Entitled photos on Flickr

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Mural entitled "El Viandero" by David Sepulveda aka Don Rimx and Mr Dheo seen in the Leah Arts District of Hialeah, Florida.

Mr Dheo is from Portugal, and viandero means gluttonous or greedy in Portuguese.

Mayor Eric Adams delivers remarks at a conference at Gracie Mansion entitled ‘A New York City Approach to Addressing Hunger, Nutrition Security, and Health Disparities.’ by nycmayorsoffice

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Mayor Eric Adams delivers remarks at a conference at Gracie Mansion entitled ‘A New York City Approach to Addressing Hunger, Nutrition Security, and Health Disparities.’ Tuesday, June 21, 2022. Credit: Ed Reed/Mayoral Photography Office.

The Ancient Parish of East Farleigh, East Farleigh. Kent by Jelltex

I have always thought that Elmstone was the only Kent church without dedication to a Saint/King or Martyr, but it seems East Farleigh has has St Mary foisted upon it.

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Many churches that one spends years trying to see inside of, turn out to be disappointments.

But not so of the Farleighs, East and West.

With West being open and being a delight, what then of East, hidden as it is behind the village hall and old schoolhouse?

I went down the alleyway, round the corner and through the gate and saw that the porch was open, and in the inner door was too.

Again, I was greeted warmly, and once inside I saw a large and impressive church that stay almost hidden from the road above it.

I have always arrived at East Farleigh from West Farleigh, meaning that I arrive at the car park, and then go through the narrow passage way between the old school and village hall.

But looking on GSV, there are fine views from the crossroads opposite the Bull Inn, through the lych gave and down the sunken path to the church.

I am usually speeding away to my next destination at this point, so don't look in my rear view mirror.

I was shown into the Vestry, where I could see the photographs of the Wilberforces who were vicars (if that is the right term) in the 1830s. Robert and Henry were the son of the Abolitionist, William Wilberforce.

Both Robert and Henry were leading lights in the Oxford Movement.

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Who would have thought that 150 years ago the picturesque church perched high above the River Medway was the scene of fierce dissent over ritualistic practices? The church was one of the first in the country to have a robed choir. The sunken path from the south shows how much the ground level has risen over the centuries and leads to a porch with a fine parvise. Although the church has been rather heavily restored it contains much of interest. Of special note is the Tudor font cover which sits on a fourteenth century font. The chancel and south chapel were both embellished by the firm of Powell's and much glass and wall decoration is by them. They created a rich focus for Eucharistic worship as a contrast to the rather plain nave and aisles. The south chancel window, with WW1 scenes is a fine example of their work.

www.kentchurches.info/church.asp?p=East+Farleigh

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EAST FARLEIGH.

NORTH-WESTWARD from Linton, on the opposite side of Cocks-heath, and on the southern bank of the river Medway lies the parish of East Farleigh, so called to distinguish it from the adjoining parish of West Farleigh, in Twyford hundred. It is called by Leland, in his Itinerary, Great Farleigh.

In the record of Domesday it is written Ferlaga, and in the Textus Roffensis, FEARNLEGA, and most probably took its name, as well as the parish of West Farleigh, from the passage over the river Medway at one or both of these places, fare in Saxon signifying a journey or passage, and lega, a place, i. e. the place of the way or passage.

THE PARISH of East Farleigh is situated about two miles from Maidstone, it lies on high ground, the soil a loam, covering but very slightly a bed of quarry stone. It is exceeding fertile, especially for fruit trees and the hop-plant, of which, especially about the village, there are many plantations. Its extent is about two miles each way; the river Medway is its northern boundary, over which here is an old gothic stone bridge of five arches, which is repaired at the county charge. The tide, in memory of some now living, flowed up as high as this bridge, but since the locks have been erected on this river to promote the navi gation, it has stopped from flowing higher than that just above Maidstone bridge. From the river the ground rises suddenly and steep southward, forming a beautiful combination of objects to the sight, having the village and church on the height, intersected with large spreading oaks and plantations of fruit, and the luxuriant hop, whilst the river Medway gliding its silver stream below, reflects the varied landscape. The village, through which the road leads from Tovill to West Farleigh, stands on the knole of the hill, about a quarter of a mile from the river, having the church and vicarage in it; eastward lies the hamlet of Danestreet, and further on Pimpes-court, at the extremity of this parish next to Loose, in which part of the lands belonging to it lie. At a small distance westward of the village of East Farleigh, is a genteel house, formerly belonging to a family of the name of Darby, some of whom are mentioned in the parish register as inhabitants of it, as far back as the year 1653. Mr. John Darby, the last of them, died in 1755, and by will gave this house to his widow, (Mary, daughter of Captain Elmstone, of Egerton) who re-married Mr. James Drury, of Maidstone, by whom she had one daughter, Mary. Since his death in 1764, she again became possessed of it, and resides in it; from hence the ground keeps still rising southward to Cocksheath, between which and the village is the manor of Gallants, part of the heath is within this parish, which reaches within a quarter of a mile of the house called Boughton Cock, part of Loose parish intervening, and separating the eastern extremity of it entirely from the rest. In this part of the parish are some quarries of Kentish rag stone, commonly called the Boughton quarries, from their lying mostly in that parish, and on the banks of the Medway there are more of the same fort, wholly in this of Farleigh.

A younger branch of the clerks of Ford, in Wrotham, resided here in the reigns of queen Elizabeth and king James I. as appears by the parish register. Dr. Plot mentions in his natural history of Oxfordshire, some large teeth having been dug up here, one of which was seven inches round, and weighed five ounces and an eighth, but I can gain no further information of them.

THIS PLACE was given by queen Ediva, or as she is called by some Edgiva, the mother of king Edmund and Eadred, in the year 961, to Christ-church, in Canterbury, free from all secular service, excepting the repairing of bridges, and the building of castles; (fn. 1) and it continued in the possession of that church at the time of the taking the general survey of Domesday, in the year 1080, being the 15th of the Conqueror's reign, in which it is thus described, under the general title of Terra Monachorum Archiepi, or lands of Christ-church, in Canterbury.

The archbishop himself holds Ferlaga. It was taxed at six sulings. The arable land is 26 carucates. In demesne there are four, and 35 villeins, with 56 borderers, having 30 carucates. There is a church and three mills of twenty-seven shillings and eight pence. There are 8 servants, and 6 fisheries, of one thousand two hundred eels. There are 12 acres of pasture. Wood for the pannage of 115 hogs.

