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Entitled "Off to Camp", this image shows a well-dressed group of soldiers passing through the Hotspur Tower in Alnwick's Bondgate, surrounded by the usual audience of children and adults alike.
Note the elevated onlooker at the lower edge -- obviously a man who has found something to stand upon !
I'm unsure as to what soldiers these are -- the uniforms are almost tropical style (khaki drill) and they are wearing slouch hats. Fusiliers newly returned from Peshawar ?
The light-coloured straps over the shoulders are the straps of standard issue over-the-shoulder haversacks; the precursors of the backpacks to come.
The British Army's regular forces had been cruelly exposed in the Boer War, where regulars and reservists were reinforced by a rather motley selection of militiamen, yeomanry and volunteers.
By 1910, in the wake of the quite significant Haldane reforms, there were nearly 252,000 men in the regular Army, plus nearly 136,000 men in the Army reserve. This was actually more than at the ends of either the Napoleonic or Crimean wars !
The British Army's commitments continued globally -- soldiers had recently been used in British Guiana to quell riots; troops had already been sent to Persia and would remain there until after the Great War; the slave trade in Nigeria was being crushed by force by British soldiers; and 1907 saw the start of a thirteen-year struggle with the "Mad Mullah" and his Dervishes in Somaliland.
In other words, the British Army was being widely used throughout the world.
However, none of those conflicts resembled the style of warfare to come.
Note the Hotspur Tower (Bondgate Tower/Arch) -- the square stone directly over the archway had borne a sculpted Lion on its face, dating from the 15th century. This Lion Rampant had clearly been badly eroded even by 1907, although it does seem to have been refurbished in years since.
Ironically, although locally known as the symbol of the Percy Family, this widely-seen Lion symbol is actually the "Brabant Lion", named after an area of the European Lowlands (including part of Belgium) where many of these men may later have seen a terrible action.
[EDIT] I just realized most of the people who are viewing this picture are expecting the real politicians! HAAAAAaahaaaa...I'm so sick of all this politics. All their meetings and press briefings. Its all dirty. Back stabbing. No one is noble despite what most of the blind idiots that make up Maldives's population believe. All of them are dirty. Shout at me all you like. But they ALL have hidden agenda's, secret cravings, be it for power or what else.
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Naufal [in the middle] is a firm supporter of President Maumon. He's the newest camera man and is quite a character. He had his greatest dream fulfilled when the president showed up for an interview a few days ago and he got to be on the team that shot the interview.
On his right is Zufaru . A technician.
On the left is Usa. Another tech.
Right before a press briefing by MDP yesterday, we were goofing around in the studio.
Zufaru was drumming, Usa was answering "reporter's" questions and Naufal was rising out of his seat proclaiming his manifesto...
and then the MDP personel shows up.
Fortunately we didn't get in trouble.
I LOVE our crew here. Each person is great and its brilliant how our humour matches. So we have an awful lot of fun despite being overworked.
NASA Administrator Charles Bolden watches as a video entitled "50 Years After" plays at an event celebrating the 50th Anniversary of the Civil Rights Act of 1964 on Monday, June 23, 2014 in the James E. Webb Auditorium at NASA Headquarters in Washington, DC. The event highlighted the influence of the Civil Rights Act on NASA. Photo Credit: (NASA/Joel Kowsky)
From my set entitled “Goatsbeard”
www.flickr.com/photos/21861018@N00/sets/72157607213997694/
www.flickr.com/photos/21861018@N00/sets/72157607217763461/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
Aruncus is a genus of herbaceous plants in the Rosaceae, subfamily Spiraeoideae. Botanical opinion of the number of species differs, with from one to four species accepted.
Aruncus dioicus (Goatsbeard) is native to the temperate Northern Hemisphere, occurring throughout the cooler parts of Europe, Asia and North America. In the broad sense, this is the only species in the genus, with the species below treated as synonyms or varieties of it by some botanists.
Aruncus aethusifolius (Dwarf Goatsbeard or Korean Goatsbeard) has a restricted range, limited to Korea in eastern Asia.
Aruncus gombalanus (Yunnan Goatsbeard) occurs in the mountains of northwest Yunnan and adjacent Tibet.
Aruncus sylvester (Asian Goatsbeard) covers the widespread Asian forms of A. dioicus.
The genus was formerly treated as part of the related genus Spiraea.
Characteristics - A. sylvester For two weeks in early summer, each 4- to 6-foot stalk of goatsbeard is crowned with a 6- to 10-inch plume of tiny blossoms. Because the flowering season is relatively short and the foliage is tall, goatsbeard is generally placed at the back of a border, but it is also dramatic when massed alone as a separate planting. Its tolerance for partial shade and wet soil makes it popular in woodland gardens.
Goatsbeard does well in USDA Plant Hardiness Zones 4-9 in almost any soil, in sun, or light shade. Set plants approximately 18 - 24 inches apart. To get new plants, divide clumps in spring or fall; otherwise clumps can remain undisturbed indefinitely.
Medical Uses - A poultice from the root is applied to bee stings. A tea made from the roots is used to allay bleeding after child birth, to reduce profuse urination and to treat stomach pains, diarrhea, gonorrhea, fevers and internal bleeding. Use the root tea externally to bathe swollen feet and rheumatic joints. A salve made from the root ashes can be rubbed onto sores.
In 1943/44 my dad, who was enlisted in the Royal Canadian Navy, travelled with the Navy Show which was entitled, "Meet the Navy". Not sure he was actually in the cast, so I'll have to pull his file at Archives Canada in Ottawa. Since he was a Certified Public Accountant, he might have watched the books. The show went across Canada by train. I know that Dad was not with the production that went overseas in 1945.
Dad is second from the right in the above photo. Here's the story of the Navy Show:
From my Herbert Charles Barber Collection
www.flickr.com/photos/21861018@N00/collections/7215760076...
"Meet the Navy" was a Royal Canadian Navy musical revue produced during World War II under the supervision of Capt Joseph P. Connolly, director of Special Services for the RCN. Rehearsals began in June 1943 at Hart House in Toronto. The production staff and company were recognized officially, though somewhat after the fact, by a Government of Canada Treasury Board order-in-council, 13 Aug 1943, as 'an Establishment to be known as "The Navy Show" for the... Entertainment of Naval, Army and Air Force personnel on Active Service; Promotion of recruiting; [and] Maintenance of public morale and goodwill'.
The show itself, called "Meet the Navy" and directed by Louis Silver (a Hollywood producer) and Larry Ceballos (a Broadway choreographer), was premiered for servicemen 2 September at Toronto's Victoria Theatre and opened to the public 4 September. It opened in Ottawa 15 September at the Capitol Theatre (Ottawa). During a year-long national tour, which covered some 10,000 miles by train, Meet the Navy entertained about a half-million Canadians. It travelled in 1944 to Britain, opening 23 October in Glasgow and touring England (11 cities in the provinces), Ireland, and Wales and playing at the Hippodrome in London (1 Feb-7 Apr 1945, including a command performance 28 February). Performances followed in Paris' Théâtre Marigny, the Brussels Music Hall, and Amsterdam's Carré Theatre. Meet the Navy closed 12 September in Oldenburg in occupied Germany. In 1945 the National Film Board produced the film Meet the Navy on Tour. Though plans for a Broadway run fell through, the show itself was filmed in November in Britain.
Meet the Navy included skits, dance routines, and several songs: 'In Your Little Chapeau,' 'Rockettes and the Wrens,' 'Brothers-in-Arms,' 'Meet the Navy,' and 'Beauty on Duty,' all by R.W. Harwood (words) and P.E. Quinn (music); 'The Boys in the Bellbottom Trousers' by Quinn; 'Shore Leave' by Noel Langley and Henry Sherman (words) and Quinn; and the showstopper (sung by John Pratt) 'You'll Get Used to It', with words by Pratt to music by Freddy Grant. Eric Wild (who conducted the pit orchestra) and Robert Russell Bennett arranged the music.
Leading roles were taken by Pratt, Robert Goodier, Cameron Grant, and Lionel Merton. Other featured performers included Dixie Dean, Ivan Romanoff (who conducted a balalaika orchestra and a chorus in 'Scena Russki'), Carl Tapscott (who did choral arrangements), the bass Oscar Natzke, and the dance team Alan and Blanche Lund. Members of the 25-piece orchestra included the violinists Victor Feldbrill, Bill Richards, and Joseph Sera, the trombonist Ted Elfstrom, and the saxophonist-clarinetist Howard 'Cokie' Campbell.
After the London debut of Meet the Navy, Beverley Baxter wrote in the London Evening Standard: 'Why is this piece so exhilarating, so completely satisfying and, since the first class always touches the emotions, why was it so stirring? Perhaps the answer is that quite outside the professional slickness and the terrific pace of the whole thing, we were seeing the story of Canada unconsciously unfolding itself to our eyes'.
In 1980, to celebrate the 70th anniversary of the Canadian navy, the Nova Scotia government revived Meet the Navy with several members of the original cast.
Phillips, Ruth. 'The history of the Royal Canadian Navy's World War II show Meet the Navy,' unpublished manuscript (1973)
Southworth, Jean. 'Actor revives his wartime role,' Ottawa Journal, 19 Aug 1980
From: The Encyclopaedia of Music in Canada
From my set entitled “Tuberous Begonia”
www.flickr.com/photos/21861018@N00/sets/72157607213634242/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
Begonia is a genus in the flowering plant family Begoniaceae. The only other member of the family Begoniaceae is Hillebrandia, a genus with a single species in the Hawaiian Islands. The genus Symbegonia is now included in Begonia. "Begonia" is the common name as well as the generic name for all members of the genus.
With ca. 1500+ species, Begonia is one of the ten largest angiosperm genera. The species are terrestrial (sometimes epiphytic) herbs or undershrubs and occur in subtropical and tropical moist climates, in South and Central America, Africa and southern Asia. Terrestrial species in the wild are commonly upright-stemmed, rhizomatous, or tuberous. The plants are monoecious, with unisexual male and female flowers occurring separately on the same plant, the male containing numerous stamens, the female having a large inferior ovary and two to four branched or twisted stigmas. In most species the fruit is a winged capsule containing numerous minute seeds, although baccate fruits are also known. The leaves, which are often large and variously marked or variegated, are usually asymmetric (unequal-sided).
Because of their sometimes showy flowers of white, pink, scarlet or yellow color and often attractively marked leaves, many species and innumerable hybrids and cultivars are cultivated. The genus is unusual in that species throughout the genus, even those coming from different continents, can frequently be hybridized with each other, and this has led to an enormous number of cultivars. The American Begonia Society classifies begonias into several major groups: cane-like, shrub-like, tuberous, rhizomatous, semperflorens, rex, trailing-scandent, or thick-stemmed. For the most part these groups do not correspond to any formal taxonomic groupings or phylogeny and many species and hybrids have characteristics of more than one group, or fit well into none of them.
The genus name honors Michel Bégon, a French patron of botany.
The different groups of begonias have different cultural requirements but most species come from tropical regions and therefore they and their hybrids require warm temperatures. Most are forest understory plants and require bright shade; few will tolerate full sun, especially in warmer climates. In general, begonias require a well-drained growing medium that is neither constantly wet nor allowed to dry out completely. Many begonias will grow and flower year-round but tuberous begonias usually have a dormant period, during which the tubers can be stored in a cool and dry place.
Begonias of the semperflorens group are frequently grown as bedding plants outdoors. A recent group of hybrids derived from this group is marketed as "Dragonwing Begonias"; they are much larger both in leaf and in flower. Tuberous begonias are frequently used as container plants. Although most Begonia species are tropical or subtropical in origin, the Chinese species B. grandis is hardy to USDA hardiness zone 6 and is commonly known as the "hardy begonia". Most begonias can be grown outdoors year-round in subtropical or tropical climates, but in temperate climates begonias are grown outdoors as annuals, or as house or greenhouse plants.
Most begonias are easily propagated by division or from stem cuttings. In addition, many can be propagated from leaf cuttings or even sections of leaves, particularly the members of the rhizomatous and rex groups.
The cultivar Kimjongilia is a floral emblem of North Korea.
Museum de Fundatie Zwolle NL presents an exhibition entitled Giacometti-Chadwick, Facing Fear, to run from 22 September 2018 to 6 January 2019. The sculptures of Alberto Giacometti (1901-1966) and Lynn Chadwick (1914-2003) are manifestations of the sense of fear and disillusionment that pervaded Europe during the Cold War period. Their work bids a final farewell to pre-war romanticism and aestheticism, and lands with both feet in the raw reality of the post-war world. While Giacometti reduced the human form to its bare essentials, Chadwick created powerful archetypal images of both people and animals. The exhibition includes more than 150 works. Never before has the work of Giacometti and Chadwick been so explicitly brought together.
Their paths first crossed in 1956, when Chadwick became the youngest person ever to win the Grand Prix for Sculpture at the Venice Biennale. With only six years’ experience as a sculptor, the British artist snatched the prize from Giacometti, the hot favourite, who was thirteen years older and already a major name in Paris. Giacometti would go on to win the prize in 1962, but which of the two men was awarded it in 1956 is less significant than the fact that these two particular sculptors were the front-runners at that time. Each of them was expressing, in his own individual way, the sense of deep-seated angst that overshadowed day-to-day life in Europe in the fifties and sixties: the fear of a global nuclear disaster that would wipe out human civilisation.
Alberto Giacometti is among the most significant figures in the whole field of modern European sculpture. A member of a notable family of Swiss artists, he moved to Paris in 1922 and would remain there for the rest of his life, working as a sculptor, painter and graphic artist. After training with Émile-Antoine Bourdelle, he discovered modernism and so-called ‘primitive’ ethnographic art of Africa and Oceania. In response to these influences, his work became more abstract. In the early thirties, his Surrealist sculptures expressing subconscious emotions created a furore. From 1935, however, personal psychological tensions triggered a crisis in his life and work that led to a return to the human figure. Initially, his portraits and figures became both increasingly tiny and more and more attenuated. This thinness was to remain the most distinctive feature of Giacometti’s art. After the Second World War, he began to create the elongated, emaciated figures that would bring him worldwide fame. In all their attenuation, they reduce humanity to its very essence and appear both vulnerable and enigmatic.
