Encyclopedia of Life Images
View allAll Photos Tagged Encyclopedia
For Macro Mondays' "Book" theme. About 1" (25mm) of the book is shown on each side of the lower spine.
Another shot from my night still life session. Here you can see the wrinkles on the face of my great-grandmother's clock from 1915. In my earlier shot 'Reminisce', the candle light blew out the details. Also included is a 1930s encyclopedia from my Grandma's attic.
From Wikipedia, the free encyclopedia
Marken
Location of the municipality of Waterland in North Holland and the Netherlands.
Coordinates: 52°27′30″N 5°6′24″ECoordinates: 52°27′30″N 5°6′24″E
Marken (Dutch pronunciation: [ˈmɑrkə(n)]; Marken's dialect: Mereke) is a village with a population of 1,810 in the municipality of Waterland in the province of North Holland in the Netherlands. Marken forms a peninsula in the Markermeer and was formerly an island in the Zuiderzee. The characteristic wooden houses of Marken are a tourist attraction.
Marken was an island in the Zuiderzee
For some time during the later 19th and early 20th centuries, Marken and its inhabitants were the focus of considerable attention by folklorists, ethnographers and physical anthropologists, who regarded the small fishing town as a relic of the traditional native culture that was destined to disappear as the modernization of the Netherlands gained pace.[5] Among them was Johann Friedrich Blumenbach who examined a skull from the island of humans which he called Batavus genuinus; and was the Belgian painter Xavier Mellery who stayed in Marken at the request of Decoster. Mellery was asked to perform illustrative work and delivered several intimist works.
The projects of Cornelis Lely was to incorporated the island into the markerwaard. The dike, built in 1941 in the north, is the first phase of that project which was stopped by the war.
In 1983, the Marker Museum about the history of the island was opened.
20160624 4737Sunset at Marken
From Wikipedia, the free encyclopedia
Marken
Location of the municipality of Waterland in North Holland and the Netherlands.
Coordinates: 52°27′30″N 5°6′24″ECoordinates: 52°27′30″N 5°6′24″E
Marken (Dutch pronunciation: [ˈmɑrkə(n)]; Marken's dialect: Mereke) is a village with a population of 1,810 in the municipality of Waterland in the province of North Holland in the Netherlands. Marken forms a peninsula in the Markermeer and was formerly an island in the Zuiderzee. The characteristic wooden houses of Marken are a tourist attraction.
Marken was an island in the Zuiderzee
For some time during the later 19th and early 20th centuries, Marken and its inhabitants were the focus of considerable attention by folklorists, ethnographers and physical anthropologists, who regarded the small fishing town as a relic of the traditional native culture that was destined to disappear as the modernization of the Netherlands gained pace.[5] Among them was Johann Friedrich Blumenbach who examined a skull from the island of humans which he called Batavus genuinus; and was the Belgian painter Xavier Mellery who stayed in Marken at the request of Decoster. Mellery was asked to perform illustrative work and delivered several intimist works.
The projects of Cornelis Lely was to incorporated the island into the markerwaard. The dike, built in 1941 in the north, is the first phase of that project which was stopped by the war.
In 1983, the Marker Museum about the history of the island was opened.
201702030697_1-6
rom Wikipedia, the free encyclopedia
Ship replica of the Amsterdam
The 1990 ship replica of the Amsterdam in front of the National Maritime Museum in Amsterdam
History
Flag of the Dutch East India Company.svgDutch Republic
Name:Amsterdam
Namesake:The city of Amsterdam
Owner:
Dutch East India Company
Chamber of Amsterdam
Completed:1748
Maiden voyage:Texel–Batavia
Fate:Wrecked in a storm in the English Channel on 26 January 1749
General characteristics
Type:East Indiaman
Displacement:1100 tons
Length:48.0 m (157.5 ft)
Beam:11.5 m (38 ft)
Height:56.0 m (183.7 ft)
Draught:5.5 m (18 ft)
Armament:42 guns
The Amsterdam was an 18th-century cargo ship of the Dutch East India Company. The ship started its maiden voyage from Texel to Batavia on 8 January 1749, but was wrecked in a storm on the English Channel on 26 January 1749. The shipwreck was discovered in 1969 in the bay of Bulverhythe, United Kingdom, and is sometimes visible during low tides. The wreck site is protected under the Protection of Wrecks Act since 1974. Some of the findings from the site are in The Shipwreck Museum in Hastings. A replica of the ship is on display in Amsterdam.
20180127 5806-Pano
Columbia Encyclopedia - PeopleChihuly, Dale Patrick (chĭhū'lē) 1941–, American glass artist, b. Tacoma, Wash.; grad. Univ. of Washington, Seattle (B.A., 1965), Rhode Island School of Design (RISD; M.F.A., 1967), Univ. of Wisconsin, Madison (M.S., 1967). Probably the foremost figure in the contemporary art-glass movement, Chihuly experimented with the medium while an undergraduate and studied the glassblower's art at a Venetian glass studio (1968). He founded (1969) the glass department at RISD, taught there for 11 years, and in 1971 established the influential Pilchuck Glass School near Seattle. Extremely prolific, Chihuly (working with a crew of technicians) creates glass sculptures in a rainbow of colors, sometimes opaque, translucent, or iridescent; and in an astonishing variety of semiabstract shapes, including baskets, sea and flower forms, globes, stumps, cylinders, and hanging garlands. His works range from miniatures to large architectural installations, such as the celebrated pieces in Chihuly over Venice (1996) and the works on the Bridge of Glass (2002) at the Museum of Glass: International Center for Contemporary Art in Tacoma, Wash.
Bibliography
Old encyclopedia ( 1917) with an old ribbon bookmark.
