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Entitled "Berlin", this sculpture expresses the "broken" nature of the city during the Cold War. Berlin, Germany.
Esta escultura, com o nome "Berlin", representa a cidade dividida durante a guerra fria. Berlim, Alemanha.
Seen in my set entitled “Spring Phlox”
www.flickr.com/photos/21861018@N00/sets/72157607215416230/
In my collection entitle “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
Phlox (pronounced /flɒks/ or "flocks"; from the Latin for a flame-colored flower, which is from the Greek φλόξ, meaning 'flame'; plural "phlox" or "phloxes") is a genus of 67 species of annual or perennial flowering plants. Some species flower in early spring while others flower in summer into fall. Most species are native to temperate North America but a few species are also from northeastern Asia. They are found growing in diverse habitats from alpine locations to open woodlands and prairies.
Phlox flowers range in color from pale blue to bright red to white. Some species such as Phlox glaberrima (Smooth Phlox) grow to 1.5 m tall, while others, such as Phlox stolonifera (Creeping Phlox), form low mats only a few centimetres in height.
The foliage of Phlox is sometimes eaten by the larvae of some Lepidoptera species including Dot Moth, Gazoryctra wielgusi, Hummingbird Hawk-moth and Schinia indiana (which feeds exclusively on P. pilosa). Phlox species are also a popular food source for groundhogs, rabbits and deer. The flowers, when fertilized, typically produce one relatively large seed.
Several species of phlox are commonly cultivated in gardens. Most cultivated phlox, with the notable exception of Drummond phlox, are perennial. Phlox cultivars are available in shades of white, purple, blue, pink, and yellow. Most are best grown in well-drained soil, exposed to partial shade to partial sun. Phlox are valued in the garden for their ability to attract butterflies.
Presentación de la Publicación de "Improving the Assessment of Disaster Risks to Strengthen Financial Resilience" / Presentation of the publication entitled "Improving the Assessment of Disaster Risks to Strengthen Financial Resilience"
Theme Entitled: "Ursitoare Valcea"
- Logo Design
_____________________________________________
Custom made for: Ursitoare Botez şi Nuntă - Vâlcea
Designed by: Paul (LOTB Art Fellas - UK)
Photo Credentials: Lazarescu Catalina, Ciolac I. Ramona, Circiumaru Ana, Corbeanu M. Magdalena & LOTB Art Fellas - UK
Created on: 14th of November 2014
#LotbArtFellas #logo #BusinessCards #Design
©2015 LOTB Art Fellas. All rights reserved
New Deal mural entitled "Monterey Bay" painted by Henrietta Shore in 1937. The mural is currently in the Postmaster's office on the front wall of the post office. The postmaster is happy to allow folks in to see the mural. He does not know why the mural is now in his office. He did say that at one time the mural was covered by paneling--there are nail holes in the mural that testify to this. He said it was discovered when there was an electrical problem and the workers removed the paneling and found the mural beneath. My theory is that when the lobby was renovated, it left no place to install the mural so it was put on the wall in the Postmaster's office.
Entitled 'My favourite places and spaces' the competition was based around 'Reminiscences of Childhood' - Dylan Thomas’ classic recollection of the sights and sounds of his childhood.
Following in the footsteps of Dylan, the competition asked pupils to submit a short story, poem or picture depicting their own favourite places and spaces.
Participating schools were provided with a fascinating insight into the Swansea writer’s story through animated performances of the piece by actor Mark Montinaro and word-based workshops with Dylan Day Coordinator and poet Mab Jones.
Mae'r gystadleuaeth - 'Fy Hoff Leoliadau A Lleoedd' - yn seiliedig ar raglen radio Dylan Thomas, Remininscences of Childhood - Dylan Thomas cofio clasurol o golygfeydd a synau ei blentyndod
Gan ddilyn yn olion troed Dylan Thomas, fel rhan o'r gystadleuaeth bu'n rhaid i ddisgyblion gyflwyno stori fer, cerdd neu lun o'u hoff leoedd a mannau.
Rhoddwyd mewnwelediad cyfareddol i stori'r ysgrifennwr o Abertawe i'r ysgolion a gymerodd ran, trwy berfformiadau animeiddiedig o'r darn gan yr actor Mark Montinaro a gweithdai'n seiliedig ar eiriau gyda Chydlynydd Diwrnod Dylan a'r bardd Mab Jones.