In the early fifties, up-and-coming artist Lynn Chadwick managed to dislodge Henry Moore and Barbara Hepworth from their dominant position in the field of British sculpture. Born in London, Chadwick had started his career as a technical draughtsman and exhibition stand designer. He took an equally constructional approach to his sculpture: rather than model his human and animal figures in clay or wax, he constructed them by welding steel rods together to create an armature and then filling in the gaps with a kind of cement. The angularity of the work being produced by him and other young British artists was described in 1952 as ‘the geometry of fear’, a reference to the constant dread of nuclear annihilation. Chadwick’s apocalyptic Dancers and stoical Watchers gave powerful expression to this sense of angst. From the early seventies, he broadened his repertoire to include subjects that seem to restore the sovereignty of the human spirit. Sculptures like Cloaked Figure and Sitting Couple no longer look threatening, but emanate a sense of composure and invulnerability.
Giacometti’s pre-war work influenced Chadwick’s development and the two men were keenly aware of each other’s presence. In addition to the vast differences, there are also many similarities between their oeuvres. Giacometti-Chadwick, Facing Fear is the product of close cooperation with the Fondation Marguerite et Aimé Maeght in Saint-Paul-de-Vence and the Chadwick Estate and Blain|Southern gallery in London.
From Archnet digital library:
Construction on the Nuruosmaniye Complex began in 1749 during the rule of Mahmud I (1730-1754) and was completed by his brother and successor Osman III (1754-1757) in 1755. It is located to the east of the covered bazaar and was built to replace the Mascid of Fatma Hatun, which burnt in a fire. In style, the complex is distinguished from its precedents with its adoption of baroque design elements and embodies the westernizing vision of Mahmud I. While there is little known about its architect, Simeon Kalfa, its construction is documented in detail by construction manager Ahmed Efendi in a booklet entitled "Tarih-i Cami-i Serif-i Nur-i Osmani". The name Nuruosmaniye, or the Light of Osman, is thought to refer to Osman III and to a verse from the Sura of Al-Nur, "God is the light of the heavens and the earth", which is inscribed inside the dome.
The complex consists of a mosque (cami), madrasa (medrese), soup-kitchen (imaret), tomb (türbe), library (kütüphane) and water fountain or sabil (sebil), enclosed in an irreqular walled-in precinct, and a han and some stores (dükkan) built in the vicinity. The precinct is entered from two gates to the east and west. The western gate, called Carsikapisi or bazaar gate, opens into the covered bazaar with the sabil adjoining it. The mosque, oriented along the northwest-southeast axis, occupies the northwest corner of the precinct, which is raised above street level on a tall basement. Beside it, at the northeast corner, are the library and the tomb. The madrasa and the soup kitchen are housed in a single structure that projects beyond the southern precinct wall. The accessory buildings are aligned loosely with the cardinal axis.
The mosque consists of a single domed prayer hall, preceded by a courtyard of comparable size to the northwest. The courtyard is entered through a main portal to the northwest and two side portals. It has a unique semi-elliptical shape created with the use of wedge-segments placed between nine domed bays; it is also distinctive with the omission of an ablution fountain. Windows placed at two levels provide views outside. There is no ablution fountain. The five-bay mosque portico completes the courtyard arcade and leads into the prayer hall through a central portal.
The prayer hall is square with a semi-circular mihrab apse and is crowned with a large dome 25 meters in diameter and raised to a height of 43.50 meters on four monumental arches. The interior space is activated by wide galleries that surround it on three sides. There are no aisles; the space below the galleries is an exterior arcade and is accessed through two side doors with cascading steps. At three different places -- the entrance and the two corners flanking the qibla wall -- the galleries are widened to form balconies that project into the prayer hall carried on columns. The corner balconies are deepened further with the inclusion of arcade space; the one to the east is the sultan's lodge and has gilted latticework between its columns. It is accessed primarily by a ramp outside the mosque that allowed the sultan to ascend to his quarters on his horse.
The tympana of the grand arches, equal in height to the galleries, are braced with smaller concentric arches that help strengthen the structure. At the qibla wall, the small arch is joined with the semi-dome that covers the mihrab apse. Sixteen windows in each tympanum light up the interior, in addition to the numerous casement windows at the ground and gallery levels. There are twenty-eight more windows at the base of the dome. With the exception of the casements, windows are made of interlacing pieces of colored and plain glass. The interior of the mosque is covered with gray marble panels up to the galleries where a thick structural cornice, inscribed with the Sura of Al-Fath, adorns and braces the structure. Below the gallery, calligraphic medallions crown each casement window. The baroque influence is conveyed through the extensive use of sculptural elements such as pilasters and cornices, and baroque motifs, such as garlands, finials and scallops. Going beyond mere imitation, the Nuruosmaniye mosque achieves one of the finest instances of Ottoman baroque, a unique synthesis between classical Ottoman and contemporary western styles that is epitomized in the scallop muqarnas domes crowning its portals.
On the exterior, the silhouette of the mosque is marked by the tall dome and domed arches rising dramatically above the courtyard walls amidst the low-lying market neighborhood. The curved outlines of the baroque buttresses that anchor the dome at its corners and the thick cornice that crowns the grand arches, dominate the architectural expression. The two minarets, attached at either end of the mosque portico, have fluted shafts with two balconies and stone caps. The mosque is primarily constructed of cut stone.
Madrasa and Soup-Kitchen
The madrasa is built on a traditional plan, and has twenty domed rooms and a large classroom (dersane) enveloping an arcaded courtyard. The soup-kitchen adjoins it to the west and is about half the size of the madrasa. Entered through a domed entryway to the north, the soup-kitchen is organized around an inner courtyard that gives access to the kitchens to the south and a dining room to the west, with the madrasa wall bounding it to the east.
Library and Tomb
The library is a single-story building set on a high platform accessed by two sets of stairs located to the west that lead into separate entryways. An Arabic inscription above the entrance states: "Demand science, from the cradle to the grave." It has a cross-plan with widely rounded corners and consists of an elliptical reading room enveloped by an arcade made of fourteen columns. An additional storage room projects between the two staircases to the west; there is also a full basement. The reading room is covered by a dome flanked by two semi-domes, and the arcade spaces have cross vaults. Thirty windows, placed at two levels, illuminate the interior. The bulbous footprint of the library is enhanced on the exterior with the play of pilasters and moldings. Opened in 1755 with eighteen employees, the Nuruosmaniye Library is a branch of the Süleymaniye Library today and contains personal collections of Mahmud I and Osman III with a total of 7600 volumes of which 5052 are manuscripts.
The tomb is located slightly to the south of the library and was originally intended for Mahmud I, who is buried in the Tomb of Valide Turhan Sultan. Sehsuvar Valide Sultan, the mother of Osman III, was buried here in 1756. The tomb is a single domed room, preceded by a three-bay domed portico to the west. Its exterior appearance is marked by the curved outline of the portico and the large weight turrets that flank the dome at its four corners.
Sources:
Dünden Bugüne Istanbul Ansiklopedisi. 1993. Istanbul: Türkiye Ekonomik ve Toplumsal Tarih Vakfi VI, 100-104.
Hochhut, Pia. 1986. Die Moschee Nuruosmaniye in Istanbul: Beiträge zur Baugeschichte nach osmanischen Quellen. Berlin: K. Schwarz.
Goodwin, Godfrey. 1997 (reprint of 1971). A History of Ottoman Architecture. Thames and Hudson: London, 382-387.
Kuban, Dogan. 1954. Türk barok mimarisi hakkinda bir deneme. Istanbul: Pulhan Matbaasi.
Öz, Tahsin. 1987. Istanbul Camileri. Türk Tarih Kurumu Basimevi: Ankara, 111-112
Sculpture entitled Souaci Gesú by Buranese artist Remigio Barbera. The sculpture is located in a park between the Fondamenta dei Squeri and Via San Mauro on Isola di Burano in the Laguna Veneto in Italy.. The sculpture is near the vaporetto stop and is one of the first things that visitors to Burano see.
The sculpture faces the waterfront and is said to depict a woman expressing complete despair. Many Buranese men are fishermen or watermen, so one may speculate that the sculpture depicts grief and despair for a loved one lost at sea.
Nandi is the name for the bull which serves as the mount (Sanskrit: Vahana) of the god Shiva and as the gatekeeper of Shiva and Parvati. In Hindu Religion, he is the chief guru of eighteen masters (18 Siddhar ) including Patanjali and Thirumular. Temples venerating Shiva display stone images of a seated Nandi, generally facing the main shrine. There are also a number of temples dedicated solely to Nandi.
The application of the name Nandi to the bull (Sanskrit: vṛṣabha) is in fact a development of recent centuries, as Gouriswar Bhattacharya has documented in an illustrated article entitled "Nandin and Vṛṣabha". The name Nandi was earlier widely used instead for an anthropomorphic deity who was one of Shiva’s two door-keepers, the other being Mahākāla. The doorways of pre-tenth-century North Indian temples are frequently flanked by images of Mahākāla and Nandi, and it is in this role of Shiva’s watchman that Nandi figures in Kālidāsa’s poem the Kumārasambhava.
ETYMOLOGY
The word “Nandi” is derived from the ancient Indian Language of Sanskrit. The Sanskrit word 'Nandi' in English translates as Happy, Joyous or Happy Person.
BIRTH OF NANDI
There was a sage named Shilada who underwent severe penance to have a boon — a child with immortality. Lord Indra pleased of the austerities of Shilada appeared in front of him to offer a boon. After hearing the request of Shilada and his desire to have an immortal child, Lord Indra suggested he pray to Lord Shiva: nobody else could provide such a boon. Sage Shilada continued his penance for 1,000 years. He was totally immovable for many years, so the termites settled on his body and slowly started to build up their nest. Finally, his whole body was covered up by them. The insects started to eat his flesh and imbibed his blood. At last, only bones remained.
Lord Shiva appeared in front of him and provided the boon for the child. Moreover, Lord Shiva provided Sage Shilada his old form with a single touch. Sage Shilada performed Yagna and a child appeared from the sacrificial fire. His body was clad in armour made out of diamonds. The celestial dancers and singers performed on this auspicious occasion and the deities showered flowers on the child. The boy was named ’Nandi’ — who brings joy. Shilada brought the child home. Immediately the boy lost his divine appearance to an ordinary child. The child completely forgot all about his birth. Sage Shilada was worried about the sudden change. He devoted his time for Nandi's upbringing his education etc. By the age of seven, the boy was well versed in Veda and all sacred texts.
One day the deities Mitra and Varuna visited Sage Shilada. At the first sight of the boy, they commented: Though the boy had all auspicious signs, he would have a very short life. He would not live after the age of eight. Sage Shilada was mortified at this remark. Nandi could not bear his father's sorrow; he began to pray to Lord Shiva. Lord Shiva appeared before him and blessed him. Lord Shiva adorned the boy with a necklace and made him immortal. Lord Shiva blessed the child and declared that he would be worshiped along with Him and become his vahana (vehicle). Immediately the boy got all the divine powers and transformed into half bull-half human. He and Shilada went to Lord Shiva's abode to live.
IN HINDUISM
Bulls appear on the Indus Valley seals, including the 'Pasupati Seal', which depicts a seated figure and, according to some scholars, is similar to Shiva. However, most scholars agree that the horned bull on the Indus Valley seals is not identical to Nandi.
DESCRIPTIONS ON NANDI IN HINDU RELIGIOUS TEXTS INCLUDE:
- Some Puranas describe Nandi or Nandikeshvara as bull face with a human body that resembles that of Shiva in proportion and aspect, although with four hands — two hands holding the Parasu (the axe) and Mruga (the antelope) and the other two hands joined together in the Anjali (obeisance). Brahma Vaivarta Purana mentions Krishna himself to have taken the form of a bull as no one else in the Universe can bear Shiva.
- Vehicle of Shiva: The bull Nandi is Shiva's primary vehicle and is the principal gana (follower) of Shiva.
- Gate keeper of Shiva's abode: The close association of Shiva and Nandi explains the presence of a statue of Nandi at the gate of many temples dedicated to Shiva. It also explains why the word "nandi" in the Tamil, Kannada and Telugu languages is used as a metaphor for a person blocking the way.[citation needed] In Sanskrit, a bull is called vrisha, which has another connotation — that of righteousness or Dharma. It is important to seek the blessings of Nandi before proceeding to worship Lord Shiva.
- Chief in Shiva's army: Some Puranas mention that Nandi lead the Shiva Ganas, Shiva's attendants.
- A Guru of Saivism: In addition to being his mount, Nandi is Shiva's foremost disciple. In the Natha/Siddhar tradition, Nandi is one of the primal gurus. He was the guru to Siddhar Thirumulanathar, Patanjalinathar and others.
- From the yogic perspective, Nandi/Nandhi/Nandikeshvara is the mind dedicated to Lord Siva, the Absolute. In other words, to understand and absorb Light, the 'experience and the wisdom' is Nandi which is the Guru within.
- Spiritually, Nandi represents an individual jiva (soul) and the message that the jiva should always be focused on the Atman (Paramatman).
LEGENDS
According to some puranas, Nandi was born to sage Shilada who got him by the grace of Shiva.
It was Nandi who cursed Ravana (the demon King of Lanka) that his kingdom would be burnt by a monkey (Vanara). And later Hanuman burnt Lanka when he went in search of Sita, who was kept prisoner by Ravana in Ashok Vatika.
In one puranic story, it is stated that once Siva and Parvathi were playing a game of dice. For any game there has to be an umpire, who has to declare who is the winner. Siva and Parvathi agreed to have Nandi (the divine bull) as the umpire. Nandi is a favorite of Siva, as he is Siva's vehicle. Although Siva lost the game, Nandi declared him the winner. It is stated that Parvathi was indignant over Nandi's partiality for Siva and cursed him that he should die from an incurable disease. Thereupon Nandi fell at the feet of Parvathi and pleaded for forgiveness. "Mother forgive me. Should I not show at least this amount of gratitude to one who is my master? Is it not humiliating for me to declare that my master has lost the game? To uphold his honor I no doubt uttered a lie. But am I to be punished with such severity for so small an offence?" Nandi prayed for forgiveness in this manner. Parvathi forgave Nandi and taught him the means to atone for his lapse. She told him. "The Chaturdasi day in the month of Bhadrapada is the day when my son's birthday is celebrated. On that day you have to offer to my son what pleases you most (green grass)". This means that one atones for one's sins when one offers to the Lord what is most pleasing and enjoyable to him. For Nandi the most enjoyable and relishing food is green grass. As directed by Parvathi Nandi worshipped Ganapathi by offering green grass. Nandi was then relieved of his dreaded disease. His health improved and by the grace of Parvathi he was redeemed.