A little under 4cm.
I really struggled with this theme, I took a LOT of photo's !
Happy Macro Monday.
Thank you for your views, faves and or comments, they are greatly appreciated !!!
Don't use this image on websites, blogs or other media without my explicit permission !!!
© all rights reserved Lily aenee
these two are just a sneak preview of the upcoming set: Jerusalem Follies.
This was shot on my brother Sagi's Porch, somewhere in Jerusalem.
From Wikipedia, the free encyclopedia,
Science Mall
Glasgow Science Centre from the west
The largest of the three main, titanium-clad buildings takes a crescent shape structure and houses a Science Mall. In architectural terms it represents the canted hull of a ship, a reference to the adjacent 'canting basin', where vessels were brought to have the marine growth removed from their hulls. Internally, there are three floors of over 250 science-learning exhibits. As is usual for science centres, the exhibits aim to encourage interaction, and can be used or played with as part of the informal learning experience the centre aims to deliver. The building was designed by BDP.
On Floor 1, amongst the many interactive exhibits that demonstrate scientific principles, visitors can access a Science Show Theatre and the Glasgow Science Centre Planetarium.]The planetarium contains a Zeiss optical-mechanical projector that projects images of the night sky onto a 15m diameter dome. There is an area specifically aimed at young children called, The Big Explorer.
On Floor 2, visitors can explore opportunities in STEM careers in the My World of Work Live interactive exhibition space. There is also The Lab, primarily used as an educational workshop space.
Floor 3 was refurbished in 2012 and reopened to the public on 28 March 2013. It now houses an interactive exhibition about human health and wellbeing in the 21st century called, BodyWorks. Visitors are invited to consider their bodies, health and lifestyle from a new perspective through 115 interactive exhibits, research capsules and live laboratory experiences.[7]
The Ground Floor of the Science Mall contains the Ticket desk, Cafes, Gift Shop, and a cloakroom. There are a number of flexible room spaces on the Ground Floor that are used for a variety of educational and corporate purposes: an education space called, The Egg; a lecture-theatre space called, The Auditorium; and The Clyde Suite. Access to Glasgow Tower for the public is also via the Ground Floor.
IMAX Cinema
The IMAX cinema was the first IMAX cinema to be built in Scotland. The single auditorium seats 370 in front of a rectangular screen measuring 80 feet (24 m) by 60 feet (18 m) and has the capability to show 3D films as well as standard 2D films in IMAX format. It opened to the public in October 2000 Premiered The First Film Entitled "Dolphins", several months prior to the opening of the two other buildings. On 6 September 2013, Cineworld agreed a 10-year lease to operate the IMAX cinema and opened a Starbucks on site.
From Wikipedia, the free encyclopedia
Warkworth Castle is a ruined medieval castle in Warkworth in the English county of Northumberland. The village and castle occupy a loop of the River Coquet, less than a mile from England's north-east coast. When the castle was founded is uncertain: traditionally its construction has been ascribed to Prince Henry of Scotland, Earl of Northumbria, in the mid-12th century, but it may have been built by King Henry II of England when he took control of England's northern counties. Warkworth Castle was first documented in a charter of 1157–1164 when Henry II granted it to Roger fitz Richard. The timber castle was considered "feeble", and was left undefended when the Scots invaded in 1173.
Roger's son Robert inherited and improved the castle. Robert was a favourite of King John, and hosted him at Warkworth Castle in 1213. The castle remained in the family line, with periods of guardianship when heirs were too young to control their estates. King Edward I stayed overnight in 1292 and John de Clavering, descendant of Roger fitz Richard, made the Crown his inheritor. With the outbreak of the Anglo-Scottish Wars, Edward II invested in castles, including Warkworth, where he funded the strengthening of the garrison in 1319. Twice in 1327 the Scots besieged the castle without success.
John de Clavering died in 1332 and his widow in 1345, at which point The 2nd Baron Percy of Alnwick took control of Warkworth Castle, having been promised Clavering's property by Edward III. Henry Percy, 1st Earl of Northumberland, added the imposing keep overlooking the village of Warkworth in the late 14th century. The fourth earl remodelled the buildings in the bailey and began the construction of a collegiate church within the castle, but work on the latter was abandoned after his death. Although The 10th Earl of Northumberland supported Parliament during the English Civil War, the castle was damaged during the conflict. The last Percy earl died in 1670. In the mid-18th century the castle found its way into the hands of Hugh Smithson, who married the indirect Percy heiress. He adopted the surname "Percy" and founded the dynasty of the Dukes of Northumberland, through whom possession of the castle descended.
In the late 19th century, the dukes refurbished Warkworth Castle and Anthony Salvin was commissioned to restore the keep. The 8th Duke of Northumberland gave custody of the castle to the Office of Works in 1922. Since 1984 English Heritage has cared for the site, which is a Grade I listed building and a Scheduled Ancient Monument.
Het kunstwerk op de afbeelding is een sculptuur genaamd The Encyclopedia of Human Rights, gemaakt door de Belgische kunstenaar Koen Vanmechelen. Het is een permanent onderdeel van zijn levenswerk LABIOMISTA in Genk, België.
Het sculptuur bestaat uit een marmeren beeld van een zittend kind bovenop een stapel boeken, die elk een "Encyclopedia of Human Rights" vertegenwoordigen, met verschillende historische verdragen en verklaringen.
De boeken vermelden onder andere de "Rechten van het Kind 1989", "Afrikaans Handvest 1981", "Amerikaanse Conventie 1969", "Europese Conventie 1950" en "Universele Verklaring en Verbonden 1948 - 1966".
