ladies, whom it became very apparent on the day of this tale, would have presented easy marks for the tomfoolery of someone without convictions (As the Culture Club song goes)!
Next up the Acte 2
Tea Party Misadventure
<<<<<<<<<<<<<<<<<<<<<<<
Lady Elizabeth Asquith, daughter of the 1st Earl of Oxford, British PM married Prince Antoine Bibescu, diplomat at the Romanian Legation in London and settled at the family seat of Mogosoaia near Bucharest.
She figures in an Anthology, (now available as an E-Book) entitled:
"Blouse Roumaine - the Unsung Voices of Romanian Women"
www(dot)blouseroumaine(dot)com/orderthebook_p1(dot)html
Elizabeth Asquith (1897 - 1948) was the daughter of Prime Minister Herbert Asquith. In 1919 she married Prince Antoine Bibesco a flamboyant Romanian diplomat in London and the wedding ceremony took place at the Greek Orthodox church of Sait Sophia in London and at St Margaret's Westminster.
On seeing the inevitable happen that his daughter Elizabeth would marry into a Romanian family, the British Prime Minister Herbert Asquith, 1st Earl of Oxford, (1852-1928) inquired cautiously of his future son-in-law:
“It seems that you have considerable estates in Romania?”
to which the young diplomat, Prince Antoine Bibesco (1878-1952) answered:
“It takes the Orient Express one day to go through me”.
www(dot)blouseroumaine(dot)com
Antoine was a friend of Marcel Proust whom he asked to be his daughter's Godfather: this was Priscilla Bibesco who died in Paris in 2004 in an apartment in l'Ile St Louis, overlooking Notre Dame. This was originally Antoine and Elizabeth's flat in Paris, where they moved after they married: it was decorated with immense canvasses by Vuillard.
Priscilla Bibesco. Elizabeth's daughter was a neighbour and cousin of Princess Marthe Bibesco, who kept a coveted literary salon.
Elizabeth Asquith Bibesco was known as a witty writer of short stories, essays novels plays and poetry. A collection of her papers are kept in the Bodleyan library, Oxford.
Elizabeth had a brief liaison with Katherine Mansfield's husband - John Middleton Murry (1889-1957) at which point Mansfield wrote Asquith a waspish letter:
“I am afraid you must stop writing these little love letters to my husband while he and I live together. It is one of those things which is not done in our world.
You are very young. Won’t you ask your husband to explain to you the impossibility of such a situation.
Please don’t you have to make me write to you again. I do not like scolding people and I simply hate to teach them manners.” (Frank and Anita Kermode op.cit. 496).
At that time Murry (1889-1957) was 33, a socialist and pacifist, an influential literary critic, an Editor of the Athaeneum and friend of notable literary figures such as T. S. Eliot, D. H. Lawrence, and Virginia Woolf. Katherine Mansfield was an established writer, gaining praise for her recently published volume, ironically entitled 'Bliss' (1920), whilst Elizabeth Asquith Bibesco was an aspiring writer. Miss Mansfield did not object to her socialist husband’s affair with an aristocrat, rather to the irritation of seeing these love letters whilst she and Murry still lived under the same roof.
www(dot)blouseroumaine(dot)com
"Blouse Roumaine - the Unsung Voices of Romanian Women"
Presented and Selected by Constantin ROMAN
Anthology E-BOOK (11BM)
DISTRIBUTION: Online with credit card
COST: $ 54.99, £34.99 (ca Euros 35.50)
LINK: www(dot)blouseroumaine(dot)com/orderthebook_p1(dot)html
CONTENTS:
2,250,000 words,
over 1,000 pages,
ca 160 illustrations in text
160 critical biographies,
58 social categories/professions,
600 quotations (mostly translated into English for the first time),
circa 3,000 bibliographical references (including URLs and credits)
6 Indexes (alphabetical, by profession, timeline, quotation Index, place
index and name index)
AUTHOR: Constantin Roman is a Scholar with a Doctorate from Cambridge and a Member of the Society of Authors (London). He is an International Adviser, Guest Speaker, Professor Honoris Causa and Commander of the Order of Merit.
INDEX BY PROSFESSION: 58 CATEGORIES by Call, Profession or Social Status
Academics (22), Actresses (9), Anti-Communist Fighters (14), Architects/Interior Designers (2), Art Critics (9), Artist Book Binders (1), Ballerinas (6), Charity Workers/Benefactors (20), Communist Public Figures (2), Courtesans (3), Designers (2), Diplomats (4), Essayists (11), Ethnographers (6), Exiles & First-generation Romanians born abroad (87), Explorers (1), Feminists (12), Folk Singers (1), Gymnasts, Dressage Riders (2), Historians (5), Honorary Romanian Women (15), Illustrators (3), Journalists (13), Lawyers (4), Librarians (3), Linguists (2), Literary Critics (1), Media (15), Medical Doctors/Nurses (5), Memoir Writers (16), Missionaries and Nuns (4), Mountainéers (2), Museographers (1), Musical Instruments Makers (1), Novelists (24), Opera Singers (16), Painters (14), Peasant Farmers (6), Philosophers and Philosophy Graduates (4), Pianists (6), Pilots (4), Playwrights (5), Poets (29), Political Prisoners (30), Politicians (5), Revolutionaries (2), Royals and Aristocrats (34), Scientists (8), Sculptors (4), Slave (1), Socialites/Hostesses (20), Spouses/Relations of Public Figures (51), Spies (2), Tapestry Weavers (4), Translators (25), Unknown Illustrious (6), Violinists (4), Workers (3)
NOTE:
Most of the above 160 Romanian women, in the best tradition of versatility, are true polymaths and therefore nearly each one of them falls in more than just one category, often three or more. This explains why adding the numbers of the 57 individual categories bears no relation to the actual total of the above 160 women included in Blouse Roumaine.
