View allAll Photos Tagged EnergyMatters
There has never been a greater opportunity to advocate for the importance of energy access for heating, lighting, cooking, and powering for people living in humanitarian settings. On this #WorldHumanitarianDay we recognize the 65 million people displaced from their homes due to conflict, war, and disaster. Almost all lack access to #clean #cookstoves and fuels, but the Alliance and its humanitarian partners are working to change that. Photo: Global Alliance for Clean Cookstoves
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#EnergyMatters #Cookstoves#Humanitarian #WorldHumanitarianDay
“We…met with women who have no choice but to cook with coal in their tents, at great risk to their health and that of their children. These tents were their only shelter, and coal their only accessible mode of sustenance and heat” –the Deputy Secretary-General’s remarks from internally displaced refugees in Goma, DRC. This #WorldHumanitarianDay we recognize the 65 million people displaced from their homes due to conflict, war, and disaster. Almost all lack access to #clean #cookstoves and fuels, but the Alliance and its humanitarian partners are working to change that. Photo: Corinne Hart
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#DRC #EnergyMatters #Cookstoves #Humanitarian #WorldHumanitarianDay #refugees #globalgoals
“We…met with women who have no choice but to cook with coal in their tents, at great risk to their health and that of their children. These tents were their only shelter, and coal their only accessible mode of sustenance and heat” –the Deputy Secretary-General’s remarks from internally displaced refugees in Goma, DRC. This #WorldHumanitarianDay we recognize the 65 million people displaced from their homes due to conflict, war, and disaster. Almost all lack access to #clean #cookstoves and fuels, but the Alliance and its humanitarian partners are working to change that. Photo: UNHCR Michele Sibiloni
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#DRC #EnergyMatters #Cookstoves #Humanitarian #WorldHumanitarianDay #refugees #globalgoals
Dick is an eight year veteran of EMC, responsible for Marketing Enterprise Solutions and Data Center Energy Efficiency. He is a frequent spokesperson for EMC and has presented on the energy topic at a number of industry events, including the Advisory Committee to the Congressional Internet Caucus, The National Conference on Data Center Infrastructure and the United Nations Alliance for Global ICT and Development.
Dick has more than twenty years of IT experience including Enterprise Systems, Consulting, Technology Education, Services and Marketing. Prior to joining EMC, Dick was Director of Business Development at Polaris Service and managed IT services at Harvard University. Dick is a US Air Force veteran, a graduate of the University of Massachusetts and Harvard University.
You can read Dick’s blog, “Energy Matters” at: energymatters.typepad.com/
“We…met with women who have no choice but to cook with coal in their tents, at great risk to their health and that of their children. These tents were their only shelter, and coal their only accessible mode of sustenance and heat” –the Deputy Secretary-General’s remarks from internally displaced refugees in Goma, DRC. This #WorldHumanitarianDay we recognize the 65 million people displaced from their homes due to conflict, war, and disaster. Almost all lack access to #clean #cookstoves and fuels, but the Alliance and its humanitarian partners are working to change that. Photo: Corinne Hart
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#DRC #EnergyMatters #Cookstoves #Humanitarian #WorldHumanitarianDay #refugees #globalgoals
“We…met with women who have no choice but to cook with coal in their tents, at great risk to their health and that of their children. These tents were their only shelter, and coal their only accessible mode of sustenance and heat” –the Deputy Secretary-General’s remarks from internally displaced refugees in Goma, DRC. This #WorldHumanitarianDay we recognize the 65 million people displaced from their homes due to conflict, war, and disaster. Almost all lack access to #clean #cookstoves and fuels, but the Alliance and its humanitarian partners are working to change that. Photo: Corinne Hart
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#DRC #EnergyMatters #Cookstoves #Humanitarian #WorldHumanitarianDay #refugees #globalgoals
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
On #WorldHumanitarianDay we remind ourselves that 65 million people are displaced worldwide. UNHCR @refugees and the Alliance are working together with the Safe Access for Fuel & Energy (SAFE) Humanitarian Working Group to develop and implement programs in refugee camps that reduce fuel usage and emissions by improving access to cleaner and more fuel-efficient #cookstoves and renewable energy products. Photographer: unknown
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#UNHCR #refugees #EnergyMatters #WorldHumanitarianDay #Ethiopia
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
“We…met with women who have no choice but to cook with coal in their tents, at great risk to their health and that of their children. These tents were their only shelter, and coal their only accessible mode of sustenance and heat” –the Deputy Secretary-General’s remarks from internally displaced refugees in Goma, DRC. This #WorldHumanitarianDay we recognize the 65 million people displaced from their homes due to conflict, war, and disaster. Almost all lack access to #clean #cookstoves and fuels, but the Alliance and its humanitarian partners are working to change that. Photo: Corinne Hart
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#DRC #EnergyMatters #Cookstoves #Humanitarian #WorldHumanitarianDay #refugees #globalgoals