Of the land of this manor Godefrid held in fee half a suling, and has there two carucates, and seven villeins with 10 borderers having three carucates, and four servants, and one mill of twenty pence, and four acres of meadow, and wood for the pannage of 30 hogs.

The whole manor, in the time of king Edward the Confessor was worth sixteen pounds, and afterwards as much, and now twenty-two pounds. What Abel now holds is worth six pounds, what Godefrid nine pounds, what Richard in his lowy, four pounds.

In the time of king Edward I. the manor of East Farleigh, together with the estate belonging to Christchurch, in the neighbouring parish of Hunton, was valued at forty-two pounds per annum.

King Edward II. in his 10th year, confirmed to the prior of Christ-church free warren, in all the demesne lands which he possessed here in the time of his grandfather, or at any time since. (fn. 2) This manor continued part of the possessions of the priory, till its dissolution in the 31st year of king Henry VIII. when it was surrendered into the king's hands, who that year granted it, among other premises, to Sir Thomas Wyatt, and his heirs male, to hold in capite by knight's service, but his son, Sir Thomas Wyatt, having raised a rebellion in the 1st year of queen Mary was attainted, and his estates became forfeited to the crown, and were together with the reversion of them, assured to the queen and her heirs, by an act passed for that purpose. After which, though the queen made a grant of the scite and capital messuage of this manor, to Sir John Baker, as will be further mentioned hereafter, yet the manor itself continued in the crown, and remained so at the death of king Charles I. in 1648. After which the powers then in being, passed an ordinance to vest the royal estates in trustees, in order for sale, to supply the necessities of the state, when on a survey taken of this manor it appeared, that there were quit-rents due to the lord from freeholders, in free socage tenure in this parish, and within the townships of Linton and East Peckham, and from several dens in the Weald; that there were common fines from the borsholders of Stokenburie, in East Peckham, and of Badmonden, Stoberfield and Rocden, the produce of all which yearly, with the fines, profits, &c. of courts, coibus annis, amounted in the total to 56l. 7s. 7½d. That there was a court ba ron and court leet; that the freeholders paid a heriot on demise, or death of the best living thing of any such tenant, or in want of it, 3s. 4d. (fn. 3)

Soon after which this manor was sold by the state to colonel Robert Gibbon, with whom it continued till the restoration of king Charles II. when it again became part of the revenues of the crown.

The grant of it has been many years in the family of his Grace the duke of Leeds, who now holds it at the yearly fee farm rent of ten shillings.

BUT THE SCITE and capital messuage of the manor of East Farleigh, now called the COURT LODGE, with all the demesne lands of the manor, about two hundred acres, in East Farleigh and Linton, was granted, anno 1st and 2d Philip and Mary, to Sir John Baker, one of the queen's privy council, (fn. 4) to hold in capite by knights service. (fn. 5) He died in the 5th and 6th years of that reign, and by will devised it to his second son, Mr. John Baker, of London; whose son, Sir Richard Baker, the chronicler, about the latter end of queen Elizabeth's reign, alienated it to Sir Thomas Fane, of Burston, in Hunton; who died in 1606, without issue, and bequeathed this among the rest of his estates to Sir George Fane, second son of Sir Thomas Fane, of Badsell, by Mary his wife, baroness le Despenser; he was succeeded in 1640, by his eldest son, colonel Thomas Fane, of Burston, who in the reign of king Charles II. alienated it to Mr. John Amhurst, who then resided at the court lodge as tenant under him.

He was the grandson of Nicholas Amerst, for so he spelt his name, who was of East Farleigh, in 1616, to whom William Camden, clarencieux, in 1607, assigned this coat of arms, Gules, three tilting spears, two and one, erected in pale or, headed argent, who dying in 1692, was buried in this church, as were his several descendants. His eldest son, Nicholas Amherst, for so he wrote his name, became his heir, and resided as tenant at the Court lodge, and died in 1679.

John Amhurst, gent. his eldest son, resided at the Court lodge, which he afterwards purchased of Col. Fane above mentioned; he served the office of sheriff in 1699, and kept his shrievalty here; though married, he died in 1711, s. p. and by will gave this estate to his brother, captain Nicholas Amhurst, of Barnjet, who died in 1715.

He married Susannah Evering, by whom he had issue fifteen children; John, who resided at the Court lodge, and died in his life time, whose grandson, John Amhurst, esq. is now of Boxley abbey; and George, the second son, who was twice married, but left issue only by his second wife, Susan, the eldest of whose sons was John Amhurst, esq. late of Rochester. Nicholas, the next son, died in 1736, unmarried. Stephen, another of the sons, was of West Farleigh, and dying in 1760, was buried at West Farleigh, leaving three sons; John Amhurst, esq. now of Barnjet; Edward, who was of Barnjet, and died in 1762, aged 20, and was buried near his father; and Stephen Amhurst, esq. now of West Farleigh, and four daughters. Edward, another son, was of Barnjet, and died in 1756, without issue, and was buried at Barming.

Of the daughters, Susan married Edward Walsingham, of Callis court, in Ryarsh, who left by her two daughters; Susan, married to Sir Edw. Austen, bart. of Boxley abbey; and Mary, married to John Miller. Jane, married to James Allen, by whom she had two sons, James, now deceased; and William, devisees in the will of Sir Edward Austen; and a daughter, married to Nicholas Amhurst, father of John, of Boxley abbey.

George Amhurst, gent. above mentioned, the second but eldest surviving son of Nicholas, by Susan nah Evering, had the Court lodge by his father's will, who having neglected to cut off an entail of it, his three other sons, Nicholas, Stephen, and Edward, claimed their respective shares in it; the entire fee of which, after much dispute, partly by purchase, and partly by agreement, became vested in Edward Amhurst, gent. the youngest son, who died, s. p. in 1756, and devised it by will to his next elder brother, Stephen Amhurst, esq. gent. of West Farleigh; who, at his death, in 1760, gave it to his eldest son, John Amhurst, esq. now of Barnjet, the present possessor of the Court lodge, and the estate belonging to it.

The mansion of the court lodge is situated adjoining to the west side of the church yard; it has not been inhabited but by cottagers for many years; great part of it seems to have been pulled down, and the remains make but a very mean appearance.

GALLANT'S is a manor in this parish, which seems to have been in early times the estate of a branch of the eminent family of Colepeper, whose arms yet remain in the windows of this church, and in which there is an ancient arched tomb, under which one of them was buried.