Todos os clientes têm direito a um parecer ... e todos os Designers têm o dever de corrigir esse parecer
All clients are entitled to an opinion......and all designers are required to correct that opinion
The Leaders Of Technique program hosted their 1st Annual Tie Ceremony entitled “A City Tied Together” on Wednesday, October 10th. This epic event symbolically connected Elizabeth’s younger and older generations by having prominent Elizabeth men donate neck ties to the members of the L.O.T. program.
New Deal mural entitled "Forestry Service" painted by Stevan Dohanos in 1939. This mural was painted as part of a compromise for the "Mining Villge" mural to be placed in the Forestry Building in Elkins.
Also entitled "the most disgusting photo on Flickr". He's like an ugly monster from "Tremors" erupting out of the the symbol of freedom carrying a torch to burn the Ten Commandments, the Constitution, the American Flag and the Bill of Rights.
The one-of-a-kind seminar on trends and innovations in software entitlement we organized under the umbrella of the London Technology Week was simply fabulous! Thank you all for joining our team.
Seen in my set entitled “Spring Phlox”
www.flickr.com/photos/21861018@N00/sets/72157607215416230/
In my collection entitle “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
Phlox (pronounced /flɒks/ or "flocks"; from the Latin for a flame-colored flower, which is from the Greek φλόξ, meaning 'flame'; plural "phlox" or "phloxes") is a genus of 67 species of annual or perennial flowering plants. Some species flower in early spring while others flower in summer into fall. Most species are native to temperate North America but a few species are also from northeastern Asia. They are found growing in diverse habitats from alpine locations to open woodlands and prairies.
Phlox flowers range in color from pale blue to bright red to white. Some species such as Phlox glaberrima (Smooth Phlox) grow to 1.5 m tall, while others, such as Phlox stolonifera (Creeping Phlox), form low mats only a few centimetres in height.
The foliage of Phlox is sometimes eaten by the larvae of some Lepidoptera species including Dot Moth, Gazoryctra wielgusi, Hummingbird Hawk-moth and Schinia indiana (which feeds exclusively on P. pilosa). Phlox species are also a popular food source for groundhogs, rabbits and deer. The flowers, when fertilized, typically produce one relatively large seed.
Several species of phlox are commonly cultivated in gardens. Most cultivated phlox, with the notable exception of Drummond phlox, are perennial. Phlox cultivars are available in shades of white, purple, blue, pink, and yellow. Most are best grown in well-drained soil, exposed to partial shade to partial sun. Phlox are valued in the garden for their ability to attract butterflies.
Development photos's for a brief entitled 'Water, Oil and Light.' The aim of the brief was to focus on the first two stages of the design cycle: Ideation and experimentation. Exploring shape, form, colour, texture and movement as well as the functions of water, oil and light. These are a sample of my experimental development photos for 'Light'
The Leaders Of Technique program hosted their 1st Annual Tie Ceremony entitled “A City Tied Together” on Wednesday, October 10th. This epic event symbolically connected Elizabeth’s younger and older generations by having prominent Elizabeth men donate neck ties to the members of the L.O.T. program.
Entitled Miner on the Moon, the project takes over a structure that was first built in the 1780s as a storage facility for horses and carriages, but until recently had been left as an empty shell with a colourless facade and boarded-up windows.
series entitled: the quest for normalcy
20" x 16"
2012
acrylic and found image collage on gallery wrapped canvas
entitled "let it spin", released 7/16
Some music lovers prefer their tunes on vinyl, and this design is for them. Let it spin.
Buy it here:
www.orangemoonapparel.com/store/oma.cgi/oma.orangemoonapp...
The show entitled "Your emotional future" is the first solo exhibition by Olafur Eliasson in Eastern Europe. It will last from 21 May to 2 October 2011 at the PinchukArtCentre in Kyiv, Ukraine. The show is open from Tuesday through Sunday from 12am to 9pm. Admission is free.
The exhibition at the PinchukArtCentre is a milestone in the evolution of the artist’s oeuvre. With a total of 16 works presented on three floors – all of which, with a few exceptions, such as Beauty (1993) and Room for one colour (1997) – are from 2010/2011 and include numerous works especially created for the PinchukArtCentre.