-----------------------------------------------------------------------------------------------------------
LIST OF 160 CRITICAL BIOGRAPHIES (each supported by Quotations and Bibliography)
AA *Gabriela Adamesteanu *Florenta Albu *Nina Arbore *Elena Arnàutoiu *Ioana Raluca Voicu-Arnàutoiu, *Laurentia Arnàutoiu *Mariea Plop - Arnàutoiu *Ana Aslan *Lady Elizabeth Asquith Bibescu
BB *Lauren Bacall *Lady Florence Baker *Zoe Bàlàceanu *Ecaterina Bàlàcioiu-Lovinescu *Victorine de Bellio *Pss. Marta Bibescu *Adriana Bittel *Maria Prodan Bjørnson *Ana Blandiana *Yvonne Blondel *Lola Bobescu *Smaranda Bràescu *Elena Bràtianu *Élise Bràtianu *Ioana Bràtianu *Elena Bràtianu- Racottà *Letitzia Bucur
CC *Anne-Marie Callimachi *Georgeta Cancicov *Madeleine Cancicov *Pss. Alexandra Cantacuzino *Pss.Maria Cantacuzino (Madame Puvis de Chavannes) *Pss. Maruca Cantacuzino-Enesco* Pss. Catherine Caradja *Elena Caragiani-Stoenescu *Marta Caraion-Blanc, *Nina Cassian, *Otilia Cazimir *Elena Ceausescu *Maria Cebotari *Ioana Celibidache *Hélène Chrissoveloni (Mme Paul Morand)*Alice Cocea *Irina Codreanu *Lizica Codreanu *Alina Cojocaru *Nadia Comàneci *Denisa Comànescu *Lena Constante *Silvia Constantinescu *Doina Cornea *Hortense Cornu *Viorica Cortez*Otilia Cosmutzà *Sandra Cotovu *Ileana Cotrubas *Carmen-Daniela Cràsnaru *Mioara Cremene *Florica Cristoforeanu *Pss. Elena Cuza
DD *Hariclea Darclée *Cella Delavrancea *Alina Diaconú *Varinca Diaconú *Anca Diamandy *Marie Ana Dràgescu *Rodica Dràghincescu *Bucura Dumbravà *Natalia Dumitrescu
EE *Micaela Eleutheriade *Queen Elisabeth of Romania (‘Carmen Sylva’) *Alexandra Enescu *Mica Ertegün
FF *Lizi Florescu, *Maria Forescu *Nicoleta Franck *Aurora Fúlgida
GG *Angela Gheorghiu *Pss Grigore Ghica *Pss. Georges Ghika (Liane de Pougy) *Veturia Goga *Maria Golescu *Nadia Gray *Olga Greceanu *Pss. Helen of Greece *Nicole Valéry-Grossu *Carmen Groza
HH *Virginia Andreescu Haret *Clara Haskil *Lucia Hossu-Longin
II *Pss. Ileana of Romania *Ana Ipàtescu *Marie-France Ionesco *Dora d’Istria *Rodica Iulian
JJ *Doina Jela *Lucretia Jurj
KK *Mite Kremnitz
LL *Marie-Jeanne Lecca *Madeleine Lipatti *Monica Lovinescu *Elena Lupescu
MM *Maria Mailat *Ileana Màlàncioiu *Ionela Manolesco *Lilly Marcou *Silvia Marcovici *Queen Marie of Romania *Ioana A. Marin *Ioana Meitani *Gabriela Melinescu *Veronica Micle *Nelly Miricioiu *Herta Müller *Alina Mungiu-Pippidi *Agnes Kelly Murgoci
NN *Mabel Nandris *Anita Nandris-Cudla *Lucia Negoità *Mariana Nicolesco *Countess Anna de Noailles *Ana Novac
OO *Helen O’Brien *Oana Orlea
PP *Hortensia Papadat-Bengescu *Milita Pàtrascu *Ana Pauker *Marta Petreu *Cornelia Pillat *Magdalena Popa *Elvira Popescu
RR *Ruxandra Racovitzà *Elisabeta Rizea *Eugenia Roman *Stella Roman *Queen Ana de România, *Pss. Margarita de România *Maria Rosetti *Elisabeth Roudinesco
SS *Annie Samuelli *Sylvia Sidney *Henriette-Yvonne Stahl *Countess Leopold Starszensky *Elena Stefoi *Pss. Marina Stirbey *Sanda Stolojan *Cecilia Cutzescu-Storck
TT *Maria Tànase *Aretia Tàtàrescu *Monica Theodorescu *Elena Theodorini
UU *Viorica Ursuleac
VV *Elena Vàcàrescu *Leontina Vàduva *Ana Velescu *Marioara Ventura *Anca Visdei *Wanda Sachelarie Vladimirescu *Alice Steriade Voinescu
WW *Sabina Wurmbrand
ZZ *Virginia Zeani
Princess Ileana of Romania, daughter of Queen Marie and gt grand daughter of Queen Victoria comes to life in the pages of an Anthology of Romanian women entitled:
"Blouse Roumaine - the Unsung Voices of Romanian Women"
Presented and Selected by Constantin ROMAN
www[dot]blouseroumaine[dot]com/orderthebook_p1[dot]html
Anthology E-BOOK (11BM)
DISTRIBUTION: Online with credit card
COST: $ 54.99, £34.99 (ca Euros 35.50)
LINK: www.blouseroumaine.com/orderthebook_p1.html
CONTENTS:
2,250,000 words,
over 1,000 pages,
ca 160 illustrations in text
160 critical biographies,
58 social categories/professions,
600 quotations (mostly translated into English for the first time),
circa 3,000 bibliographical references (including URLs and credits)
6 Indexes (alphabetical, by profession, timeline, quotation Index, place
index and name index)
AUTHOR: Constantin Roman is a Scholar with a Doctorate from Cambridge and a Member of the Society of Authors (London). He is an International Adviser, Guest Speaker, Professor Honoris Causa and Commander of the Order of Merit.