When the positive forces, the devas, and the negative forces, the asuras, joined together on a rare occasion to churn the ocean with a mountain to obtain the nectar of immortality they utilized Vasuki, the serpent, as the rope. The devas pulled from one end and the asuras from the other. Lots of precious herbs and gems were produced during the Churning and one of them was a poison (halāhala) which became human karma. This "poison" was so dangerous that none of the devas or asuras wanted to go near it. It was extremely sticky and coming into contact with this poison, i.e., human karma, would drag the divinity down to the realms of human suffering and ego. As everyone else ran away, Lord Siva, followed by Nandi, came forward to help as he was the only one who could counteract this deadly poison. Siva took the poison into his hand and drank it, the descent of the poison was in turn stopped at His throat, by His divine consort. Siva is therefore also known as Nīlakaṇṭha (the blue-throated one) and Viṣakaṇṭha (the poison-throated one). Nandi saw some of the poison spill out of Siva's mouth and immediately drank if off the ground. The devas and asuras watching were shocked and wondered aloud what would happen to Nandi. Lord Siva calmed their fears saying, "Nandi has surrendered into me so completely that he has all my powers and my protection".
LARGEST NANDIS IN INDIA
1. Lepakshi, Andhra Pradesh
2. Brahadishwara Temple, Tamil Nadu
4. Bull Temple, Bangalore, Karnataka
5. Rameswaram, Tamil Nadu
6. Hoysaleswara Temple, Halebidu, Karnataka
7. Shanthaleswara Temple, Halebidu, Karnataka
8. Vadakkunnathan Temple, Thrissur, Kerala
9. Virupaksha Temple, Hampi, Karnataka
10. Nandi Temple, Western Group of Temples, Khajuraho,
Madhya Pradesh
11. Kedareshvara Temple at Balligavi (Karnataka)
12. Doddabasaveshvara temple, Kurugodu Bellary dist
MISCELLANEOUS
The white color of the bull symbolizes purity and justice.
Women visit images of Nandi, bringing floral offerings, and touch the stone. Their prayers are for fertility. Additionally, it is also considered a custom among some to whisper the fact of their visit, to that shrine, while requesting the faithful attendant to inform his master of the same.
WIKIPEDIA
Private press book entitled 'Lo Paradiso Di Dante Alghieri'. The third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. Published by The Ashendene Press, 1905.
Cover bound fully in green morocco by Katherine Adams with gilt foliate decoration of of berries and leaves naturalistically rendered to the fore edge. Spine with raised banding and title and date in gilt. Printed on vellum in red and black fount. With illuminated initials designed by Graily Hewitt in gold, red, green and blue. Woodcut illustrations throughout by C. Keates after those of the edition of 1481.
From the library belonging to Emery Walker. CAGM.1991.1016.996.T13
This sculpture entitled 'Seated' is on show outside the De La Warr Pavilion, Bexhill from 19th April - 29th October 2023.
It is by Tschabalala Self and she says "Taking a seat is a universal act of leisure and calm. I wanted to create a monumental sculpture for the public that spoke to this simple joy. The woman is strong, beautiful and self-possesses. She represents all individuals, but women in particular, who understand the power and importance of simple gestures that assert their right to take up space." (2022).
Tschabalala Self was born in 1990 and is an American artist
Tschabalala Self's first public sculpture stands three metres high and is made from patinated bronze. This monumental work was an everyday object - a seat - as an entry point for questions of permission and performance within public space. Its subject - poised, immaculately dressed, glancing to her left - emboldens onlooks to sit with confidence and comfort.
Through an expansive practice bringing together painting, printmaking, sculpture and collage, Self's depictions, predominantly of women, traverse different artistic traditions. Bland and femme bodies are particularly prevalent in her work, heating different subjects, or characters, with individual and powerful identities, many of which are reimagined from chance encounters. Through mediations on race and gender, Self's work is concerned with what it means to flourish as a human and how the self is performed and perceived within contemporary life.
Read how the local community came together to make a statement after she was vandalised......
www.theguardian.com/artanddesign/2023/jun/03/uk-seaside-c...
Newpaper clipping, likely from the Belleville Intelligencer entitled "Photographs"
"By far the most interesting item in the photographic section is the remarkable exhibit of Mr. A. C. Ponton (No. 92). Had there been special awards of greater importance than the silver medal I should have given one to this entry. Its interest lies in the fact that it reveals to use the effect of what appears to be an influence hitherto unexplored and undeveloped. The “effluve” of vapour from the contents of a fresh egg (or a similar emanation from sugar and many other common substances) acting in the dark is found to have a curious effect upon chloride of silver paper, darkening it in iridescent tints, which remain permanent after the unaffected silver has been removed by the ordinary method of “'fixing” in “hypo.” The effect is in some respect comparable to effects observed by Hunt in the earliest days of photography, and attributed to heat; to those attributed by Le Bon to human light emanation (e.g. from the finger-tips placed in contact with a dry-plate in the dark) to those exerted by radium, and many other “radio-active"” substances, and to those found by Dr. Russell, when wood, card-board, and many other substances were placed near, or in contact with a dry-plate in the dark.
Mr Ponton has possibly not gone so far as some of the other observers in testing his active material under very varied conditions, but he has gone quite beyond them in suggesting a possible practical use for his process, by interposing stencils between the “effluve” and the sensitive surface. Apart from this, and even if no possible practical application had been or ever was to be suggested, the observation and investigation of a series of facts such as Mr Ponton has placed before us, is of prime importance."
Donated by Allan Dempsey.
From my set entitled “Boats and Ships”
www.flickr.com/photos/21861018@N00/3206986832/in/set-7215...
In my collection entitled “Transportation”
www.flickr.com/photos/21861018@N00/collections/7215761271...
In my photostream
www.flickr.com/photos/21861018@N00/
From my set entitled “Jamestown”
www.flickr.com/photos/21861018@N00/sets/72157606230698243/
In my collection entitled “Virginia: Beach, Williamsburg, Jamestown, Yorktown: May 2008”
www.flickr.com/photos/21861018@N00/collections/7215760622...
Reproduced from Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Jamestown,_Virginia
Jamestown (originally also called "James Towne" or "Jamestowne") is located on the James River in what is currently James City County in the Commonwealth of Virginia. The site is about 40 miles (62 km) inland from the Atlantic Ocean and the entrance to the Chesapeake Bay and about 45 miles (70 km) downstream and southeast of the current state capital city of Richmond. Both the river and the settlement were named for King James I of England, who was on the throne at the time, granted the private proprietorship to the Virginia Company of London's enterprise.
The location at Jamestown Island was selected primarily because it offered a favorable strategic defensive position against other European forces which might approach by water. However, the colonists soon discovered that the swampy and isolated site was plagued by mosquitoes and tidal river water unsuitable for drinking, and offered limited opportunities for hunting and little space for farming. The area was also inhabited by Native Americans (American Indians).
The 3 points of Colonial Virginia's Historic Triangle, Jamestown, Williamsburg, and Yorktown are linked by the National Park Service's scenic Colonial Parkway.
The 3 points of Colonial Virginia's Historic Triangle, Jamestown, Williamsburg, and Yorktown are linked by the National Park Service's scenic Colonial Parkway.
Despite inspired leadership of John Smith, chaplain Robert Hunt and others, starvation, hostile relations with the Indians, and lack of profitable exports all threatened the survival of the Colony in the early years as the settlers and the Virginia Company of London each struggled. However, colonist John Rolfe introduced a strain of tobacco which was successfully exported in 1612, and the financial outlook for the colony became more favorable. Two years later, Rolfe married the young Indian woman Pocahontas, daughter of Wahunsunacock, Chief of the Powhatan Confederacy, and a period of relative peace with the Natives followed. In 1616, the Rolfes made a public relations trip to England, where Pocahontas was received as visiting royalty. Changes by the Virginia Company which became effective in 1619 attracted additional investments, also sowing the first seeds of democracy in the process with a locally-elected body which became the House of Burgesses, the first such representative legislative body in the New World.
Throughout the 17th century, Jamestown was the capital of the Virginia Colony. Several times during emergencies, the seat of government for the colony was shifted temporarily to nearby Middle Plantation, a fortified location on the high ridge approximately equidistant from the James and York Rivers on the Virginia Peninsula. Shortly after the Colony was finally granted a long-desired charter and established the new College of William and Mary at Middle Plantation, the capital of the Colony was permanently relocated nearby. In 1699, the new capital town was renamed Williamsburg, in honor of the current British king, William III.
After the capital was relocated, Jamestown began a gradual loss of prominence and eventually reverted to a few large farms. It again became a significant point for control of the James River during the American Civil War (1861–1865), and then slid back into seeming oblivion. Even the Jamestown Exposition of 1907 was held elsewhere, at a more accessible location at Sewell's Point, on Hampton Roads near Norfolk.
Queen Elizabeth II of the United Kingdom and her consort Prince Phillip inspect replica of Susan Constant at Jamestown Festival Park in Virginia on October 16, 1957
Queen Elizabeth II of the United Kingdom and her consort Prince Phillip inspect replica of Susan Constant at Jamestown Festival Park in Virginia on October 16, 1957
Beginning in 1893, 22.5 acres of the Jamestown site were acquired by the Association for the Preservation of Virginia Antiquities. A crucial sea wall was built in 1900 to protect the shoreline near the site of James Fort from further erosion. In the 1930s, the Colonial National Historical Park was established to protect and administer Jamestown, which was designated a National Historic Site. The U.S. National Park Service acquired the remaining 1,500 acres (6.1 km²) of Jamestown Island through eminent domain in 1934.
For the 350th anniversary in 1957, Jamestown itself was the site of renewed interest and a huge celebration. The National Park Service provided new access with the completion of the Colonial Parkway which led to Williamsburg, home of the restored capital of Colonial Williamsburg, and then on to Yorktown, the other two portions of Colonial Virginia's Historic Triangle. Major projects such as the Jamestown Festival Park were developed by non-profit, state and federal agencies. Queen Elizabeth II of Great Britain and Prince Philip attended. The 1957 event was a great success. Tourism became continuous with attractions regularly updated and enhanced.
The two major attractions at Jamestown are separate, but complementary to each other. The state-sponsored Jamestown Settlement near the entrance to Jamestown Island includes a recreated English Fort and Native American Village, extensive indoor and outdoor displays, and features the three popular replica ships. On Jamestown Island itself, the National Park Service operates Historic Jamestowne. Over a million artifacts have been recovered by the Jamestown Rediscovery project with ongoing archaeological work, including a number of exciting recent discoveries.
Early in the 21st century, in preparation for the Jamestown 2007 event commemorating America's 400th Anniversary, new accommodations, transportation facilities and attractions were planned. The celebration began in the Spring of 2006 with the sailing of a new replica Godspeed to six major East Coast U.S. cities, where several hundred thousand people viewed it. Queen Elizabeth II and Prince Phillip joined America's festivities on an official state visit to Jamestown in May 2007.
This sculpture entitled 'Swans in Flight' by David Wynne, installed in the grounds of Newcastle Civic centre in 1968, is thought to reflect Newcastle’s links with Scandinavia.
The sculpture is inspired by Seedorf Pedersen’s poem ‘The Swans from the North’ whereby each wild swan rises from the water to create an independent Scandinavian state; in order of political independence the swan / state goes Denmark, Sweden, Finland, Norway and then Iceland.
Professor of Government William Wohlforth delivers a lecture entitled “End of the 'American Century?' Ukraine and the Future of US Foreign Policy.” The faculty lecture was part of sophomore family weekend. (Photo by Dana Wieland ’17)
Stay connected to Dartmouth:
Sculpture entitled "Dawn Shadows" by Louise Nevelson in the atrium lobby of the Madison Plaza building at the corner of Madison and Wells Streets in downtown Chicago, Illinois.
From my set entitled “Heuchera”
www.flickr.com/photos/21861018@N00/sets/72157607185356154/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/HeucheraThe genus Heuchera includes at least 50 species of herbaceous perennial plants in the family Saxifragaceae, all native to North America. Common names include alumroot and coral bells. They have palmately lobed leaves on long petioles, and a thick, woody rootstock. The genus was named after Johann Heinrich von Heucher (1677–1746), an 18th century German physician.
Alumroot species grow in varied habitats, so some species look quite different from one another, and have varying preferences regarding temperature, soil, and other natural factors. H. maxima is found on the Channel Islands of California, where it grows on rocky, windy, saline-washed ocean shores. H. sanguinea, called coral bells because of its terra cotta-colored flowers, can be found in the warm, dry canyons of Arizona. Gardeners and horticulturists have developed a multitude of hybrids between various Heuchera species. There is an extensive array of blossom sizes, shapes, and colors, foliage types, and geographic tolerances.
Though tangy and slightly astringent, the leaves may be used to liven up bland greens.
Natives of the Northwest U.S. have used tonic derived of Alumroot roots to aid digestive difficulties, but extractions from the root can also be used to stop minor bleeding, reduce inflammation, and otherwise shrink moist tissues after swelling.
Virginia creeper or five-leaved ivy (Parthenocissus quinquefolia) is a woody vine native to eastern and central North America, in southeastern Canada, the eastern and central United States, eastern Mexico, and Guatemala, west as far as Manitoba, South Dakota, Utah and Texas.
It is a prolific climber, reaching heights of 20 to 30 m in the wild. It climbs smooth surfaces using small forked tendrils tipped with small strongly adhesive pads 5 mm in size. The leaves are palmately compound, composed of five leaflets (rarely three leaflets, particularly on younger vines) joined from a central point on the leafstalk, and range from 3 to 20 cm (rarely 30 cm) across. The leaflets have a toothed margin, which makes it easy to distinguish from poison-ivy, which has three leaflets with smooth edges.