This image is of the case entitled, "Designs at White Hall," a part of the exhibit that discusses Joseph Palin Thorley's work in Williamsburg. While in Williamsburg, he restored an old museum on Jamestown Road and made it his studio and home, calling it "White Hall." Here, he produced reproductions of eighteenth-century antiques from Colonial Williamsburg's collection for the Craft House museum shop. The entire exhibit is on the Third Floor, Rotunda Gallery, from 10 June 2015 to 12 June 2016.
From the Special Collections Research Center, Earl Gregg Swem Library at the College of William and Mary. See swem.wm.edu/scrc/ for further information and assistance.
The Leaders Of Technique program hosted their 1st Annual Tie Ceremony entitled “A City Tied Together” on Wednesday, October 10th. This epic event symbolically connected Elizabeth’s younger and older generations by having prominent Elizabeth men donate neck ties to the members of the L.O.T. program.
The Leaders Of Technique program hosted their 1st Annual Tie Ceremony entitled “A City Tied Together” on Wednesday, October 10th. This epic event symbolically connected Elizabeth’s younger and older generations by having prominent Elizabeth men donate neck ties to the members of the L.O.T. program.
The Leaders Of Technique program hosted their 1st Annual Tie Ceremony entitled “A City Tied Together” on Wednesday, October 10th. This epic event symbolically connected Elizabeth’s younger and older generations by having prominent Elizabeth men donate neck ties to the members of the L.O.T. program.
The New Jersey Department of Military and Veterans Affairs held a medal ceremony at the Woodbridge Center Mall on Nov. 1, to honor and recognize the services of New Jerseyans veterans from the various war conflicts. New Jersey veterans from World War II through current Operations Enduring Freedom and Iraqi Freedom received New Jersey's Distinguished Service Medal, Meritorious Service Medal, Korean Service Medal or Vietnam Service Medal. As part of DMAVA's Veterans Outreach Program, the ceremony marks the start of a three-day visit of the veterans outreach kiosk where veterans and their family members can learn more about benefits or entitlements they could be elible for. (Photos by Staff Sgt. Armando Vasquez, NJDMAVA/PA)
Eastern Shore, NS - near Holland Harbour - Sculpture entitled "No. 150" by German sculptor Helga Natz.
This 50-foot sculpture is probably Nova Scotia's tallest. Sculpture No. 150, created from steel and sand, is an example of contemporary artwork becoming part of a natural landscape. It was installed at 3570 Hwy. 211, on a piece of land between Port Hilford and Port Bickerton that is owned by Mienhard Pfanner.
"The steel is strong and solid providing a clear and imposing shell, while the sand shifts and subtly changes form depending on gravity and the action of the wind."
Thanks to Chronicle-Herald for providing copy of news report on the sculpture.
Recent budget deficits have reached unprecedented levels, but the future will be much worse. Unless entitlements are reformed, spending on Social Security, Medicare, and Medicaid will drive deficits to unsustainable levels.
Read more: www.heritage.org/budgetchartbook/federal-budget-deficits
"Gays entitled to all human rights", May 17 2012, Trinidad Guardian, p. A35.
www.guardian.co.tt/letters/2012-05-17/gays-entitled-all-h...
The 2015 UMASH Annual Forum entitled "Growing Agricultural Education: Embracing Health and Safety" was held at the Davies Center on the University of Wisconsin - Eau Claire campus on May 28, 2015. The forum was co-sponsored by the the Upper Midwest Agricultural Safety and Health Center (UMASH), the College of Nursing and Health Sciences at the University of Wisconsin - Eau Claire, the Southern Minnesota Center of Agriculture and South Central College and MN West Community and Technical College, the National Farm Medicine Center in Marshfield WI, and the Migrant Clinician's Network.
The forum included presentations highlighting existing efforts to address agricultural health and safety in educational programs, a panel discussion and a series of small group discussions focused on agricultural health and safety education and outreach. Fifty-five attendees from diverse backgrounds including healthcare, occupational health and safety, education, research, government, media, communications, immigrant services and human resources participated in the forum. The interactive format provided attendees many opportunities to network and take part in discussions with different attendees throughout the day.
Read the event summary, download the presentation slides and resources at umash.umn.edu/annualforum/
The Leaders Of Technique program hosted their 1st Annual Tie Ceremony entitled “A City Tied Together” on Wednesday, October 10th. This epic event symbolically connected Elizabeth’s younger and older generations by having prominent Elizabeth men donate neck ties to the members of the L.O.T. program.