“We…met with women who have no choice but to cook with coal in their tents, at great risk to their health and that of their children. These tents were their only shelter, and coal their only accessible mode of sustenance and heat” –the Deputy Secretary-General’s remarks from internally displaced refugees in Goma, DRC. This #WorldHumanitarianDay we recognize the 65 million people displaced from their homes due to conflict, war, and disaster. Almost all lack access to #clean #cookstoves and fuels, but the Alliance and its humanitarian partners are working to change that. Photo: UNHCR Michele Sibiloni
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#DRC #EnergyMatters #Cookstoves #Humanitarian #WorldHumanitarianDay #refugees #globalgoals
“We…met with women who have no choice but to cook with coal in their tents, at great risk to their health and that of their children. These tents were their only shelter, and coal their only accessible mode of sustenance and heat” –the Deputy Secretary-General’s remarks from internally displaced refugees in Goma, DRC. This #WorldHumanitarianDay we recognize the 65 million people displaced from their homes due to conflict, war, and disaster. Almost all lack access to #clean #cookstoves and fuels, but the Alliance and its humanitarian partners are working to change that. Photo: Corinne Hart
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#DRC #EnergyMatters #Cookstoves #Humanitarian #WorldHumanitarianDay #refugees #globalgoals
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
“We…met with women who have no choice but to cook with coal in their tents, at great risk to their health and that of their children. These tents were their only shelter, and coal their only accessible mode of sustenance and heat” –the Deputy Secretary-General’s remarks from internally displaced refugees in Goma, DRC. This #WorldHumanitarianDay we recognize the 65 million people displaced from their homes due to conflict, war, and disaster. Almost all lack access to #clean #cookstoves and fuels, but the Alliance and its humanitarian partners are working to change that. Photo: Corinne Hart
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#DRC #EnergyMatters #Cookstoves #Humanitarian #WorldHumanitarianDay #refugees #globalgoals
“We…met with women who have no choice but to cook with coal in their tents, at great risk to their health and that of their children. These tents were their only shelter, and coal their only accessible mode of sustenance and heat” –the Deputy Secretary-General’s remarks from internally displaced refugees in Goma, DRC. This #WorldHumanitarianDay we recognize the 65 million people displaced from their homes due to conflict, war, and disaster. Almost all lack access to #clean #cookstoves and fuels, but the Alliance and its humanitarian partners are working to change that. Photo: Corinne Hart
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#DRC #EnergyMatters #Cookstoves #Humanitarian #WorldHumanitarianDay #refugees #globalgoals
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
“We…met with women who have no choice but to cook with coal in their tents, at great risk to their health and that of their children. These tents were their only shelter, and coal their only accessible mode of sustenance and heat” –the Deputy Secretary-General’s remarks from internally displaced refugees in Goma, DRC. This #WorldHumanitarianDay we recognize the 65 million people displaced from their homes due to conflict, war, and disaster. Almost all lack access to #clean #cookstoves and fuels, but the Alliance and its humanitarian partners are working to change that. Photo: Corinne Hart
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#DRC #EnergyMatters #Cookstoves #Humanitarian #WorldHumanitarianDay #refugees #globalgoals
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
“We…met with women who have no choice but to cook with coal in their tents, at great risk to their health and that of their children. These tents were their only shelter, and coal their only accessible mode of sustenance and heat” –the Deputy Secretary-General’s remarks from internally displaced refugees in Goma, DRC. This #WorldHumanitarianDay we recognize the 65 million people displaced from their homes due to conflict, war, and disaster. Almost all lack access to #clean #cookstoves and fuels, but the Alliance and its humanitarian partners are working to change that. Photo: Corinne Hart
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#DRC #EnergyMatters #Cookstoves #Humanitarian #WorldHumanitarianDay #refugees #globalgoals
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.
Inspired by the law of conservation of energy that states that energy cannot be created or destroyed but only transformed, we will use modes of multi-disciplinary performance, which has at its heart the idea of transformation. We can think of various types of performance - artistic, scientific, daily-life, queer, and transitions between life and death - as a mode of operation that counters conventional ideas of fixed states in the material, spiritual and energy-driven universe in which we live, perform, transform. As artists and performers, we see this from a metaphorical and artistic perspective, taking our cues from current thought experiments in quantum mechanics and quantum computing where terms like superposition and entanglement play a vital role in understanding performing operations on data. We might call this creative approach a form of imaginative mathematics/physics, which has fascinated performing artist-scientists across cultures since pre-historic times. We are intrigued by the potential of scientific contributions and provocations offered by mathematicians, physicists, engineers, and computer scientists.
In this context we are also interested in indigenous, modern, post-modern and pre-modern concepts of performed energymatter, including but not limited to the Chinese idea of Qi, and their impact on current practices of critical making and thinking beyond disciplinary boundaries.