The flowers are small and greenish, produced in clusters in late spring, and mature in late summer or early fall into small hard purplish-black berries 5 to 7 mm diameter. These berries contain oxalic acid, which is poisonous to humans and other mammals, and may be fatal if eaten. However, accidental poisoning is uncommon, likely because of the bad taste of the berries. Despite being poisonous to mammals, they provide an important winter food source for birds. Oxalate crystals are also contained in the sap, and can cause irritation and skin rash [1]
St Edmundsbury Cathedral (formally entitled the Cathedral Church of St James) is the cathedral for the Church of England's Diocese of St Edmundsbury and Ipswich. It is the seat of the Bishop of St Edmundsbury and Ipswich and is in Bury St Edmunds. Originating in the 11th century, it was rebuilt in the 12th and 16th centuries as a parish church and became a cathedral in 1914; it has been considerably enlarged in recent decades.
A church has stood on the site of the cathedral since at least 1065, when St Denis's Church was built within the precincts of Bury St Edmunds Abbey. In the early 12th century the Abbot, Anselm had wanted to make a pilgrimage along the Way of St James to Santiago de Compostela. He was unsuccessful and instead rebuilt St Denis's and dedicated the new church to Saint James, which served as the parish church for the north side of Bury St Edmunds. Anselm was also responsible for building the abbey gate tower, known today as the Norman Tower, alongside St James's, which also served as the church's belfry and it continues in this function to the present day.
This church was largely rebuilt, starting in 1503, in the Perpendicular style by John Wastell, a master mason who also worked on King's College, Cambridge. Further alterations to the building were undertaken in the 18th and 19th centuries, notably a new chancel and a hammerbeam roof by George Gilbert Scott. When the Diocese of St Edmundsbury and Ipswich was created in 1914, St James's Church was made the cathedral. In 1959 Benjamin Britten wrote the Fanfare for St Edmundsbury for a "Pageant of Magna Carta" held in the cathedral grounds.
From 1959 onwards there was renewed building work designed to transform the former parish church into a cathedral building. Between 1959 and 1970, the Victorian chancel was demolished and replaced with a new quire, a cloister was added on the west side; also transepts, a Lady chapel and a side chapel dedicated to St Edmund were built. The cathedral architect from 1943 to 1988 was Stephen Dykes Bower and he left £2 million for the completion of the cathedral. In the cathedral grounds a new choir school and visitor's centre were which were opened in 1990, built by Dykes Bower's successor, Alan Rome. Work started on a Gothic revival style tower in 2000; funded by the Millennium Commission, the Stephen Dykes Bower Trust and others, the Millennium Tower was designed by Hugh Matthew, an associate of Dykes Bower. The 150 foot (46 metre) structure was built from 600,000 bricks and faced with Barnack and Clipsham stone. Its completion was officially celebrated on 22 July 2005. Further additions are the Chapel of the Transfiguration and the East Cloister, both completed in 2009, and the Crypt Treasury in 2012.
The Dean of St Edmundsbury is the head (primus inter pares – first among equals) and chair of the chapter of canons, the ruling body of the cathedral. Before 2000 the post was designated as a provost, which was then the equivalent of a dean at most English cathedrals. The first provost was John Orpen.
From my set entitled “Hosta”
www.flickr.com/photos/21861018@N00/sets/72157607213588660/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
Hosta (syn.: Funkia) is a genus of about 23–40 species of lily-like plants native to northeast Asia. They were once classified in the family Liliaceae but are now included in the family Agavaceae by the Angiosperm Phylogeny Group. The scientific name is also used as the common name; in the past they were also sometimes called the Corfu Lily, the Day Lily, or the Plantain lily, but these terms are now obsolete. The name Hosta is in honor of the Austrian botanist Nicholas Thomas Host.[1]The Japanese name Giboshi is also used in English to a small extent. The rejected generic name Funkia, also used as a common name, can be found in some older literature.
Hostas are herbaceous perennial plants, growing from rhizomes or stolons, with broad lanceolate or ovate leaves varying widely in size by species from 1–15 in (3–40 cm) long and 0.75–12 in (2–30 cm) broad. Variation among the numerous cultivars is even greater, with clumps ranging from less than 4 in (10 cm) across to more than 6.5 ft (2 m) across. Leaf color in wild species is typically green, although some species (e.g., H. sieboldiana) are known for a glaucous waxy leaf coating that gives a blue appearance to the leaf. Some species have a glaucous white coating covering the underside of the leaves. Natural mutations of native species are known with yellow-green ("gold") colored leaves or with leaf variegation (either white/cream or yellowish edges or centers). Variegated plants very often give rise to "sports" that are the result of the reshuffling of cell layers during bud formation, producing foliage with mixed pigment sections. In seedlings variegation is generality maternally derived by chloroplast transfer and is not a genetically inheritable trait.
The flowers are produced on erect scapes up to 31 in (80 cm) tall that end in terminal racemes. The individual flowers are usually pendulous, 0.75–2 in (2–5 cm) long, with six tepals, white, lavender, or violet in color and usually scentless. The only strongly fragrant species is Hosta plantaginea, which is also unusual in that the flowers open in the evening and close by morning. This species blooms in late summer and is sometimes known as "August Lily".
Taxonomists differ on the number of species; as such, the list at the right may be taken loosely. The genus may be broadly divided into three subgenera. Interspecific hybridization is generally possible, as all species have the same chromosome number (2n = 2x = 60) with the exception of H. ventricosa, a natural tetraploid that sets seed through apomixis. Many varieties formerly described as species have been taxonomically reduced to cultivar status, while retaining Latin names resembling species (e.g., H. 'Fortunei').
Though Hosta plantaginea originates in China, most of the species that provide the modern shade garden plants were introduced from Japan to Europe by Philipp Franz von Siebold in the mid-19th century. Newer species have been discovered on the Korean peninsula as well.
Hostas are widely-cultivated ground cover plants, particularly useful in the garden as shade-tolerant plants. Hybridization within and among species and cultivars has produced numerous cultivars, with over 3000 registered and named varieties, and perhaps as many more that are not yet registered. Cultivars with golden- or white-variegated leaves are especially prized. Popular cultivars include 'Francee' (green leaves with white edges), 'Gold Standard' (yellow leaves with green edges was discovered by Pauline Banyai) 'Undulata' (green leaves with white centers), 'June' (blue-green leaves with creamy centers), and 'Sum and Substance' (a huge plant with chartreuse-yellow leaves). Newer, fragrant cultivars such as 'Guacamole' are also popular. Pictures of hosta species and cultivars, along with other information, may be found at www.hostalibrary.org.
The American Hosta Society and the British Hosta and Hemerocallis Society support Hosta Display Gardens, often within botanical gardens.
Hostas are notoriously a favourite food for deer, slugs and snails, which commonly cause extensive damage to hosta collections in gardens. Poisoned baits using either metaldehyde or the safer iron phosphate work well for the latter, but require repeated applications. Deer control tends to be variable, as anything other than fencing tends to work for a few years then cease to work as they become accustomed to it.
Foliar nematodes, which leave streaks of dead tissue between veins, have become an increasing problem since changes in attitudes about pesticides since the mid-1990s in many countries have caused a resurgence in this once-controlled pest. There are no effective means for eliminating nematodes in the garden, although they can be controlled to the point where little or no symptoms are seen.
A virus called Hosta Virus X has become common since 2004 and plants that are infected must be destroyed. It can take years for symptoms to show, so symptomless plants in infected batches should also be considered infected.
Otherwise they are generally easy and long-lived garden plants, relatively disease free, requiring little care other than watering and some fertilizer to enhance growth. Some varieties are more difficult to grow, as can be expected with 5,000+ cultivars, but most are easy enough for beginners.
Early 1970s Murray Views foldout multi-photo postcard folder entitled "The Entrance Area, NSW" scanned in at 6800x5096 pixels.
The photographic portfolio entitled “GLOBALIZING CONTAMINATIONS” was among the finalists at the PORTFOLIO SIFEST 2018 international award (Italy). This photography project is the result of a one-month period lived in Africa from Kenya to Tanzania. In the 1950s and 1960s, the European colonial powers gradually ceased to administer their African territories. The process of “apparent decolonization” led to the gradual departure of all the expatriate personnel of the colonizing nations: administrators, soldiers and all those who had settled in the “colony”. This process favored the creation of independent states and paved the way for new foreign influences over those of the colonial powers. Therefore, after some years living in Africa, I came to ask myself: “How has the influence, after decolonization, of European countries evolved in the face of the emancipation of African countries and the competition of new powers?”
Museum de Fundatie Zwolle NL presents an exhibition entitled Giacometti-Chadwick, Facing Fear, to run from 22 September 2018 to 6 January 2019. The sculptures of Alberto Giacometti (1901-1966) and Lynn Chadwick (1914-2003) are manifestations of the sense of fear and disillusionment that pervaded Europe during the Cold War period. Their work bids a final farewell to pre-war romanticism and aestheticism, and lands with both feet in the raw reality of the post-war world. While Giacometti reduced the human form to its bare essentials, Chadwick created powerful archetypal images of both people and animals. The exhibition includes more than 150 works. Never before has the work of Giacometti and Chadwick been so explicitly brought together.
Their paths first crossed in 1956, when Chadwick became the youngest person ever to win the Grand Prix for Sculpture at the Venice Biennale. With only six years’ experience as a sculptor, the British artist snatched the prize from Giacometti, the hot favourite, who was thirteen years older and already a major name in Paris. Giacometti would go on to win the prize in 1962, but which of the two men was awarded it in 1956 is less significant than the fact that these two particular sculptors were the front-runners at that time. Each of them was expressing, in his own individual way, the sense of deep-seated angst that overshadowed day-to-day life in Europe in the fifties and sixties: the fear of a global nuclear disaster that would wipe out human civilisation.
Alberto Giacometti is among the most significant figures in the whole field of modern European sculpture. A member of a notable family of Swiss artists, he moved to Paris in 1922 and would remain there for the rest of his life, working as a sculptor, painter and graphic artist. After training with Émile-Antoine Bourdelle, he discovered modernism and so-called ‘primitive’ ethnographic art of Africa and Oceania. In response to these influences, his work became more abstract. In the early thirties, his Surrealist sculptures expressing subconscious emotions created a furore. From 1935, however, personal psychological tensions triggered a crisis in his life and work that led to a return to the human figure. Initially, his portraits and figures became both increasingly tiny and more and more attenuated. This thinness was to remain the most distinctive feature of Giacometti’s art. After the Second World War, he began to create the elongated, emaciated figures that would bring him worldwide fame. In all their attenuation, they reduce humanity to its very essence and appear both vulnerable and enigmatic.
In the early fifties, up-and-coming artist Lynn Chadwick managed to dislodge Henry Moore and Barbara Hepworth from their dominant position in the field of British sculpture. Born in London, Chadwick had started his career as a technical draughtsman and exhibition stand designer. He took an equally constructional approach to his sculpture: rather than model his human and animal figures in clay or wax, he constructed them by welding steel rods together to create an armature and then filling in the gaps with a kind of cement. The angularity of the work being produced by him and other young British artists was described in 1952 as ‘the geometry of fear’, a reference to the constant dread of nuclear annihilation. Chadwick’s apocalyptic Dancers and stoical Watchers gave powerful expression to this sense of angst. From the early seventies, he broadened his repertoire to include subjects that seem to restore the sovereignty of the human spirit. Sculptures like Cloaked Figure and Sitting Couple no longer look threatening, but emanate a sense of composure and invulnerability.
Giacometti’s pre-war work influenced Chadwick’s development and the two men were keenly aware of each other’s presence. In addition to the vast differences, there are also many similarities between their oeuvres. Giacometti-Chadwick, Facing Fear is the product of close cooperation with the Fondation Marguerite et Aimé Maeght in Saint-Paul-de-Vence and the Chadwick Estate and Blain|Southern gallery in London.
I waI was tempted to entitle this, "Christmas in Prison," but I feel as if I've used too many lines from John Prine already.
Flickr apparently only supports sRGB, so when I inadvertently upload anything in a different colorspace, the colors aren't read correctly. By the same, Flickr doesn't like it when I try to upload file sizes in excess of 20mb. Thus, the full-size of this was a no-go, unfortunately. Thankfully, you, the viewer, aren't missing much, as this place isn't exactly visually diverse. Really, all you're missing is the retina-puncturing sharpness my camera captures.
Also, on a semi-related note, hand-shooting the P65+ is difficult. With DSLRs, I can often shoot at shutter speeds of less than 1/20th (with wide-angle lenses), and still have respectably sharp images. Unfortunately, the inverse-focal-length-adage is kind of useless for this camera, as I can't seem to get a sharp image unless I use something closer to 1/3f. Clearly, this is intended for tripod use.
The Governor signed the following bills today:
SB535 (Relating to Labor) makes Hawaii the second state – after New York – to place basic labor protections for domestic workers into law. It also establishes basic rights and protections for domestic workers, entitles workers to overtime pay and time for meal and rest breaks, and provides basic civil rights protections against abuse and harassment.
HB1187 (Relating to Human Trafficking) designates January as Human Trafficking Awareness Month and adds minor victims of sex and labor trafficking to the scope of the Child Protective Act and other state child abuse laws.
HB1068 (Relating to Human Trafficking) requires certain employers to display a poster that provides information relating to human trafficking and contact information for the National Human Trafficking Resource Center Hotline.
SB192 (Relating to Prostitution) makes solicitation of a minor a crime and increases the statute of limitations to bring a cause of action for coercion into prostitution from 2 to 6 years. It also clarifies the minimum and maximum fine for a person convicted of committing the offense of prostitution; adds the offenses of solicitation of a minor for prostitution, habitual solicitation of prostitution, and solicitation of prostitution near schools and public parks under the state’s forfeiture laws; amends the definition of “sexual offense” under the sexual offender registry laws to include acts that consist of the solicitation of a minor who is less than 18 years of age for prostitution; and requires registration with the sexual offender registry for conviction of solicitation of a minor for prostitution as a Tier 1 offense.