INDEX BY PROSFESSION: 58 CATEGORIES by Call, Profession or Social Status
Academics (22), Actresses (9), Anti-Communist Fighters (14), Architects/Interior Designers (2), Art Critics (9), Artist Book Binders (1), Ballerinas (6), Charity Workers/Benefactors (20), Communist Public Figures (2), Courtesans (3), Designers (2), Diplomats (4), Essayists (11), Ethnographers (6), Exiles & First-generation Romanians born abroad (87), Explorers (1), Feminists (12), Folk Singers (1), Gymnasts, Dressage Riders (2), Historians (5), Honorary Romanian Women (15), Illustrators (3), Journalists (13), Lawyers (4), Librarians (3), Linguists (2), Literary Critics (1), Media (15), Medical Doctors/Nurses (5), Memoir Writers (16), Missionaries and Nuns (4), Mountainéers (2), Museographers (1), Musical Instruments Makers (1), Novelists (24), Opera Singers (16), Painters (14), Peasant Farmers (6), Philosophers and Philosophy Graduates (4), Pianists (6), Pilots (4), Playwrights (5), Poets (29), Political Prisoners (30), Politicians (5), Revolutionaries (2), Royals and Aristocrats (34), Scientists (8), Sculptors (4), Slave (1), Socialites/Hostesses (20), Spouses/Relations of Public Figures (51), Spies (2), Tapestry Weavers (4), Translators (25), Unknown Illustrious (6), Violinists (4), Workers (3)
NOTE:
Most of the above 160 Romanian women, in the best tradition of versatility, are true polymaths and therefore nearly each one of them falls in more than just one category, often three or more. This explains why adding the numbers of the 57 individual categories bears no relation to the actual total of the above 160 women included in Blouse Roumaine.
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LIST OF 160 CRITICAL BIOGRAPHIES (each supported by Quotations and Bibliography)
AA *Gabriela Adamesteanu *Florenta Albu *Nina Arbore *Elena Arnàutoiu *Ioana Raluca Voicu-Arnàutoiu, *Laurentia Arnàutoiu *Mariea Plop - Arnàutoiu *Ana Aslan *Lady Elizabeth Asquith Bibescu
BB *Lauren Bacall *Lady Florence Baker *Zoe Bàlàceanu *Ecaterina Bàlàcioiu-Lovinescu *Victorine de Bellio *Pss. Marta Bibescu *Adriana Bittel *Maria Prodan Bjørnson *Ana Blandiana *Yvonne Blondel *Lola Bobescu *Smaranda Bràescu *Elena Bràtianu *Élise Bràtianu *Ioana Bràtianu *Elena Bràtianu- Racottà *Letitzia Bucur
CC *Anne-Marie Callimachi *Georgeta Cancicov *Madeleine Cancicov *Pss. Alexandra Cantacuzino *Pss.Maria Cantacuzino (Madame Puvis de Chavannes) *Pss. Maruca Cantacuzino-Enesco* Pss. Catherine Caradja *Elena Caragiani-Stoenescu *Marta Caraion-Blanc, *Nina Cassian, *Otilia Cazimir *Elena Ceausescu *Maria Cebotari *Ioana Celibidache *Hélène Chrissoveloni (Mme Paul Morand)*Alice Cocea *Irina Codreanu *Lizica Codreanu *Alina Cojocaru *Nadia Comàneci *Denisa Comànescu *Lena Constante *Silvia Constantinescu *Doina Cornea *Hortense Cornu *Viorica Cortez*Otilia Cosmutzà *Sandra Cotovu *Ileana Cotrubas *Carmen-Daniela Cràsnaru *Mioara Cremene *Florica Cristoforeanu *Pss. Elena Cuza
DD *Hariclea Darclée *Cella Delavrancea *Alina Diaconú *Varinca Diaconú *Anca Diamandy *Marie Ana Dràgescu *Rodica Dràghincescu *Bucura Dumbravà *Natalia Dumitrescu
EE *Micaela Eleutheriade *Queen Elisabeth of Romania (‘Carmen Sylva’) *Alexandra Enescu *Mica Ertegün
FF *Lizi Florescu, *Maria Forescu *Nicoleta Franck *Aurora Fúlgida
GG *Angela Gheorghiu *Pss Grigore Ghica *Pss. Georges Ghika (Liane de Pougy) *Veturia Goga *Maria Golescu *Nadia Gray *Olga Greceanu *Pss. Helen of Greece *Nicole Valéry-Grossu *Carmen Groza
HH *Virginia Andreescu Haret *Clara Haskil *Lucia Hossu-Longin
II *Pss. Ileana of Romania *Ana Ipàtescu *Marie-France Ionesco *Dora d’Istria *Rodica Iulian
JJ *Doina Jela *Lucretia Jurj
KK *Mite Kremnitz
LL *Marie-Jeanne Lecca *Madeleine Lipatti *Monica Lovinescu *Elena Lupescu
MM *Maria Mailat *Ileana Màlàncioiu *Ionela Manolesco *Lilly Marcou *Silvia Marcovici *Queen Marie of Romania *Ioana A. Marin *Ioana Meitani *Gabriela Melinescu *Veronica Micle *Nelly Miricioiu *Herta Müller *Alina Mungiu-Pippidi *Agnes Kelly Murgoci
NN *Mabel Nandris *Anita Nandris-Cudla *Lucia Negoità *Mariana Nicolesco *Countess Anna de Noailles *Ana Novac
OO *Helen O’Brien *Oana Orlea
PP *Hortensia Papadat-Bengescu *Milita Pàtrascu *Ana Pauker *Marta Petreu *Cornelia Pillat *Magdalena Popa *Elvira Popescu
RR *Ruxandra Racovitzà *Elisabeta Rizea *Eugenia Roman *Stella Roman *Queen Ana de România, *Pss. Margarita de România *Maria Rosetti *Elisabeth Roudinesco