LABIOMISTA, wat letterlijk 'mix van het leven' betekent, is een 24 hectare groot park dat dient als een evoluerend kunstwerk en ontmoetingsplaats voor kunst, wetenschap en natuur.
Het project, een samenwerking tussen Vanmechelen en de stad Genk, opende in 2019 voor het publiek op de voormalige locatie van de Limburgse Zoo van Zwartberg.
From Wikipedia, the free encyclopedia
"Golfe du Morbihan" redirects here. For the similarly named gulf in the Kerguelen Islands, see Golfe du Morbihan (Kerguelen).
The Gulf of Morbihan is a natural harbour on the coast of the Département of Morbihan in the south of Brittany, France. This English name is taken from the French version: le golfe du Morbihan. It is more accurately called 'the Morbihan' directly from its Breton name which is Ar Mor Bihan, meaning 'the little sea' (Compare the Welsh y môr bychan), as opposed to the Atlantic Ocean outside, (Ar Mor Bras). Legend says that there are as many islands in the Gulf as there are days of the year. However, this is untrue and the gulf has about 40, depending on the tide. Many islands are private property, except the largest two, l'Île-aux-Moines and l'Île-d'Arz.
The area around the gulf features an extraordinary range of megalithic monuments. There are passage dolmens, stepped pyramids with underground dolmen chambers, stone circles, and giant menhirs, among others. The site best known to outsiders is Carnac, where remains of a dozen rows of huge standing stones run for over ten kilometers. The passage grave of Gavrinis, on a small island in the Gulf, is one of the most important such sites in Europe. Some of the ruins have been dated to at least 3300 BC — 200 years older than England's Stonehenge.
20160831 6562-Pano-2
"Discover The Complete And Up-To-Date Encyclopedia That Shows How To Use The Healing Power Of Plants With Scientific, Accurate And Reliable Accuracy"
Introducing:
The Encyclopedia Of Medicinal Plants With a List of Medicinal Plants That Heal
Over 470 plants botanically described and classified by diseases.
From: James Luke
Tuesday, 11:24 a.m.
Dear Friend,
Inside of this encyclopedia is a large number of natural treatments described in a simple, clear language, correctly illustrated, placing the healing virtues of medicinal plants and their practical application methods within the reach of everyone. Experienced advice for the therapeutic preparation of fomentations, infusions, ointments, baths... Many charts describing the most frequent disorders and the plants endowed with the active agents that can heal them.
In each chapter the most important plants for the treatment of the diseases of a certain organ or system appear. When a single plant has several applications, as often happens, it is included in the chapter corresponding to its main application.
"Look at what people are saying about these Encyclopedia's"
I wanted to personally thank you for sharing those incredible encyclopedia books "THE FOODS WITH THEIR HEALING POWER and MEDICINAL PLANTS". They are an awesome source of reference especially when I talk about lifestyle change and health to my listeners. Praise 97.5FM is the #3 rated station in Atlanta so image how many thousands of listeners are blessed by the information they get from these books.
They and you are truly a God sent.
-Mellissa, Atlanta
...There is detailed information on the use and preparation for each plant.
In this encyclopedia you will find...
Plants for the eyes
The ___, raw or in juices is very good for the sight and for the skin in infusions and poultices.
Plants for the nervous system
___: The flowers and the leaves of this plant taken in infusions help to control and heal stress, insomnia, depressions, alcoholism, and drug addiction.
___: This plant also calms the nerves, beautifies the skin and protects the heart, using its flowers in infusions, or adding an infusion of it to bath water is very effective for insomnia or nervousness. Steam baths of its flowers also soften and beautify the skin.
Plants for the throat
___: Its flowers and its leaves in infusions, mouth rinse, mouth gargles and compresses are medicine for tonsillitis, pharyngitis and laryngitis.
___: Anti-inflammatory and astringent, the decoction of ___ or crushed ___, may be applied in any of the following ways:
Mouth rinses and gargles for ailments of the mouth and the throat.
Eye washes or blocked up noses
Vaginal irrigations
Sitz baths, for ailments of the anus or rectum
Arm baths, for chilblains
Plants for the heart
___: In infusions and under medical supervision, all the parts of this plant have properties to strengthen the heart, increase the strength of the cardiac contractions and to fight angina pectoris.
___: The infusion of its flowers and also its fruit are very effective for the treatment of palpitations, hypertension and other nervous cardio circulatory ailments.
Plants for the arteries
____: The decoction of the leaves of this plant is a powerful vasodilator of the arteries to the brain, to fight senile ailments, ageing and memory loss. ____ that is extracted from this prodigious plant is one of the most frequently used drugs today in the treatment of failure of the blood supply to the brain, migraines, hemorrhages, etc.
____: In mexico, and many other parts of the world, infusions of ____ and their young stems are used for bronchial colds and respiratory ailments. The oil from its seeds is rich in unsaturated fatty acids, as well as in vitamin E, A, and B. Therefore, it is particularly indicated for reducing the cholesterol levels in the blood, as well as for diabetes, kidneys and skin diseases.
Plants for the veins
___: A decoction of ____ nuts or wood is indicated to fight varicose veins, hemorrhoids and the disorders of menopause, using it in decoctions. In sitz baths it also alleviates urination disorders, pertaining to the prostate syndrome, cystitis or urinary incontinence. Likewise, it can be highly advisable for cases of hemorrhoids.
____: The oil of this plant is recommended for oily skin and for cases of acne. A decoction of the bark of the young branches and the leaves is used as a medicine in the case of heavy legs, varicose veins, phlebitis, in tisanes, compresses, hip baths and friction massages.