HB587 (Relating to the Penal Code) amends the penal code to include that it shall be unlawful to physically abuse persons in a “dating relationship.” It also requires a police officer to separate a perpetrator and family or household member who has been physically abused for 48 hours.
SB655 (Relating to Health) allows health professionals to treat partners of patients diagnosed as having certain sexually transmitted diseases by dispensing or prescribing medication to the partners without examining them. The measure also ensures that expedited partner therapy is in accordance with Centers for Disease Control and Prevention guidelines and recommendations, and it provides limited liability protection.
SB532 (Relating to Breastfeeding in the Workplace) requires certain employers to provide reasonable time and private location for breastfeeding employees to express breast milk. The measure also requires covered employers to post a notice, and it establishes a civil fine for each violation.
SB1340 (Relating to Foster Care) extends voluntary foster care to age 21.
SB529 (Relating to Parental Rights) requires family courts to deny custody or visitation, and allows courts to terminate parental rights, to a person convicted of a sexual assault with respect to the child conceived through that assault.
From my set entitled “Peonies”
www.flickr.com/photos/21861018@N00/sets/72157607186459134/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
The peony or paeony (Paeonia) is the only genus in the flowering plant family Paeoniaceae. They are native to Asia, southern Europe and western North America.
Most are herbaceous perennial plants 0.5–1.5 metres tall, but some are woody shrubs up to 1.5–3 metres tall. They have compound, deeply lobed leaves, and large, often fragrant flowers, ranging from red to white or yellow, in late spring and early summer. In the past, the peonies were often classified in the family Ranunculaceae, alongside Hellebores and Anemones.
The peony is named after Paeon or Paean, a student of Asclepius, the Greek god of medicine and healing. Asclepius became jealous of his pupil; Zeus saved Paeon from the wrath of Asclepius by turning him into the peony flower
The peony is among the longest-used flowers in ornamental culture and is one of the smallest living creature national emblems in China. Along with the plum blossom, it is a traditional floral symbol of China, where it is called 牡丹 (mǔ dān). It is also known as 富贵花 (fuguihua) "flower of riches and honour", and is used symbolically in Chinese art.[2] In 1903, the Qing Dynasty declared the peony as the national flower. Currently, the Republic of China on Taiwan designates the plum blossom as the national flower, while the People's Republic of China has no legally designated national flower. In 1994, the peony was proposed as the national flower after a nationwide poll, but the National People's Congress failed to ratify the selection. In 2003, another selection process has begun, but to date, no choice has been made.
The famous ancient Chinese city Luoyang has a reputation as a cultivation centre for the peonies. Throughout Chinese history, peonies in Luoyang are often said to be the finest in the country. Dozens of peony exhibitions and shows are still held there annually.
In Japan, Paeonia lactiflora used to be called ebisugusuri ("foreign medicine"). In kampo (the Japanese adaptation of Chinese medicine), its root was used as a treatment for convulsions. It is also cultivated as a garden plant. In Japan Paeonia suffruticosa is called the "The King of flowers" and Paeonia lactiflora is called the "prime minister of flowers".
Pronunciation of 牡丹 (peony) in Japan is "botan". Before the Meiji period, meat taken from quadrupeds was seldom consumed in Japan due to Buddhism. Thus in cases where such meat was handled, it was paraphrased using the names of flowers. The term botan was used (and is still used) to paraphrase wild boar meat. This comes from the flowery resemblance of the sliced meat when spread over a dish. Another example is sakura (cherry blossoms) which stands for horsemeat.
In 1957, the Indiana General Assembly passed a law to make the peony the state flower of Indiana, a title which it holds to this day. It replaced the zinnia, which had been the state flower since 1931.
Mischievous nymphs were said to hide in the petals of the Peony thus causing this magnificent flower to be given the meaning of Shame or Bashfulness in the Language of Flowers. It was named after Pæon, a physician to the gods, who obtained the plant on Mount Olympus from the mother of Apollo. Once planted the Peony likes to be left alone and punishes those who try to move it by not flowering again for several years. Once established, however, it produces splendid blooms each year for decades (Taken from The Language of Flowers, edited by Sheila Pickles, 1990).
Peonies are also extensively grown as ornamental plants for their very large, often scented flowers.
Peonies tend to attract ants to the flower buds. This is due to the nectar that forms on the outside of the flower buds.
Peonies are a common subject in tattoos, often used along with koi-fish.
This is close -up of the finished 3D Painting entitled Centurion.
See the full slide show in the Epic Journey in the Transformation of this 3D Painting here.
www.flickr.com/photos/57605784@N06/sets/72157625891634410...
When I first saw this picture I know I had to paint it, full credit to the original artist, it is a masterpiece. Bursting out of the Colosseum, on the left you have the elements of history and tradition, and on the right you have the future, which looks like a space craft, and in the middle you have the Centurion, signalling, forward...the past and future being lead by the present, how it should be.
Working full time as well, this picture may take me 3 to 4 days to complete, every night I will post more & more stages to completion. If you click on the Slideshow link below you can watch a Slideshow showing the many stages in the painting of the picture, iv uploaded 11 so far, it may take as many as 30 until im happy with it. Every night if you click on the same link you will see the new additions automatically added to the slidehow, giving you an insight into how 3D Paintings are created.
Transformation Slideshow :
www.flickr.com/photos/57605784@N06/sets/72157625891634410...
As with all civilisations, nations & empires, its not how strong you are, its what you stand for that counts , it is these values, not military might & brute force, that determines longevity & prosperity.
Many things have been said about the Romans, the recent film released 2010 entitled Centurion is a good example, as was Spartacus, and the birth & life of Jesus Christ. When all is said & done the Romans lasted an aweful long time, they must have been doing something right.
There demise was started with the emergence of a movement that put forth to mankind a much higher set of values, not a stronger military force. That movement is Christianity.
The Roman civilisation tried to Adapt, tried to absorb, but its decline was inevitable. The Catholic Church is what remains of the Roman branch of Christianity.
From my set entitled ‘Sumac”
www.flickr.com/photos/21861018@N00/sets/72157607186471302/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
Sumac (also spelled sumach) is any one of approximately 250 species of flowering plants in the genus Rhus and related genera, in the family Anacardiaceae. The dried berries of some species are ground to produce a tangy purple spice often used in juice.
Sumacs grow in subtropical and warm temperate regions throughout the world, especially in North America.
Sumacs are shrubs and small trees that can reach a height of 1-10 meters. The leaves are spirally arranged; they are usually pinnately compound, though some species have trifoliate or simple leaves. The flowers are in dense panicles or spikes 5-30 cm long, each flower very small, greenish, creamy white or red, with five petals. The fruits form dense clusters of reddish drupes called sumac bobs.
Sumacs propagate both by seed (spread by birds and other animals through their droppings), and by new sprouts from rhizomes, forming large clonal colonies.
The drupes of the genus Rhus are ground into a deep-red or purple powder used as a spice in Middle Eastern cuisine to add a lemony taste to salads or meat; in the Turkish cuisine e.g. added to salad-servings of kebabs and lahmacun. In North America, the smooth sumac (Rhus glabra), and the staghorn sumac (Rhus typhina), are sometimes used to make a beverage, termed "sumac-ade" or "Indian lemonade" or "rhus juice". This drink is made by soaking the drupes in cool water, rubbing them to extract the essence, straining the liquid through a cotton cloth and sweetening it. Native Americans also used the leaves and berries of the smooth and staghorn sumacs combined with tobacco in traditional smoking mixtures.
Species including the fragrant sumac (Rhus aromatica), the littleleaf sumac (R. microphylla), the skunkbush sumac (R. trilobata), the smooth sumac and the staghorn sumac are grown for ornament, either as the wild types or as cultivars.
The leaves of certain sumacs yield tannin (mostly pyrogallol), a substance used in vegetable tanning. Leather tanned with sumac is flexible, light in weight, and light in color, even bordering on being white.
Dried sumac wood is fluorescent under long-wave UV light. Mowing of sumac is not a good control measure as the wood is springy resulting in jagged, sharp pointed stumps when mowed. The plant will quickly recover with new growth after mowing. See Nebraska Extension Service publication G97-1319 for suggestions as to control.
At times Rhus has held over 250 species. Recent molecular phylogeny research suggests breaking Rhus sensu lata into Actinocheita, Baronia, Cotinus, Malosma, Searsia, Toxicodendron, and Rhus sensu stricta. If this is done, about 35 species would remain in Rhus. However, the data is not yet clear enough to settle the proper placement of all species into these genera.
Installation of Glen Cinema Memorial entitled Rattle Little Mother at Dunn Square Paisley.
Location Of Names On Rattle Little Mother, Glen Cinema Memorial
Front “ To The Children Of The Glen Cinema “
Left Panel as you face front of memorial which faces in the direction of the Piazza “ Elizabeth Leonard - Samuel McBlane - Sarah McCafferty - Robert McConnell - Nellie McCran - Minnie McCran - Edward McEnhill - Margaret McEnhill - James McEnhill - Denis McGarrity - Robert McGirr - Jeanie McGrattan - Mary McWattie - Margaret Morrow - Robert Niven - Georgina Peacock - Tom Perkins - John Pinkerton - William Pinkerton - Alexander Telfer - William Rae - Thomas Renfrew - George Scott - William Spears - Jane Stevenson - Robert Wingate.
Back of Memorial which faces Paisley Town Hall “ James Gielty - John Gielty - Norman Gillies - John Goodwin - Henry Green - Mary Green - Archibald Grogan - Annie Hamilton - George Hammond “ 31 December 1929 “ Elizabeth Hart - Peter Houston - Thomas Howard - Julia Irvine - William Irvine - Thomas Jackson - James Johnston - George Kennedy - Helen Kilkie - Thomas Kilkie.
Right panel as you face front of memorial which faces towards Forbes Place “ Robert Adams - Robert Alexander - John Bell - William Black - Hugh Blue - John Bowes - David Boyd - Caroline Brain - Lily Buchanan - John Cairns - Daniel Corbett - Elizabeth Corrigan - Agnes Coyle - Robert Craig - Francis Curran - Elizabeth Dempster - Leah Dixon - Mary Dolan - George Elliott - Henry Elliott - Bessie Finlay - Enso Fiori - Janet Fitch - William Fitch - James Gatherer - Margaret Gibson.
N.B All lettering in gold except from “ 31 December 1929 “ on rear of memorial which is in black, both sides contain 26 names whilst there is 19 names on the back.
On entitlements, Speaker Boehner acknowledged that structural changes to Medicare and Social Security would produce little or no savings in the immediate budget window because changes will be phased in to give people time to plan and adjust. However, "making relatively small changes now can lead to huge dividends down the road in terms of debt reduction."
In return for the public service of bring cheer and levity to the roadway, artcar artists should receive diplomatic privileges....at least vehicular ones. We should be able to park wherever we want, not pay meters, and have special plates.
Inaugurated on October 18, 2000, this monument entitled "Women are Persons!" is a tribute to Nellie McClung, Irene Parlby, Emily Murphy, Louise McKinney and Henrietta Muir Edwards. Known as the Famous Five, these women won the "Persons" Case, a 1929 court ruling which legally declared women as persons under the British North America Act and made them eligible for appointment to the Canadian Senate
The larger-than-life sculptures by Edmonton artist Barbara Paterson were donated to the Government of Canada by the Famous 5 Foundation. They show the five women celebrating their important legal victory in characteristic poses. An empty chair adds an interactive feature to the monument that invites passers-by to join the group. The newspaper with the headline "Women are Persons" that Nellie McClung is holding reflects some of the actual headlines of newspapers of the day.
Nellie L. McClung (1873-1951), novelist, journalist, suffragette and temperance worker. She was a member of the Alberta legislature, the only woman on the Dominion War Council, and the first woman on the CBC Board of Governors.
Irene Parlby (1868-1965), suffragette and politician. She was elected president of the women's branch of the United Farmers of Alberta in 1916 and became a member of the Alberta legislature in 1921. She was still a member of Parliament at the time of the Persons Case.
Emily G. Murphy (1868-1933), instigator of the Persons Case, writer, and first woman magistrate in the British Empire. She pioneered married women's rights, was National President of the Canadian Women's Press Club 1913-1920, vice-president of the National Council of Women and first president of the Federated Women's Institutes of Canada.
Henrietta Muir Edwards, (1849-1931), journalist, suffragist and organizer, fought for equal rights for wives, mothers' allowances and women's rights. She started the Working Girls' Association in Montréal in 1875, a forerunner of the YWCA. Later, while living in Alberta, she compiled two works on Alberta and federal laws affecting women and children.
Louise McKinney (1868-1931), politician and temperance campaigner. She was president of the Dominion Women's Christian Union and elected to the Alberta legislature in 1917 as representative of the non-partisan league.
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Inauguré le 18 octobre 2000, ce monument intitulé «Les femmes sont des personnes!» rend hommage à Nellie McClung, Irene Parlby, Emily Murphy, Louise McKinney et Henrietta Muir Edwards. Ces cinq femmes, mieux connues sous le nom des « Cinq femmes célèbres », ont gagné l'affaire « personnes », un jugement de 1929 qui reconnaissait l'existence des femmes en tant que personnes selon l'Acte de l'Amérique du Nord britannique et les rendait admissibles à être nommées au Sénat du Canada
Les sculptures plus grandes que nature, oeuvre de l'artiste Barbara Paterson, d'Edmonton, ont été offertes au Gouvernement du Canada par la fondation Famous 5. Elles représentent les cinq femmes célébrant leur victoire juridique historique dans des poses caractéristiques. Une chaise vide fait partie de l'oeuvre et constitue un élément interactif qui invite les passants à se joindre au groupe. Le titre «Les femmes sont des personnes», sur le journal qu'arbore Nellie McClung, représente bien le type de manchettes qu'on pouvait lire à l'époque.
QUI SONT LES CINQ FEMMES CÉLÈBRES (de gauche à droite sur la photo, source :Archives nationales du Canada) :
Nellie L. McClung (1873-1951), romancière, journaliste, suffragette et militante au sein du mouvement de tempérance. Députée à l'Assemblée législative de l'Alberta, elle fut la seule femme à siéger au Dominion War Council et la première femme à faire partie du Conseil des gouverneurs de la Canadian Broadcasting Corporation.