SS *Annie Samuelli *Sylvia Sidney *Henriette-Yvonne Stahl *Countess Leopold Starszensky *Elena Stefoi *Pss. Marina Stirbey *Sanda Stolojan *Cecilia Cutzescu-Storck
TT *Maria Tànase *Aretia Tàtàrescu *Monica Theodorescu *Elena Theodorini
UU *Viorica Ursuleac
VV *Elena Vàcàrescu *Leontina Vàduva *Ana Velescu *Marioara Ventura *Anca Visdei *Wanda Sachelarie Vladimirescu *Alice Steriade Voinescu
WW *Sabina Wurmbrand
ZZ *Virginia Zeani
Waiting for iPhone 3g - Jul 18, 2008 - 095
Note: this photo has been published in an Aug 12, 2008 (German) blog article entitled Der Apple Club." And it was published as an illustration in an undated (Dec 2009) "Only Jewelry" blog, in a posting titled "Apple anklet." And on Jun 6, 2010, the photo was published in a German blog titled "Für eine neue Esskultur: Wohlbefinden ersetzt Wohlstand." It was also published in a May 31, 2011 neue-lebensmittel blog, with the same caption and detailed notes that I had written for this Flickr page.
***************************************************
On the corner of Fifth Avenue and 60th Street -- i.e., at the opposite end of the block where the iPhone fans were waiting in line -- this young couple staked out a spot with a sign that said "Feed us." I gave them some money; I hope they did use it to buy some food ...
But after a while, some nearby cops decided that it wasn't really appropriate for the couple to be panhandling in quite such a dramatic fashion. So they very politely asked them to gather up their stuff and move on ... which they couple did, without much objection...
Roughly three weeks after I originally uploaded this photo, it had been viewed so many times that it is now among the top-ten "most viewed" of all 10,000+ public photos on my Flickr site -- and three people have marked it as a "favorite". I'm flattered by the attention, but also humbled: I have no idea what it is that makes the photo so popular. The couple shown here had nothing to do with the main focus of this collection of photos -- i.e., people waiting in line to get a new Apple iPhone3G -- and probably had no interest at all in the phone. I now wish I had spoken to them, to find out who they were, where they came from, what they were planning to do when they left (as they did shortly after this picture was taken, because the cops shooed them away). And now, three weeks later, I have no idea where they have gone, or what they are doing ... or whether anyone actually did feed them.
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Silly me: after the iPhone 3g had been out for a full week, I thought I could stroll right into the Apple Store on Fifth Avenue & 59th Street in mid-town Manhattan, and simply buy one without any muss, fuss, bother, or delay.
But when I arrived at 11 AM, I found a line of approximately 150 people waiting outside in the broiling sun, not seeming to move forward at all; it turned out that the Apple store "concierge" folks were letting them in in groups of ten, when the previous ten had been taken care of. When I asked the woman how long she had been waiting, she said, "Four hours" -- she had arrived at 7 AM, having already determined that the AT&T stores were sold out throughout New Jersey and Connecticut.
Well, I'm a gadget freak and a Mac fan, but there's a limit to my passion for such things; four hours was just too much. So instead, I decided to take a bunch of pictures of the people who were in the line. Of course, I have no idea whethere the people queued up in front of Apple stores in other cities (or at other stores here in NYC) are similar to this group ... but I'm inclined to think that they are. And if that's true, then the demographics of this group -- in terms of age, gender, nationality, ethnic groups, etc. -- is particularly intriguing. I saw only one guy dressed in a corporate uniform of suit and tie; Apple may be trying to break into the "enterprise" market, but that's not who was standing in line for all those hours in the sun...
These cattle were lolling with perfect nonchalance in the middle of the street. It took two passengers several minutes to gently persuade them to rise so we could pass. One encounters cattle often on streets and sidewalks. The females tend to be very sweet natured. Some people touch them seeking a blessing.