By inquisition, taken after the death of Walter Colepeper, at Tunbridge, anno 1 Edward III. it was found that he held in gavelkind in fee, certain tenements in East Farleigh, of the prior of Christ church, by service, and making suit at the court of the prior of East Farleigh, that there were there one capital messuage, with lands, and rents in money and in hens, by which it appears to have been a manor, and that his sons, Thomas, Jeffry, and John, were his next heirs. The above premises seem very probably to have been what is now called the manor of Gallant's, which afterwards passed into the family of Roper, who held it for some length of time, this branch of them, who possessed this manor, being created by king James I. barons of Teynham, one of whom, John Roper, the third lord Teynham, died possessed of it in 1627, as appears by the inquisition then taken. His grandson, Christopher lord Teynham, gave it in marriage with his daughter Catharine, to Wm. Sheldon, esq. whose descendant, Richard Sheldon, esq. of Aldington, in Thurnham, gave it by will to his widow, who soon afterwards, in 1738, carried it in marriage to Wm. Jones, M. D. who died in 1780, leaving his two daughters his coheirs; Mary, married to Lock Rollinson, esq. of Oxfordshire, and Anne to Tho. Russel, esq. and they, in right of their wives, are at this time respectively entitled to this manor.

The manor house has an antient appearance, both within and without, the doors being arched, and as well as the windows, cased with ashlar stone, and much of the walls built with flint.

PIMPE'S-COURT is a manor and antient seat in this parish, the mansion of which is situated at the southern extremity of it next to Loose. It was formerly part of the possessions of the family of Pimpe, being one of the seats of their residence, whence it acquired their name in process of time, among other of their possessions in this neighbourhood and else where in this county. It appears to have been antiently held of the family of Clare, earls of Gloucester; of whom, as chief lords of the fee, it was again held by this eminent family of Pimpe, from whom though it acquired its name of Pimpe'scourt, yet their principal habitation seems to have been in the parish of Nettlested, not far distant. Rich. de Pimpe of Nettlested held it in the reigns of Edward I. and III. as did his descendant, Sir Philip de Pimpe, in the begining of that of Edward I. being at that time a man of great repute. His widow, Joane, married John de Coloigne, who together with her son, Thomas de Pimpe, paid aid for this manor in the 20th year of king Edward III. Philipott says, Margaret de Cobham, wife of Sir William de Pimpe, died in 1337, and was buried in this church. Her tomb is yet remaining, but the inscription, then visible, is gone. Wil liam, son of Thomas de Pimpe, of Nettlested, died in the time of his shrievalty, anno 49 Edward III. and his son, Reginald, who then resided here at East Farleigh, served out the remainder of the year. His descendant of the same name resided here at the time of his shrievalty, in the 10th year of king Henry IV. to whose son, John, two years afterwards, John de Fremingham, of Loose, gave by will his estate there and elsewhere, in this county, in tail mail, remainder to Roger Isle, as being of the nearest blood to him. His descendant, John Pimpe, esq. kept his shrievalty here in the 2d year of king Henry VII. whose only daughter and heir, Winifrid, carried this seat in marriage to Sir John Rainsford, who passed it away to Sir Henry Isley, who by the act of the 2d and 3d of king Edward VI. procured his lands in this county to be disgavelled.

Soon after which he seems to have settled this manor on his son, William Isley, esq. but being both concerned in the rebellion raised by Sir Thomas Wyatt, in the 1st year of queen Mary, they were then attainted, and Sir Henry was executed at Sevenoke, and the lands of both became forfeited to the crown; after which, queen Mary that year granted this manor, by the name of Lose, alias Pimpe's court, with its appurtenances, in Lose, East Farleigh, Linton, &c. to Sir John Baker, her attorney general, to hold in capite by knights service. (fn. 6) In his descendants the manor of Pimpe's court continued till Sir John Baker, bart, about of the end of king Charles I.'s reign, alienated it to Thomas Fsloyd, esq. of Gore court in Otham; one of whose descendants alienated it to Browne, in which name it remained till, by the daughter and heir of Tho. Browne, esq. it went in marriage to Holden; and their son, Richard Holden, of Coptford hall, in Essex, died without issue, in 1772, and by will gave it to his widow, whose maiden name was Anne Blackenbury; and after her decease, to his sister's daughter's son, a minor, by Mr. William Vechell, of Cambridgeshire.

The present house of this manor is a modern building; the ruins of the antient mansion are still to be seen about the present house; the south-west end is still remaining, and by tradition was called the Old chapel. Further towards the north is a room with a very large chimney, and an oven in it, no doubt the old kitchen. The gateway, with a room over it, was taken down within memory; by the remains, it seems as if the house and offices belonging to it, when intire, formed a quadrangle. There is a court baron held for this manor.

CHARITIES.

JOHN FRANCKELDEN, citizen of London, in 1610, left 100l. to build six cottages for poor people to live in, rent free, vested in the parish officers.

THE REV. ARTHUR HARRIS gave, by will, in 1727, 2l. 10s. per annum for ever, to be paid out of Half Yoke farm, to be distributed in linen.

THOMAS HARRIS, esq. who died in 1769, left 5l. per ann. for fifty years, to be given to the poor in bread, 2s. every Sunday, excepting Easter and Whitsunday, vested in the executors of John Mumford, esq.

Mr. THOMAS FOSTER, in 1776, gave by will 130l. the interest of it to be laid out in linen and woollen, and to be given to the poor who do not receive alms at Christmas; from which money, 225l. confol. 3 per cent. Bank ann. was bought in the name of trustees, now of the annual produce of 6l. 15s.

EAST FARLEIGH is within the ECCLESTASTICAL JURISDICTION of the diocese of Rochester, and being a peculiar of the archbishop, is as such within the deanry of Shoreham.

The church, which is a handsome building, with a spire steeple at the west end, stands at the east end of the village, and consists of two isles and two chancels; that on the south side belongs to Pimpe's-court. It was repaired in 1704, by Dr. Griffith Hatley, who had married the widow of Mr. Browne, and possessed that estate in her right. The whole was, through the laudable care of the late vicar, Mr. De la Douespe, new pewed and handsomely ornamented.