Irene Parlby (1868-1965), suffragette et femme politique. Elle fut élue en 1916 présidente de la section féminine de la United Farmers of Alberta et, en 1921, députée à l'Assemblée législative de l'Alberta. Elle siégeait encore au Parlement au moment de l'affaire « personnes ».
Emily G. Murphy (1868-1933), instigatrice de l'affaire « personnes », écrivaine et première femme à siéger comme juge municipale dans l'Empire britannique. Elle a revendiqué les droits des femmes mariées, a été présidente nationale du Canadian Women's Press Club de 1913 à 1920, vice-présidente du National Council of Women et première présidente de la Federated Women's Institutes of Canada.
Henrietta Muir Edwards, (1849-1931), journaliste, suffragette et organisatrice, lutta pour l'égalité des droits des femmes et des épouses, et pour les allocations familiales. En 1875, à Montréal, elle fonda la Working Girls' Association, qui deviendrait un jour la Young Women's Christian Association (YWCA). Plus tard, lorsqu'elle habitait l'Alberta, elle compila deux recueils de lois provinciales et fédérales concernant les femmes et les enfants.
Louise McKinney (1868-1931), femme politique et militante de la tempérance. Elle présida la Dominion Women's Christian Union et fut élue à l'Assemblée législative de l'Alberta en 1917 comme représentante de la ligue non partisane.
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The French geographer and author André Thevet (1516-1590) was born in Angoulême and died in Paris. In early life he was compelled to enter a Franciscan monastery, where he dedicated himself to his studies, being gifted with a prodigious memory although not much inclined towards religion. Thevet was a protegé of Francis I, who entrusted him with various missions. While in Italy, he became acquainted with the cardinal of Lorraine, who financed his journey to the East in 1549. On his return to France, Thevet published the chronicle of his voyage, entitled "Cosmographie du Levant". In 1555 Thevet left France as chaplain to an expedition intending to found a French colony in Brazil, in order to protect the emigrants from Normandy involved with extracting an expensive red pigment from the wood of a rare tree that grows in the area. Thevet stayed on an island at the entrance to Rio de Janeiro Bay, and returned to France sick, ten weeks afterwards. In 1557, he published "Les Singularitez de la France antarctique", with his observations on the New World. This work made Thevet famous, and was translated into English and Italian. Among the novelties in Thevet’s work are the first descriptions of the pineapple, cashew nuts, the toucan bird and the tapir. He is also accredited with introducing the cultivation of tobacco to Europe. In 1560, Thevet was named Cosmographer to the King and Chaplain to Catherine de Medici. He served successively four kings of France, while at the same time building a rare collection of Greek and Roman coins, and curiosities of nature from Mexico and Brazil. From 1566, Thevet worked on a universal multi-volume geographical encyclopedia, "Cosmographie universelle", which was published in 1575. His other monumental work, the "isolario" titled "Le Grand Insulaire et Pilotage", was left unfinished, and its contents remain scattered to this day. Last, Thevet published the "Vrais portraits et vies des hommes illustres", in which he presents, in the manner of Plutarch, two hundred and twenty-four illustrious historical personalities from the places he had visited, with the corresponding illustrations.
Thevet sailed to the East from Venice. His first port of call was Crete; he makes scathing comments on Orthodox priests, writes on the mythical inhabitants the Telchines, and mentions the earthquakes to which the island is prone. Of the Aegean islands, he provides information on Chios and Lesbos. He also describes the Dardanelles and Callipolis. Thevet stayed in Constantinople for two years, probably entrusted with an obscure diplomatic mission. Notable are his chapters on the Byzantine hippodrome, lions, tigers, elephants and camels. Thevet also visited Chalcedon and the Bosporus. He voyaged to the Holy Land, visiting "en route" Rhodes, continental Greece (?), Egypt and Syria. From Cyprus he sailed to Sicily and subsequently to Marseilles.
Thevet’s personality was controversial already in his own time. Contemporary research has shown that the text of the "Cosmographie du Levant" was in fact composed by François de Belleforest (1530-1583), a scribe in his entourage. The friendship between the two men turned to mutual hatred. The chronicle was successful, mainly thanks to its twenty-five wood engravings with the curiosities (antiquities, rare flora and fauna) described in the text. However, the information it provides as a whole is a digest of ancient sources rather than a result of first-hand observation.
As Thevet scholar Frank Lestringant has demonstrated, the chronicle of this voyage incorporates descriptions by Strabo, Pliny, Solinus, Pomponius Melas, Diodorus Siculus, Herodotus, passages from the Gospels and the Epistles, as well as texts by contemporary erudite men such as the professor of Greek and Latin L. C. Rhodiginus, the humanists G. Budé and Erasmus, the lexicographer A. Calepino and the physician J. Vadianus. Additional data were “borrowed” from travellers such as La Broderie, P. Gilles, P. Belon, and the geographer S. Münster.
Written by Ioli Vingopoulou
Fransız asıllı coğrafyacı ve yazar André Thevet (1516-1590) Angoulême şehrinde doğdu ve Paris'te öldü. Küçük yaşta bir fransiskan manastırına girmek zorunda kaldığında dinle uğraşmaktan çok kendini okuma ve araştırmaya adar. Tanrı vergisi olarak müthiş bir bellek yeteneğine sahipti. Kral I. François'nın himayesinde, çeşitli görevlerle yükümlü olarak İtalya'ya seyahat eder ve burada 1549'da Doğu'ya yapacağı seyahatin masraflarını karşılayacak olan Lorraine kardinali ile tanışır. Bu seyahatin vakayinamesini Fransa'ya döndükten sonra Cosmographie du Levant başlığı altında yayınlar. 1555 yılında, Brezilya'da yörenin kırmızı renkte nadir bir odunundan elde edilen boyanın çıkarılmasında çalışan Normadiyalıların himayesi için kurulması amaçlanan fransız kolonisinin papazı olarak Brezilya'ya gider. Rio de Janeiro körfezinin girişindeki bir adada kalır, ancak on hafta sonra hasta halde Fransa'ya döner. 1557 yılında Yeni Dünya üzerindeki gözlemlerini içeren Les Singularitez de la France antarctique adlı kitabı yayınlanır. Bu kitap Thevet'yi ünlü yapıp ingilizce ve italyancaya çevrilir. Yapıtının yenilikçi unsurları arasında ananas, kaju fıstığı, tukan kuşu, tapir hakkında verdiği bilgiler yer alıyor. Ayrıca tütün ekiminin Avrupa'ya getirilmesi de Thevet sayesinde olmuştur. 1560 yılında Kral Kozmografı ünvanını alır ve kraliçe Catherine de Medici'nin papazı görevine atanır. Sırayla, dört Fransa kralına hizmet eder. Aynı zamanda eski Yunan ve Roma sikkelerinden nadir bir koleksiyon yapıp Meksika ile Brezilya'nın doğa hazinesinden alışılmamış ve garip şeyler toplar. 1566 yılından itibaren Cosmographie universelle adlı çok çiltlik bir dünya coğrafya ansiklopedisinin yazılışında çalışır, eser 1575'de yayınlanır. Thevet'nin öteki anıtsal eseri olan "Büyük Insularium" ise (Le Grand Insulaire et Pilotage) tamamlanmamış olarak bugüne dek dağınık durumda bulunmaktadır. En son yayınladığı Vrais portraits et vies des hommes illustres kitabında, Plutarkhos'un yaptığı gibi, ziyaret etmiş olduğu yörelerden iki yüz yirmi dört (224) tane önemli tarihsel kişiliğin yaşamını -resimler eşliğinde- sergiler.
Doğu yolculuğuna Venedik'ten başlayıp ilk durağı Girit olur. Yazılarında buradaki hristiyan ortodoks papazlar hakkında yıldırımlar savurur, Girit'in efsanevi sakinleri Telkhines'ler hakkında yazar ve adayı vuran depremlerden sözeder. Ege adalarından Sakız ve Midilli hakkında bilgiler verir; Çanakkale Boğazını ve Gelibolu'yu (Kallipoli) tarif eder ve büyük olasılıkla, açıklanmamış bir diplomatik görevle yükümlü olarak iki yıla yakın bir süre için İstanbul'da kalır. Yazdıkları arasında Bizans hipodromu, aslanlar, kaplanlar, fil ve develer hakkında söylediği şeyler ayrı bir ilgi uyandırıyor. Thevet, Kadıköy ve Boğaz'ı da gezer. Kutsal Yerlere gitmek üzere İstanbul'dan vapura biner, Rodos, Rumeli'yi, Mısır ve Suriye'yi ziyaret eder; daha sonra ise Kıbrıs'tan geçip Sicilya'ya ve son olarak Marsilya'ya varır.
Thevet'nin kişiliği kendi çağından beri tartışma konusu oldu. Bugünkü araştırmacılar Doğu Kozmografyası (Cosmographie du Levant) adlı yapıtının aslında maietinde bulunan yazmanlardan François de Belleforest (1530-1583) tarafından yazılmış olduğunu kanıtlamış durumda. Başlangıçtaki dostlukları nefrete dönüşmüş ancak vakayiname, özellikle 25 adet tahta gravürü ile büyük başarı kazanmıştı. Arkeoloji, botanoloji ve zooloji konuları üzerinde, garip ve ilginç şeyler tarif etmeleri sayesinde başarı kazanan bu tahta gravürlere eşlik eden bilgiler deneyimli gözleme dayanmak yerine antik Yunan ve Latin yazarlardan yapılan alıntılardan meydana gelmiştir.
Yolculuğun vakayinamesi, Thevet'nin eserini inceleyen Fr. Lestringand'ın kanıtlarla gösterdiği gibi, Strabon, Plinius, Solinus, Pomponio Mela, Diodorus Siculus ve Herodotos'un yazılarından; İnciller ve Havarilere mektuplardan; ayrıca, yunanca ve latince profesörü L. C. Rhodiginus gibi kendi çağdaşı aydınların, G. Budé ve Erasmus gibi hümanistlerin, sözlükçü A. Calepino ve doktor J. Vadianus'un yazılarından alınmış parçalardır. Hatta bunlara ek olarak La Broderie, P. Gilles, P. Belon gibi gezginler ve coğrafyacı S. Münster'den bilgiler de "ödünç" almıştır.
Yazan: İoli Vingopoulou
Benny Bufano was an Italian American sculptor whose work can be seen throughout Northern California…after the assassinations of Robert Kennedy and Dr. Martin Luther King in 1968, the Mayor of San Francisco, Joseph Alioto requested a voluntary gun turn-in program which strangely produced 1968 guns…Bufano melted them down to make a 9’ tall St. Francis, entitled ‘St. Francis of the Guns’ very similar to the one which adorns his memorial in Holy Cross Cemetery in Colma, Ca….
Entitled Playboy Marfa and created by artist Richard Phillips, the controversial art piece was formerly located in Marfa, TX but was moved to Dallas in the Spring of 2014 when the Texas Department of Transportation deemed it illegal.
The material began life as a Cosmopolitan magazine serial entitled A Letter To Five Wives. The first draft of the script whittled it down to four, and subsequent drafts to the trio implied by the title . . .
The letter is sent by the never-seen Addie Ross (her voice was supplied by an uncredited Celeste Holm, who brings surprising subtlety to the catty character), a "classy" woman who is the feminine ideal for all three husbands of our married heroines (Addie's actual husband went out for a paper one evening and never came back). On the day she's supposed to accompany her "dearest friends" on a charity outing for a local orphanage, she skips town sending a short note that states she has run off with one of their husbands. Unable to contact said husbands (this was the days before smart phones and wi-fi), each of the wives is left to ponder why their husband might have skipped town with Addie . . .
And all three marriages are under pressure; Deborah Bishop (Jeanne Crain) fears that she is too much a hayseed to fit in with her wealthy husband's ((Jeffrey Lynn) friends and that he still pines for his old girlfriend Addie. Rita Phipps (Ann Sothern) makes more money in a month as a radio writer than her school-teaching husband (Kirk Douglas) does in a year; also, he has a certain amused contempt for most commercial radio and thinks she has become too much a creature of her professional surroundings. Lora Mae Hollingsworth (Linda Darnell) started dating her department-store owning husband (Paul Douglas) in a cynical effort to get a promotion to help her struggling family, and keeps playing hardball until he marries her. The resolution of the story is both amusing and surprisingly touching and feels very "right," which is rare in commercial films.
Even with the same script (by Joseph Mankiewicz, who also directed), the film wouldn't have worked as well without the cast he put together. Ann Sothern had been wasted in one too many "B" movies at MGM over the past decade and would soon be lost to television--this was her first really meaty role in a long time and she was splendid as the smart, funny woman who is very aware of the pitfalls of soap-opera writing, but also of the compensations (such as the weekly salary of "one hundred pieces in the most restful shade of green"); Jeanne Crain, gets a chance to show not only her dramatic chops, but to let loose in a bit of farce (her drunken waltz on the dance floor at the country club is a genuine hoot), and Linda Darnell, given the most complicated character in the film delivers a layered and touching performance as someone whose ideas may be wrong, but they ARE definite and she's going to live by them, even if it leads to pain. This is the sort of movie that people mean when they talk about smart entertainment, something you're more likely to find on television than in movie theaters these days. Which is a pity.
From my set entitled “Hosta”
www.flickr.com/photos/21861018@N00/sets/72157607213588660/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
Hosta (syn.: Funkia) is a genus of about 23–40 species of lily-like plants native to northeast Asia. They were once classified in the family Liliaceae but are now included in the family Agavaceae by the Angiosperm Phylogeny Group. The scientific name is also used as the common name; in the past they were also sometimes called the Corfu Lily, the Day Lily, or the Plantain lily, but these terms are now obsolete. The name Hosta is in honor of the Austrian botanist Nicholas Thomas Host.[1]The Japanese name Giboshi is also used in English to a small extent. The rejected generic name Funkia, also used as a common name, can be found in some older literature.