Mural entitled "Genesis" by SHOK-1 aka @shok_1, seen at the Wynwood Walls Outdoor Museum at 2520 NW 2nd Avenue in the Wynwood Arts District of Miami, Florida.
Photo by James aka @urbanmuralhunter on that other photo site.
Edit by Teee
I have a year to shoot images for my 2024 calendar entitled North Pembrokeshire. This is the first contender. Shot during golden hour, a view from Goodwick northwards toward the outer marker and Dinas
Entitled By: Rich Levine
In other galaxies, they speak of "an energy field
created by all living things. It surrounds us,
and penetrates us. It binds the galaxy together."
Thk you dear friend!!
Be Strong, Believe Yourself.
Believe what you feel, even if the world
tells you that you are wrong.
Be yourself, not everyone experiences
everything you feel in the same way.
Breathe Deeply in Love With Nature.....
.......And, Believe!!!
My Deep Biophilia
Our secret language
Project "The Traveler"
"The Traveler" Photo Book/Store
www.blurb.com/b/6600290-the-traveler-skin-soul
Instagram Projects:
www.instagram.com/skin_soul_projects/
FB.
One project the The Royal Photographic Society, London Region, is undertaking involves the production of a photobook entitled "Urbanicity 2". Members are encouraged to develop their own theme to build a portfolio for consideration for inclusion in the book.
For my theme I set out to capture the interaction of individuals with their environment; and indeed the environment interacting with individuals in the community. Whether the connection be street art, the clothing worn, daily activities, facial expressions or just anticipating what individuals were thinking.
From my set entitled "Uncle Bill Watson"
www.flickr.com/photos/21861018@N00/sets/72157600269993237/
In my photostream
www.flickr.com/photos/21861018@N00/
Watson reunion photo in which Cam Devine appears
www.flickr.com/photos/21861018@N00/536290657/in/set-72157...
Campbell (Cam) Devine was my Uncle Bill Watson’s best friend during early school years in Grand Valley, Ontario. Cam was killed on August 12, 1944, when the Flying Boat he was piloting crashed in Ireland. I am including a notice of his death from the Grand Valley Star and Vidette, and a detailed account of the crash as remembered by Chuck Singer, one of Cam’s flight crew.
From The Grand Valley Star and Vidette, August, 1944
Another Grand Valley Boy Passes Overseas
News of the death of another Grand Valley boy overseas was received in town the latter part of last week. He was Flight Lieut Campbell Devine, elder son of Dr. and Mrs. E. W. Devine of Orillia formerly of Grand Valley. Campbell was born in Grand Valley and moved with his parents to Orillia some years ago. His death occurred in Ireland on Aug.12 and interment took place in Ireland. He was a chum and pal of the late P.O. Bill Watson of Grand Valley. Brief references to his death were made in the pulpits of Knox Presbyterian Church on Sunday morning and at the memorial service for the late P.O. Watson in Trinity United Church on Sunday afternoon. Besides his parents and one brother, Donald, the deceased leaves a widow and one child, all of Orillia. To the bereaved parents, brother, widow and child the sympathy of this community is extended
Full particulars regarding his death had not been received at the time of going to press.
Taken from THE BATTLE OF THE ATLANTIC Highlights from 422 R.C.A.F. Squadron, 1942 - 1945
www.airforcemuseum.ca/422ww2.htm
August 12, 1944 saw the crash of Sunderland T of 422, in Donegal County, Ireland, just north of Belleek, Northern Ireland, shortly after take-off for an Atlantic patrol. The heavily loaded aircraft had suffered an engine fire and loss of propeller and a crash landing was attempted on a relatively flat area. The skipper, F/L Cam Devine and two crew members died in the crash. The remainder of the crew received serious injuries and were initially treated in the Irish hospital in Ballyshannon, Donegal County, and later moved to the military hospital in Necarne Castle near Irvinestown, Northern Ireland or to hospitals in England.
Taken from the The Impartial Reporter: For Fermanagh, Tyrone and Border Counties of the Republic of Ireland:
Issue: 15-08-2002
www.impartialreporter.com/archive/2002-08-15/news/story41...
A tear ran down the cheek of Chuck Singer as he stood on the windswept bogland of Cashelard, receiving long overdue recognition for an act of great courage undertaken 58 years ago to the day.
It was a marvellous moment, a fitting closure to a remarkable tale, owing much not only to Chuck, whose selfless actions as a 19 year old First Gunner on a stricken Sunderland flying boat in 1944 saved the life of a comrade, but also to his son Bob (who correctly pointed out that reports of his father's death in the Squadron records were greatly exaggerated), and local historians Joe O'Loughlin and Breege McCusker.
A large crowd gathered on Monday at the exact hour at the site where Sunderland NJ175 crashed shortly after taking off from its base at Castle Archdale. They gathered to pay tribute to Sergeant Chuck Singer, but also to the three airmen who did not survive the crash, and whose names are recorded on a memorial stone erected at the site two years ago. With a beautiful ceremony choreographed brilliantly by Joe and Breege, interspersed with presentations to Chuck, the crowd listened to a recounting of the Canadian's remarkable story.
422 Squadron Royal Canadian Air Force arrived in Fermanagh in the spring of 1944, youthful, joyful crews of men who had thus far generally enjoyed their war experiences, stationed with Coastal Command in Scotland, protecting Merchant Navy convoys from the threat of German U Boats.