Plants for the respiratory system
____: The decoction of the leaves and the flowers has extraordinary properties, using it in infusions or essences to calm coughs, respiratory and digestive ailments. In baths, rinses, gargles, compresses and friction massages, it heals mouth and anal ailments, rheumatism and headaches, depression, asthenia and exhaustion.
____: Infusions of the dried leaves and flowers, used in tisanes give results in the cases of voice loss, acute bronchitis, bronco-pneumonia, asthma, and emphysema. ____ is also very helpful when stopping smoking, since it cleans the bronchial tubes of secretions, encouraging their elimination.
Plants for the digestive system
____: The infusions and essences of this plant are very appropriate for digestive ailments, colic's, flatulence, etc. Compresses, washes and friction massages are highly indicated for rheumatism, healing of wounds and eye washes.
____: Infusions of its leaves and flowered tops have properties to calm pain, they are invigorating and aphrodisiacs. It is recommended in cases of dyspepsia, intestinal wind, digestive spasms and colic, gastric atonia, hepatitis and physical exhaustion.
Plants for the stomach
____: The juice from this plants leaves heals peptic ulcers. Poultices of the leaves heal skin ulcers. It also improves acne.
____: The whole plant in infusions, mouth rinses and cleansing's help digestion increasing the gastric juices, it fights bad breath, it expulses intestinal parasites and calms menstrual pains.
Plants for the intestine
____: The leaves and seeds are a laxative par excellence, efficient and safe, it stimulates the motility of the large intestine and decreases the permeability of the intestine mucus.
____: The leaves and fruit, in infusions, irrigations, gargles, sitz baths and compresses reduce inflammation of the skin and the mucus. It heals digestive disorders, diarrhea, colitis and other ailments of the female genital system.
Plants for the anus and the rectum
____: All the parts of this vine hold healing properties: The leaves in infusions are medicine for vein circulatory ailments, hemorrhoids, chilblains, varicose veins, and diarrhea. The sap of the vine shoots heals skin irritations and irritated eyes. The ____ cure is very suitable for cleaning the blood. The oil from ____ seeds is highly applicable for excess of cholesterol.
____: It improves hemorrhoids taking a sitz bath with the decoction of the leaves and young buds, which also decreases the desire to smoke when chewed slowly. Also in poultices it is very useful to heal wounds, ulcers and boils.
Plants for the male sexual organ
____: The seeds reduce inflammation of the bladder and the prostate and expel intestinal parasites. The pulp of baked or boiled ____ is ideal for those suffering from digestive problems and kidney ailments.
____: This plant is normally presented in pharmaceutical preparations, it invigorates without exciting and without creating dependence increasing the energy production in the cells, therefore it increases sexual capacity and spermatozoid production, invigorating the organism in general.
Plants for the metabolism
____: infusions of the leaves are very useful in slimming diets due to its diuretic, depurative and anti cholesterol action.
____: It fights obesity and cellulite. Its algae have the property of removing the appetite and it is a gentle laxative.
Plants for the locomotive system
____: Poultices of fresh leaves alleviate rheumatic pain and inflammatory of the joints.
____: In infusions, essences, baths, frictions massages, fomentations and compresses it has invigorating properties for exhaustion, kidney colic, and rheumatism.
Plants for the skin
____: From the pulp of its leaves, the gel or juice is obtained which, when applied locally, in compresses, lotions, creams or pharmaceutical preparations, exercises beneficial effects on: wounds, burns, eczema, psoriasis, acne, fungi and herpes. It beautifies the skin and improves the appearance of scars.
____: The leaves and flowers in infusions or oil are an excellent remedy for burns, it moderates the inflammatory reaction, it has a local anesthetic effect, digestive, balancer of the nervous system and antidepressant.
Plants for infectious diseases
____: All the parts of this plant are natural antibiotics against respiratory and urinary infections. It encourages the functions of the skin. It acts against baldness.
____: It is a plant that has multiple anti-infectious properties with healing powers for the nervous system, digestive, respiratory and genital-urinary systems.
More Testimonials
Thank you for the encyclopedia books "The Foods With Their Healing Power and Medicinal Plants". I am Learning lots of information from them. This will be of great benefit to me when referring to the healing powers of foods. I will use this information in my chiropractic office when teaching about healthy eating to my patients. It is good to know that there are books that can provide this type of vital information to those who are willing to benefit from the information. Again thanks for these incredible books.
-Dr. Malcolm Hill
The Encyclopedia "Foods And Their Healing Power," Whose author is Dr. Jorge Pamplona Roger is a complete work, well structured, didactic and easy to understand for any kind of reader and of great value both for professionals and students in this field.
-Maria D Lopez-Martinez
It is my pleasure to recommend a set of books that I used and believe to be quite informational: Foods And Their Healing Power and Medicinal Plants. As a Fellow, in the Medical Fellowship Program at Wildwood Lifestyle Center and Hospital, I have found these books to be quite helpful. They provide accurate nutritional information for a wide array of foods found throughout the world and they include a list of medicinal plants with their properties and mechanisms of action. In addition, they are written without the usual heavy jargon, which makes them appealing to healthcare professionals, non-health care persons and children. The quality is superb and the material is presented in a colorful way. I have recommended them, on numerous occasions, to guests and patients at the Wildwood Lifestyle Center and Hospital. This set of books will complement the home and any other learning enviroments.
-Dr. Ervin Davis
I am writing this letter to offer my gratitude regarding the Encyclopedia of Medicinal Plants. In your description of the books you explained how beautiful they were and their content. All that I can say is that your words were not enough! The books have already proven to be an incredible asset to my own education and the promotion of God's health message to others.