The Leaders Of Technique program hosted their 1st Annual Tie Ceremony entitled “A City Tied Together” on Wednesday, October 10th. This epic event symbolically connected Elizabeth’s younger and older generations by having prominent Elizabeth men donate neck ties to the members of the L.O.T. program.
MyAmerica Surabaya held a discussion with two American jazz musician Gabrielle Stravelly and Pat O' Leary entitled "Telling America's Story Through Music. on July 9 2018 at MyAmerica Space.
The Leaders Of Technique program hosted their 1st Annual Tie Ceremony entitled “A City Tied Together” on Wednesday, October 10th. This epic event symbolically connected Elizabeth’s younger and older generations by having prominent Elizabeth men donate neck ties to the members of the L.O.T. program.
The Leaders Of Technique program hosted their 1st Annual Tie Ceremony entitled “A City Tied Together” on Wednesday, October 10th. This epic event symbolically connected Elizabeth’s younger and older generations by having prominent Elizabeth men donate neck ties to the members of the L.O.T. program.
Zoom In, Episode 17, entitled "Conversations About Race" focuses on engaging youth around the city through a creative and critical thinking process on defining race from their point of view.
This Spring 2010, the Digital TV production crew at BAYCAT created three digital storytelling pieces centered on the topics of race, culture, and stereotypes. The Animation crew was able to create five- brief animation shorts where they used flash animation combined with their unique sense of humor to explore the world around them.
BAYCAT’s program at Mission High School accomplished the task of creating deeply thoughtful pieces of videos that directly responded to the media’s ranking of Mission High School as being one of the lowest performing schools city-wide.
The crew at Thurgood Marshall High School worked on a story that explores why only three African American males graduated from their school the previous year. Furthermore, our Ida B. Wells High School crew created an original song and music video about race relations in the 21st century.
For more info goto www.baycat.org
This photographic portfolio entitled "THE MAASAI" is the result of a period of one month lived with them from Kenya to Tanzania. Earth, fire, sun, blood: red is the color of the Maasai. Red is the earth, “Osinyai”, of the rough path that, a two hour drive from Nairobi, plunges into the Kenyan highlands crossed by arid rivers, in this ignored corner of the bush. A dozen low and narrow huts made of branches covered with a mixture of earth and dung, which the women build and rebuild that do everything, housing, food and milking the cattle. Tattered children dressed in variegated fabrics, old cloths draped in colorful fabrics, sparkling pearl necklaces and bracelets.
In the land of the Maasai, nothing is the same as before: the extension of the outskirts of the capital, first of all, has made these nomads withdraw, fleeing from civilization and refusing to mix with other ethnic groups. They bought their land which these shepherds, indifferent to land ownership and reluctant to agriculture, abandoned. The state created huge animal reserves, which further expropriated them of their territories. Gradually they withdrew to Tanzania, where today they emigrate in large numbers, there were also those years of terrible drought, which saw their herds wither.
July 11, 2023 - Palácio Nacional de Sintra (Sintra National Palace) "The Palace of Sintra is first referenced by Al-Bakrî, a 10th century Moorish geographer, in conjunction with the castle that he placed in the lofty peaks of the surrounding hills, today entitled the Moorish Castle. In 1147, following the conquest of Lisbon by Afonso Henriques, the Almoravids of Sintra surrendered to bring an end to over three centuries of Moorish domination. On the site of the current palace, then named Chão da Oliva, there probably once stood the residence of the Moorish governors but with the remains still for discovery.
Practically every king and queen of Portugal spent some time in residence at the National Palace of Sintra for varying lengths of time but nevertheless leaving behind their own respective marks and memories of their lives. Over the course of time, the palace was shaped by different styles influenced by the different artistic trends prevailing in each period, reflected today in the various architectural styles with the Gothic and Manueline particularly evident. There is also a very heavy emphasis on the Mudejar style – a symbiosis between Christian and Muslim art – particularly to the fore in the exuberant Hispano-Moresque tile finishings. The current building configuration stems broadly from the construction campaigns undertaken during the reigns of kings Dinis, João I, Manuel I and João III.