They were to do the same job from their base on Lough Erne, patrolling out into the Atlantic and also into the Bay Of Biscay and the English Channel. Their role was an important one- the U Boats were the only cog of the German war machine which really frightened Churchill, and any break in the Allies supply line would have had a debilitating effect on the war effort.
But to the airmen based in quiet County Fermanagh, on the usually serene Lower Lough Erne, the war must often have seemed a world away. Chuck remembers that conditions on the base were "beautiful, just fine", and that even when they were airborne, patrolling at an average altitude of 400 feet, there was never any real feeling of unease or fear.
"We felt like nothing was ever going to happen to us out there. To fly was just a treat to get up and if they ever postponed a flight on us we got sick, you know, just sick. I don't know any aircrew that ever worried- it was all jovial, funny guys that had a good time, I don't know anybody that ever worried about dying. Flying out to sea in those things was so peaceful. You almost forgot that you had a job to do it was so beautiful and peaceful."
During his short spell in Fermanagh, Chuck fortunately never had to fire his guns in anger from his position in the turret at the top of the giant seaplane, but remembers one occasion when his crew felt they were about to have their first serious engagement with the enemy.
"We thought we had a pair of them one time," he said. "It looked like a mother ship refuelling a smaller sub, so we dived at that thing, we had all the depth charges out on the wings, we were ready for everything... and they were two of the most beautiful Blue Whales you ever saw in your life."
Chuck left his turret and aimed a camera instead of his machine gun. He took a couple of photographs and left them in to get developed back at the base, but due to his unfortunate exit from Castle Archdale he was never able to pick them up again. "We went out feet first and I never did get them. I'd loved to have had those pictures," he said wistfully.
The biggest threat to their safety that Chuck encountered during the patrols actually came from the Merchant Navy which the Sunderlands and Catalinas were sent to protect. Engagements with enemy aircraft and U Boats were rare by 1944, but the Merchant convoys were jumpy, and fairly 'trigger happy' recalled Chuck.
"The worst part was flying alongside a convoy, because those merchant people- they were shooting at everything, and they didn't know us from the enemy. When we used to approach a convoy the skipper used to give them every view they could of the markings or else the Merchant Navy would shoot you down."
They would also shoot coloured flares by way of identifying themselves, but the colours were changed frequently, and sending up the wrong colour could prove fatal. Call signs were also used for identification and changed frequently, but there is one call sign which is indelibly printed on Chuck's memory. 'Eyeglass Eagle'. This was the last call sign of Sunderland NJ175, as it took off around 11:15 on Saturday morning, August 12, 1944. NJ175 was like any other Sunderland docked at the Flying Boat base, and was supposed to have been checked by the engineers before take off. Every one of the 12 man crew had checks to make after being rowed out to the boat on a dinghy.
"When it was our turn to fly they'd put us in a dinghy from the dock and run us to one of the boats, and we'd get on it and check everything out, and if something wasn't right we'd radio the dinghy and it would come back and get us and take us to another one. Often there'd be two or three before we'd get one that was operational."
Everything happened in such a hurry that it was fairly common to experience mechanical problems, said Chuck, and often the crews would be delayed at least an hour by repairs.
On the flight on August 12 was his regular crew, all of whom had got to know each other like brothers, having flown and socialised together in Fermanagh for months, as well as a few trainees, learning the ropes, and sitting, fatally as it turned out, near the cockpit behind the skipper, Flight Lieutenant Cam Devine.
They were heading for the English Channel, hoping to catch the German subs heading for Norway from their base at Brest on the French coast. The men- all members of the RCAF, were expecting to be away for between 10 and 12 hours, burning an enormous 2000 gallons of fuel. As it happened, they were only airborne for a fraction of that time- about 30 minutes- and had to dump as much of the fuel as possible over the surrounding area.
"The engine sounded uneasy all the time after we took off. It just didn't sound like it was hitting all cylinders, it sounded funny. But sometimes that clears up, but this time it didn't," said Chuck. The noises got worse as the plane reached the West Coast of Ireland and a problem in the outer starboard engine had developed into a fire. The crew sent out a mayday call and turned around to return to base. Orders came in from Castle Archdale to jettison the fuel and the depth charges on board, which would have exploded on impacting with the ground.
Local people in the fields around Belleek were used to seeing the huge Flying Boats sailing out to war over their heads along the secretly negotiated Donegal Corridor, but to see one with thick black smoke billowing out from its starboard engine was an unusual and alarming experience. Although Cashelard is a remote area, there were a number of people in the vicinity, taking advantage of the great weather to work in the fields or enjoy the first day of the Grouse shooting season. Their peace was about to be shattered.
On board the plane, dumping the 2000 gallons of fuel was proving too dangerous, as the high octane fuel was pouring out perilously close to the burning engine, risking an explosion which would blow the plane to smithereens. Flying Officer Alex Platsko, the Second Pilot, whose job it was to jettison the fuel and depth charges in preparation for a less than routine landing, now had to shut off the fuel dump valve again.
And there was another problem- the track for the depth charges was sticking, and the crew couldn't get them out of the plane. Eventually, after a desperate struggle, the crew worked the charges free, and they dropped harmlessly to the ground, to be blown up next day by the Irish Army and officials from Castle Archdale.
Platsko returned to the task of shutting off the fuel dump valve, but was shuddered out of his work by a loud bang as the burning engine suddenly froze up and the propeller twisted off its shaft and spun into the starboard float, causing the plane to bank suddenly, steeply to the right. Chuck remembers the sharp snap of the propeller breaking off, not long before impact.