In the rector's chancel are several memorials of the family of Amhurst, and within the altar rails two of Goldsmith. On the north side of this chancel is a very antient altar tomb for one of the family of Colepeper, having their shield, a bend engrailed, at one corner of it, most probably for Sir T. Colepeper, who lived in the reign of king Edward III. and is reputed to have been the founder of this church. His arms, quartered with those of Joane Hadrreshull, his mother, Argent, a chevron gules between nine martlets, are still remaining in the east window of the south chancel, called Pimpe's chancel, in which is an antient plain altar tomb, probably for one of either that or of the Pimpe family. There seems once to have been a chapel dependent on this church, called in the Textus Roffensis, Liuituna capella Anfridi.

The patronage of the church of East Farleigh was part of the antient possessions of the crown, and remained so till it was given to the college or hospital for poor travellers, in Maidstone, founded by archbishop Boniface. Archbishop Walter Reynolds, about 1314, appropriated this church to the use and support of the hospital. In the 19th year of king Richard II. archbishop Courtney, on his making the church of Maidstone collegiate, obtained the king's licence to give and assign that hospital and its revenues, among which was the advowson and patronage of the church of Farleigh, among others appropriated to it, and then of the king's patronage, and held of the king in capite, to the master and chaplains of his new collegiate church, to hold in free, pure, and perpetual alms for ever, for their better maintenance; (fn. 7) to which appropriation Adam Mottrum, archdeacon of Canbury, gave his consent.

¶The collegiate church of Maidstone was dissolved by the act of the 1st of king Edward VI. anno 1546, and was surrendered into the king's hand accordingly with all its lands, possessions, &c. Since which the patronage and advowson of the vicarage of East Farleigh has remained in the hands of the crown; but the parsonage or great tithes was granted to one of the family of Vane, or Fane, in whom it continued down to John Fane, earl of Westmoreland, who at his death, in 1762, gave it by will, among the rest of his Kentish estates, to his nephew, Sir Francis Dashwood, lord Despencer; since which it has passed, in like manner as Mereworth and his other estates in this county, by the entail of the earl of Westmoreland's will, to Thomas Stapleton, lord Despencer, the present owner of it.

In the 15th year of king Edward I. the vicarage was valued at ten marcs; in the year 1589, it was estimated at 16l. 8s. yearly income. In the reign of king Richard II. the church of Ferleghe was valued at 13l. 16s. 8d. This vicarage is valued in the king's books at 6l. 16s. 8d. and the yearly tenths at 13s. 8d.

John, son of Sir Ralph de Fremingham, of Lose, 12 Henry IV. by his will gave certain lands therein mentioned to John Pympe, and his heirs male, to find a chaplain in this church, in the chapel of the Blessed Mary, newly built, to celebrate there, for twenty-four years, for the souls of himself, his wife, &c. and all of whom he then held lands, the said John Pympe, paying to the above chaplain the salary of ten marcs yearly, &c.

The vicar of East Farleigh is endowed with the tithes of corn growing on the lands belonging to the parsonage of East Farleigh, and of certain pieces of land, called garden spots, which lie dispersed in this parish. It is now of the clear yearly value of about one hundred and thirty guineas.

www.british-history.ac.uk/survey-kent/vol4/pp371-383

Engraving of the Civil War naval battle at New Orleans in 1862 by Hastings Historical Society

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This engraving, entitled "Capture of New Orleans -- The Fleet Passing Forts on the Mississippi," shows an artist's conception of the 1862 naval battle. The capture of this Confederate stronghold was a major victory for the Union. The ships are all labeled at the bottom of the engraving, and include the 'Hartford,' Admiral David Glasgow Farragut's flagship in the center distance. At the time, Farragut and his family lived in Hastings-on-Hudson.

The Royal Canadian Navy Show: "Meet the Navy": Herbert C. Barber by Bill Barber

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In 1943/44 my dad, who was enlisted in the Royal Canadian Navy, travelled with the Navy Show which was entitled, "Meet the Navy". Not sure he was actually in the cast, so I'll have to pull his file at Archives Canada in Ottawa. Since he was a Certified Public Accountant, he might have watched the books. The show went across Canada by train. I know that Dad was not with the production that went overseas in 1945.

Dad is second from the right in the above photo. Here's the story of the Navy Show:

From my Herbert Charles Barber Collection

www.flickr.com/photos/21861018@N00/collections/7215760076...

"Meet the Navy" was a Royal Canadian Navy musical revue produced during World War II under the supervision of Capt Joseph P. Connolly, director of Special Services for the RCN. Rehearsals began in June 1943 at Hart House in Toronto. The production staff and company were recognized officially, though somewhat after the fact, by a Government of Canada Treasury Board order-in-council, 13 Aug 1943, as 'an Establishment to be known as "The Navy Show" for the... Entertainment of Naval, Army and Air Force personnel on Active Service; Promotion of recruiting; [and] Maintenance of public morale and goodwill'.

The show itself, called "Meet the Navy" and directed by Louis Silver (a Hollywood producer) and Larry Ceballos (a Broadway choreographer), was premiered for servicemen 2 September at Toronto's Victoria Theatre and opened to the public 4 September. It opened in Ottawa 15 September at the Capitol Theatre (Ottawa). During a year-long national tour, which covered some 10,000 miles by train, Meet the Navy entertained about a half-million Canadians. It travelled in 1944 to Britain, opening 23 October in Glasgow and touring England (11 cities in the provinces), Ireland, and Wales and playing at the Hippodrome in London (1 Feb-7 Apr 1945, including a command performance 28 February). Performances followed in Paris' Théâtre Marigny, the Brussels Music Hall, and Amsterdam's Carré Theatre. Meet the Navy closed 12 September in Oldenburg in occupied Germany. In 1945 the National Film Board produced the film Meet the Navy on Tour. Though plans for a Broadway run fell through, the show itself was filmed in November in Britain.

Meet the Navy included skits, dance routines, and several songs: 'In Your Little Chapeau,' 'Rockettes and the Wrens,' 'Brothers-in-Arms,' 'Meet the Navy,' and 'Beauty on Duty,' all by R.W. Harwood (words) and P.E. Quinn (music); 'The Boys in the Bellbottom Trousers' by Quinn; 'Shore Leave' by Noel Langley and Henry Sherman (words) and Quinn; and the showstopper (sung by John Pratt) 'You'll Get Used to It', with words by Pratt to music by Freddy Grant. Eric Wild (who conducted the pit orchestra) and Robert Russell Bennett arranged the music.