Hostas are herbaceous perennial plants, growing from rhizomes or stolons, with broad lanceolate or ovate leaves varying widely in size by species from 1–15 in (3–40 cm) long and 0.75–12 in (2–30 cm) broad. Variation among the numerous cultivars is even greater, with clumps ranging from less than 4 in (10 cm) across to more than 6.5 ft (2 m) across. Leaf color in wild species is typically green, although some species (e.g., H. sieboldiana) are known for a glaucous waxy leaf coating that gives a blue appearance to the leaf. Some species have a glaucous white coating covering the underside of the leaves. Natural mutations of native species are known with yellow-green ("gold") colored leaves or with leaf variegation (either white/cream or yellowish edges or centers). Variegated plants very often give rise to "sports" that are the result of the reshuffling of cell layers during bud formation, producing foliage with mixed pigment sections. In seedlings variegation is generality maternally derived by chloroplast transfer and is not a genetically inheritable trait.
The flowers are produced on erect scapes up to 31 in (80 cm) tall that end in terminal racemes. The individual flowers are usually pendulous, 0.75–2 in (2–5 cm) long, with six tepals, white, lavender, or violet in color and usually scentless. The only strongly fragrant species is Hosta plantaginea, which is also unusual in that the flowers open in the evening and close by morning. This species blooms in late summer and is sometimes known as "August Lily".
Taxonomists differ on the number of species; as such, the list at the right may be taken loosely. The genus may be broadly divided into three subgenera. Interspecific hybridization is generally possible, as all species have the same chromosome number (2n = 2x = 60) with the exception of H. ventricosa, a natural tetraploid that sets seed through apomixis. Many varieties formerly described as species have been taxonomically reduced to cultivar status, while retaining Latin names resembling species (e.g., H. 'Fortunei').
Though Hosta plantaginea originates in China, most of the species that provide the modern shade garden plants were introduced from Japan to Europe by Philipp Franz von Siebold in the mid-19th century. Newer species have been discovered on the Korean peninsula as well.
Hostas are widely-cultivated ground cover plants, particularly useful in the garden as shade-tolerant plants. Hybridization within and among species and cultivars has produced numerous cultivars, with over 3000 registered and named varieties, and perhaps as many more that are not yet registered. Cultivars with golden- or white-variegated leaves are especially prized. Popular cultivars include 'Francee' (green leaves with white edges), 'Gold Standard' (yellow leaves with green edges was discovered by Pauline Banyai) 'Undulata' (green leaves with white centers), 'June' (blue-green leaves with creamy centers), and 'Sum and Substance' (a huge plant with chartreuse-yellow leaves). Newer, fragrant cultivars such as 'Guacamole' are also popular. Pictures of hosta species and cultivars, along with other information, may be found at www.hostalibrary.org.
The American Hosta Society and the British Hosta and Hemerocallis Society support Hosta Display Gardens, often within botanical gardens.
Hostas are notoriously a favourite food for deer, slugs and snails, which commonly cause extensive damage to hosta collections in gardens. Poisoned baits using either metaldehyde or the safer iron phosphate work well for the latter, but require repeated applications. Deer control tends to be variable, as anything other than fencing tends to work for a few years then cease to work as they become accustomed to it.
Foliar nematodes, which leave streaks of dead tissue between veins, have become an increasing problem since changes in attitudes about pesticides since the mid-1990s in many countries have caused a resurgence in this once-controlled pest. There are no effective means for eliminating nematodes in the garden, although they can be controlled to the point where little or no symptoms are seen.
A virus called Hosta Virus X has become common since 2004 and plants that are infected must be destroyed. It can take years for symptoms to show, so symptomless plants in infected batches should also be considered infected.
Otherwise they are generally easy and long-lived garden plants, relatively disease free, requiring little care other than watering and some fertilizer to enhance growth. Some varieties are more difficult to grow, as can be expected with 5,000+ cultivars, but most are easy enough for beginners.
From my set entitled “Boats and Ships”
www.flickr.com/photos/21861018@N00/3206986832/in/set-7215...
In my collection entitled “Transportation”
www.flickr.com/photos/21861018@N00/collections/7215761271...
In my photostream
www.flickr.com/photos/21861018@N00/
From my set entitled “Jamestown”
www.flickr.com/photos/21861018@N00/sets/72157606230698243/
In my collection entitled “Virginia: Beach, Williamsburg, Jamestown, Yorktown: May 2008”
www.flickr.com/photos/21861018@N00/collections/7215760622...
Reproduced from Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Jamestown,_Virginia
Jamestown (originally also called "James Towne" or "Jamestowne") is located on the James River in what is currently James City County in the Commonwealth of Virginia. The site is about 40 miles (62 km) inland from the Atlantic Ocean and the entrance to the Chesapeake Bay and about 45 miles (70 km) downstream and southeast of the current state capital city of Richmond. Both the river and the settlement were named for King James I of England, who was on the throne at the time, granted the private proprietorship to the Virginia Company of London's enterprise.
The location at Jamestown Island was selected primarily because it offered a favorable strategic defensive position against other European forces which might approach by water. However, the colonists soon discovered that the swampy and isolated site was plagued by mosquitoes and tidal river water unsuitable for drinking, and offered limited opportunities for hunting and little space for farming. The area was also inhabited by Native Americans (American Indians).
The 3 points of Colonial Virginia's Historic Triangle, Jamestown, Williamsburg, and Yorktown are linked by the National Park Service's scenic Colonial Parkway.
The 3 points of Colonial Virginia's Historic Triangle, Jamestown, Williamsburg, and Yorktown are linked by the National Park Service's scenic Colonial Parkway.
Despite inspired leadership of John Smith, chaplain Robert Hunt and others, starvation, hostile relations with the Indians, and lack of profitable exports all threatened the survival of the Colony in the early years as the settlers and the Virginia Company of London each struggled. However, colonist John Rolfe introduced a strain of tobacco which was successfully exported in 1612, and the financial outlook for the colony became more favorable. Two years later, Rolfe married the young Indian woman Pocahontas, daughter of Wahunsunacock, Chief of the Powhatan Confederacy, and a period of relative peace with the Natives followed. In 1616, the Rolfes made a public relations trip to England, where Pocahontas was received as visiting royalty. Changes by the Virginia Company which became effective in 1619 attracted additional investments, also sowing the first seeds of democracy in the process with a locally-elected body which became the House of Burgesses, the first such representative legislative body in the New World.
Throughout the 17th century, Jamestown was the capital of the Virginia Colony. Several times during emergencies, the seat of government for the colony was shifted temporarily to nearby Middle Plantation, a fortified location on the high ridge approximately equidistant from the James and York Rivers on the Virginia Peninsula. Shortly after the Colony was finally granted a long-desired charter and established the new College of William and Mary at Middle Plantation, the capital of the Colony was permanently relocated nearby. In 1699, the new capital town was renamed Williamsburg, in honor of the current British king, William III.
After the capital was relocated, Jamestown began a gradual loss of prominence and eventually reverted to a few large farms. It again became a significant point for control of the James River during the American Civil War (1861–1865), and then slid back into seeming oblivion. Even the Jamestown Exposition of 1907 was held elsewhere, at a more accessible location at Sewell's Point, on Hampton Roads near Norfolk.
Queen Elizabeth II of the United Kingdom and her consort Prince Phillip inspect replica of Susan Constant at Jamestown Festival Park in Virginia on October 16, 1957
Queen Elizabeth II of the United Kingdom and her consort Prince Phillip inspect replica of Susan Constant at Jamestown Festival Park in Virginia on October 16, 1957
Beginning in 1893, 22.5 acres of the Jamestown site were acquired by the Association for the Preservation of Virginia Antiquities. A crucial sea wall was built in 1900 to protect the shoreline near the site of James Fort from further erosion. In the 1930s, the Colonial National Historical Park was established to protect and administer Jamestown, which was designated a National Historic Site. The U.S. National Park Service acquired the remaining 1,500 acres (6.1 km²) of Jamestown Island through eminent domain in 1934.
For the 350th anniversary in 1957, Jamestown itself was the site of renewed interest and a huge celebration. The National Park Service provided new access with the completion of the Colonial Parkway which led to Williamsburg, home of the restored capital of Colonial Williamsburg, and then on to Yorktown, the other two portions of Colonial Virginia's Historic Triangle. Major projects such as the Jamestown Festival Park were developed by non-profit, state and federal agencies. Queen Elizabeth II of Great Britain and Prince Philip attended. The 1957 event was a great success. Tourism became continuous with attractions regularly updated and enhanced.
The two major attractions at Jamestown are separate, but complementary to each other. The state-sponsored Jamestown Settlement near the entrance to Jamestown Island includes a recreated English Fort and Native American Village, extensive indoor and outdoor displays, and features the three popular replica ships. On Jamestown Island itself, the National Park Service operates Historic Jamestowne. Over a million artifacts have been recovered by the Jamestown Rediscovery project with ongoing archaeological work, including a number of exciting recent discoveries.
Early in the 21st century, in preparation for the Jamestown 2007 event commemorating America's 400th Anniversary, new accommodations, transportation facilities and attractions were planned. The celebration began in the Spring of 2006 with the sailing of a new replica Godspeed to six major East Coast U.S. cities, where several hundred thousand people viewed it. Queen Elizabeth II and Prince Phillip joined America's festivities on an official state visit to Jamestown in May 2007.
Mural entitled "The Golden Muse" designed by Professor Tim Parsley and executed by Teaching Assistants and student apprentices for Art Works Cincinnati. Seen in the Over the Rhine area of Cincinnati, Ohio.
Photo by James aka @urbanmuralhunter on that other photo site.
Edit by Teee.
This image is excerpted from a U.S. GAO report:
www.gao.gov/products/GAO-17-204
IMMIGRATION STATUS VERIFICATION FOR BENEFITS: Actions Needed to Improve Effectiveness and Oversight
The Springfield Art Association will host an opening reception for a nationally juried ceramic exhibition entitled Shapes of Influence on Friday evening, August 3rd, from 5:30-7:30 PM. Awards and a gallery talk by juror Simon Levin will occur at 6:45 PM.
The show will be on display in the SAA's M.G. Nelson Family Gallery from August 3-September 1 and features work from over two dozen states and Canada.
Juried artists include Morgan Barton, Kenneth Baskin, Casey Beck, Irina Bondarenko, Robert Bruch, Danielle Callahan, Michelle Coakes, John Cohorst, Louis Colomarini, John Costanza, Paula Diaz-Sylvester, Auguste Elder, Karen Ellis-Phillips, Curtis and Karen Frederick, Verne Funk, John Gargano, Kaitlyn Getz, Sarah Gross, Lois Harbaugh, Ian Hazard-Bill, Jason Hess, Jennifer Holt, Drew Ippoliti, Iskra Ivanova, Anna Kats, Patty Kochaver, Robert Kokenyesi, Lucien Koonce, Joe Kraft, Annie Lee, Andrew Mcintyre, Jessie Martin, Paul McCoy, Avra Messe, Molly Morning-glory, Matthew Patton, Sara Prigodich, Jenny Reed, Masa Sasaki, Jessica Sallay-Carrington, Kourtney Stone, Suzanne Storer, Sam Thompson, Austin Wieland, Nicole Winning, Matthew Wright, Kensuke Yamada, Lisa York, and David Zahn.
Invited artists include Dan Anderson, Kahil Irving, Peter Pincus, and Kelsie Rudolph.
The M.G. Nelson Gallery is open to the public M-F from 9 AM-5 PM and Saturdays from 10 AM-3 PM.
From my set entitled “Peonies”
www.flickr.com/photos/21861018@N00/sets/72157607186459134/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
The peony or paeony (Paeonia) is the only genus in the flowering plant family Paeoniaceae. They are native to Asia, southern Europe and western North America.
Most are herbaceous perennial plants 0.5–1.5 metres tall, but some are woody shrubs up to 1.5–3 metres tall. They have compound, deeply lobed leaves, and large, often fragrant flowers, ranging from red to white or yellow, in late spring and early summer. In the past, the peonies were often classified in the family Ranunculaceae, alongside Hellebores and Anemones.
The peony is named after Paeon or Paean, a student of Asclepius, the Greek god of medicine and healing. Asclepius became jealous of his pupil; Zeus saved Paeon from the wrath of Asclepius by turning him into the peony flower
The peony is among the longest-used flowers in ornamental culture and is one of the smallest living creature national emblems in China. Along with the plum blossom, it is a traditional floral symbol of China, where it is called 牡丹 (mǔ dān). It is also known as 富贵花 (fuguihua) "flower of riches and honour", and is used symbolically in Chinese art.[2] In 1903, the Qing Dynasty declared the peony as the national flower. Currently, the Republic of China on Taiwan designates the plum blossom as the national flower, while the People's Republic of China has no legally designated national flower. In 1994, the peony was proposed as the national flower after a nationwide poll, but the National People's Congress failed to ratify the selection. In 2003, another selection process has begun, but to date, no choice has been made.
The famous ancient Chinese city Luoyang has a reputation as a cultivation centre for the peonies. Throughout Chinese history, peonies in Luoyang are often said to be the finest in the country. Dozens of peony exhibitions and shows are still held there annually.
In Japan, Paeonia lactiflora used to be called ebisugusuri ("foreign medicine"). In kampo (the Japanese adaptation of Chinese medicine), its root was used as a treatment for convulsions. It is also cultivated as a garden plant. In Japan Paeonia suffruticosa is called the "The King of flowers" and Paeonia lactiflora is called the "prime minister of flowers".
Pronunciation of 牡丹 (peony) in Japan is "botan". Before the Meiji period, meat taken from quadrupeds was seldom consumed in Japan due to Buddhism. Thus in cases where such meat was handled, it was paraphrased using the names of flowers. The term botan was used (and is still used) to paraphrase wild boar meat. This comes from the flowery resemblance of the sliced meat when spread over a dish. Another example is sakura (cherry blossoms) which stands for horsemeat.
In 1957, the Indiana General Assembly passed a law to make the peony the state flower of Indiana, a title which it holds to this day. It replaced the zinnia, which had been the state flower since 1931.