The color and clarity of photographs is nothing less than phenomenal and the information given on each of the foods and medicinal plants far surpasses anything that I have been able to find thus far in book form or on the Internet. Not only will this prove very valuable in a health ministry but also in my profession as a medical doctor in education of my patients.
Please feel free to use me as a reference if anyone medical or non-medical needs further insight on these very valuable tools. Thanks again and God bless you!
-Bobby E. Scales, MD
hear hear for yourself the valuable information inside of this encyclopedia
htp://www.heisawesome.org
The value of this encyclopedia lies in its rational and truly practical focus point for healing and preventing the diseases of your family, without the disadvantages that most medicines have.
The pharmaceutical laboratories are aiming their research efforts towards the vegetable world, in such a way that more and more often you can find medicines prepared using medicinal plants by the chemists.
The creator has given foods a healing and preventative power, particularly when we use a balanced diet in combination with other natural elements, such as the sun, water, clean air, medicinal plants and a good mental disposition.
Take action now.
Please visit www.heisawesome.org
Tel. 786-307-4077
... just because I'm Kurdish ...
Iraqi Kurdistan
From Wikipedia, the free encyclopedia
Capital
(and largest city) Erbil
36°11′N 44°00′E / 36.183, 44
Official languages Kurdish[1]
Government Parliamentary democracy
- President Massoud Barzani
- Prime Minister Nechervan Idris Barzani
- Deputy Prime Minister Omer Fattah Hussain
Formation of Autonomous Region
- Autonomy accord agreement signed March 11, 1970
- Autonomy accord collapsed March, 1974
- Gained de facto independence October, 1991
- The TAL recognized the autonomy of the KRG as full sovereignty. January 30, 2005
Area
- Total 80,000 km2 (117th)
30,888 sq mi
Population
- 2008 estimate 7,000,000 (108th)
- Density 40/km2 (166th)
15/sq mi
GDP (PPP) 2007 estimate
- Total 27 billion (not ranked)
- Per capita $5,500 (not ranked)
HDI (As of 2006) n/a (n/a) (not ranked)
Currency Iraqi Dinar is the offical currency, American Dollar widely accepted in all business transactions (IQD)
Time zone (UTC+3)
- Summer (DST) (UTC+4)
Internet TLD Various
Calling code 964
Iraqi Kurdistan Region (Kurdish: هه رێمى كوردستان عێراق, Herêmi Kurdistan Iraq, Arabic:إقليم كردستان العراق , Iqlĩm Kurdistãn al-‘Irāq , also Southern Kurdistan and in Kurdish: باشووری کوردستان ) is an autonomous,[2] federally recognized political, ethnic and economic region of Iraq. It borders Iran to the east, Turkey to the north, and Syria to the west and the rest of Iraq to the South. Its capital is the city of Erbil, known in Kurdish as Hewlêr.
Etymology
The name Kurdistan literally means Land of the Kurds. The term Kurd in turn is derived from the Latin word Cordueni, i.e. the of the ancient Kingdom of Corduene, which became a Roman province in 66 BC.
In the Iraqi Constitution, it is referred to as Kurdistan Region.[3]. The regional government refers to it as Kurdistan-Iraq (or simply Kurdistan region) but avoids using Iraqi Kurdistan.[4] The full name of the local government is "Kurdistan Regional Government" (abbrev: KRG.)
Kurds also refer to the region as Kurdistana Başûr (South Kurdistan) or Başûrî Kurdistan (Southern Kurdistan or South of Kurdistan) referring to its geographical location within the whole of the greater Kurdistan region.
During the Baath Party administration in the '70s and '80s, the region was called "Kurdish Autonomous Region".
[edit] History
[edit] Ottoman Period
Main articles: Ottoman Empire, Mamluk rule in Iraq, Mesopotamian campaign, and Partitioning of the Ottoman Empire
The area today known as Iraqi Kurdistan was formerly ruled by three principalities of Baban, Badinan and Soran. In 1831, the direct Ottoman rule was imposed and lasted until World War I, during which the Ottomans sided with Germany and the Central Powers.
[edit] British Mandate
During World War I the British and French divided Western Asia in the Sykes-Picot Agreement. The Treaty of Sèvres, which was ratified in the Treaty of Lausanne, led to the advent of modern Western Asia and Republic of Turkey. The League of Nations granted France mandates over Syria and Lebanon and granted the United Kingdom mandates over Iraq and Palestine (which then consisted of two autonomous regions: Palestine and Transjordan). Parts of the Ottoman Empire on the Arabian Peninsula became parts of what are today Saudi Arabia and Yemen.