Leading roles were taken by Pratt, Robert Goodier, Cameron Grant, and Lionel Merton. Other featured performers included Dixie Dean, Ivan Romanoff (who conducted a balalaika orchestra and a chorus in 'Scena Russki'), Carl Tapscott (who did choral arrangements), the bass Oscar Natzke, and the dance team Alan and Blanche Lund. Members of the 25-piece orchestra included the violinists Victor Feldbrill, Bill Richards, and Joseph Sera, the trombonist Ted Elfstrom, and the saxophonist-clarinetist Howard 'Cokie' Campbell.

After the London debut of Meet the Navy, Beverley Baxter wrote in the London Evening Standard: 'Why is this piece so exhilarating, so completely satisfying and, since the first class always touches the emotions, why was it so stirring? Perhaps the answer is that quite outside the professional slickness and the terrific pace of the whole thing, we were seeing the story of Canada unconsciously unfolding itself to our eyes'.

In 1980, to celebrate the 70th anniversary of the Canadian navy, the Nova Scotia government revived Meet the Navy with several members of the original cast.

Phillips, Ruth. 'The history of the Royal Canadian Navy's World War II show Meet the Navy,' unpublished manuscript (1973)

Southworth, Jean. 'Actor revives his wartime role,' Ottawa Journal, 19 Aug 1980

From: The Encyclopaedia of Music in Canada

www.thecanadianencyclopedia.com/index.cfm?PgNm=TCE&Pa...

Fairies II by L. Llewellyn James

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This illustration and the one entitled "Fairies I" are both exemplars of a personal artistic hijira, dedicated to coming to terms with the aesthetic allure of Fairies. I had always been a bit put off and mystified (pardon the pun) by the omnipresence of this particular type of imagery in American (or, dare I say, Western) pop culture. As I toiled on one of these pieces while traveling on public transportation one evening, a man that I have a passing acquaintance with made a passing glance at my work. When I had attempted to broach the subject of Fairies and their meaning, he made the following insightful remark: "Fairies are very difficult to capture, but everyone always tried to catch one, anyway."

Incidentally, the models in this and the piece entitled "Fairies 001" are based upon models gleamed from "The Playboy book of brunettes."

And, yes, that would be a very minimalist depiction of The Delectable, Infamous Bettie Page on the left.

The Barbers' Garden: Tuberous Begonia by Bill Barber

From my set entitled “Tuberous Begonia”

www.flickr.com/photos/21861018@N00/sets/72157607213634242/

In my collection entitled “The Garden”

www.flickr.com/photos/21861018@N00/collections/7215760718...

From Wikipedia, the free encyclopedia

Begonia is a genus in the flowering plant family Begoniaceae. The only other member of the family Begoniaceae is Hillebrandia, a genus with a single species in the Hawaiian Islands. The genus Symbegonia is now included in Begonia. "Begonia" is the common name as well as the generic name for all members of the genus.

With ca. 1500+ species, Begonia is one of the ten largest angiosperm genera. The species are terrestrial (sometimes epiphytic) herbs or undershrubs and occur in subtropical and tropical moist climates, in South and Central America, Africa and southern Asia. Terrestrial species in the wild are commonly upright-stemmed, rhizomatous, or tuberous. The plants are monoecious, with unisexual male and female flowers occurring separately on the same plant, the male containing numerous stamens, the female having a large inferior ovary and two to four branched or twisted stigmas. In most species the fruit is a winged capsule containing numerous minute seeds, although baccate fruits are also known. The leaves, which are often large and variously marked or variegated, are usually asymmetric (unequal-sided).

Because of their sometimes showy flowers of white, pink, scarlet or yellow color and often attractively marked leaves, many species and innumerable hybrids and cultivars are cultivated. The genus is unusual in that species throughout the genus, even those coming from different continents, can frequently be hybridized with each other, and this has led to an enormous number of cultivars. The American Begonia Society classifies begonias into several major groups: cane-like, shrub-like, tuberous, rhizomatous, semperflorens, rex, trailing-scandent, or thick-stemmed. For the most part these groups do not correspond to any formal taxonomic groupings or phylogeny and many species and hybrids have characteristics of more than one group, or fit well into none of them.

The genus name honors Michel Bégon, a French patron of botany.

The different groups of begonias have different cultural requirements but most species come from tropical regions and therefore they and their hybrids require warm temperatures. Most are forest understory plants and require bright shade; few will tolerate full sun, especially in warmer climates. In general, begonias require a well-drained growing medium that is neither constantly wet nor allowed to dry out completely. Many begonias will grow and flower year-round but tuberous begonias usually have a dormant period, during which the tubers can be stored in a cool and dry place.

Begonias of the semperflorens group are frequently grown as bedding plants outdoors. A recent group of hybrids derived from this group is marketed as "Dragonwing Begonias"; they are much larger both in leaf and in flower. Tuberous begonias are frequently used as container plants. Although most Begonia species are tropical or subtropical in origin, the Chinese species B. grandis is hardy to USDA hardiness zone 6 and is commonly known as the "hardy begonia". Most begonias can be grown outdoors year-round in subtropical or tropical climates, but in temperate climates begonias are grown outdoors as annuals, or as house or greenhouse plants.

Most begonias are easily propagated by division or from stem cuttings. In addition, many can be propagated from leaf cuttings or even sections of leaves, particularly the members of the rhizomatous and rex groups.

The cultivar Kimjongilia is a floral emblem of North Korea.

Hosta by Bill Barber

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From my set entitled “Hosta”

www.flickr.com/photos/21861018@N00/sets/72157607213588660/

In my collection entitled “The Garden”

www.flickr.com/photos/21861018@N00/collections/7215760718...

From Wikipedia, the free encyclopedia

en.wikipedia.org/wiki/Hosta

Hosta (syn.: Funkia) is a genus of about 23–40 species of lily-like plants native to northeast Asia. They were once classified in the family Liliaceae but are now included in the family Agavaceae by the Angiosperm Phylogeny Group. The scientific name is also used as the common name; in the past they were also sometimes called the Corfu Lily, the Day Lily, or the Plantain lily, but these terms are now obsolete. The name Hosta is in honor of the Austrian botanist Nicholas Thomas Host.[1]The Japanese name Giboshi is also used in English to a small extent. The rejected generic name Funkia, also used as a common name, can be found in some older literature.

Hostas are herbaceous perennial plants, growing from rhizomes or stolons, with broad lanceolate or ovate leaves varying widely in size by species from 1–15 in (3–40 cm) long and 0.75–12 in (2–30 cm) broad. Variation among the numerous cultivars is even greater, with clumps ranging from less than 4 in (10 cm) across to more than 6.5 ft (2 m) across. Leaf color in wild species is typically green, although some species (e.g., H. sieboldiana) are known for a glaucous waxy leaf coating that gives a blue appearance to the leaf. Some species have a glaucous white coating covering the underside of the leaves. Natural mutations of native species are known with yellow-green ("gold") colored leaves or with leaf variegation (either white/cream or yellowish edges or centers). Variegated plants very often give rise to "sports" that are the result of the reshuffling of cell layers during bud formation, producing foliage with mixed pigment sections. In seedlings variegation is generality maternally derived by chloroplast transfer and is not a genetically inheritable trait.

The flowers are produced on erect scapes up to 31 in (80 cm) tall that end in terminal racemes. The individual flowers are usually pendulous, 0.75–2 in (2–5 cm) long, with six tepals, white, lavender, or violet in color and usually scentless. The only strongly fragrant species is Hosta plantaginea, which is also unusual in that the flowers open in the evening and close by morning. This species blooms in late summer and is sometimes known as "August Lily".

Taxonomists differ on the number of species; as such, the list at the right may be taken loosely. The genus may be broadly divided into three subgenera. Interspecific hybridization is generally possible, as all species have the same chromosome number (2n = 2x = 60) with the exception of H. ventricosa, a natural tetraploid that sets seed through apomixis. Many varieties formerly described as species have been taxonomically reduced to cultivar status, while retaining Latin names resembling species (e.g., H. 'Fortunei').

Though Hosta plantaginea originates in China, most of the species that provide the modern shade garden plants were introduced from Japan to Europe by Philipp Franz von Siebold in the mid-19th century. Newer species have been discovered on the Korean peninsula as well.

Hostas are widely-cultivated ground cover plants, particularly useful in the garden as shade-tolerant plants. Hybridization within and among species and cultivars has produced numerous cultivars, with over 3000 registered and named varieties, and perhaps as many more that are not yet registered. Cultivars with golden- or white-variegated leaves are especially prized. Popular cultivars include 'Francee' (green leaves with white edges), 'Gold Standard' (yellow leaves with green edges was discovered by Pauline Banyai) 'Undulata' (green leaves with white centers), 'June' (blue-green leaves with creamy centers), and 'Sum and Substance' (a huge plant with chartreuse-yellow leaves). Newer, fragrant cultivars such as 'Guacamole' are also popular. Pictures of hosta species and cultivars, along with other information, may be found at www.hostalibrary.org.

The American Hosta Society and the British Hosta and Hemerocallis Society support Hosta Display Gardens, often within botanical gardens.

Hostas are notoriously a favourite food for deer, slugs and snails, which commonly cause extensive damage to hosta collections in gardens. Poisoned baits using either metaldehyde or the safer iron phosphate work well for the latter, but require repeated applications. Deer control tends to be variable, as anything other than fencing tends to work for a few years then cease to work as they become accustomed to it.

Foliar nematodes, which leave streaks of dead tissue between veins, have become an increasing problem since changes in attitudes about pesticides since the mid-1990s in many countries have caused a resurgence in this once-controlled pest. There are no effective means for eliminating nematodes in the garden, although they can be controlled to the point where little or no symptoms are seen.

A virus called Hosta Virus X has become common since 2004 and plants that are infected must be destroyed. It can take years for symptoms to show, so symptomless plants in infected batches should also be considered infected.

Otherwise they are generally easy and long-lived garden plants, relatively disease free, requiring little care other than watering and some fertilizer to enhance growth. Some varieties are more difficult to grow, as can be expected with 5,000+ cultivars, but most are easy enough for beginners.

Peonies and Geraniums by Bill Barber

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From my set entitled “Peonies”

www.flickr.com/photos/21861018@N00/sets/72157607186459134/

In my collection entitled “The Garden”

www.flickr.com/photos/21861018@N00/collections/7215760718...

From Wikipedia, the free encyclopedia

en.wikipedia.org/wiki/Peony

The peony or paeony (Paeonia) is the only genus in the flowering plant family Paeoniaceae. They are native to Asia, southern Europe and western North America.

Most are herbaceous perennial plants 0.5–1.5 metres tall, but some are woody shrubs up to 1.5–3 metres tall. They have compound, deeply lobed leaves, and large, often fragrant flowers, ranging from red to white or yellow, in late spring and early summer. In the past, the peonies were often classified in the family Ranunculaceae, alongside Hellebores and Anemones.

The peony is named after Paeon or Paean, a student of Asclepius, the Greek god of medicine and healing. Asclepius became jealous of his pupil; Zeus saved Paeon from the wrath of Asclepius by turning him into the peony flower

The peony is among the longest-used flowers in ornamental culture and is one of the smallest living creature national emblems in China. Along with the plum blossom, it is a traditional floral symbol of China, where it is called 牡丹 (mǔ dān). It is also known as 富贵花 (fuguihua) "flower of riches and honour", and is used symbolically in Chinese art.[2] In 1903, the Qing Dynasty declared the peony as the national flower. Currently, the Republic of China on Taiwan designates the plum blossom as the national flower, while the People's Republic of China has no legally designated national flower. In 1994, the peony was proposed as the national flower after a nationwide poll, but the National People's Congress failed to ratify the selection. In 2003, another selection process has begun, but to date, no choice has been made.

The famous ancient Chinese city Luoyang has a reputation as a cultivation centre for the peonies. Throughout Chinese history, peonies in Luoyang are often said to be the finest in the country. Dozens of peony exhibitions and shows are still held there annually.

In Japan, Paeonia lactiflora used to be called ebisugusuri ("foreign medicine"). In kampo (the Japanese adaptation of Chinese medicine), its root was used as a treatment for convulsions. It is also cultivated as a garden plant. In Japan Paeonia suffruticosa is called the "The King of flowers" and Paeonia lactiflora is called the "prime minister of flowers".

Pronunciation of 牡丹 (peony) in Japan is "botan". Before the Meiji period, meat taken from quadrupeds was seldom consumed in Japan due to Buddhism. Thus in cases where such meat was handled, it was paraphrased using the names of flowers. The term botan was used (and is still used) to paraphrase wild boar meat. This comes from the flowery resemblance of the sliced meat when spread over a dish. Another example is sakura (cherry blossoms) which stands for horsemeat.

In 1957, the Indiana General Assembly passed a law to make the peony the state flower of Indiana, a title which it holds to this day. It replaced the zinnia, which had been the state flower since 1931.

Mischievous nymphs were said to hide in the petals of the Peony thus causing this magnificent flower to be given the meaning of Shame or Bashfulness in the Language of Flowers. It was named after Pæon, a physician to the gods, who obtained the plant on Mount Olympus from the mother of Apollo. Once planted the Peony likes to be left alone and punishes those who try to move it by not flowering again for several years. Once established, however, it produces splendid blooms each year for decades (Taken from The Language of Flowers, edited by Sheila Pickles, 1990).

Peonies are also extensively grown as ornamental plants for their very large, often scented flowers.

Peonies tend to attract ants to the flower buds. This is due to the nectar that forms on the outside of the flower buds.

Peonies are a common subject in tattoos, often used along with koi-fish.

MARIA ROSA MYSTICA ESCARCHAS by LA CONQUISTADORA !!!

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on the holy cards lots of ESCARCHAS

it happened this morning 7/30/12 affter the 6am rosary

Scientific Study Claimed To Yield No Clue As To Composition Of Mysterious 'Glitter'

[In many parts of the world or at least the West, those involved in devotional and charismatic practices have asserted that at times a strange "glitter" falls, like decorative manna. This is a particularly difficult phenomenon to accept in the way of its strangeness and glitziness, although it was reported during the apparitions at Fatima, Portugal, during 1917 in an ephemeral form which soon vanished, leaving no material.]

The glitter reported in some parts of the world allegedly remains as a physical manifestation. While remaining open we warn that the materialization of any such thing can be occult, and so we place that as input for discernment. At the same time, Christians across denominations have been reporting both the glitter and "gold dust" during especially poignant spiritual moments. The alleged phenomenon is prevalent in South America, particularly Venezuela -- including the approved apparition site of Betania -- as well as the Miami area.

In Latin America it is known as "escarchas." Below we present an article translated by former monk Allan Weilart from a Spanish article entitled, "La Gracia de las Escarchas" or "The Grace of the Escarchas," including scientific tests of the "glitter." The article, from a while back, was translated from the official website of the convent at Carrizal, Venezuela where, along with all the houses of the same community in Venezuela, "escarchas" were said fall from "Heaven" during daily Mass. We submit it unedited for your strict discernment]:

"The Grace of Escarchas"

translated from the Spanish:

The theme of escarchas has become a controversial topic for certain people, some lend absolute credibility to them, believing they are a sign that shows the presence and aid of the Most Holy Virgin, just as she affirmed it that day February 9, 1993, to Sister Mary Carmen. Others reject such a possibility and doubt, laughing it all off.

It is important to precisely touch on this theme with a certain latitude by noting that escarchas from Carrizal have been studied twice in different laboratories of the Central University of Venezuela.

The first study was carried out by the petition of the Sister Mary Clara, superior of the Servants of Jesus in Carrizal and by the Chief Engineer who was the intermediary with the UCV, since was he graduated from that university in the Faculty of Engineering and could help in that sense. The Laboratory of Special Studies of the School of Mechanical Engineering accepted the assignment and proceeded with a thorough a scientific investigation.

This study was carried out September 21 -- October 14, 1993. The samples were taken of escarchas which appeared on different days within the dates mentioned, in the monastery of Carrizal, as well as a sample of the escarchas which appeared the day following the first apparition so that those also could be analyzed.

So once they separated and placed the samples in test tubes. They were sealed airtight, to prevent the possibility of fraud, by order of the Chief Engineer. He was likewise present during the majority of the hours of study dedicated to the investigation. In this manner and under these conditions, were the escarchas delivered to the laboratory of the UCV.

It is interesting here to allude to an event which happened September 22, when at 9:00 AM, a doctor came to the laboratory and related that the previous day having listened on the origin of the escarchas, and having access to the laboratory, had secretly taken two of these escarchas to his two small children who had suffered from chronic asthma for some years.

He related that after having taken the escarchas home, the children unexpectedly suffered a severe asthma attack and expelled phlegm by coughing almost all night. They were cured when they awoke; the asthma had disappeared!

The laboratory continued its scientific examination of the escarchas, submitting them to study and observation, by viewing them in the microscope without processing and in the electron microscope without processing.

Then they were studied again in the microscope and in the electronic one, but this time with processing chemicals.

They were then submitted to different mechanical actions and to other various chemical processing and incinerated in a burning flame. The results were similar to the ones found in the second more comprehensive and exhaustive study.

This second study was carried out, with the consent of the Sister Mary Clara, with a much more extensive sample of escarchas, including industrial glitter, manufactured by man, in order to know the difference between them.

From among the escarchas that appeared from the Virgin were chosen samples from other convents in Venezuela in which this phenomenon had also taken place, including some collected during a conference of the Marian Movement of Priests on March 2, 1992.

The colors of the religious escarchas chosen for this scientific study, so-called to distinguish them from manufactured glitter were silver, gold, green, red, aquamarine, pink, and transparent.

They took the shapes of squares, rectangles, and hexagons. Their size was between 1 and 2 millimeters.

There was also golden dust collected. The circumstances of these appearance of escarchas was related to some of these situations: moments of anguish and pain, dedication to the Virgin, moments of prayer, and even without any particular reason: simply they appeared.

Some escarchas had appeared on the hands, others on the face; there were also taken from various parts of the body, and even some collected off bedspreads, off the cloths of the altar, or off the pews of the church. As for type of people they had been collected from: children, youths and adults, religious sisters, as well as laymen of both sexes.

This second study was initiated in October of 1994 and was finished in May of 1995. The thesis of the experiment had this title: "INVESTIGATION OF THE PRIVATE MATERIAL OF VARIOUS COLORS AND ITS COMPARISON WITH INDUSTRIAL GLITTER"

The religious escarchas taken of the samples chosen of the places already mentioned were submitted to the same experimental processing that the other man-made glitter, in order to compare the physiochemical characteristics of both types and to compare likewise the effects produced by subjugation of both groups to mechanical actions, incinerations by flame, chemical

processing, and other means.

The chemical processing both types of escarchas (religious and industrial glitter) were submitted successively to nitric acid, hydrochloric acid, isopropol alcohol, to NITAL (mixture of alcohol and nitric acid), to hydroxide of sodium, to benzol, to benzene, and to flurohydric acid. After being submitted to these chemical substances for periods that oscillated between 60 minutes and several days, they were examined by electron microscope.

Selected for this experiment was the laboratory of Physics of the Faculty of Sciences of the Central University, in which was located one of the better electron microscopes in Venezuela.

The results were carefully scrutinized by three professors and continuously monitored by the Licentiate in Biology, Gillermo Strap, of the Laboratory of Physics of the UCV. The conditions of the experiments and strict measures of scientific character were carefully followed.

These results can be summarized thus:

A.- Simple observation can differentiate the religious escarchas from man-made glitter in the following way: the religious ones have greater quantity of tones in its color. For example in glitter, they came three types of green tone and in the religious to seven types of that tone of

color can be observed. The religious escarchas are thin, light, and shine with apparently their own brightness; they do not reflect light shined on them in the same manner as does glitter. The religious escarchas adhere to any surface and it is difficult to remove them. They present two faces or surfaces, as the plant leaves: a "top" and "bottom" side.

On the other hand, manufactured glitter is rough; it feels sandy, without its own brightness, it dazzles when any light shines on it; it is not as adherent as escarchas, and they present two equal surfaces.

B - Observation with optic microscope, without processing the following differences can be found:

In the religious escarchas is observed the presence of protozoans or of green or various algae and blue or of diverse fungi, bubbles of air, water, and crystals. These elements always remained static, without activity, they seemed like fossils.

In the man-made glitter it is observed that besides having the two equal faces lack protozoans, fungi, algae and they do not contain anything organic in them.

C - Of the observation with electron microscope without processing, can be appreciated the following differences:

The escarchas are not metallic -- it is impossible to see them without first covering them with gold (does not apply with silver escarchas), in order visualize them with the detachment of the necessary secondary electrons to be able to view them through the electron microscope. They show they have a laminated structure. The edges are solid.

Glitter possesses half of the thickness of the religious escarchas; they are of plastic material and the mark of the cut of the machine is observed at the same junction, as if were a fingerprint. The edges are not solid.

D.- Of the observation of the frosts submitted to various chemical processing and then analyzed by optic microscope, can be appreciated these differences:

No differences were found when both groups were submitted to nitric acid, hydrochloric acid and distilled water.

But with isopropyl alcohol, the religious escarchas were not bleached, but the glitter was bleached 75 percent. With NITAL the religious escarchas remained stable while the glitter

suffered total discoloration, they diminished in size and developed pores, tracks, and bubbles of air.

With hydroxide of sodium the religious escarchas did not suffer alterations, while the glitter was reduced of size.

The test of acid fluorohydric acid turns out to be highly significant: the religious escarchas remained stable while the industrial glitter disappeared completely.

This last experiment shows that the religious escarchas are not metallic, neither they are of plastic, nor mica, nor resins. Their composition could not be determined. With the oxide of propylene the same thing was shown, although through this chemical substance, glitter suffered corrosion by its industrial nature, but not the religious escarchas.

E.- Of the observation of the frosts submitted to thermal procedure of flames and combustion is obtained these differences:

The religious frosts are bleached a little, but they increase their shine and do not leave any residual odor. The glitter is bleached completely; they lose the shine and they leave an irritating odor, noxious to the eyes and the throat. This scientific differential analysis is presented in order to present a clear conclusion that the phenomenon of escarchas cannot be so easily dismissed, as some have done, even to the point of laughter and mockery.

One can sin by negligence or omission, not only by action. It is a fact that from 1993 the phenomenon of escarchas has constantly increased and has reached in Venezuela such proportions that it cannot be ignored. This study can help in the comprehension of the reality of this phenomenon connected with the presence of the Virgin, just as she declared on February 9, 1993. Since the escarchas have become a phenomenon of incalculable proportions, the same one, the Most Holy Virgin deigned to deliver to a priest who desires to remain anonymous, the meaning of their colors.

I have here the message of the September 23, 1999:

Revelation About the Meaning of the Escarchas

In these times in which men feel self-satisfied and far away from my Son the

Lord, I want to declare in a humbler way, the message that I want to deliver

to them and to declare to them the meaning of the escarchas. The ones who

live in my heart are those who have been bought by the blood of my Son.

Therefore, prayer, sacrifice, reconciliation, and penitence are the weapons

with which are going to fight in the battle against Satan.

I want to announce to them the meaning of the colors of my frosts:

-- The silver: in them I show you the magnanimity of my heart. Ask me what you

want.

-- The golden: in them I incline toward the weak one; I am going to heal you

spiritually, physically, psychologically, morally.

-- The blue: in them I want to announce you my proximity. I am with you, I

have been present to you.

-- The green: they are a song so that open you to hope. I will act in the

favor of God. Hope in God.

-- The red: in times of trial you offer me a sacrifice; remember that I love

you.

-- The transparent: the road of humility is the path that leads to freedom. I

know those who are humble and simple

-- The aquamarines: is the road that is very treacherous and curved, I want

to tell you on that road, I will be with you.

To my children, who have been graced with my gifts, sprouted from the love

of my Son, and who are the sweetest fragrance of the Father, to all who

find shelter in His breast, I give my blessing in the name of the Father, of

the Son and of the Holy Spirit.

For your discernment only!

Visionary Dreamer by Terence Faircloth

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Mural entitled "Visionary Dreamer" by Dwight White aka @dwhite.original seen at 16 East Monroe Street in The Loop area of Chicago, Illinois.

Photo by James aka @urbanmuralhunter on that other photo site.

Edit by Teee.

Beach at Mackinaw (1837) by Special Collections Toronto Public Library

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This piece, entitled "Beach at Mackinaw", is from page 26 of Anna Jameson's sketch book, donated to the library by the Bain family in 2000.

Title: Sketchbook

Creator: Anna Brownell Jameson, 1794-1860

Date: 1837

Identifier:jameson-album-044-p26-cropped

Format: Picture

Rights: Public domain

Courtesy: Toronto Public Library.

More information: View more images by Anna Jameson

Contemporary Mexican Design with a Vision towards the Future by World Intellectual Property Organization

An exhibition entitled “Contemporary Mexican Design with a Vision towards the Future” was held on the sidelines of the Assemblies of WIPO Member States, which met from October 2-11, 2017.

The exhibition featured the work of young designers who capture the fine tapestry of cultural pluralism of Mexico, and who bind together the exquisite substance of identity, traditions and crafts with excellence in contemporary shapes, materials and functionality. WIPO co-organized the event with the Government of Mexico.

Copyright: WIPO. Photo: Violaine Martin. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.

Peony Bud, North Garden by Bill Barber