Skipper Cam Devine, just 22 years of age, had a fight on his hands. With one engine on fire and out of action, and a half a tonne propeller embedded in the side of one of his floats, the plane was losing height at a frightening rate and in danger of hitting the ground sideways first. "We could've cartwheeled - if the wing had touched first we would all have been dead," said Chuck.
The crew members were adopting the crash position, something similar to what is advised on commercial airliners today, but without the fancy demonstration cards. Cam Devine was fighting for his life, and the lives of his comrades, fighting to get the heavy plane back on an even keel to give them a chance in the crash landing which was now inevitable. Somehow, against the odds, he achieved this, righting the plane just before impact on the Cashelard ground, succeeding in saving the lives of nine of his crew members, but losing his own life in the process.
Chuck remembers certain aspects of the impact, but he was concussed, and blood was streaming down his face. Three of the crew- Cam Devine, Pilot Officer R.T Wilkinson and Flight Sergeant Jack Forrest- died instantly. Alex Platsko, who hadn't time to buckle himself back into his seat after jettisoning the depth charges, was thrown through the windscreen, and survived, although he was seriously injured.
The plane hit the lip of a country track, coming down perpendicular to the road rather than along it, which caused the bottom half of the plane to be severed in the sudden halt. "When the bottom half of the plane was torn out I was up in the ceiling getting my arms broke and my face cut, and concussion, and I was looking down and I could see George Colbourne laying face-up on the bottom of the boat," recalled Chuck. "We went over the top of him, but it looked like we were still and he was sliding on a toboggan underneath us- that was the effect we got. That was the last thing I remembered until I gained consciousness again and tried to get out of that thing."
The next thing he remembers is the heather all around the crash site being on fire. The Sunderland had broken in two places- at the tail, and between the under section and the rest of the plane. The tail breaking off was a blessing in disguise, affording an escape hatch for Chuck and some of the other crew members.
Dazed, bleeding, and with his left arm hanging limply by his side, Chuck somehow got out of the mangled remains of the plane. As aviation fuel leaked out of the plane the fire spread, and bullets and ammunition were exploding in the heat. Chuck staggered clear of the heat, but heard George Colbourne crying for help. George was trapped under the wreckage of the tail, powerless, with two broken legs. Chuck turned back into the flames.
"I can remember going back when I heard him crying and screaming. I heard him before this, and I thought 'God, I'm not going to get him', and then he screamed one more time and I thought: 'I've got to get him', so I went back after him. I pulled my arm out hauling him out- I tore a ligament in my shoulder. I couldn't use my left arm- it was broken. So by the time I got him maybe 50 to 100 feet away, I don't know how far it was- until I couldn't feel the heat anymore- I passed out, and so did he."
The fire totally engulfed the plane, but somehow all of the survivors had got clear of the wreckage. Joe O'Loughlin reached the plane on his bicycle about half an hour after the crash, along with other locals and helpers, including the supposedly neutral Irish Army from Finner Camp, rescue services from Castle Archdale, and medical staff from Ballyshannon's Shiel Hospital. All of the injured, with wounds ranging from a broken back to severe burns, were taken to the hospital, where they remained for 48 hours before being transferred to St Angelo Airport and over to hospital in England.
At this point, according to the records of 422 Squadron, Sergeant Charles (Chuck) Singer died. This was quite an alarming discovery for Bob Singer in January this year, who thought that his father had recovered from his injuries, received a medical discharge and flown back to Canada, where he later married, had five children and moved to Florida, keeping in contact with George Colbourne, who rang him every year on August 12 to thank him for saving his life on a lonely Irish bog, a lifetime ago. Bob had decided to do a little research into his father's Airforce career, and had stumbled upon the Squadron records. He knew very little of the crash, and nothing of his modest father's heroic rescue of Colbourne. He sent a reply to the website, stating that as his father had been helping him in the yard that morning, and notwithstanding a Lazurus-like reincarnation, he had not died in England on August 14, 1944, as the Squadron notes reported. Chuck had missed out on over 50 years of squadron reunions thanks to an erroneous report in the records. He had no idea that there was such interest in those based at Castle Archdale: "I didn't have a clue- I thought that we were all forgotten. Joe here, he got after me right away- I got a letter within a week from him."
He also got in touch with the courageous Alex Platsko, now Dr Alex Platsko, who lives in the prestigious Pebble Beach resort in California. The two old comrades talked together for the first time in 58 years a few months ago, while Chuck ordered his Squadron badge, an honour he had neglected for over half a century.
This has been a year of amazing discovery for both Chuck and Bob, who accompanied his father on his emotional return to Fermanagh and to Cashelard. Under the gentle guidance of Joe, they have revisited so many areas of huge significance for Chuck- the well kept war graves in Irvinestown where his three comrades are buried; Castle Archdale with Breege McCusker; the Shiel Hospital in Ballyshannon where Chuck asked the staff if he owed them anything and joked that he had "an outstanding bill from '44"; and finally, most emotionally of all, the site at Cashelard where Sunderland NJ175 crashed 58 years ago to the day.
Full of praise for the people of Fermanagh- "a wonderful race", Chuck returns this week to Florida, laden with gifts such as a mounted piece of the wreckage of his plane, a framed citation commemorating his bravery, a copy of the memorial plaque erected to the memory of his fallen comrades, and a replica model of the planes in which he soared above the seas, risking his tomorrow for our today.