The first document testifying to the existence of a palace in Chão da Oliva dates to 1281. This stems from a contract reached between King Dinis (reigned 1279-1325) and the free Moors of Colares. Dinis lowered their fiscal burdens in exchange for their efforts to conserve the palace. At this time, the Royal Palace extended only to the upper section of the current palace and a chapel dedicated to the Holy Divine Spirit, whose worship was introduced to Sintra by Saintly Queen Elizabeth, wife of Dinis.
The Palace and town of Sintra and the surrounding lands were bestowed upon Saintly Queen Elizabeth in 1287 by King Dinis. While the property remained in the hands of the crown, the queen became the beneficiary taking receipt of all income and tax revenues. A century later, the gifting of Sintra to queens had become a constant practice. On receiving the town and its palaces, the Queens of Portugal became masters of a vast area with the income ensuring they could maintain a House, that is, the large number of people who directly depended on her. The House of Queens was therefore the set of palace, properties, rents and persons in her charge for safeguarding: ranging from noble ladies and officers down to servants and enslaved individuals.
During the reign of King João I (1356-1433), the palace was subject to fairly wide reaching interventions. That which was the palace of Queen Philippa of Lancaster was also becoming a favourite of the king who here wanted to, through the opulence displayed in the new rooms, affirm his statute as founder of the new Avis dynasty, as is the case with the Swan Room. The new palace was structured around the Central Patio and also fitted with a kitchen complete with two enormous conical chimneys.
It was in the Palace of Sintra in 1413 that King João I received the spies sent to the court of Sicily on a supposed diplomatic mission but with the real objective of collecting strategic information on the port of Ceuta. Such information was essential to the attack launched by the Portuguese king against that city with its conquest symbolically marking the beginning of the Portuguese period of expansion into North Africa.
During the 15th century, the presence of the king in the palace became more frequent. The hunting was one of the main attractions bringing the court to Sintra as the region brought together perfect conditions both for hunting larger (wild boar, deer) and smaller (hare, partridge) animals. Another reason was the progressive emergence of Lisbon as the bureaucratic centre of the kingdom’s governance and hence leading the court to circumscribe its travels to an increasingly narrow radius around the leading Portuguese city. Throughout this period, the town of Sintra maintained the House of Queens even while the palace also steadily became a home for the kings of Portugal.
Under Manuel I (1469-1521), the Palace received the decorative features that still today make up its distinctive characteristics, especially the Hispano-Moresque tile finishings. He added the imposing Room of the Coat of Arms, with its cupola ostentatiously displaying the coats of arms of Manuel, his children and the seventy-two most noble households in the kingdom. The Eastern Wing also dates back to this period. By the end of his reign, the Palace of Sintra was one of the most grandiose of all in Portugal, with its rooms decorated in the gold brought back from the lands in the meantime colonised by the Portuguese.
During the reign of King João III (1502-1557), a new Palace was built through interconnecting the main chambers to the south with the north-eastern wing of the Palace that housed the Room of the Coat of Arms and the chambers of Queen Catherine of Austria (1507-1578). The palace was under frequent habitation throughout the 16th century and was one of the favourite places of King Sebastião (1554-1578).
In the 17th century, there came more sombre times for this royal residence. Following six years in exile on Angra do Heroísmo, to where he had been sent by his brother who deemed him incapable of ruling, Afonso VI arrived at the Palace of Sintra. There, he was incarcerated in the room that still today bears his name from 1674 to the time of his death that took place nine long and wearisome years after.
Following the major earthquake of 1755, which severely impacted on this complex, the Palace of Sintra underwent reconstruction while retaining the silhouette that it had already displayed ever since the middle of the 16th century and is still present today.
With the end of the Ancien Régime and the founding of a Constitutional Monarchy in 1822, the Palace of Sintra was adapted for a royal family that was no longer the centre of political decision-making. The utilisation became more domestic oriented and closer to contemporary models.
The revolution of 1910 brought an abrupt end to the time of the Palace of Sintra as a royal residence with Queen Maria Pia, widow of King Luís, the final monarch to live in the Palace and from where she departed into exile. In this same year, the National Palace of Sintra was declared a National Monument.
However, it would take until the late 1930s for the Palace to open its doors to the public on a regular and museum-like basis. Throughout this decade, there was deep reaching work undertaken so as to portray an image of Portugal’s grandiose past. Already under the dictatorial Estado Novo regime (1933-1975), this highlighted the positive role of Portugal in the globalisation process even while overlooking the true scale of its impacts.