[edit] Kurdish revolts
On December 1, 1918, during a meeting in Sulaymaniyah with Colonel Arnold Wilson, the Acting Civil Commissioner for Mesopotamia, Kurdish leaders called for British support for a united and independent Kurdistan under British protection. Between 1919 and 1922, Shaikh Mahmud Barzanji, an influential Kurdish leader based in Sulaymaniyah, formed a Kurdish government and led two revolts against the British rule. It took the British authorities two years to put down his uprisings. The first revolt began on May 22, 1919 with the arrest of British officials in Sulaymaniyah and it quickly spread to Mosul and Erbil. The British employed aerial bombardments, artillery, ground combat, and on one occasion, chemical gas, in an attempt to quell the uprising.[5] Then the British exiled Mahmoud to India. In July 1920, 62 tribal leaders of the region, called for the independence of Kurdistan under a British mandate. The objection of the British to Kurdish self-rule sprang from the fear that success of an independent Kurdish area would tempt the two Arab areas of Baghdad and Basra to follow suit, hence endangering the direct British control over all Mesopotamia. In 1922, Britain restored Shaikh Mahmoud to power, hoping that he would organize the Kurds to act as a buffer against the Turks, who had territorial claims over Mosul and Kirkuk. Shaikh Mahmoud declared a Kurdish Kingdom with himself as King, though later he agreed to limited autonomy within the new state of Iraq. In 1930, following the announcement of the admission of Iraq to the League of Nations, Shaikh Mahmoud started a third uprising which was suppressed with British air and ground forces.[6][7]
By 1927, the Barzani clan had become vocal supporters of Kurdish rights in Iraq. In 1929, the Barzani demanded the formation of a Kurdish province in northern Iraq. Emboldened by these demands, in 1931 Kurdish notables petitioned the League of Nations to set up an independent Kurdish government. Under pressure from the Iraqi government and the British, the most influential leader of the clan, Mustafa Barzani was forced into exile in Iran in 1945. Later he moved to the Soviet Union after the collapse of the Republic of Mahabad in 1946.[8]
[edit] Barzani Revolts 1960-1975 and their Aftermath
After the military coup by Abdul Karim Qasim in 1958, Barzani was able to return from exile and set up his own political party, Kurdistan Democratic Party, which was granted legal status in 1960. Soon afterwards, Qasim incited the Baradost and Zebari tribes against Barzani. In June 1961, Barzani led his first revolt against the Iraqi government with the aim of securing Kurdish autonomy. Due to the disarray in the Iraqi Army after the 1958 coup, Qasim's government was not able to subdue the insurrection. This stalemate irritated powerful factions within the military and is said to be one of the main reasons behind the Baathist coup against Qasim in February 1963. Abdul Salam Arif declared a ceasefire in February 1964 which provoked a split among Kurdish urban radicals on one hand and traditional forces led by Barzani on the other. Barzani agreed to the ceasefire and fired the radicals from the party. Despite this, the government in Baghdad tried once more to defeat Barzani's movement by force. This campaign failed in 1966, when Barzani forces defeated the Iraqi Army near Rawanduz. After this, Arif announced a 12-point peace program in June 1966, which was not implemented due to the overthrow of Arif in a 1968 coup by the Baath Party. The Baath government started a campaign to end the Kurdish insurrection, which stalled in 1969. This can be partly attributed to the internal power struggle in Baghdad and also tensions with Iran. Moreover, the Soviets pressured the Iraqis to come to terms with Barzani. A peace plan was announced in March 1970 and provided for broader Kurdish autonomy. The plan also gave Kurds representation in government bodies, to be implemented in four years.[9] Despite this, the Iraqi government embarked on an Arabization program in the oil rich regions of Kirkuk and Khanaqin in the same period.[10] In the following years, Baghdad government overcame its internal divisions and concluded a treaty of friendship with the Soviet Union in April 1972 and ended its isolation within the Arab world. On the other hand, Kurds remained dependent on the Iranian military support and could do little to strengthen their forces.
[edit] The Algiers Agreement
In 1974, Iraqi government began a new offensive against the Kurds and pushed them close to the border with Iran. Iraq informed Tehran that it was willing to satisfy other Iranian demands in return for an end to its aid to the Kurds. With mediation by Algerian President Houari Boumédiènne, Iran and Iraq reached a comprehensive settlement in March 1975 known as the Algiers Pact. The agreement left the Kurds helpless and Tehran cut supplies to the Kurdish movement. Barzani fled to Iran with many of his supporters. Others surrendered en masse and the rebellion ended after a few days. As a result Iraqi government extended its control over the northern region after 15 years and in order to secure its influence, started an Arabization program by moving Arabs to the oil fields in Kurdistan, particularly the ones around Kirkuk.[11] The repressive measures carried out by the government against the Kurds after the Algiers agreement led to renewed clashes between the Iraqi Army and Kurdish guerrillas in 1977. In 1978 and 1979, 600 Kurdish villages were burned down and around 200,000 Kurds were deported to the other parts of the country.[12]
[edit] Iran–Iraq War and Anfal Campaign
During the Iran–Iraq War, the Iraqi government again implemented anti-Kurdish policies and a de facto civil war broke out. Iraq was widely-condemned by the international community, but was never seriously punished for oppressive measures, including the use of chemical weapons against the Kurds, which resulted in thousands of deaths. (See Halabja poison gas attack.)
The Al-Anfal Campaign constituted a systematic genocide of the Kurdish people in Iraq. From March 29, 1987 until April 23, 1989, Iraqi army under the command of Ali Hassan al-Majid carried out a genocidal campaign against the Kurds, characterized by the following human rights violations: The widespread use of chemical weapons, the wholesale destruction of some 2,000 villages, and slaughter of around 50,000 rural Kurds, by the most conservative estimates. The large Kurdish town of Qala Dizeh (population 70,000) was completely destroyed by the Iraqi army. The campaign also included Arabization of Kirkuk, a program to drive Kurds out of the oil-rich city and replace them with Arab settlers from central and southern Iraq.[13] Kurdish sources report the number of dead to be greater than 182,000.[14]
[edit] After the Persian Gulf War
The Kurdistan Region was originally established in 1970 as the Kurdish Autonomous Region following the agreement of an Autonomy Accord between the government of Iraq and leaders of the Iraqi Kurdish community. A Legislative Assembly was established in the city of Erbil with theoretical authority over the Kurdish-populated governorates of Erbil, Dahuk and As Sulaymaniyah. In practice, however, the assembly created in 1970 was under the control of Iraqi President Saddam Hussein until the 1991 uprising against his rule following the end of the Persian Gulf War. Concern for safety of Kurdish refugees was reflected in the United Nations Security Council Resolution 688 which gave birth to a safe haven, in which U.S. and British air power protected a Kurdish zone inside Iraq.[15] (see Operation Provide Comfort). While the no-fly zone covered Dahuk and Erbil, it left out Sulaymaniyah and Kirkuk. Then following several bloody clashes between Iraqi forces and Kurdish troops, an uneasy and shaky balance of power was reached, and the Iraqi government withdrew its military and other personnel from the region in October 1991. At the same time, Iraq imposed an economic blockade over the region, reducing its oil and food supplies.[16] The region thus gained de facto independence, being ruled by the two principal Kurdish parties – the Kurdish Democratic Party and the Patriotic Union of Kurdistan – outside the control of Baghdad. The region has its own flag and national anthem.