Mischievous nymphs were said to hide in the petals of the Peony thus causing this magnificent flower to be given the meaning of Shame or Bashfulness in the Language of Flowers. It was named after Pæon, a physician to the gods, who obtained the plant on Mount Olympus from the mother of Apollo. Once planted the Peony likes to be left alone and punishes those who try to move it by not flowering again for several years. Once established, however, it produces splendid blooms each year for decades (Taken from The Language of Flowers, edited by Sheila Pickles, 1990).
Peonies are also extensively grown as ornamental plants for their very large, often scented flowers.
Peonies tend to attract ants to the flower buds. This is due to the nectar that forms on the outside of the flower buds.
Peonies are a common subject in tattoos, often used along with koi-fish.
From my set entitled “Boats and Ships”
www.flickr.com/photos/21861018@N00/3206986832/in/set-7215...
In my collection entitled “Transportation”
www.flickr.com/photos/21861018@N00/collections/7215761271...
In my photostream
www.flickr.com/photos/21861018@N00/
From my set entitled “Jamestown”
www.flickr.com/photos/21861018@N00/sets/72157606230698243/
In my collection entitled “Virginia: Beach, Williamsburg, Jamestown, Yorktown: May 2008”
www.flickr.com/photos/21861018@N00/collections/7215760622...
In my photostream
www.flickr.com/photos/21861018@N00/
Reproduced from Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Jamestown,_Virginia
Jamestown (originally also called "James Towne" or "Jamestowne") is located on the James River in what is currently James City County in the Commonwealth of Virginia. The site is about 40 miles (62 km) inland from the Atlantic Ocean and the entrance to the Chesapeake Bay and about 45 miles (70 km) downstream and southeast of the current state capital city of Richmond. Both the river and the settlement were named for King James I of England, who was on the throne at the time, granted the private proprietorship to the Virginia Company of London's enterprise.
The location at Jamestown Island was selected primarily because it offered a favorable strategic defensive position against other European forces which might approach by water. However, the colonists soon discovered that the swampy and isolated site was plagued by mosquitoes and tidal river water unsuitable for drinking, and offered limited opportunities for hunting and little space for farming. The area was also inhabited by Native Americans (American Indians).
The 3 points of Colonial Virginia's Historic Triangle, Jamestown, Williamsburg, and Yorktown are linked by the National Park Service's scenic Colonial Parkway.
The 3 points of Colonial Virginia's Historic Triangle, Jamestown, Williamsburg, and Yorktown are linked by the National Park Service's scenic Colonial Parkway.
Despite inspired leadership of John Smith, chaplain Robert Hunt and others, starvation, hostile relations with the Indians, and lack of profitable exports all threatened the survival of the Colony in the early years as the settlers and the Virginia Company of London each struggled. However, colonist John Rolfe introduced a strain of tobacco which was successfully exported in 1612, and the financial outlook for the colony became more favorable. Two years later, Rolfe married the young Indian woman Pocahontas, daughter of Wahunsunacock, Chief of the Powhatan Confederacy, and a period of relative peace with the Natives followed. In 1616, the Rolfes made a public relations trip to England, where Pocahontas was received as visiting royalty. Changes by the Virginia Company which became effective in 1619 attracted additional investments, also sowing the first seeds of democracy in the process with a locally-elected body which became the House of Burgesses, the first such representative legislative body in the New World.
Throughout the 17th century, Jamestown was the capital of the Virginia Colony. Several times during emergencies, the seat of government for the colony was shifted temporarily to nearby Middle Plantation, a fortified location on the high ridge approximately equidistant from the James and York Rivers on the Virginia Peninsula. Shortly after the Colony was finally granted a long-desired charter and established the new College of William and Mary at Middle Plantation, the capital of the Colony was permanently relocated nearby. In 1699, the new capital town was renamed Williamsburg, in honor of the current British king, William III.
After the capital was relocated, Jamestown began a gradual loss of prominence and eventually reverted to a few large farms. It again became a significant point for control of the James River during the American Civil War (1861–1865), and then slid back into seeming oblivion. Even the Jamestown Exposition of 1907 was held elsewhere, at a more accessible location at Sewell's Point, on Hampton Roads near Norfolk.
Queen Elizabeth II of the United Kingdom and her consort Prince Phillip inspect replica of Susan Constant at Jamestown Festival Park in Virginia on October 16, 1957
Queen Elizabeth II of the United Kingdom and her consort Prince Phillip inspect replica of Susan Constant at Jamestown Festival Park in Virginia on October 16, 1957
Beginning in 1893, 22.5 acres of the Jamestown site were acquired by the Association for the Preservation of Virginia Antiquities. A crucial sea wall was built in 1900 to protect the shoreline near the site of James Fort from further erosion. In the 1930s, the Colonial National Historical Park was established to protect and administer Jamestown, which was designated a National Historic Site. The U.S. National Park Service acquired the remaining 1,500 acres (6.1 km²) of Jamestown Island through eminent domain in 1934.
For the 350th anniversary in 1957, Jamestown itself was the site of renewed interest and a huge celebration. The National Park Service provided new access with the completion of the Colonial Parkway which led to Williamsburg, home of the restored capital of Colonial Williamsburg, and then on to Yorktown, the other two portions of Colonial Virginia's Historic Triangle. Major projects such as the Jamestown Festival Park were developed by non-profit, state and federal agencies. Queen Elizabeth II of Great Britain and Prince Philip attended. The 1957 event was a great success. Tourism became continuous with attractions regularly updated and enhanced.
The two major attractions at Jamestown are separate, but complementary to each other. The state-sponsored Jamestown Settlement near the entrance to Jamestown Island includes a recreated English Fort and Native American Village, extensive indoor and outdoor displays, and features the three popular replica ships. On Jamestown Island itself, the National Park Service operates Historic Jamestowne. Over a million artifacts have been recovered by the Jamestown Rediscovery project with ongoing archaeological work, including a number of exciting recent discoveries.
Early in the 21st century, in preparation for the Jamestown 2007 event commemorating America's 400th Anniversary, new accommodations, transportation facilities and attractions were planned. The celebration began in the Spring of 2006 with the sailing of a new replica Godspeed to six major East Coast U.S. cities, where several hundred thousand people viewed it. Queen Elizabeth II and Prince Phillip joined America's festivities on an official state visit to Jamestown in May 2007.
Tornado nr Plean on the SRPS Forth Circle . This was supposed to be entitled "Bursts forth" but none of the previous days exuberance . A 110 mm shot - ignore the 'focal length' shown by Flickr . I was fairly new to digital so couldnt see why so much variance is shown - what was the point - and did you require a calculater to work it out?1
An exhibition entitled “PolandIn.” was held on the sidelines of the Assemblies of WIPO Member States, which met from September 24 to October 2, 2018.
It showcased the most important, most modern, and – in many cases – also iconic achievements of Polish technical know-how and design. WIPO co-organized the event with the Patent Office of the Republic of Poland and the Ministry of Culture and National Heritage of the Republic of Poland.
Copyright: WIPO. Photo: Violaine Martin. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.
This was supposed to be entitled “a cloudy day” - meant as a joke because these were the only clouds in a vast sea of blue sky. The picture was ruined though by that bloody hair!
This is definitely not something you want to see on your pictures because that hair was obviously lodged on the sensor of my camera.
In the old film days you might have got a hair like that inside the pentaprism or on the focussing screen but they would not show up on your photos. Digital cameras though have a sensor inside which records the pictures. Any dust, or in this case a hair, on it will come out on every photograph you take.
Compact cameras are sealed to prevent this from happening but in a single lens reflex the sensor is exposed every time the mirror swings out of the way to take a photo.
Camera manufacturers have devised clever ways to try and keep the sensor clean by vibrating it each time the camera is switched on and off. That wasn’t going to shift this hair though; I had to remove it manually with a very soft sable brush.
Thankfully the trick worked but it was a HAIRY moment I can tell you!
Canon 5D MkII with Canon EF 70-200mm f/4L IS USM lens.
CHICAGO, IL - APRIL 14: Celebration of Life For St.Clair Joseph Booker Sr.
February 4,1927 - April 5, 2021
St. Clair Joseph was born February 4th, 1927 in Chicago, Illinois to St. Clair and Idonia Booker. St Clair was the second child born to this union. His parents along with his sisters Alice LaVergne, Marie Antoinette and his brothers Ira Carl (Cookie) and Paul Verdane preceded him in death.
St. Clair received his education in the Chicago Public System. He attended Copernicus Elementary, Lindblom High School, and Dunbar High School. Before St. Clair could finish school, he was drafted into the United States Army. He was promoted to the rank of Sergeant in his second year of service. He received an Honorable Discharge in 1953 and transferred to (ERC) Enlisted Reserve Corps for five years. Upon returning to Chicago he continued his education.
St. Clair made no bones about who his favorite sibling was “Marie” and through her he met the love of his life Audrey Cloyd. Audrey observed a picture of him on Marie’s desk and asked “who is that”. When Marie stated ‘that’s my brother” and Audrey responded “that’s going to be my husband”. Thus the courtship began through correspondence. Within six months of returning home they were married. In 2020 they celebrated 67 years of marriage. They shared many wonderful experiences together and loved to travel with friends and family. When you saw them together you saw and felt the love. They provided a loving home for members of their family and guidance to many. Sharing wisdom, and love through generations.
St. Clair was an avid Jazz Lover and he had an extensive Jazz music collection. When asked who was his favorite he responded “The Pres” Lester Young.
St. Clair worked at Dial Chemical Company for several years, but the entrepreneurial spirit in him was burning. After meeting his ride one night, he decided that her was never going back to that job. This was the beginning of a new journey for him and he started a limousine service with his first son Mike. He often stated “I asked the Lord for a Cadillac and He blessed me with Cadillacs”. Often saying “you have not because you ask not”. Later they expanded their ventures and started MIST vending machine service.
St. Clair was employed at Union Carbide and as a result of his work; St. became the 1st Black Urban Exec at National Tea Company. In 1966, St. Clair joined SCLC Operation Breadbasket now (Rainbow PUSH Coalition). He began as a volunteer, acted as a Freedom Fighter and a Picket Captain. He was very instrumental in many firsts, such as Boycotting of Dean Milk and A & P, bringing the 1st Black Easter, 1st Black Christmas, and the 1st Black Expo to Chicago. He was very competitive, comparing his team of boycotters to others.
St. Clair and the Reverend Jesse L. Jackson, Sr. began a father/son relationship, and he later took on a leadership role as head of his security. Their friendship and respect for one another developed, that it was said and understood that if anything every happens, he and Audrey would assume responsibility for all the Jackson children.
St. Clair and Rev. Jackson traveled the world together for over 20 years, visiting numerous countries and meeting with several dignitaries.
St. Clair had many sayings that were scriptural to him, like I had the best daddy in the world, Thank God for Christian parents, God ain’t made one of nothing, I don’t have corns on my hands because my daddy said “use your brain, not your back”, “Work smart not hard”
St. Clair joined Fellowship Baptist Church April 15th, 1973, under the leadership of the late Rev. Clay Evans, and served on the Deacon Board, Trustee Board, head of the Benevolent Committee, Tithers Club Deacon, and on the Board of the Fellowship Credit Union. In later years St. joined the Centennial MBC under the leadership of Pastor J. Derrick Anderson, and attended faithfully until his wife Audrey’s health began to decline.
After the transition of his wife Audrey, St. moved to the home of his niece Kathy in Harvey, Illinois, where he spent time listening to jazz, watching television, talking to friends and family on the phone and praising GOD.
Allen, Jeffery, Larry, Darnell, Doyle, William, Kwanza, and Khobi. Extended Family, Rev. Jesse L. And Jacqueline Jackson, Sr., Santita, Jackie, Jesse Jr., Yusef, Jonathan, and the entire Jackson Family, Michael Knighten the first son, Nicole Knighten, Kimberly Knighten Trueblood, and the entire Knighten Family, Favorite Cousin LaVerta and family, Babyboy (Keyonne), Special Friend Jerome (JJ) Jones (Deb). St. Clair leaves a host of others that he thought the world of too many to name.
CELEBRATION OF LIFE HONORING ST.CLAIR JOSEPH BOOKER, SR.
Wednesday, April 14th, 2021
Visitation: 11:00 AM Service: 12:00 PM
Organ Prelude
Processional-Clergy and Family
Prayer-Rev. Janette Wilson
Scripture
Musical Selection-Glenda Griffin
Remarks-Rev. Dr. Roland Booker, Jr., Jesse Jackson Jr.
Acknowledgements/Resolution-Tina Griffin
Musical Selection-Santita Jackson
Tributes-Nicole Knighten, Michael Knighten
Musical Selection-Darius Brooks, Rev. Jesse L. Jackson, Sr., Rev. Al Sharpton
Reading of the Obituary-Glenda Griffin
Musical Selection-Santita Jackson
Eulogy-Jonathan Jackson
Reviewal
PALLBEARERS
Keyonne Burrell, Darnell Cloyd, Omarr Franklin, Kwanza Hall, Jerome (JJ) Jones, Kerry Sawyer
HONORARY PALLBEARERS
Christopher Buckley, Larry Pittman, Michael Knighten, Eric Burrell
INTERMENT
OAKWOODS CEMETERY 1035 E 67TH STREET CHICAGO, ILLINOIS 60637.
ARRANGEMENTS ENTITLED TO: EVANS FUNERAL HOME LTD 6453 SOUTH ASHLAND
AVENUE CHICAGO, ILLINOIS 60636 DORIS M. EVANS-YORK, LICENSED FUNERAL DIRECTOR
on April 14, 2021 at Rainbow PUSH Coalition National Headquarters in Chicago, IL
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Private press book entitled 'Men & Women Volume I' by Robert Browning. Printed by T.J.Cobden-Sanderson and E.Walker at the Doves Press, published 1908 from the first edition of 1855. From the library belonging to Emery Walker.
One of 13 vellum copies. Type set by J.H. Mason and embellished by hand by Edward Johnston. Text printed in red and black with shoulder notes in red. Contents page hand painted in alternating blue and green with flower motifs. Poem titles printed in red, flourished with alternating blue or green. Bound by the Doves bindery in limp vellum with title in gilt on the spine.
CAGM.1991.1016.996.X2