In recent years, the Palace of Sintra has re-emerged as one of the most important cultural poles in the heart of Sintra. This forms an integral part of the Cultural Landscape of Sintra, registered by UNESCO as World Heritage on 6 December 1995. Ever since September 2012, the monument has been under the management of Parques de Sintra and accepted as a member of the European Royal Residences Network in 2013.
In this palace, Parques de Sintra has carried out a range of different conservation initiatives with the most recent incorporating the full restoration of the Preta Garden, which can be visited free of charge. The company has also invested in enriching the monument’s collections and, in 2019, integrating into the exhibition circuit a rare 17th century State Bed, a unique piece in the Portuguese context. In museum terms, there was the recent restoration and opening to the public of the Chambers of Maria Pia of Savoy. This new exhibition and museum project integrated into the visitor route a total of eight new areas and around 100 new pieces and works, ranging from furniture to paintings and the decorative arts that had hitherto been inaccessible to viewing by visitors" Previous description: www.parquesdesintra.pt/en/parks-monuments/national-palace...
This photographic portfolio entitled "THE MAASAI" is the result of a period of one month lived with them from Kenya to Tanzania. Earth, fire, sun, blood: red is the color of the Maasai. Red is the earth, “Osinyai”, of the rough path that, a two hour drive from Nairobi, plunges into the Kenyan highlands crossed by arid rivers, in this ignored corner of the bush. A dozen low and narrow huts made of branches covered with a mixture of earth and dung, which the women build and rebuild that do everything, housing, food and milking the cattle. Tattered children dressed in variegated fabrics, old cloths draped in colorful fabrics, sparkling pearl necklaces and bracelets.
In the land of the Maasai, nothing is the same as before: the extension of the outskirts of the capital, first of all, has made these nomads withdraw, fleeing from civilization and refusing to mix with other ethnic groups. They bought their land which these shepherds, indifferent to land ownership and reluctant to agriculture, abandoned. The state created huge animal reserves, which further expropriated them of their territories. Gradually they withdrew to Tanzania, where today they emigrate in large numbers, there were also those years of terrible drought, which saw their herds wither.
The 2015 UMASH Annual Forum entitled "Growing Agricultural Education: Embracing Health and Safety" was held at the Davies Center on the University of Wisconsin - Eau Claire campus on May 28, 2015. The forum was co-sponsored by the the Upper Midwest Agricultural Safety and Health Center (UMASH), the College of Nursing and Health Sciences at the University of Wisconsin - Eau Claire, the Southern Minnesota Center of Agriculture and South Central College and MN West Community and Technical College, the National Farm Medicine Center in Marshfield WI, and the Migrant Clinician's Network.
The forum included presentations highlighting existing efforts to address agricultural health and safety in educational programs, a panel discussion and a series of small group discussions focused on agricultural health and safety education and outreach. Fifty-five attendees from diverse backgrounds including healthcare, occupational health and safety, education, research, government, media, communications, immigrant services and human resources participated in the forum. The interactive format provided attendees many opportunities to network and take part in discussions with different attendees throughout the day.
Read the event summary, download the presentation slides and resources at umash.umn.edu/annualforum/
The show entitled "Your emotional future" is the first solo exhibition by Olafur Eliasson in Eastern Europe. It will last from 21 May to 2 October 2011 at the PinchukArtCentre in Kyiv, Ukraine. The show is open from Tuesday through Sunday from 12am to 9pm. Admission is free.
The exhibition at the PinchukArtCentre is a milestone in the evolution of the artist’s oeuvre. With a total of 16 works presented on three floors – all of which, with a few exceptions, such as Beauty (1993) and Room for one colour (1997) – are from 2010/2011 and include numerous works especially created for the PinchukArtCentre.
Die Werke von Willem de Rooij kreisen um Fragen nach Repräsentation und Bedeutung. Seit den frühen 1990er-Jahren arbeitet der niederländische Künstler in unterschiedlichen Medien wie Installation, Fotografie und Film. Für seine Ausstellung „Entitled“ im MMK 2 des MMK Museum für Moderne Kunst Frankfurt am Main hat er Werke und Werkgruppen aus frühen Schaffensphasen bis zur Gegenwart erstmals zu einer neuen, den gesamten Museumsraum umfassenden Installation vereint.