Having been reaquainted with his squadron and returned to the site of his wartime experiences he admits to being overwhelmed with his time in Fermanagh. As far as Castle Archdale, Cashelard and more particularly, Flying Boats go, he has just one disappointment, and he is not the only one: "It's a shame there isn't one for you guys to look at, you know? They're all on the bottom of the lake. Isn't that crazy?"
Taken from "Commonwealth Plots in Irvinestown County Fermanagh"
www.ww2talk.com/forum/war-grave-photographs/15812-commonw...
i265.photobucket.com/albums/ii221/lisset158/DSCF3115.jpg
The injuries to the crew Killed F/lt E.C. Devine ( Pilot ) aged 22.
( Buried Irvinestown Church of Ireland ).
P/O. J R Forrest W.Op / AG.
( Buried Irvinestown Roman catholic Churchyard).
F/O. R T Wilkinson Pilot aged 22.
(Buried Irvinestown Church of Ireland).
Surviving crew members. Sgt Allen ( Navigator).
Severe head injuries , burns to hands and legs.
Sgt Jeal. ( Flt/Engineer).
Fracture to spine , extensive burns to his hands and face.
Sgt Colbourne (A/G).
Head injury , fractured right leg.
Sgt Platsko. ( 2nd Pilot).
Head injury.
Sgt Oderskirk.(W.Op/ AG).
hand and facial injuries.
Sgt.Clarke (FME/AG).
Compressed fracture of the spine.
Sgt Singer ( A/G).
Fractured left arm.
P/O A. Locke.
(W.Op/AG).
Head injury.
Post Processing: light balance, equalization, sharpening
Picture by Mirabelle Biedermann
Attention Gallery presents our December Exhibit for 2020 entitled "Winterscapes and Snowy Stills"
For this exhibit we invited 60 SL artists to share a landscape photo with us. Some are already seasoned landscape photographers and a few had never taken a landscape photo. It was requested that the photo be a winterscape or a still life in a winter setting. 44 artists accepted the challenge and the results are wonderful.
This exhibits opens on Saturday, December 5 at Noon SLT (12 PM). DJ Irish will be providing her special brand of musical magic and we know you will enjoy yourself.
Please join us in celebrating the last month of 2020.
Here is the list of the artists:
Nams Piers
Malinda Aeon (Lin Talbot)
Helka Alchemi
Karole Batista
Michiel Bechir
Bellisima Benelli
Sandi Benelli
Ben John (BenJohn9)
Morgaine Warblood
Kit Boyd
David Daniels (DavidDaniel999)
Lizabeth Demonia
Hayley Dixon
Doc Mercury
Doddy Meiler
Hazel Foxtrot
Cari Franizzi
Melodie Heartsong
Josephine Hotshot
Jenny Inglewood (JennyLover)
Charly Keeley-Keating
Alsatian Kidd
Tobi Larroane
Sparklebottom Lasertits
Elaine Lectar
Rachel Magic
Loegan Magic
Dusty Pedroia
Justice Pedroia
Tresore Prada Hawkins
Heidi Rewell
Ed Rhode
Metukah Rhode (metukah.lenroy)
Persephone Smythe (leriadraven resident)
Sam Steele
Pavel Stransky
Morgan Talbot
Nino Ventura
Lotje Winkler
Liz Winterstorm-V
Jon Wyck
Val xox
Vrir
ZanyaSL
We look forward to seeing you there. LM below.
Attention Gallery presents our December Exhibit for 2020 entitled "Winterscapes and Snowy Stills"
For this exhibit we invited 60 SL artists to share a landscape photo with us. Some are already seasoned landscape photographers and a few had never taken a landscape photo. It was requested that the photo be a winterscape or a still life in a winter setting. 44 artists accepted the challenge and the results are wonderful.
This exhibits opens on Saturday, December 5 at Noon SLT (12 PM). DJ Irish will be providing her special brand of musical magic and we know you will enjoy yourself.
Please join us in celebrating the last month of 2020.
Here is the list of the artists:
Nams Piers
Malinda Aeon (Lin Talbot)
Helka Alchemi
Karole Batista
Michiel Bechir
Bellisima Benelli
Sandi Benelli
Ben John (BenJohn9)
Morgaine Warblood
Kit Boyd
David Daniels (DavidDaniel999)
Lizabeth Demonia
Hayley Dixon
Doc Mercury
Doddy Meiler
Hazel Foxtrot
Cari Franizzi
Melodie Heartsong
Josephine Hotshot
Jenny Inglewood (JennyLover)
Charly Keeley-Keating
Alsatian Kidd
Tobi Larroane
Sparklebottom Lasertits
Elaine Lectar
Rachel Magic
Loegan Magic
Dusty Pedroia
Justice Pedroia
Tresore Prada Hawkins
Heidi Rewell
Ed Rhode
Metukah Rhode (metukah.lenroy)
Persephone Smythe (leriadraven resident)
Sam Steele
Pavel Stransky
Morgan Talbot
Nino Ventura
Lotje Winkler
Liz Winterstorm-V
Jon Wyck
Val xox
Vrir
ZanyaSL
We look forward to seeing you there. LM below.
Mural entitled "Horsepower" by D A A S aka @daas, seen at 1288 West Adams Street in Jacksonville, Florida.
Drone photo by James aka @urbanmuralhunter on that other photo site.
Edit by Teee.
promo photos for aaron colwell's poetry book entitled, "the Tokyo poems." available to purchase through DM: