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From my set entitled “Sweet Woodruff”
www.flickr.com/photos/21861018@N00/sets/72157607217333095/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Woodruff
Woodruff (Galium odoratum) is a herbaceous perennial plant in the family Rubiaceae, native to Europe, North Africa and western Asia. It grows to 30-50 cm (12-20 ins.) long, often lying flat on the ground or supported by other plants. The plant is also known in English as Sweet Woodruff or Wild Baby's Breath. "Master of the woods" is probably a translation of the German name Waldmeister. Names like "Sweetscented bedstraw", "Cudweed" and "Ladies' Bedstraw" should be avoided; the former two properly refer to Galium triflorum, the latter to Galium verum.
The leaves are simple, lanceolate, glabrous, 2-5 cm long, and borne in whorls of 6-9. The small (4-7 mm diameter) flowers are produced in cymes, each white with four petals joined together at the base. The seeds are 2-4 mm diameter, produced singly, and each seed is covered in tiny hooked bristles which help disperse the seed by sticking temporarily to clothing and animal fur.
This plant prefers partial to full shade in moist, rich soils. In dry summers it needs frequent irrigation. Propagation is by crown division, separation of the rooted stems, or digging up of the barely submerged perimeter stolons.
Woodruff, as the scientific name odoratum suggests, is a strongly scented plant, the sweet scent being derived from coumarin. This scent increases on wilting and then persists on drying, and woodruff is used in pot-pourri and as a moth deterrent. It is also used, mainly in Germany, to flavour May wine (called "Maiwein" or "Maibowle" in German), beer (Berliner Weisse), brandy, sausages, jelly, jam, a soft drink (Tarhun), ice cream, and an herbal tea with gentle sedative properties.
High doses can cause headaches, due to the toxity of coumarin. Very high doses of coumarin can cause vertigo, somnolence or even central paralysis and apnoea while in a coma. Since 1981, woodruff may no longer be used as an ingredient of industrially produced drinks and foodstuffs in Germany; it has been replaced by artificial aromas and
colorings.
From my set entitled “Lamium”
www.flickr.com/photos/21861018@N00/sets/72157607217474399/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Deadnettle
Lamium (deadnettle) is a genus of about 40-50 species of flowering plants in the family Lamiaceae, of which family it is the type genus. They are all herbaceous plants native to Europe, Asia, and north Africa, but several have become very successful weeds of crop fields and are now widely naturalised across the temperate world.
The genus includes both annual and perennial species; they spread by both seeds and stems rooting as they grow along the ground.
The common name refers to their superficial resemblance to the unrelated stinging nettles, but unlike those, they do not have stinging hairs and so are harmless or apparently "dead".
Lamiums are frost hardy and grow well in most soils. Flower colour determines planting season and light requirement: white- and purple-coloured flowered species are planted in spring and prefer full sun. The yellow-flowered ones are planted in fall (autumn) and prefer shade. They often have invasive habits and need plenty of room. Propagate from seed or by division in early spring
One map entitled ”The Indian’s Michigan.” The map is an artistically-styled color drawing of the Upper and Lower Peninsulas of Michigan. It shows major rivers, lakes, trails, and certain topographic features as well as the regions that were inhabited by various Indian tribes. Named trails include the Saginaw Trail, Grand River Trail, Territorial Trail, Sauk Trail, and the Old Mackinaw Trail. The map was drawn by Geraldine L. Cowell and is dated 1960.
Public Works Department under license from the NBA presents a collection of artwork for the home or office entitled the “Art of Basketball”. The collection, which taps a select group of leading graffiti and street artists, re-imagines the most iconic symbol of the game—the NBA backboard. It is an effort never before explored within professional basketball and a milestone for graffiti and street art. The provenance of each original artwork will be numbered to 180 and confirmed with a signed Certificate of Authenticity from Public Works Department and the NBA. For future release information or an individual commission, please contact Billi Kid at bk@publicworksdept.com. See it BIG.
This image, part of a series entitled "Qajar" by Iranian photographer Shadi Ghadirian, depicts conscious choices made by women in Iran and elsewhere; an act of rebellion, of subtlety, of changes foreseen. The photo is shocking not only for its anachronistic props, but for the sheer brazenness of Ghadirian's subject: in this case a woman holding a can of Pepsi.
Ghadirian's humorous pastiches set up encounters between different times and cultures: The European-influenced backdrop of a 19th century Qajar-era Persian photographer is juxtaposed with the inclusion of modern anomalies such as the Pepsi Cola can. This juxtaposition symbolizes the difficulties women face in Iran today and, in particular, confusion about the era to which they belong. Iran poses particular difficulties to photojournalists, both male and female. In Iran, a female photographer is a potential traitor. Many colleagues have been detained and imprisoned, and some have never returned.
Shadi Ghadirian was born in 1974 in Tehran, Iran. She is a photographer who continues to live and work in Iran. Her work is intimately linked to her identity as a Muslim woman living in Iran. Nonetheless, her art also deals with issues relevant to women living in other parts of the world. Ghadirian's work has been exhibited worldwide. Apart from her creative practice, she is manager of the first Iranian specialized photography site and photo editor for the site 'Women in Iran'.
This photograph was seen on display at The Cantor Arts Center on the campus of Stanford University in Palo Alto, California. The exhibit is entitled "She Who Tells a Story: Women Photographers from Iran and the Arab World".
A postcard from 1931, entitled "Crossing Killiecrankie -- Warkworth Golf Links".
The image shows some the remarkable views afforded to the golfer on this course.
The importance of Warkworth Golf Course cannot be overstated -- it was designed in 1891 by "Old Tom Morris", being one of a dozen or so created by that golfing giant.
Morris (senior) was an apprentice to Allan Robertson, usually acknowledged as the world's first golfing professional. Morris went on to become one of the best golfers of his time, and still holds the record for the oldest winner of The Open Championship.
He also was the father of modern golf greenskeeping, through a variety of means too numerous to mention here -- he is a man worth researching on the net for all of this.
His design of Warkworth course included this section ("Killiecrankie"), also known as The Birling Chine. The rocky outcrops offshore are known as the Birling Carrs, but because of Morris's influence they have also become known locally as Killiecrankie !
I assume this is some reference to the Pass of Killiecrankie in Scotland.
(Incidentally, "birling" means spinning or whirling, and "chine" is a term from the south of England denoting a steep-sided stream into the sea).
The beach is yet another gem of the Northumberland coastline -- with extensive dunes and wide sandy areas it is only hindered as a prime tourist spot by the cold North Sea !!
From my set entitled “Solomon’s Seal”
www.flickr.com/photos/21861018@N00/sets/72157607189465821/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
Polygonatum (King Solomon's-seal, Solomon's Seal) is a genus of about 50 species of flowering plants within the family Ruscaceae, formerly classified in the lily family Liliaceae.
Some species of this genus have medicinal properties, and some (in particular P. sibiricum) are used as an tisane in traditional Chinese medicine, which is called dungulle in Korea.
Some Polygonatum shoots are edible, cooked like asparagus, as are the roots - after appropriate treatment - being a good source of starch
Revolving primarily around the root, "Solomon's Seal" are traditionally used in a range of afflictions from menopause to broken bones. As a topical application, the root are said to expedite the healing of cuts and bruises, skin irritations and inflammations, and as a face wash is good for acne, blemishes and all kinds of imperfections of the skin. When consumed as a tea, it is said to alleviate a range of symptoms associated with menopause, indigestion, diabetes, broken bones, insomnia, kidney pains, and even infertility]
Its use to fight diabetes was first observed in 1930 by Langecker. After experiments, he concluded that it was effective in fighting nutritional hyperglycemia, though not that caused by adrenaline release, probably due to its content in glucokinin.
From my set entitled ‘Sumac”
www.flickr.com/photos/21861018@N00/sets/72157607186471302/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
Sumac (also spelled sumach) is any one of approximately 250 species of flowering plants in the genus Rhus and related genera, in the family Anacardiaceae. The dried berries of some species are ground to produce a tangy purple spice often used in juice.
Sumacs grow in subtropical and warm temperate regions throughout the world, especially in North America.
Sumacs are shrubs and small trees that can reach a height of 1-10 meters. The leaves are spirally arranged; they are usually pinnately compound, though some species have trifoliate or simple leaves. The flowers are in dense panicles or spikes 5-30 cm long, each flower very small, greenish, creamy white or red, with five petals. The fruits form dense clusters of reddish drupes called sumac bobs.
Sumacs propagate both by seed (spread by birds and other animals through their droppings), and by new sprouts from rhizomes, forming large clonal colonies.
The drupes of the genus Rhus are ground into a deep-red or purple powder used as a spice in Middle Eastern cuisine to add a lemony taste to salads or meat; in the Turkish cuisine e.g. added to salad-servings of kebabs and lahmacun. In North America, the smooth sumac (Rhus glabra), and the staghorn sumac (Rhus typhina), are sometimes used to make a beverage, termed "sumac-ade" or "Indian lemonade" or "rhus juice". This drink is made by soaking the drupes in cool water, rubbing them to extract the essence, straining the liquid through a cotton cloth and sweetening it. Native Americans also used the leaves and berries of the smooth and staghorn sumacs combined with tobacco in traditional smoking mixtures.
Species including the fragrant sumac (Rhus aromatica), the littleleaf sumac (R. microphylla), the skunkbush sumac (R. trilobata), the smooth sumac and the staghorn sumac are grown for ornament, either as the wild types or as cultivars.
The leaves of certain sumacs yield tannin (mostly pyrogallol), a substance used in vegetable tanning. Leather tanned with sumac is flexible, light in weight, and light in color, even bordering on being white.
Dried sumac wood is fluorescent under long-wave UV light. Mowing of sumac is not a good control measure as the wood is springy resulting in jagged, sharp pointed stumps when mowed. The plant will quickly recover with new growth after mowing. See Nebraska Extension Service publication G97-1319 for suggestions as to control.
At times Rhus has held over 250 species. Recent molecular phylogeny research suggests breaking Rhus sensu lata into Actinocheita, Baronia, Cotinus, Malosma, Searsia, Toxicodendron, and Rhus sensu stricta. If this is done, about 35 species would remain in Rhus. However, the data is not yet clear enough to settle the proper placement of all species into these genera.
From my set entitled “Tuberous Begonia”
www.flickr.com/photos/21861018@N00/sets/72157607213634242/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
Begonia is a genus in the flowering plant family Begoniaceae. The only other member of the family Begoniaceae is Hillebrandia, a genus with a single species in the Hawaiian Islands. The genus Symbegonia is now included in Begonia. "Begonia" is the common name as well as the generic name for all members of the genus.
With ca. 1500+ species, Begonia is one of the ten largest angiosperm genera. The species are terrestrial (sometimes epiphytic) herbs or undershrubs and occur in subtropical and tropical moist climates, in South and Central America, Africa and southern Asia. Terrestrial species in the wild are commonly upright-stemmed, rhizomatous, or tuberous. The plants are monoecious, with unisexual male and female flowers occurring separately on the same plant, the male containing numerous stamens, the female having a large inferior ovary and two to four branched or twisted stigmas. In most species the fruit is a winged capsule containing numerous minute seeds, although baccate fruits are also known. The leaves, which are often large and variously marked or variegated, are usually asymmetric (unequal-sided).
Because of their sometimes showy flowers of white, pink, scarlet or yellow color and often attractively marked leaves, many species and innumerable hybrids and cultivars are cultivated. The genus is unusual in that species throughout the genus, even those coming from different continents, can frequently be hybridized with each other, and this has led to an enormous number of cultivars. The American Begonia Society classifies begonias into several major groups: cane-like, shrub-like, tuberous, rhizomatous, semperflorens, rex, trailing-scandent, or thick-stemmed. For the most part these groups do not correspond to any formal taxonomic groupings or phylogeny and many species and hybrids have characteristics of more than one group, or fit well into none of them.
The genus name honors Michel Bégon, a French patron of botany.
The different groups of begonias have different cultural requirements but most species come from tropical regions and therefore they and their hybrids require warm temperatures. Most are forest understory plants and require bright shade; few will tolerate full sun, especially in warmer climates. In general, begonias require a well-drained growing medium that is neither constantly wet nor allowed to dry out completely. Many begonias will grow and flower year-round but tuberous begonias usually have a dormant period, during which the tubers can be stored in a cool and dry place.
Begonias of the semperflorens group are frequently grown as bedding plants outdoors. A recent group of hybrids derived from this group is marketed as "Dragonwing Begonias"; they are much larger both in leaf and in flower. Tuberous begonias are frequently used as container plants. Although most Begonia species are tropical or subtropical in origin, the Chinese species B. grandis is hardy to USDA hardiness zone 6 and is commonly known as the "hardy begonia". Most begonias can be grown outdoors year-round in subtropical or tropical climates, but in temperate climates begonias are grown outdoors as annuals, or as house or greenhouse plants.
Most begonias are easily propagated by division or from stem cuttings. In addition, many can be propagated from leaf cuttings or even sections of leaves, particularly the members of the rhizomatous and rex groups.
The cultivar Kimjongilia is a floral emblem of North Korea.
ENTITLED "Celebrating Together"
This is my winning design for the D23 Expo's Fab 5 Fan Art contest. I am officially the first fan to have a Vinylmation displayed in a Disney art gallery.
Vinylmation is Disney's new & unique line of artistic, Mickey Mouse-shaped 3 inch and 9 inch collectibles. In the blind packages, you'll find designs by cast members from the Disney Design Group and Imagineers. Guests also have the chance to create their own Vinylmation design by purchasing either a 3" or 9" blank. This is what I did with mine!
To keep updated with my newest figures, feel free to check out www.mametchi.com/ink_vinylmation.shtml
From my set entitled “Black Creek Pioneer Village”
www.flickr.com/photos/21861018@N00/sets/72157611538656614/
In my collection entitled "Places"
www.flickr.com/photos/21861018@N00/collections/7215760074...
In my photostream
www.flickr.com/photos/21861018@N00/
Reproduced from Wikipedia, the free encyclopedia
Black Creek Pioneer Village is an historic site in Toronto, Ontario, Canada, just west of York University and southeast of the Jane and Steeles intersection. It overlooks Black Creek, a tributary of the Humber River.
The village is a recreation of life in 19th-century Ontario and gives an idea how rural Ontario might have looked in the early-to-mid 1800s.
The "pioneer" village consists of over forty historic 19th century buildings, decorated in the style of the 1860s with period furnishings. Besides the Historical Interpreters and Craftspeople housed in the restored buildings, the site also features historical reenactments and visiting artisans. Buildings include period houses, the original Stong Family farm buildings, a water-powered grist mill, a general store, a blacksmith's shop along with over 10 other trades buildings, a hotel, a church, and a one-room schoolhouse. A core of buildings built by the Stong family are on their original sites, while others have been moved in from across Southern Ontario.
The majority of the buildings were moved from their original sites (notably the large Halfway House and Mennonite Meeting House), and some re-built on their current locations.
The village is a regular destination for field trips by schoolchildren from the Greater Toronto Area.
It is operated by the Toronto and Region Conservation Authority.
I have been surprised, touched and rather humbled by the response to my photo posted yesterday entitled 'The Real Woman…yeah, right'. In my accompanying narrative I expressed my powerful emotional desire to actually pass as a real woman but acknowledged I was deluding myself as I will never be anything other than a man.
It was very kind of people to add comments saying I do look like a woman, your words were warmly received. The truth is I do dream of passing as a female and adore spending time cross-dressed and attempting to portray myself as a woman. My ambition is that men see me as a woman. I know that sounds homosexual but I would be thrilled if men actually thought I was female. I do not view it as homosexual but more as my illusion is working. So far it is a failure in my eyes, I cannot seem to escape being a man when I cross-dress. I would love to be a truly accomplished transvestite that comes across as feminine and a believable woman.
I like the idea of playing the part of a woman with enough skill that nobody thinks I am anything other than a woman. Alas, I lack the skills for such a performance but that dream motivates me and obsesses me. I want to be the man that can become a woman.
I chose this picture, a self timer shot on a cheap digital camera with full flash because it captures for me a moment when I feel I did a reasonably realistic job of looking like a woman. It is not great but not a bad effort though admittedly a mediocre result but going in the right direction. I also think it was the inner joy of being dressed as a woman and trying to look realistic as a woman that made me smile. I harbour transsexual feelings so I feel this is the root of my desires to engage in male to female transvestism.
I'm often told 'Oh, forget about passing, it's not important' well for me that is what it's all about. I want to pass! it is my ambition. My life dream. We all have different aspirations for our cross-dressing and mine is to pass convincingly. I know I would enjoy the portrayal.
I view gender and sexuality as two different things. This is why I feel I can act and behave like a female when I dress up as one. I want men to desire my female self yet I want no intimacy or sexual relationships with men. I suppose it's vanity, I want men to be attracted to me as a woman as it would prove my façade is convincing. You can be a heterosexual man yet enjoy men desiring you without being homosexual. I think many transvestites struggle with this concept but I think we should enjoy it. Imagine the thrill of your efforts to look like a woman and your performance being so convincing men think you are female…that's exciting!
Of courses it's not all about male desires be they my desire to dress as a woman or men desiring my female alter ego, there are other personal reasons as to why we need to dress as women. Many say it is just clothes and make-up. I feel it is a lot more than just that, we are usually trying to actually look like women, not just wearing clothes and make-up. There are deeper motivations driving us. I am intrigued to hear the views of others on this subject.
From my set entitled “Black Creek Pioneer Village”
www.flickr.com/photos/21861018@N00/sets/72157611538656614/
In my collection entitled "Places"
www.flickr.com/photos/21861018@N00/collections/7215760074...
In my photostream
www.flickr.com/photos/21861018@N00/
Reproduced from Wikipedia, the free encyclopedia
Black Creek Pioneer Village is an historic site in Toronto, Ontario, Canada, just west of York University and southeast of the Jane and Steeles intersection. It overlooks Black Creek, a tributary of the Humber River.
The village is a recreation of life in 19th-century Ontario and gives an idea how rural Ontario might have looked in the early-to-mid 1800s.
The "pioneer" village consists of over forty historic 19th century buildings, decorated in the style of the 1860s with period furnishings. Besides the Historical Interpreters and Craftspeople housed in the restored buildings, the site also features historical reenactments and visiting artisans. Buildings include period houses, the original Stong Family farm buildings, a water-powered grist mill, a general store, a blacksmith's shop along with over 10 other trades buildings, a hotel, a church, and a one-room schoolhouse. A core of buildings built by the Stong family are on their original sites, while others have been moved in from across Southern Ontario.
The majority of the buildings were moved from their original sites (notably the large Halfway House and Mennonite Meeting House), and some re-built on their current locations.
The village is a regular destination for field trips by schoolchildren from the Greater Toronto Area.
It is operated by the Toronto and Region Conservation Authority.
From my set entitled ‘Sumac”
www.flickr.com/photos/21861018@N00/sets/72157607186471302/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
Sumac (also spelled sumach) is any one of approximately 250 species of flowering plants in the genus Rhus and related genera, in the family Anacardiaceae. The dried berries of some species are ground to produce a tangy purple spice often used in juice.
Sumacs grow in subtropical and warm temperate regions throughout the world, especially in North America.
Sumacs are shrubs and small trees that can reach a height of 1-10 meters. The leaves are spirally arranged; they are usually pinnately compound, though some species have trifoliate or simple leaves. The flowers are in dense panicles or spikes 5-30 cm long, each flower very small, greenish, creamy white or red, with five petals. The fruits form dense clusters of reddish drupes called sumac bobs.
Sumacs propagate both by seed (spread by birds and other animals through their droppings), and by new sprouts from rhizomes, forming large clonal colonies.
The drupes of the genus Rhus are ground into a deep-red or purple powder used as a spice in Middle Eastern cuisine to add a lemony taste to salads or meat; in the Turkish cuisine e.g. added to salad-servings of kebabs and lahmacun. In North America, the smooth sumac (Rhus glabra), and the staghorn sumac (Rhus typhina), are sometimes used to make a beverage, termed "sumac-ade" or "Indian lemonade" or "rhus juice". This drink is made by soaking the drupes in cool water, rubbing them to extract the essence, straining the liquid through a cotton cloth and sweetening it. Native Americans also used the leaves and berries of the smooth and staghorn sumacs combined with tobacco in traditional smoking mixtures.
Species including the fragrant sumac (Rhus aromatica), the littleleaf sumac (R. microphylla), the skunkbush sumac (R. trilobata), the smooth sumac and the staghorn sumac are grown for ornament, either as the wild types or as cultivars.
The leaves of certain sumacs yield tannin (mostly pyrogallol), a substance used in vegetable tanning. Leather tanned with sumac is flexible, light in weight, and light in color, even bordering on being white.
Dried sumac wood is fluorescent under long-wave UV light. Mowing of sumac is not a good control measure as the wood is springy resulting in jagged, sharp pointed stumps when mowed. The plant will quickly recover with new growth after mowing. See Nebraska Extension Service publication G97-1319 for suggestions as to control.
At times Rhus has held over 250 species. Recent molecular phylogeny research suggests breaking Rhus sensu lata into Actinocheita, Baronia, Cotinus, Malosma, Searsia, Toxicodendron, and Rhus sensu stricta. If this is done, about 35 species would remain in Rhus. However, the data is not yet clear enough to settle the proper placement of all species into these genera.
Entitle : "german retreating from bellervood with machine gun"
Rather an assault by German troops (in a training camp?). A nice example of german postcard copy by Americans and re-use with other legend. The quality of those cards is often bad quality. I never saw this view on the original german postcard.
2 soldiers carry a machine gun on the left and the soldier at the right owns alone a Wex flamethrower. A classic view to have in a flamethrower collection.
I had spotted it for a long time but I was not sure that it was a flamethrower because of the quality of the card but on Thomas Wictor's profile I was able to have the confirmation.
Around about 1910 members of the CTC were wanting the badge to be supplied free to them. This tin button-type lapel badge was introduced with the member's number on the reverse to act as a membership certificate. All was well until the members realised that the cost had been added to the club's joining fee! It didn't last too long before a metal badge was reintroduced. There's been a lot of club badges and membership cards over the years including the lovely hinged badge with a metal disc inside with the member's details printed on it. On reading the 'Romance of the Cyclists' Touring Club' book it seems that there was a fair trade in 'pirate copies' of the CTC badges in those days as they entitled wearers to discounts in hotels, pubs, shops etc. that had been negotiated by the club.
The French geographer and author André Thevet (1516-1590) was born in Angoulême and died in Paris. In early life he was compelled to enter a Franciscan monastery, where he dedicated himself to his studies, being gifted with a prodigious memory although not much inclined towards religion. Thevet was a protegé of Francis I, who entrusted him with various missions. While in Italy, he became acquainted with the cardinal of Lorraine, who financed his journey to the East in 1549. On his return to France, Thevet published the chronicle of his voyage, entitled "Cosmographie du Levant". In 1555 Thevet left France as chaplain to an expedition intending to found a French colony in Brazil, in order to protect the emigrants from Normandy involved with extracting an expensive red pigment from the wood of a rare tree that grows in the area. Thevet stayed on an island at the entrance to Rio de Janeiro Bay, and returned to France sick, ten weeks afterwards. In 1557, he published "Les Singularitez de la France antarctique", with his observations on the New World. This work made Thevet famous, and was translated into English and Italian. Among the novelties in Thevet’s work are the first descriptions of the pineapple, cashew nuts, the toucan bird and the tapir. He is also accredited with introducing the cultivation of tobacco to Europe. In 1560, Thevet was named Cosmographer to the King and Chaplain to Catherine de Medici. He served successively four kings of France, while at the same time building a rare collection of Greek and Roman coins, and curiosities of nature from Mexico and Brazil. From 1566, Thevet worked on a universal multi-volume geographical encyclopedia, "Cosmographie universelle", which was published in 1575. His other monumental work, the "isolario" titled "Le Grand Insulaire et Pilotage", was left unfinished, and its contents remain scattered to this day. Last, Thevet published the "Vrais portraits et vies des hommes illustres", in which he presents, in the manner of Plutarch, two hundred and twenty-four illustrious historical personalities from the places he had visited, with the corresponding illustrations.
Thevet sailed to the East from Venice. His first port of call was Crete; he makes scathing comments on Orthodox priests, writes on the mythical inhabitants the Telchines, and mentions the earthquakes to which the island is prone. Of the Aegean islands, he provides information on Chios and Lesbos. He also describes the Dardanelles and Callipolis. Thevet stayed in Constantinople for two years, probably entrusted with an obscure diplomatic mission. Notable are his chapters on the Byzantine hippodrome, lions, tigers, elephants and camels. Thevet also visited Chalcedon and the Bosporus. He voyaged to the Holy Land, visiting "en route" Rhodes, continental Greece (?), Egypt and Syria. From Cyprus he sailed to Sicily and subsequently to Marseilles.
Thevet’s personality was controversial already in his own time. Contemporary research has shown that the text of the "Cosmographie du Levant" was in fact composed by François de Belleforest (1530-1583), a scribe in his entourage. The friendship between the two men turned to mutual hatred. The chronicle was successful, mainly thanks to its twenty-five wood engravings with the curiosities (antiquities, rare flora and fauna) described in the text. However, the information it provides as a whole is a digest of ancient sources rather than a result of first-hand observation.
As Thevet scholar Frank Lestringant has demonstrated, the chronicle of this voyage incorporates descriptions by Strabo, Pliny, Solinus, Pomponius Melas, Diodorus Siculus, Herodotus, passages from the Gospels and the Epistles, as well as texts by contemporary erudite men such as the professor of Greek and Latin L. C. Rhodiginus, the humanists G. Budé and Erasmus, the lexicographer A. Calepino and the physician J. Vadianus. Additional data were “borrowed” from travellers such as La Broderie, P. Gilles, P. Belon, and the geographer S. Münster.
Written by Ioli Vingopoulou
Fransız asıllı coğrafyacı ve yazar André Thevet (1516-1590) Angoulême şehrinde doğdu ve Paris'te öldü. Küçük yaşta bir fransiskan manastırına girmek zorunda kaldığında dinle uğraşmaktan çok kendini okuma ve araştırmaya adar. Tanrı vergisi olarak müthiş bir bellek yeteneğine sahipti. Kral I. François'nın himayesinde, çeşitli görevlerle yükümlü olarak İtalya'ya seyahat eder ve burada 1549'da Doğu'ya yapacağı seyahatin masraflarını karşılayacak olan Lorraine kardinali ile tanışır. Bu seyahatin vakayinamesini Fransa'ya döndükten sonra Cosmographie du Levant başlığı altında yayınlar. 1555 yılında, Brezilya'da yörenin kırmızı renkte nadir bir odunundan elde edilen boyanın çıkarılmasında çalışan Normadiyalıların himayesi için kurulması amaçlanan fransız kolonisinin papazı olarak Brezilya'ya gider. Rio de Janeiro körfezinin girişindeki bir adada kalır, ancak on hafta sonra hasta halde Fransa'ya döner. 1557 yılında Yeni Dünya üzerindeki gözlemlerini içeren Les Singularitez de la France antarctique adlı kitabı yayınlanır. Bu kitap Thevet'yi ünlü yapıp ingilizce ve italyancaya çevrilir. Yapıtının yenilikçi unsurları arasında ananas, kaju fıstığı, tukan kuşu, tapir hakkında verdiği bilgiler yer alıyor. Ayrıca tütün ekiminin Avrupa'ya getirilmesi de Thevet sayesinde olmuştur. 1560 yılında Kral Kozmografı ünvanını alır ve kraliçe Catherine de Medici'nin papazı görevine atanır. Sırayla, dört Fransa kralına hizmet eder. Aynı zamanda eski Yunan ve Roma sikkelerinden nadir bir koleksiyon yapıp Meksika ile Brezilya'nın doğa hazinesinden alışılmamış ve garip şeyler toplar. 1566 yılından itibaren Cosmographie universelle adlı çok çiltlik bir dünya coğrafya ansiklopedisinin yazılışında çalışır, eser 1575'de yayınlanır. Thevet'nin öteki anıtsal eseri olan "Büyük Insularium" ise (Le Grand Insulaire et Pilotage) tamamlanmamış olarak bugüne dek dağınık durumda bulunmaktadır. En son yayınladığı Vrais portraits et vies des hommes illustres kitabında, Plutarkhos'un yaptığı gibi, ziyaret etmiş olduğu yörelerden iki yüz yirmi dört (224) tane önemli tarihsel kişiliğin yaşamını -resimler eşliğinde- sergiler.
Doğu yolculuğuna Venedik'ten başlayıp ilk durağı Girit olur. Yazılarında buradaki hristiyan ortodoks papazlar hakkında yıldırımlar savurur, Girit'in efsanevi sakinleri Telkhines'ler hakkında yazar ve adayı vuran depremlerden sözeder. Ege adalarından Sakız ve Midilli hakkında bilgiler verir; Çanakkale Boğazını ve Gelibolu'yu (Kallipoli) tarif eder ve büyük olasılıkla, açıklanmamış bir diplomatik görevle yükümlü olarak iki yıla yakın bir süre için İstanbul'da kalır. Yazdıkları arasında Bizans hipodromu, aslanlar, kaplanlar, fil ve develer hakkında söylediği şeyler ayrı bir ilgi uyandırıyor. Thevet, Kadıköy ve Boğaz'ı da gezer. Kutsal Yerlere gitmek üzere İstanbul'dan vapura biner, Rodos, Rumeli'yi, Mısır ve Suriye'yi ziyaret eder; daha sonra ise Kıbrıs'tan geçip Sicilya'ya ve son olarak Marsilya'ya varır.
Thevet'nin kişiliği kendi çağından beri tartışma konusu oldu. Bugünkü araştırmacılar Doğu Kozmografyası (Cosmographie du Levant) adlı yapıtının aslında maietinde bulunan yazmanlardan François de Belleforest (1530-1583) tarafından yazılmış olduğunu kanıtlamış durumda. Başlangıçtaki dostlukları nefrete dönüşmüş ancak vakayiname, özellikle 25 adet tahta gravürü ile büyük başarı kazanmıştı. Arkeoloji, botanoloji ve zooloji konuları üzerinde, garip ve ilginç şeyler tarif etmeleri sayesinde başarı kazanan bu tahta gravürlere eşlik eden bilgiler deneyimli gözleme dayanmak yerine antik Yunan ve Latin yazarlardan yapılan alıntılardan meydana gelmiştir.
Yolculuğun vakayinamesi, Thevet'nin eserini inceleyen Fr. Lestringand'ın kanıtlarla gösterdiği gibi, Strabon, Plinius, Solinus, Pomponio Mela, Diodorus Siculus ve Herodotos'un yazılarından; İnciller ve Havarilere mektuplardan; ayrıca, yunanca ve latince profesörü L. C. Rhodiginus gibi kendi çağdaşı aydınların, G. Budé ve Erasmus gibi hümanistlerin, sözlükçü A. Calepino ve doktor J. Vadianus'un yazılarından alınmış parçalardır. Hatta bunlara ek olarak La Broderie, P. Gilles, P. Belon gibi gezginler ve coğrafyacı S. Münster'den bilgiler de "ödünç" almıştır.
Yazan: İoli Vingopoulou
From my set entitled ‘Sumac”
www.flickr.com/photos/21861018@N00/sets/72157607186471302/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
Sumac (also spelled sumach) is any one of approximately 250 species of flowering plants in the genus Rhus and related genera, in the family Anacardiaceae. The dried berries of some species are ground to produce a tangy purple spice often used in juice.
Sumacs grow in subtropical and warm temperate regions throughout the world, especially in North America.
Sumacs are shrubs and small trees that can reach a height of 1-10 meters. The leaves are spirally arranged; they are usually pinnately compound, though some species have trifoliate or simple leaves. The flowers are in dense panicles or spikes 5-30 cm long, each flower very small, greenish, creamy white or red, with five petals. The fruits form dense clusters of reddish drupes called sumac bobs.
Sumacs propagate both by seed (spread by birds and other animals through their droppings), and by new sprouts from rhizomes, forming large clonal colonies.
The drupes of the genus Rhus are ground into a deep-red or purple powder used as a spice in Middle Eastern cuisine to add a lemony taste to salads or meat; in the Turkish cuisine e.g. added to salad-servings of kebabs and lahmacun. In North America, the smooth sumac (Rhus glabra), and the staghorn sumac (Rhus typhina), are sometimes used to make a beverage, termed "sumac-ade" or "Indian lemonade" or "rhus juice". This drink is made by soaking the drupes in cool water, rubbing them to extract the essence, straining the liquid through a cotton cloth and sweetening it. Native Americans also used the leaves and berries of the smooth and staghorn sumacs combined with tobacco in traditional smoking mixtures.
Species including the fragrant sumac (Rhus aromatica), the littleleaf sumac (R. microphylla), the skunkbush sumac (R. trilobata), the smooth sumac and the staghorn sumac are grown for ornament, either as the wild types or as cultivars.
The leaves of certain sumacs yield tannin (mostly pyrogallol), a substance used in vegetable tanning. Leather tanned with sumac is flexible, light in weight, and light in color, even bordering on being white.
Dried sumac wood is fluorescent under long-wave UV light. Mowing of sumac is not a good control measure as the wood is springy resulting in jagged, sharp pointed stumps when mowed. The plant will quickly recover with new growth after mowing. See Nebraska Extension Service publication G97-1319 for suggestions as to control.
At times Rhus has held over 250 species. Recent molecular phylogeny research suggests breaking Rhus sensu lata into Actinocheita, Baronia, Cotinus, Malosma, Searsia, Toxicodendron, and Rhus sensu stricta. If this is done, about 35 species would remain in Rhus. However, the data is not yet clear enough to settle the proper placement of all species into these genera.
From my set entitled “Fibrous Begonia”
www.flickr.com/photos/21861018@N00/sets/72157607213642582/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
Begonia is a genus in the flowering plant family Begoniaceae. The only other member of the family Begoniaceae is Hillebrandia, a genus with a single species in the Hawaiian Islands. The genus Symbegonia is now included in Begonia. "Begonia" is the common name as well as the generic name for all members of the genus.
With ca. 1500+ species, Begonia is one of the ten largest angiosperm genera. The species are terrestrial (sometimes epiphytic) herbs or undershrubs and occur in subtropical and tropical moist climates, in South and Central America, Africa and southern Asia. Terrestrial species in the wild are commonly upright-stemmed, rhizomatous, or tuberous. The plants are monoecious, with unisexual male and female flowers occurring separately on the same plant, the male containing numerous stamens, the female having a large inferior ovary and two to four branched or twisted stigmas. In most species the fruit is a winged capsule containing numerous minute seeds, although baccate fruits are also known. The leaves, which are often large and variously marked or variegated, are usually asymmetric (unequal-sided).
Because of their sometimes showy flowers of white, pink, scarlet or yellow color and often attractively marked leaves, many species and innumerable hybrids and cultivars are cultivated. The genus is unusual in that species throughout the genus, even those coming from different continents, can frequently be hybridized with each other, and this has led to an enormous number of cultivars. The American Begonia Society classifies begonias into several major groups: cane-like, shrub-like, tuberous, rhizomatous, semperflorens, rex, trailing-scandent, or thick-stemmed. For the most part these groups do not correspond to any formal taxonomic groupings or phylogeny and many species and hybrids have characteristics of more than one group, or fit well into none of them.
The genus name honors Michel Bégon, a French patron of botany.
The different groups of begonias have different cultural requirements but most species come from tropical regions and therefore they and their hybrids require warm temperatures. Most are forest understory plants and require bright shade; few will tolerate full sun, especially in warmer climates. In general, begonias require a well-drained growing medium that is neither constantly wet nor allowed to dry out completely. Many begonias will grow and flower year-round but tuberous begonias usually have a dormant period, during which the tubers can be stored in a cool and dry place.
Begonias of the semperflorens group are frequently grown as bedding plants outdoors. A recent group of hybrids derived from this group is marketed as "Dragonwing Begonias"; they are much larger both in leaf and in flower. Tuberous begonias are frequently used as container plants. Although most Begonia species are tropical or subtropical in origin, the Chinese species B. grandis is hardy to USDA hardiness zone 6 and is commonly known as the "hardy begonia". Most begonias can be grown outdoors year-round in subtropical or tropical climates, but in temperate climates begonias are grown outdoors as annuals, or as house or greenhouse plants.
Most begonias are easily propagated by division or from stem cuttings. In addition, many can be propagated from leaf cuttings or even sections of leaves, particularly the members of the rhizomatous and rex groups.
The cultivar Kimjongilia is a floral emblem of North Korea.
The French geographer and author André Thevet (1516-1590) was born in Angoulême and died in Paris. In early life he was compelled to enter a Franciscan monastery, where he dedicated himself to his studies, being gifted with a prodigious memory although not much inclined towards religion. Thevet was a protegé of Francis I, who entrusted him with various missions. While in Italy, he became acquainted with the cardinal of Lorraine, who financed his journey to the East in 1549. On his return to France, Thevet published the chronicle of his voyage, entitled "Cosmographie du Levant". In 1555 Thevet left France as chaplain to an expedition intending to found a French colony in Brazil, in order to protect the emigrants from Normandy involved with extracting an expensive red pigment from the wood of a rare tree that grows in the area. Thevet stayed on an island at the entrance to Rio de Janeiro Bay, and returned to France sick, ten weeks afterwards. In 1557, he published "Les Singularitez de la France antarctique", with his observations on the New World. This work made Thevet famous, and was translated into English and Italian. Among the novelties in Thevet’s work are the first descriptions of the pineapple, cashew nuts, the toucan bird and the tapir. He is also accredited with introducing the cultivation of tobacco to Europe. In 1560, Thevet was named Cosmographer to the King and Chaplain to Catherine de Medici. He served successively four kings of France, while at the same time building a rare collection of Greek and Roman coins, and curiosities of nature from Mexico and Brazil. From 1566, Thevet worked on a universal multi-volume geographical encyclopedia, "Cosmographie universelle", which was published in 1575. His other monumental work, the "isolario" titled "Le Grand Insulaire et Pilotage", was left unfinished, and its contents remain scattered to this day. Last, Thevet published the "Vrais portraits et vies des hommes illustres", in which he presents, in the manner of Plutarch, two hundred and twenty-four illustrious historical personalities from the places he had visited, with the corresponding illustrations.
Thevet sailed to the East from Venice. His first port of call was Crete; he makes scathing comments on Orthodox priests, writes on the mythical inhabitants the Telchines, and mentions the earthquakes to which the island is prone. Of the Aegean islands, he provides information on Chios and Lesbos. He also describes the Dardanelles and Callipolis. Thevet stayed in Constantinople for two years, probably entrusted with an obscure diplomatic mission. Notable are his chapters on the Byzantine hippodrome, lions, tigers, elephants and camels. Thevet also visited Chalcedon and the Bosporus. He voyaged to the Holy Land, visiting "en route" Rhodes, continental Greece (?), Egypt and Syria. From Cyprus he sailed to Sicily and subsequently to Marseilles.
Thevet’s personality was controversial already in his own time. Contemporary research has shown that the text of the "Cosmographie du Levant" was in fact composed by François de Belleforest (1530-1583), a scribe in his entourage. The friendship between the two men turned to mutual hatred. The chronicle was successful, mainly thanks to its twenty-five wood engravings with the curiosities (antiquities, rare flora and fauna) described in the text. However, the information it provides as a whole is a digest of ancient sources rather than a result of first-hand observation.
As Thevet scholar Frank Lestringant has demonstrated, the chronicle of this voyage incorporates descriptions by Strabo, Pliny, Solinus, Pomponius Melas, Diodorus Siculus, Herodotus, passages from the Gospels and the Epistles, as well as texts by contemporary erudite men such as the professor of Greek and Latin L. C. Rhodiginus, the humanists G. Budé and Erasmus, the lexicographer A. Calepino and the physician J. Vadianus. Additional data were “borrowed” from travellers such as La Broderie, P. Gilles, P. Belon, and the geographer S. Münster.
Written by Ioli Vingopoulou
Fransız asıllı coğrafyacı ve yazar André Thevet (1516-1590) Angoulême şehrinde doğdu ve Paris'te öldü. Küçük yaşta bir fransiskan manastırına girmek zorunda kaldığında dinle uğraşmaktan çok kendini okuma ve araştırmaya adar. Tanrı vergisi olarak müthiş bir bellek yeteneğine sahipti. Kral I. François'nın himayesinde, çeşitli görevlerle yükümlü olarak İtalya'ya seyahat eder ve burada 1549'da Doğu'ya yapacağı seyahatin masraflarını karşılayacak olan Lorraine kardinali ile tanışır. Bu seyahatin vakayinamesini Fransa'ya döndükten sonra Cosmographie du Levant başlığı altında yayınlar. 1555 yılında, Brezilya'da yörenin kırmızı renkte nadir bir odunundan elde edilen boyanın çıkarılmasında çalışan Normadiyalıların himayesi için kurulması amaçlanan fransız kolonisinin papazı olarak Brezilya'ya gider. Rio de Janeiro körfezinin girişindeki bir adada kalır, ancak on hafta sonra hasta halde Fransa'ya döner. 1557 yılında Yeni Dünya üzerindeki gözlemlerini içeren Les Singularitez de la France antarctique adlı kitabı yayınlanır. Bu kitap Thevet'yi ünlü yapıp ingilizce ve italyancaya çevrilir. Yapıtının yenilikçi unsurları arasında ananas, kaju fıstığı, tukan kuşu, tapir hakkında verdiği bilgiler yer alıyor. Ayrıca tütün ekiminin Avrupa'ya getirilmesi de Thevet sayesinde olmuştur. 1560 yılında Kral Kozmografı ünvanını alır ve kraliçe Catherine de Medici'nin papazı görevine atanır. Sırayla, dört Fransa kralına hizmet eder. Aynı zamanda eski Yunan ve Roma sikkelerinden nadir bir koleksiyon yapıp Meksika ile Brezilya'nın doğa hazinesinden alışılmamış ve garip şeyler toplar. 1566 yılından itibaren Cosmographie universelle adlı çok çiltlik bir dünya coğrafya ansiklopedisinin yazılışında çalışır, eser 1575'de yayınlanır. Thevet'nin öteki anıtsal eseri olan "Büyük Insularium" ise (Le Grand Insulaire et Pilotage) tamamlanmamış olarak bugüne dek dağınık durumda bulunmaktadır. En son yayınladığı Vrais portraits et vies des hommes illustres kitabında, Plutarkhos'un yaptığı gibi, ziyaret etmiş olduğu yörelerden iki yüz yirmi dört (224) tane önemli tarihsel kişiliğin yaşamını -resimler eşliğinde- sergiler.
Doğu yolculuğuna Venedik'ten başlayıp ilk durağı Girit olur. Yazılarında buradaki hristiyan ortodoks papazlar hakkında yıldırımlar savurur, Girit'in efsanevi sakinleri Telkhines'ler hakkında yazar ve adayı vuran depremlerden sözeder. Ege adalarından Sakız ve Midilli hakkında bilgiler verir; Çanakkale Boğazını ve Gelibolu'yu (Kallipoli) tarif eder ve büyük olasılıkla, açıklanmamış bir diplomatik görevle yükümlü olarak iki yıla yakın bir süre için İstanbul'da kalır. Yazdıkları arasında Bizans hipodromu, aslanlar, kaplanlar, fil ve develer hakkında söylediği şeyler ayrı bir ilgi uyandırıyor. Thevet, Kadıköy ve Boğaz'ı da gezer. Kutsal Yerlere gitmek üzere İstanbul'dan vapura biner, Rodos, Rumeli'yi, Mısır ve Suriye'yi ziyaret eder; daha sonra ise Kıbrıs'tan geçip Sicilya'ya ve son olarak Marsilya'ya varır.
Thevet'nin kişiliği kendi çağından beri tartışma konusu oldu. Bugünkü araştırmacılar Doğu Kozmografyası (Cosmographie du Levant) adlı yapıtının aslında maietinde bulunan yazmanlardan François de Belleforest (1530-1583) tarafından yazılmış olduğunu kanıtlamış durumda. Başlangıçtaki dostlukları nefrete dönüşmüş ancak vakayiname, özellikle 25 adet tahta gravürü ile büyük başarı kazanmıştı. Arkeoloji, botanoloji ve zooloji konuları üzerinde, garip ve ilginç şeyler tarif etmeleri sayesinde başarı kazanan bu tahta gravürlere eşlik eden bilgiler deneyimli gözleme dayanmak yerine antik Yunan ve Latin yazarlardan yapılan alıntılardan meydana gelmiştir.
Yolculuğun vakayinamesi, Thevet'nin eserini inceleyen Fr. Lestringand'ın kanıtlarla gösterdiği gibi, Strabon, Plinius, Solinus, Pomponio Mela, Diodorus Siculus ve Herodotos'un yazılarından; İnciller ve Havarilere mektuplardan; ayrıca, yunanca ve latince profesörü L. C. Rhodiginus gibi kendi çağdaşı aydınların, G. Budé ve Erasmus gibi hümanistlerin, sözlükçü A. Calepino ve doktor J. Vadianus'un yazılarından alınmış parçalardır. Hatta bunlara ek olarak La Broderie, P. Gilles, P. Belon gibi gezginler ve coğrafyacı S. Münster'den bilgiler de "ödünç" almıştır.
Yazan: İoli Vingopoulou
The Farquharson Coat of Arms Crest:
This distinctive insignia described as: On a chapeau, Gules furred Ermine, a demi-lion Gules holding in his dexter paw a sword proper.A DEMI-LION rampant Gules, holding in the dexter paw a SWORD Proper.
Clansmen are entitled to wear the crest of a lion rampant, within a strap and buckle, with the motto, “Fide et Fortitudine”. Clansmen are not entitled to use the Coat of Arms in any other way, as this is the Clan Chief’s personal property.
The Farquharson Motto: Fide et fortitudine (Fidelity and Fortitude), translates to mean "By Faith and Fortitude".
Wally Carruthers, a well-known Canadian supplier and rental operator and prominent figure in the Ontario Canadian Rental Association, passed away on Nov. 15 at the age of 89. Carruthers was perhaps best known as a representative for Kango power tools. He was predeceased by his wife, Audrey Mae.
Carruthers was recognized in August 2011 Canadian Rental Service as one of ten industry influencers. Here is the 2011 item:
Company: Carruthers Rental, Kango
Location: Barrie, Ont. Years in rental: 40
Sectors served: Construction, DIY, lawn and garden
“Most people are in sales first, then go into business. I was a businessman first, then I went into sales.” According to Wally Carruthers, that was the secret of his success as a supplier of power tools and accessories to the Ontario rental industry. That, all the many friends he made both on the road and in his long involvement with the Ontario C.R.A. “Joining the R.A.C. was the most important business decision I ever made,” he says.
Even in an industry full of entertaining personalities, Carruthers stands out. Whenever he tells a story about someone with a foreign accent, he imitates the accent perfectly. In a one-hour conversation with Canadian Rental Service, he did Newfie, Irish, Scottish, British and Swedish and nailed them all. He has dozens of funny and unusual stories from the industry, most of which he was directly involved with. One of his friends made up $50 bills with Carruthers’ face on them, and he got a laugh wherever he went handing those out.
The most valuable thing Carruthers has taken away from his time in the rental business is a long list of friends he remembers fondly. The late Danny Cameron of Atlantic Rentals was one of his special favourites, and he enjoys telling the story of the Alberta regional show where Casey Jones hired a train to take attend-ees to see the glacier in Jasper, and Cameron woke everyone up at 6 a.m. playing the bagpipes. “There was a piano on board and lots of singing,” Carruthers remembers, “which was great for me because I was in a barbershop group.”
Carruthers collaborated with Peter Watkins, the founder of Canadian Rental Service, to launch the first Canadian Rental Mart. “He stopped by my house on his way to the cottage,” Carruthers remembers, “and started asking me if I thought the Rental Mart would be a good idea. I liked it and took it to the board [of the Ontario CRA]. They didn’t like it much at first, but we put it to a vote and it got passed.”
This is the official obituary:
Passed away peacefully at the Royal Victoria Regional Health Centre, Barrie, ON on Tuesday, November 15, 2016 at the age of 89. Loving husband of 65 years, to the late Audrey Mae (McLean). Predeceased by parents Issac John and Daisy Margaret (Coutts) and brother Lorne Gordon. Loved father of Wendy Booey (Hal) and Scott (Catherine). Loving grandfather of Amber, Sarah (Jeff), Preston and Troy. Beloved great-grandfather (GG) to Colton. Lovingly remembered by many nieces and nephews. Wally was born in Barrie and was passionately involved in his community serving as a long standing member of Rotary, Probus and Kerr Masonic Lodge No. 230. As a sports enthusiast, Wally’s contributions led him to become a Barrie Sports Hall of Fame inductee. Wally was a respected businessman both owning and operating several businesses in the area, including Carruthers Cartage and Carruthers Rent-All.
Visitation will be held at St. Andrew’s Presbyterian Church, 47 Owen St., Barrie, on Friday, December 2, 2016 from 7:00 to 9:00pm. A celebration of Wally’s life will take place at the church on Saturday, December 3 at 11:00am followed by a reception. Memorial donations may be made to the Lung Association or St. Andrew’s Presbyterian Church. A special thank you to those who supported Wally throughout his declining health and who were involved in his care. Arrangements entrusted to MARSHALL W. DRIVER CREMATION & BURIAL SERVICE, 19 Ross St., Barrie. Condolences may be placed at www.drivercremation.ca
Charles Walter 'Wally' Carruthers 1927 - 2016 Obituary
Wally Carruthers, a well-known Canadian supplier and rental operator and prominent figure in the Ontario Canadian Rental Association, passed away on Nov. 15 at the age of 89. Carruthers was perhaps best known as a representative for Kango power tools. He was predeceased by his wife, Audrey Mae.
Carruthers was recognized in August 2011 Canadian Rental Service as one of ten industry influencers. Here is the 2011 item:
Company: Carruthers Rental, Kango
Location: Barrie, Ont. Years in rental: 40
Sectors served: Construction, DIY, lawn and garden
“Most people are in sales first, then go into business. I was a businessman first, then I went into sales.” According to Wally Carruthers, that was the secret of his success as a supplier of power tools and accessories to the Ontario rental industry. That, all the many friends he made both on the road and in his long involvement with the Ontario C.R.A. “Joining the R.A.C. was the most important business decision I ever made,” he says.
Even in an industry full of entertaining personalities, Carruthers stands out. Whenever he tells a story about someone with a foreign accent, he imitates the accent perfectly. In a one-hour conversation with Canadian Rental Service, he did Newfie, Irish, Scottish, British and Swedish and nailed them all. He has dozens of funny and unusual stories from the industry, most of which he was directly involved with. One of his friends made up $50 bills with Carruthers’ face on them, and he got a laugh wherever he went handing those out.
The most valuable thing Carruthers has taken away from his time in the rental business is a long list of friends he remembers fondly. The late Danny Cameron of Atlantic Rentals was one of his special favourites, and he enjoys telling the story of the Alberta regional show where Casey Jones hired a train to take attend-ees to see the glacier in Jasper, and Cameron woke everyone up at 6 a.m. playing the bagpipes. “There was a piano on board and lots of singing,” Carruthers remembers, “which was great for me because I was in a barbershop group.”
Carruthers collaborated with Peter Watkins, the founder of Canadian Rental Service, to launch the first Canadian Rental Mart. “He stopped by my house on his way to the cottage,” Carruthers remembers, “and started asking me if I thought the Rental Mart would be a good idea. I liked it and took it to the board [of the Ontario CRA]. They didn’t like it much at first, but we put it to a vote and it got passed.”
This is the official obituary:
Passed away peacefully at the Royal Victoria Regional Health Centre, Barrie, ON on Tuesday, November 15, 2016 at the age of 89. Loving husband of 65 years, to the late Audrey Mae (McLean). Predeceased by parents Issac John and Daisy Margaret (Coutts) and brother Lorne Gordon. Loved father of Wendy Booey (Hal) and Scott (Catherine). Loving grandfather of Amber, Sarah (Jeff), Preston and Troy. Beloved great-grandfather (GG) to Colton. Lovingly remembered by many nieces and nephews. Wally was born in Barrie and was passionately involved in his community serving as a long standing member of Rotary, Probus and Kerr Masonic Lodge No. 230. As a sports enthusiast, Wally’s contributions led him to become a Barrie Sports Hall of Fame inductee. Wally was a respected businessman both owning and operating several businesses in the area, including Carruthers Cartage and Carruthers Rent-All. Wally was a member of Signet Chapter No. 34, a Barrie area Chapter which went dark and rose again as Phoenix Chapter No. 34 which meets at the Cookstown Masonic Hall.
Visitation will be held at St. Andrew’s Presbyterian Church, 47 Owen St., Barrie, on Friday, December 2, 2016 from 7:00 to 9:00pm. A celebration of Wally’s life will take place at the church on Saturday, December 3 at 11:00am followed by a reception. Memorial donations may be made to the Lung Association or St. Andrew’s Presbyterian Church. A special thank you to those who supported Wally throughout his declining health and who were involved in his care. Arrangements entrusted to MARSHALL W. DRIVER CREMATION & BURIAL SERVICE, 19 Ross St., Barrie. Condolences may be placed at www.drivercremation.ca
What is a Mason? A. F. & A. M.
A Mason is a man and a
Brother who is Square in all
That he Compasses: he has a "Rite"
understanding and a firm Grip.
therefore he has no complaints to
Lodge against life: by being a loyal
Apprentice to duty, he becomes
Master of himself and others, and
thus whatever the Degree, he full-
fills an honourable career from
his first "Installation" into the "Order"
of humanity, until hr receives
the final password.
A Masonic Service was held on Saturday December 3, 2016 at 11:00 a.m. The Masonic Brethren assembled at 10:30 a.m. at St. Andrews Church, 47 Owen Street, Barrie, ON in their Business suit and their Regalia.
From my set entitled “Solomon’s Seal”
www.flickr.com/photos/21861018@N00/sets/72157607189465821/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
Polygonatum (King Solomon's-seal, Solomon's Seal) is a genus of about 50 species of flowering plants within the family Ruscaceae, formerly classified in the lily family Liliaceae.
Some species of this genus have medicinal properties, and some (in particular P. sibiricum) are used as an tisane in traditional Chinese medicine, which is called dungulle in Korea.
Some Polygonatum shoots are edible, cooked like asparagus, as are the roots - after appropriate treatment - being a good source of starch
Revolving primarily around the root, "Solomon's Seal" are traditionally used in a range of afflictions from menopause to broken bones. As a topical application, the root are said to expedite the healing of cuts and bruises, skin irritations and inflammations, and as a face wash is good for acne, blemishes and all kinds of imperfections of the skin. When consumed as a tea, it is said to alleviate a range of symptoms associated with menopause, indigestion, diabetes, broken bones, insomnia, kidney pains, and even infertility]
Its use to fight diabetes was first observed in 1930 by Langecker. After experiments, he concluded that it was effective in fighting nutritional hyperglycemia, though not that caused by adrenaline release, probably due to its content in glucokinin.
Mural entitled "Inhale Exhale" by David Heo aka @davheo seen in the Clifton Avenue Street Art Gallery in the Uptown area of Chicago, Illinois.
Photo by James aka @urbanmuralhunter on that other photo site.
Edit by Teee.
Mural entitled “Arianrhod” by Robin Munro aka @_dreadgod_ located at 3500 Delgany Street in the RiNo area of Denver, Colorado.
Arianrhod is the Celtic goddess of air, reincarnation, full moons, time, karma and retribution.
Photo by James aka @urbanmuralhunter on that other photo site.
Edit by Teee.
WSSU Research Conference Disparities To Health Equity Louis Sullivan
Dr. Louis W. Sullivan, former secretary of the U.S. Department of Health and Human Services and former president of Morehouse School of Medicine, will be the keynote speaker at a research conference on Thursday, April 18, hosted by the School of Health Sciences at Winston-Salem State University (WSSU).
The conference, entitled “Moving from Health Disparities to Health Equity: The Search for Solutions,” will be held in the Dillard Auditorium in the Anderson Conference Center on the WSSU campus from 9 a.m. until 4 p.m. In addition to Sullivan’s address, there will be expert panel discussions, poster and oral presentations, and break-out sessions that highlight proven models and promising strategies for achieving health equity. The conference is free and open to the public, but registration is requested. Participants may register at www.wssu.edu/shs.
Sullivan was appointed secretary of Health and Human Services by President George H.W. Bush and served in that capacity from 1989 until 1993. He also served as chair of the President’s Commission on Historically Black Colleges and Universities and was co-chair of the President’s Commission on HIV and AIDS under President George W. Bush.
Currently, Sullivan is chairman of the board of the National Health Museum in Atlanta, an organization that works to improve health by enhancing health literacy and advancing healthy behaviors. He also is chairman of the Washington, D.C.-based Sullivan Alliance to Transform America’s Health Professionals.
A native of Atlanta, Sullivan graduated manga cum laude from Morehouse College and earned his medical degree, sum laude, from Boston University School of Medicine. He was instructor of medicine at Harvard medical School and spent nine years at Boston University where he founded the Boston University Hematology Service at Boston City Hospital. In 1975, he left Boston University to become the founding dean and director of the Medical Education Program at Morehouse College and became dean and president of Morehouse School of Medicine in 1981 and remained in that position for more than two decades. He retired in 2002 and was appointed president emeritus.
From my set entitled ‘Sumac”
www.flickr.com/photos/21861018@N00/sets/72157607186471302/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
Sumac (also spelled sumach) is any one of approximately 250 species of flowering plants in the genus Rhus and related genera, in the family Anacardiaceae. The dried berries of some species are ground to produce a tangy purple spice often used in juice.
Sumacs grow in subtropical and warm temperate regions throughout the world, especially in North America.
Sumacs are shrubs and small trees that can reach a height of 1-10 meters. The leaves are spirally arranged; they are usually pinnately compound, though some species have trifoliate or simple leaves. The flowers are in dense panicles or spikes 5-30 cm long, each flower very small, greenish, creamy white or red, with five petals. The fruits form dense clusters of reddish drupes called sumac bobs.
Sumacs propagate both by seed (spread by birds and other animals through their droppings), and by new sprouts from rhizomes, forming large clonal colonies.
The drupes of the genus Rhus are ground into a deep-red or purple powder used as a spice in Middle Eastern cuisine to add a lemony taste to salads or meat; in the Turkish cuisine e.g. added to salad-servings of kebabs and lahmacun. In North America, the smooth sumac (Rhus glabra), and the staghorn sumac (Rhus typhina), are sometimes used to make a beverage, termed "sumac-ade" or "Indian lemonade" or "rhus juice". This drink is made by soaking the drupes in cool water, rubbing them to extract the essence, straining the liquid through a cotton cloth and sweetening it. Native Americans also used the leaves and berries of the smooth and staghorn sumacs combined with tobacco in traditional smoking mixtures.
Species including the fragrant sumac (Rhus aromatica), the littleleaf sumac (R. microphylla), the skunkbush sumac (R. trilobata), the smooth sumac and the staghorn sumac are grown for ornament, either as the wild types or as cultivars.
The leaves of certain sumacs yield tannin (mostly pyrogallol), a substance used in vegetable tanning. Leather tanned with sumac is flexible, light in weight, and light in color, even bordering on being white.
Dried sumac wood is fluorescent under long-wave UV light. Mowing of sumac is not a good control measure as the wood is springy resulting in jagged, sharp pointed stumps when mowed. The plant will quickly recover with new growth after mowing. See Nebraska Extension Service publication G97-1319 for suggestions as to control.
At times Rhus has held over 250 species. Recent molecular phylogeny research suggests breaking Rhus sensu lata into Actinocheita, Baronia, Cotinus, Malosma, Searsia, Toxicodendron, and Rhus sensu stricta. If this is done, about 35 species would remain in Rhus. However, the data is not yet clear enough to settle the proper placement of all species into these genera.
Museum de Fundatie Zwolle NL presents an exhibition entitled Giacometti-Chadwick, Facing Fear, to run from 22 September 2018 to 6 January 2019. The sculptures of Alberto Giacometti (1901-1966) and Lynn Chadwick (1914-2003) are manifestations of the sense of fear and disillusionment that pervaded Europe during the Cold War period. Their work bids a final farewell to pre-war romanticism and aestheticism, and lands with both feet in the raw reality of the post-war world. While Giacometti reduced the human form to its bare essentials, Chadwick created powerful archetypal images of both people and animals. The exhibition includes more than 150 works. Never before has the work of Giacometti and Chadwick been so explicitly brought together.
Their paths first crossed in 1956, when Chadwick became the youngest person ever to win the Grand Prix for Sculpture at the Venice Biennale. With only six years’ experience as a sculptor, the British artist snatched the prize from Giacometti, the hot favourite, who was thirteen years older and already a major name in Paris. Giacometti would go on to win the prize in 1962, but which of the two men was awarded it in 1956 is less significant than the fact that these two particular sculptors were the front-runners at that time. Each of them was expressing, in his own individual way, the sense of deep-seated angst that overshadowed day-to-day life in Europe in the fifties and sixties: the fear of a global nuclear disaster that would wipe out human civilisation.
Alberto Giacometti is among the most significant figures in the whole field of modern European sculpture. A member of a notable family of Swiss artists, he moved to Paris in 1922 and would remain there for the rest of his life, working as a sculptor, painter and graphic artist. After training with Émile-Antoine Bourdelle, he discovered modernism and so-called ‘primitive’ ethnographic art of Africa and Oceania. In response to these influences, his work became more abstract. In the early thirties, his Surrealist sculptures expressing subconscious emotions created a furore. From 1935, however, personal psychological tensions triggered a crisis in his life and work that led to a return to the human figure. Initially, his portraits and figures became both increasingly tiny and more and more attenuated. This thinness was to remain the most distinctive feature of Giacometti’s art. After the Second World War, he began to create the elongated, emaciated figures that would bring him worldwide fame. In all their attenuation, they reduce humanity to its very essence and appear both vulnerable and enigmatic.
In the early fifties, up-and-coming artist Lynn Chadwick managed to dislodge Henry Moore and Barbara Hepworth from their dominant position in the field of British sculpture. Born in London, Chadwick had started his career as a technical draughtsman and exhibition stand designer. He took an equally constructional approach to his sculpture: rather than model his human and animal figures in clay or wax, he constructed them by welding steel rods together to create an armature and then filling in the gaps with a kind of cement. The angularity of the work being produced by him and other young British artists was described in 1952 as ‘the geometry of fear’, a reference to the constant dread of nuclear annihilation. Chadwick’s apocalyptic Dancers and stoical Watchers gave powerful expression to this sense of angst. From the early seventies, he broadened his repertoire to include subjects that seem to restore the sovereignty of the human spirit. Sculptures like Cloaked Figure and Sitting Couple no longer look threatening, but emanate a sense of composure and invulnerability.
Giacometti’s pre-war work influenced Chadwick’s development and the two men were keenly aware of each other’s presence. In addition to the vast differences, there are also many similarities between their oeuvres. Giacometti-Chadwick, Facing Fear is the product of close cooperation with the Fondation Marguerite et Aimé Maeght in Saint-Paul-de-Vence and the Chadwick Estate and Blain|Southern gallery in London.
© All Rights Reserved - No Usage Allowed in Any Form Without the Written Consent of Connie Lemperle/ lemperleconnie
Oil painting entitled 'Venice from the Giudecca' by Joseph Mallord William Turner.
His romantic view of Venice is not strictly accurate in a photographic sense, but gives a vivid, dream-like impression of an ancient city under a beautiful sky. As so often in his works, the sea and the buildings in this painting are depicted with a theatrical grandeur. Many artists before and since Turner's time have painted the city, but this is still one of the best known images.
Yearbook photo entitled "Seminary Boys," showing women dressed in men's suits and hats at Oxford Seminary, 1907 From the 1907 edition of Phoenix, page 114.
View at DigitalNC: library.digitalnc.org/cdm/ref/collection/yearbooks/id/7528
Digital Collection: North Carolina College and University Yearbooks
Contributing Institution: Granville County Public Library
Usage Statement: Copyright Granville County Public Library. The materials in this collection are made available for use in research, teaching and private study. Images and text may not be used for any commercial purposes without prior permission from the Granville County Public Library.
Our latest piece entitled 'Busy being lazy' came about as we were taking part in a battle on stencil forum Cut n Spray and the theme for the battle was 'lazy'. Since this is a theme that is close to my heart i thought i'd try to muster the necessary effort to take part. The theme could be interpreted however you liked as long as there was a stencil on the final design.
After sitting around thinking/playing Black Ops for a while inspiration finally struck. From there it was a question of motivation and logistics. Thankfully i managed to save myself from terminal apathy and get myself to the hardware shop to buy the necessary bits and pieces. Working with plywood is quite fun although perhaps i should have got something slightly thicker than 4mm as problems started to arise when i was knocking the nails in as some of them would go straight through the wood. After a little trial and error i managed to get all the nails in and then came the thread...
Threading the nails was certainly something of a challenge (especially considering my earlier problems with anchoring the nails properly) but after the appropriate amount of swearing I finally managed to get it all attached properly. Now i just need somewhere good to get it installed and transport it there safely...
Hopefully we'll be in with a chance of winning the competition with 'Busy being lazy' as surely it's a truly inspirational piece? I'll keep you updated as to the outcome...
Cheers
id-iom
Entitled "Piss" (Čůrající postavy). Also known as "Streams." Interactive fountain. These statues were created in 2004 by Czech artist sculptor David Cerny and are said to be writing quotations from Czech literature in the fountain. Visitors may send text messages to them to write on demand. It seems these statues have had too much Czech beer!
P1250253a
Detail of a beautiful painting entitled ‘Christ Blessing, Surrounded by a Donor and His Family’. Attributed to Ludgar tom Ring the Younger, c.1575-80. In the centre piece is Christ depicted alongside an unknown Westphalian family. To the left and right of this are two portraits, one of a man, the other of a woman (not included here). This painting may have been commissioned on the marriage of a member of the family included, with the groom and bride being depicted to the side of the piece.
The portrait of the man: www.flickr.com/photos/20631910@N03/3665176573/in/photostr...
The portrait of the woman: www.flickr.com/photos/20631910@N03/3665224317/
The flowers strewn on the table before Christ represent love, commitment, faith and possibly fertility. The family’s Protestant faith is indicated, particularly with the texts above the figures. The texts in question are from the Gospel of St John and from Psalms which are taken from Martin Luther’s translation of the Bible into Low German.
The painting is included in the European Paintings collection in the Metropolitan Museum of Art, NY. Photography is permitted.
A large-scale print from the series by photographer Hiroshi Sugimoto entitled 'Henry the VIII and His Six Wives'. This photograph was part of a 2012 exhibit entitled "About Face" at 'Pier 24 Photography', a private museum in San Francisco. Pier 24 is a critically acclaimed, photography collection owned by investment banker Andrew P. Pilara Jr. The collection is housed and displayed in a converted waterfront warehouse located at Pier 24 on the Embarcadero directly beneath the Bay Bridge in San Francisco.
Anne of Cleves (1515–1557) was Queen of England for only six months from January, 1540 to July, 1540 as the fourth wife of King Henry VIII. The marriage was declared never consummated, and she was not crowned queen consort. Following the annulment of their marriage, Anne was given a generous settlement by the King, and thereafter referred to as the King's Beloved Sister. She lived to see the coronation of Queen Mary I, outliving Henry's five other wives.
This image of Anne of Cleves is in fact a photograph of a waxwork made by the legendary Madame Tussaud. Sugimoto placed a black velvet cloth behind the waxwork and used a 3/4 turned and cropped framing of the “figure” akin to the first portrait photographers in the mid-nineteenth century. In so doing, he breathes photographic life into the layers of simulation and equivalence of his historic subject.
Sugimoto was born in Tokyo in 1947 and came to Los Angeles in the 70's to study photography at the Art Center College of Design. He moved to New York in 1974, and began a series of photographs of dioramas at the Museum of Natural History. From 1978, in cinemas across the USA, he photographed Theatres, screen images each made with a single exposure lasting for the duration of a film. He began photographing Seascapes in the 1980s and 1990s. His first book, Sugimoto, appeared in 1988. Recent work includes the series Sanjusangendo, Hall of Thirty-Three Bays (1995) of Buddhist statues, and portraits of the historical figures at Madame Tussaud's Museum (Wax Museums, since 1994).
This engraving, entitled "Soldier's Reading-room, St. Mary's Barracks, Chatham" appeared in the Illustrated London News of Saturday 8th March 1856. The accompanying article reads:
SOLDIERS' READING-ROOM, ST. MARY'S BARRACKS, CHATHAM.
THIS extended line of Barracks was built during the Peninsular War, and was first used to accommodate the French prisoners: here it was so many expressed their sense of the great consideration shown them by the Government of this country. When the barracks ceased to be in requisition for the above purpose they underwent material alteration, and, after being rendered bomb-proof were converted into extensive powder magazines, continuing to be used as such for many years. Being at a considerable distance from the other buildings occupied by troops, and great inconvenience arising from this cause, detached powder magazines, more compact and contiguous to the different stations, were erected; when St. Mary's Barracks were used as stores for the Royal Engineers. As our Indian territory increased a corresponding supply of well-trained young men from the Provisional Battalion became necessary; in consequence of which. during one period of the year especially, the entire space of Chatham Barracks was required for this additional influx, and then it was thought expedient to appropriate a part of St. Mary's for the reception of such regiments as might arrive from foreign stations, or as a temporary barrack for a part of the Provisional Battalion instead of sending them to Canterbury.
The annual return of between three and four thousand soldiers from India and the British Colonies - who, either from impaired health, or, having served their full term, were considered exempt from further active service - induced the authorities to decide upon St. Mary's Barracks as the fittest place for them, and since the year 1844 they have been exclusively set apart for the temporary quarters of such previous to their final disposal.
The situation of St. Mary's Barracks is remarkable for salubrity of air, and the surrounding scenery is exceedingly picturesque. On the east, the river Medway extends as far as the eye can reach, studded with numbers of men of-war, and enlivened by the constant passing of vessels. Towards the south, the rich valley of Gillingham and Rainham presents a pleasing view, which, during summer and autumn, is rendered still more attractive by its numerous cherry and apple orchards. On the west, Upna Castle, with it surrounding panoramic scenery, and the river in the foreground, invariably offers a pleasing prospect. Indeed, St. Mary's Invalid Barracks, standing on a light loamy soil, within the line of fortifications, are capable, with their many natural advantages, of being rendered by a little taste a most desirable station.
St. Mary's Barracks have, of late, been a place of special interest, they having been the receptacle of so many thousands of men - some, after a long and honourable career, to return to the place of their birth, carrying with them the rewards of merit; some, less fortunate, to whom loss of health in a tropical clime has proved a barrier to their promotion; and last, though not least, the fearful number of the wounded, whose military career has been arrested by those many casualties war so necessarily entails. The Barracks have lately been honoured with the visits - first of his Royal highness Prince Albert, when he became a spectator of the mode of attack, scaling of walls, hand•grenading, and the explosion of mines, attending a siege; and next by that of her Most Gracious Majesty the Queen to such of her brave army as returned invalided from the seat of war.
For the use of the invalids in the Barracks, a Library is now being fitted up in one of the rooms of the Upper Gallery, and will form a most important feature of attraction to the soldiers, and a general acquisition to these Barracks. About 800 volumes of historical and miscellaneous works have already been provided. Bookshelves are to be arranged on each side, a table extending down the centre, and the apartment will be lighted with gas. The heads of the different departments of the garrison have been very anxious for this important object; and it will, doubtless, be a great inducement for numbers of the invalids to remain quietly in barracks instead of passing their time so unprofitably in the town.
The accompanying illustration shows the Reading-room, as far as this very desirable improvement has progressed.
This gives a very different impression of the barrack than is seen in an account by George Russell Dartnell (1799-1878), an army surgeon who was, at that time, Deputy Inspector-General of Hospitals. He wrote a manuscript entitled “A few brief Anecdotes connected with Her Majesty’s visit to the Hospitals at Chatham, 1855-6, written by G. R. Dartnell, D.I.G.H.” from which the following extract is taken recounting Queen Victoria and Prince Albert's visit to the barracks in June 1855:
After inspecting the men on the ground the Queen and party walked across to see the Casemate Barracks, about which so much has been said and written of late. She went into one or two of the upper rooms and was quite horrified at them. “Are these really the barrack rooms of these Invalids?” she said to me: I said, “Yes indeed they are your Majesty” And Prince Albert, looking over towards the splendid Convict Prison recently built in view of the Casemate Barracks, said “Well it seems very extraordinary that there should be no difficulty in obtaining money to erect a magnificent building like this for convicts, and that it should be impossible to find the means of building a commonly comfortable Barrack for convalescent soldiers.
Entitled A north-easterly aspect of Lyttelton from near the Oil Wharf, this is an image by a local photographer.
This photograph was stolen and published by Harcourts Group Ltd for the specific purpose of making a commercial profit or gain; namely, to promote sales of the Fitzroy Head residential subdivision.
In deliberate infringement of New Zealand’s Copyright Act, the photograph appeared in a double page advertisement of issue 506 of the Bluebook Canterbury magazine. It was also used on twelve pages of four separate web sites (one of which, Harcourts proclaim, receives more than half a million views each month).
In late 2008, Bryan John Thomson, CEO of the Riccarton, Christchurch based Harcourts Group was asked by the amateur photographer to address the matter of this theft of intellectual property. He responded with the assurance that "this matter will be addressed in the appropriate manner."
With no subsequent communication, Thomson's interpretation of an appropriate manner might appear to constitute ignoring a criminal offence punishable by substantial fines and a lengthy custodial sentence.
Perception IS NOT Reality is the title of Thomson's latest blog post. In view of the foregoing it could seem that the chief executive of the New Zealand’s largest real estate group's personal perception of legal responsibility may be overdue for a reality check.
Now an international conglomerate in an industry whose ethics are reputedly perceived by New Zealanders with less than favour, the Harcourts Group is currently part of the Leading Real Estate Companies of the World global network of nearly 700 real estate companies with 5,500 offices and 170,000 sales associates in 38 countries.
ADDENDUM
The theft of Intellectual Property breaches the Code of Ethics of the Real Estate Institute of New Zealand. In what might well be construed as an endorsement of the criminality of its members, the Institute has failed to respond to a formal complaint by the photographer.
VP-14/VP-102/VPB-102 Special Collection
From album #4 Entitled “Second Tour”
SOURCE INSTITUTION: San Diego Air and Space Museum Archive
From my set entitled “Black Creek Pioneer Village”
www.flickr.com/photos/21861018@N00/sets/72157611538656614/
In my collection entitled "Places"
www.flickr.com/photos/21861018@N00/collections/7215760074...
In my photostream
www.flickr.com/photos/21861018@N00/
Reproduced from Wikipedia, the free encyclopedia
Black Creek Pioneer Village is an historic site in Toronto, Ontario, Canada, just west of York University and southeast of the Jane and Steeles intersection. It overlooks Black Creek, a tributary of the Humber River.
The village is a recreation of life in 19th-century Ontario and gives an idea how rural Ontario might have looked in the early-to-mid 1800s.
The "pioneer" village consists of over forty historic 19th century buildings, decorated in the style of the 1860s with period furnishings. Besides the Historical Interpreters and Craftspeople housed in the restored buildings, the site also features historical reenactments and visiting artisans. Buildings include period houses, the original Stong Family farm buildings, a water-powered grist mill, a general store, a blacksmith's shop along with over 10 other trades buildings, a hotel, a church, and a one-room schoolhouse. A core of buildings built by the Stong family are on their original sites, while others have been moved in from across Southern Ontario.
The majority of the buildings were moved from their original sites (notably the large Halfway House and Mennonite Meeting House), and some re-built on their current locations.
The village is a regular destination for field trips by schoolchildren from the Greater Toronto Area.
It is operated by the Toronto and Region Conservation Authority.
An exhibition entitled “Brazil – In the Footsteps of Innovation and Creativity”, co-organized by WIPO and Brazil, was held on the sidelines of the WIPO Assemblies, which met in Geneva from October 3 to 11, 2016.
The exhibition showcased some of Brazil’s well-known geographical indications, including alcoholic drinks, coffee and lace. It also featured notable Brazilian innovations and designs in the field of aviation (Embraer jets), as well as precision engineering, handicraft and clothing.
Delegates to the WIPO Assemblies were also treated to a musical performance of “Capoeira” – an Afro-Brazilian mix of martial art and dance that was recognized as an intangible cultural heritage by UNESCO in 2014.
Copyright: WIPO. Photo: Violaine Martin. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.
Officially entitled 'In Memoriam', this 4-meters-long work was painted by artist Andrew White in 2011-2012. It captures the moment during the last supper when Jesus breaks the bread. The way that the light illuminates the apostles' faces is very striking, and I like how Jesus' face is depicted a second time staring out of the darkness. The work hangs in a side chapel of the Catholic church of the Immaculate Conception in Mayfair.
Event: The Annual Women’s Empowerment Principles, entitled “Unlimited Potential: Business Partners for Gender Equality”
hosted by UN Women and the UN Global Compact in ECOSOC chambers at United Nations Headquarters on 10 March 2015.
Welcoming remarks by:
Master of Ceremonies: Jo Confino, Executive Editor, The Guardian and Chairman & Editorial Director of Guardian Sustainable Business
Georg Kell, Executive Director, UN Global Compact
Phumzile Mlambo-Ngcuka, Under-Secretary-General and Executive Director, UN Women.
Opening remarks by: UNSGKeynote Speaker: Hon. Hillary Rodham Clinton, former US Secretary of State
Photo: UN Women/Ryan Brown
This statue entitled Montana stands seventeen-feet-high and was intended to be the personification of liberty. Sculptor Edward J. Van Landeghem was its creator. It was placed atop the capitol during construction in the December of 1900.
The stunning Montana State Capitol in Helena was constructed at a cost of $540,000 from 1899 to 1902 using the designs of Council Bluffs, Iowa architects Charles Emlen Bell and John Hackett Kent. In 1909-12 additions were placed on the east and west sides of the building under the supervision of architects Frank M. Andrews of New York and John G. Link and Charles S. Haire of Montana.
PETER CUNNINGHAM recently returned from China where he is teaching Chinese photographers and completing his STILL FILM entitled Cultural Evolution. This might seem a long journey from his first paid job as a photographer in 1973, when, for $25 he made Bruce Springsteen's first pictures at Columbia Records and later did the same for Madonna. Peter learned to be a professional photographer creating images for famous performers in music and theater, he did this for 15 years (portfolio) until the birth of MTV made the field less interesting.
At the same time he learned to remain a passionate amateur from photographer Adger Cowens who taught about seeing not objects in one's camera, but perceiving objects as the light that is bouncing off them, mixing it with your feelings and history and mythology, and and responding from your gut. Peter also learned from Henri Cartier-Bresson who he was privildged to assist in 1975. The two traveled every day for a month to New Jersey to document what HCB considered the prototypical American state. My job was to talk to everyone so Henri could concentrate on seeing. The New York Times gave Henri it's lead op-ed space on the day Bill Moyers aired the show.
Also in 1980, Peter began studies with Bernie Glassman at the Zen Community of New York. His first public exhibitiion, "THIS IS IT? was held in the cafe sponsored by ZCNY; that little cafe evolved into The Greyston Bakery famous for cakes and cookies and for revivifying people with difficult histories. Peter's travels and friendships among Zen practitioners and teachers in Japan, Europe, The Middle East, and The United States have been a great blessing and influence on his life and work. His trip to Japan with Bernie and Peter Matthiessen to visit the ancestors of Bernie's teacher, Maezumi Roshi, resulted in the publicaton of "Nine-Headed Dragon River"; Peter has helped document the migration of Zen Buddhist practice from Japan to the West. After Maezumi Roshi's death in 1995 the practice, while retaining it's traditional form in many places, also evolved into new American/European forms. Bernie Glassman took his students into the streets or to sit meditation in Auschwitz-Birkenau and has now created The Peacemaker Community; Genpo Roshi started his Big Mind form of teaching, and throughout the West; many of the best teachers of the next genereation are women, a development that would have been inconceivable in Japan.
'In about 1980 cable tv was being launched and I was asked by an ad agency to create a series of 20 posters of people (my friends) which were displayed on the NYC subways in all 5 boroughs. I took the opportunity to take make a second more personal portrait of my models posed next to the purposeful commercial image on the postere. This series became the Black&White portion of Peter's first major exhibition in 1982 at Harkness House curated by Liz Thompson and Kathy DeShaw.
The other half of this 1982 exhibition framed color prints in combinations, and thus began the long evolution of the theatrically-scaled triptych medium Peter calls "StillFilm". Peter has exhibited still films around the world; in 2005 he showed the Still Films in Krakow, London, Paris, and Berlin. ..... the web version he calls "StillTV".
In 1989 when the Berlin Wall fell, Peter, based in New York City,began creating a Still Film he calls BLINDERS. I wondered what would replace the authoritarian structures that had ruled in the East, what systems are in place in the West that keep people well behaved and going to work day after day."
Peter continued this general theme in Berlin in 1994 with his still film WÄNDE WENDE (Walls Change) Previewing the still film's debut at The Knitting Factory, The New Yorker says about Cunningham, "These visual poems are decidedly more ambitious than his celebrity work; in the past they've consisted of essays on nature and consumerism. He shot his latest still film in Berlin, and it addresses, in a stunningly colorful fashion, how the walls that hem us in are not necessarily made of concrete."
Peter's current work in China, Cultural Revolution is based on a similar idea, that images have a kind of persuasive power was once wielded by guns. Peter imagines presenting these three shows together in their home cities: New York, Berlin, and Beijing:
ORIGINAL ACEO entitled, "19th CENTURY FISH PEOPLE PORTRAITS No.10" (2008) by award winning American artist/animator Dean A. Kendrick. The piece is a 2.5" x 3.5" ink marker drawing/watercolor painting on heavy weight watercolor paper that is intentionally stained with a coffee wash to give it an older, worn look as if it was found in the leaky attic of an under-kept Victorian mansion.
Who are the Fish People? Where did they come from? Are they a forgotten, de-evolutionary race that flourished in the 19th century United States?
ACEO stands for "Art Cards, Editions and Originals". These popular, collectible cards are exclusively 2.5" x 3.5" in size.
These are the pieces from my first solo show, entitled “The Ghost of the You Haunted Me..." held at Rotofugi Gallery in Chicago, IL on Sept 7, 2012.
This body of work is the culmination of many of the elements found in my custom toy work within my Forest of Sorrows narrative and I have strived to create a cohesive storyline that ties together many of the concepts and themes seen over the past couple of years.
In this story, when people pass onto the next life, those with unfinished business are taken to the Silva Dolorosa (The Forest of Sorrows) to begin a life anew, where the choices and decisions they make will determine how their lives turn out.
At the end of days as one’s life ebbs away, the Flederkanichen creatures arrive to shepherd these souls, manifested as a seed, and carry them to the Silva Dolorosa. Upon arriving, they drop the soul seeds down into the depths of the forest where the Saplings catch them, plant them in their heads waiting for them to bloom again, at which point they will plant them on the forest floor in the perfect place, so that the souls can begin their new lives.
On one particular day, with one particular soul seed dropped by the Flederkanichen, a big gust of wind blew the seed out of the hand of the Sapling assigned to it and it hit the ground, breaking the cardinal rule of the forest. It was at this moment that Locket, the geist girl was reborn in this limbo, confused and bewildered as to where she was. Frightened, she runs deep into the forest to discover who she was in her previous life, and what she was to become in the next.
Concurrently, at the moment at which Locket was born, the last guardian of the forest, the Hollow Knight, was awakened from deep slumber, tasked with ensuring the sanctity of the Silva and all of its denizens. He sets off on a quest to find Locket, only to encounter yet another new visitor to the forest - the ferocious and monstrous Blackwülf, who seems to be racing the Hollow Knight in a quest to reach Locket first.
This is the story of death, understanding, rebirth and redemption. I hope that the pieces I have created for this show will help to give an insight into this story that I have been telling.
Photos taken by Kirby Kerr.
Please contact rotofugi.com for availability.
Roxy Music are an English art rock group formed in 1971 by Bryan Ferry, who became the group's lead vocalist and chief songwriter. The other members are Phil Manzanera (guitar), Andy Mackay (saxophone and oboe) and Paul Thompson (drums and percussion). Former members include Brian Eno (synthesizer and "treatments"), and Eddie Jobson (synthesizer and violin). Although the band took a break from group activities in 1983, they reunited for a concert tour in 2001, and have toured together intermittently since that time.
Roxy Music attained popular and critical success in the UK, Europe and Australia during the 1970s and early 1980s, beginning with their debut album, Roxy Music (1972).[1] The band was highly influential, as leading proponents of the more experimental, musically sophisticated element of glam, as well as a significant influence on early English punk music. They also provided a model for many New Wave acts and the experimental electronic groups of the early 1980s. The group is distinguished by their visual and musical sophistication and their preoccupation with style and glamour.[2] Ferry and co-founding member Eno have also had influential solo careers, the latter becoming one of the most significant record producers and collaborators of the late 20th century.
Rolling Stone magazine ranked Roxy Music #98 on its "The Immortals – 100 The Greatest Artists of All Time" list.[3]
A new studio album, which would have been their ninth, began recording in 2005. It would have been Roxy's first record with Brian Eno since 1973, who wrote two songs for it as well as played keyboards.[4] However, Bryan Ferry eventually confirmed that material from these sessions would be released as a Ferry solo album, with Eno playing on "a couple of tracks,"[5] and that he doesn't think they'll record as Roxy Music again.[6] Subsequently, this was confirmed by the announcement of a solo Bryan Ferry album, entitled Olympia.
A light / text installation entitled "For 7 World Trade" by Jenny Holzer and James Carpenter
from Urban Convalescence by James Merrill
Out for a walk, after a week in bed,
I find them tearing up part of my block
And, chilled through, dazed and lonely, join the dozen
In meek attitudes, watching a huge crane
Fumble luxuriously in the filth of years.
Her jaws dribble rubble. An old man
Laughs and curses in her brain,
Bringing to mind the close of The White Goddess.
As usual in New York, everything is torn down
Before you have had time to care for it.
Head bowed, at the shrine of noise, let me try to recall
What building stood here. Was there a building at all?
I have lived here on the same street for a decade.
Wait. Yes. Vaguely a presence rises
Some five floors high, of shabby stone
—Or am I confusing it with another one
In another part of town, or of the world?—
And over its lintel into focus vaguely
Misted with blood (my eyes are shut)
A single garland sways, stone fruit, stone leaves,
Which years of grit had etched until it thrust
Roots down, even into the poor soil of my seeing.
When did the garland become part of me?
I ask myself, amused almost,
Then shiver once from head to toe,
Transfixed by a particular cheap engraving of garlands
Bought for a few francs long ago,
All calligraphic tendril and cross-hatched rondure,
Ten years ago, and crumpled up to stanch
Boughs dripping, whose white gestures filled a cab,
And thought of neither then nor since.
Also, to clasp them, the small, red-nailed hand
Of no one I can place. Wait. No. Her name, her features
Lie toppled underneath that year's fashions.
The words she must have spoken, setting her face
To fluttering like a veil, I cannot hear now.
Let alone understand.
So that I am already on the stair,
As it were, of where I lived,
When the whole structure shudders at my tread
And soundlessly collapses, filling
The air with motes of stone.
Onto the still erect building next door
Are pressed levels and hues—
Pocked rose, streaked greens, brown whites.
Who drained the pousse-café?
Wires and pipes, snapped off at the roots, quiver.
Well, that is what life does. I stare
A moment longer, so. And presently
The massive volume of the world.
Closes again.
Upon that book I swear
To abide by what it teaches:
Gospels of ugliness and waste,
Of towering voids, of soiled gusts,
Of a shrieking to be faced
Full into, eyes astream with cold—
With cold?
All right then. With self-knowledge.
Indoors at last, the pages of Time are apt
To open, and the illustrated mayor of New York,
Given a glimpse of how and where I work,
To note yet one more house that can be scrapped.
Unwillingly I picture
My walls weathering in the general view.
It is not even as though the new
Buildings did very much for architecture.
Suppose they did. The sickness of our time requires
That these as well be blasted in their prime.
You would think the simple fact of having lasted
Threatened our cities like mysterious fires.
There are certain phrases which to use in a poem
Is like rubbing silver with quicksilver. Bright
But facile, the glamour deadens overnight.
For instance, how “the sickness of our time”
Enhances, then debases, what I feel.
At my desk I swallow in a glass of water
No longer cordial, scarcely wet, a pill
They had told me not to take until much later.
With the result that back into my imagination
The city glides, like cities seen from the air,
Mere smoke and sparkle to the passenger
Having in mind another destination
Which now is not that honey-slow descent
Of the Champs-Elysées, her hand in his,
But the dull need to make some kind of house
Out of the life lived, out of the love spent.