Elections held in June 1992 produced an inconclusive outcome, with the assembly divided almost equally between the two main parties and their allies. During this period, the Kurds were subjected to a double embargo: one imposed by the United Nations on Iraq and one imposed by Saddam Hussein on their region. The severe economic hardships caused by the embargoes, fueled tensions between the two dominant political parties: Kurdistan Democratic Party of Iraq (KDP) and Patriotic Union of Kurdistan (PUK) over control of trade routes and resources.[17] This led to internecine and intra-Kurdish conflict and warfare between 1994 and 1996. After 1996, 13% of the Iraqi oil sales were allocated for Iraqi Kurdistan and this led to a relative prosperity in the region.[18] Direct United States mediation led the two parties to a formal ceasefire in Washington Agreement in September 1998. It is also argued that the Oil for Food Program from 1997 onward had an important effect on cessation of hostilities.[19] Kurdish parties joined forces against the Iraqi government in the Operation Iraqi Freedom in Spring 2003. The Kurdish military forces known as peshmerga played a key role in the overthrow of the former Iraqi government.[20]
KDP and PUK have united to form an alliance with several smaller parties, and the Kurdish alliance has 53 deputies in the new Baghdad parliament, while the Kurdish Islamic Union has 5. PUK-leader Jalal Talabani has been elected President of the new Iraqi administration, while KDP leader Massoud Barzani is President of the Kurdistan Regional Government.
[edit] Politics
Main article: Kurdistan Regional Government
President George W. Bush talks to reporters as he welcomes Massoud Barzani, the President of the Kurdistan Regional Government of Iraq, to the Oval Office at the White House, Tuesday, Oct 25, 2005.Since 1992, the Kurdistan Regional Government (KRG) has been based in Erbil. The KRG has a parliament, elected by popular vote, called the Iraqi Kurdistan National Assembly, and a cabinet composed of the KDP, the PUK and their allies (Iraqi Communist Party, the Socialist Party of Kurdistan etc.). Nechervan Idris Barzani has been prime minister of the KRG since 1999.
After the 2003 Invasion of Iraq Kurdish politicians were represented in the Iraqi governing council. On January 30, 2005 three elections were held in the region: 1) for Transitional National Assembly of Iraq 2) for Iraqi Kurdistan National Assembly and 3) for provincial councils.[21] The Law of Administration for the State of Iraq for the Transitional Period recognized the autonomy of the Kurdistan Regional Government during the interim between "full sovereignty" and the adoption of a permanent constitution.
The Kurdistan Regional Government currently has constitutionally recognised authority over the provinces of Erbil, Dahuk, and As Sulaymaniyah, as well as de facto authority over half of Kirkuk (at-Ta'mim) province and parts of Diyala, Salah ad-Din and Ninawa provinces.
[edit] Economy
The Kurdistan region's economy is dominated by the oil industry, agriculture and tourism[22]. Due to relative peace in the region it has a more developed economy in comparison to other parts of Iraq.
Prior to the removal of Saddam Hussein, the Kurdistan Regional Government received approximately 13% of the revenues from Iraq's Oil-for-Food Program. By the time of the US invasion of Iraq in 2003, the program had disbursed $8.35 billion to the KRG. Iraqi Kurdistan's food security allowed for substantially more of the funds to be spent on development projects than in the rest of Iraq. By the program's end in 2003 $4 billion of the KRG's oil-for-food funds remained unspent.
Following the removal of Saddam Hussein's administration and the subsequent violence, the three provinces fully under the Kurdistan Regional Government's control were the only three in Iraq to be ranked "secure" by the US military. The relative security and stability of the region has allowed the KRG to sign a number of investment contracts with foreign companies. In 2006 the first new oil well since the invasion of Iraq was drilled in the Kurdistan region by the Norwegian energy company DNO. Initial indications are that the oil field contains at least 100 million barrels (16,000,000 m3) of oil and will be pumping 5,000 bpd by early 2007. The KRG has signed exploration agreements with two other oil companies, Canada's Western Oil Sands and the UK's Sterling Energy.
The stability of the Kurdistan region has allowed it to achieve a higher level of development than other regions in Iraq. In 2004 the per capita income was 25% higher than in the rest of Iraq. Two international airports at Erbil (see Erbil International Airport and Sulaymaniyah (see Sulaimaniyah International Airport) both operate flights to Middle Eastern and European destinations. The government continues to receive a portion of the revenue from Iraq's oil exports, and the government will soon implement a unified foreign investment law. The KRG also has plans to build a media city in Erbil and free trade zones near the borders of Turkey and Iran.
The region still gets a cut from Iraqi-Turkish trade, plus subsidies from the United States[citation needed] and Israel[citation needed].
Since 2003, the stronger economy of Kurdistan has attracted around 20,000 workers from other parts of Iraq.[23] According to Iraqi president Jalal Talabani, since 2003 the number of millionaires in the Kurdish city of Silêmani has increased from 12 to 2000, reflecting the financial and economic growth of the region.[24]
[edit] Geography
A popular waterfall near Erbil.The Iraqi Kurdistan is largely mountainous, with the highest point being a 3,611 m (11,847 ft) point known locally as Cheekah Dar (black tent). There are many rivers flowing and running through mountains of the region making it distinguished by its fertile lands, plentiful water, picturesque nature.