„Willem de Rooij ist mit wichtigen Werken aus seiner Kooperation mit Jeroen de Rijke in der Sammlung des MMK vertreten. Wir freuen uns, mit dieser Ausstellung das Œuvre von de Rooij noch intensiver und umfassender beleuchten zu können“, sagt Prof. Dr. Susanne Gaensheimer, Direktorin des MMK.
De Rooij studierte an der Gerrit Rietveld Akademie und an der Rijksakademie in Amsterdam. Seit 2006 lehrt er als Professor für Bildende Künste an der Städelschule in Frankfurt am Main. Von 1995 bis 2006 arbeitete er zusammen mit Jeroen de Rijke (1970–2006).
Bei dieser Ausstellung stehen sowohl die einzelnen Arbeiten des Künstlers im Mittelpunkt als auch ihre Anordnung in einer umfassenden Installation, die speziell für die Räume des
MMK 2 entwickelt wurde. „In der Anordnung der Werke zu einer Gesamtinstallation sieht Willem de Rooij einen wichtigen Teil seiner Arbeit als Künstler. Der Raum – ob privat, öffentlich, institutionell oder sozial – ist dabei zentral. Der Raum zwischen den einzelnen Werken und die Aussichten auf den städtischen Umraum schaffen eine Beziehung zwischen dem Werk und dem Betrachter, zwischen dem Museum und der Stadt.“, sagt Klaus Görner, Kurator der Ausstellung.
Durch die bewusste Einbindung von Zwischenräumen und Fensteröffnungen stellt die Installation im MMK 2 Verbindungen zwischen dem Innenraum und der äußeren Umgebung her. Die Präsentation ist dabei nicht als Parcours oder Abfolge aufgebaut, sondern als ein Gefüge verschiedener Zonen, die sich gegenseitig durchdringen und über Blickachsen miteinander verknüpft sind. Dadurch deckt die Installation Referenzen innerhalb de Rooijs Œuvre auf.
Pressemitteilung MMK
The Leaders Of Technique program hosted their 1st Annual Tie Ceremony entitled “A City Tied Together” on Wednesday, October 10th. This epic event symbolically connected Elizabeth’s younger and older generations by having prominent Elizabeth men donate neck ties to the members of the L.O.T. program.
The Leaders Of Technique program hosted their 1st Annual Tie Ceremony entitled “A City Tied Together” on Wednesday, October 10th. This epic event symbolically connected Elizabeth’s younger and older generations by having prominent Elizabeth men donate neck ties to the members of the L.O.T. program.
The Leaders Of Technique program hosted their 1st Annual Tie Ceremony entitled “A City Tied Together” on Wednesday, October 10th. This epic event symbolically connected Elizabeth’s younger and older generations by having prominent Elizabeth men donate neck ties to the members of the L.O.T. program.
The book entitled IRRI-Philippines: 50 Years of Progress, Fighting Poverty and Hunger by Dr. Fernando Bernardo was launched last April 20, 2010 at the DL Umali Hall. This is in line with the celebration of IRRI's 50th anniversary.
Part of the image collection of the International Rice Research Institute (IRRI).
C:\Users\re-dossett\Videos\Uploads from R.E. Dossett\The Broad way (Hatred explained) p4- false entitlements.mp4
From my set entitled “Wegelia”
www.flickr.com/photos/21861018@N00/sets/72157607213767268/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
Weigela is a small genus of about 12 species of deciduous shrubs in the family Caprifoliaceae, growing to 1-5 m tall. All are natives of eastern Asia.
The leaves are 5-15 cm long, ovate-oblong with an acuminate tip, and with a serrated margin. The flowers are 2-4 cm long, with a five-lobed white, pink, or red (rarely yellow) corolla, produced in small corymbs of several together in early summer. The fruit is a dry capsule containing numerous small winged seeds.
Weigela species are used as food plants by the larvae of some Lepidoptera species including Brown-tail.
The genus is named after the German scientist Christian Ehrenfried Weigel.
The British Weigela national collection is held at Sheffield Botanical Gardens; along with the national collection of the closely related Diervilla genus.[1] The german Weigela national collection is held at Sichtungsgarten Weigela in Buckow, Maerkische Schweiz [2]
Several of the species are very popular ornamental shrubs in gardens, although species have been mostly superseded by hybrids (crosses between W. florida and other Asiatic species).