The mountainous nature of Kurdistan, the difference of temperatures in its various parts, and its wealth of waters, make Kurdistan a land of agriculture and tourism. In addition to various minerals, oil in particular, which for a long time was being extracted via pipeline only in Kurdistan through Iraq.
The largest lake in the region is Lake Dukan.
The term "Northern Iraq" is a bit of a geographical ambiguity in usage. "North" typically refers to the Kurdistan Region. "Center" and "South" or "Center-South" when individually referring to the other areas of Iraq or the rest of the country that is not the Kurdistan Region. Most media sources continually refer to "North" and "Northern Iraq" as anywhere north of Baghdad.
[edit] Governorates
Iraqi Kurdistan is divided among seven governorates of which currently three are under the control of the Kurdistan Regional Government. These governorates are called in Kurdish parêzge. Particularly in Iraqi government documents, the term governorate is preferred:
Autonomous Region KurdistanThe governorates wholly under the Kurdistan Regional Government are:
1. As Sulaymaniyah (Slêmanî)
2. Erbil (Hewlêr)
3. Dahuk (Duhok)
Main article: Kirkuk status referendum, 2008
The governorates claimed totally or in part by the Kurdistan Regional Government are:
4. Kirkuk (Kerkûk) - (all)
5. Diyala - Kifri Khanaqin and Baladrooz districts
6. Ninawa - Akra, Shekhan, Al-Shikhan, Al-Hamdaniya, Tel Kaif, Tall Afar and Sinjar districts
7. Salah ad Din - Tooz district
8. Wasit - Badrah district
A referendum was scheduled to be held on 15 November 2007 to determine whether these governorates, or parts of them, will be included in the Kurdish Regional Government. The referendum is intended to cover all districts of Kirkuk Governorate, the Khanaquin and Kifri districts of Diyala Governorate, the Touz-Khur-Mati district of Salah ad Din Governorate, and the Akra and Shekan districts of Ninewa Governorate. This referendum has been postponed, first to 31 December 2007, and subsequently for up to a further six months. Kurds insist that the referendum be held as soon as possible.
[edit] Demographics
Ethnic and religious distribution of Iraq.The population is about 5-6 million. 95% of these are Kurdish Muslims who are Sunnis. There are also significant numbers of Yazidis, Kakeyís, Jews and Christians. Kurds comprise the ethnic majority in the region (about 95%) while the Turkmen, Assyrians, Armenians and Arabs who reside particularly in the western part of the area make up the rest.
[edit] Culture
Main article: Kurdish culture
A Kurdish woman makes breadKurdish culture is a group of distinctive cultural traits practiced by Kurdish people. The Kurdish culture is a legacy from the various ancient peoples who shaped modern Kurds and their society, but primarily of two layers of indigenous (Hurrian), and of the ancient Iranic (Medes).
Among their neighbours, the Kurdish culture is closest to Iranian culture . For example they celebrate Newroz as the new year day, which is celebrated on March 21. It is the first day of the month of Xakelêwe in Kurdish calendar and the first day of spring.[25]
[edit] Music
Main article: Kurdish music
Traditionally, there are three types of Kurdish classical performers - storytellers (çîrokbêj), minstrels (stranbêj) and bards (dengbêj). There was no specific music related to the Kurdish princely courts, and instead, music performed in night gatherings (şevbihêrk) is considered classical. Several musical forms are found in this genre. Many songs are epic in nature, such as the popular lawiks which are heroic ballads recounting the tales of Kurdish heroes of the past like Saladin. Heyrans are love ballads usually expressing the melancholy of separation and unfulfilled love. Lawje is a form of religious music and Payizoks are songs performed specifically in autumn. Love songs, dance music, wedding and other celebratory songs (dîlok/narînk), erotic poetry and work songs are also popular.
[edit] Military
Main article: Peshmerga
Peshmerga is the term used by Kurds to refer to armed Kurdish fighters, they have been labelled by some as freedom fighters. Literally meaning "those who face death" (pêş front + merg death e is) the peshmerga forces of Kurdistan have been around since the advent of the Kurdish independence movement in the early 1920s, following the collapse of the Ottoman and Qajar empires which had jointly ruled over the area known today as Kurdistan.
Peshmerga forces also played a significant role with coalition troops in the war against the Ba'ath government in Northern Iraq.
I immaturely re-arranged a series of books so that the spines read something other than the intended phrase, 'World Book'. This is why I'm not allowed in libraries anymore.
I finally found these pink pepper berries, so lovely to decorate with !
Don't use this image on websites, blogs or other media without my explicit permission !!!
© all rights reserved Lily aenee
The Encyclopedias are from 1946 and 1949...
Taken for the AAW Challenge: Forgotten
Placed the old books which are very delicate on a black surface, natural light and edited the exposure..Used my small sony camera..
Books - The Flickr Lounge
14/365 pictures in 2018
© All Rights Reserved. Please do not use or reproduce this image on Websites/Blog or any other media without my explicit permission.
Photo inspired by Emily Wilde's Encyclopaedia of Faeries.
Two photos were combined. I created the fairy using a vintage doll and adding paper wings and susending with invisible wire.
From Wikipedia, the free encyclopedia
Former namesScotland's National Arena (planning)
Scottish Hydro Arena (construction)
AddressExhibition Way
SEC
Glasgow
G3 8YW
LocationGlasgow, Scotland
Coordinates55.860297°N 4.284926°WCoordinates: 55.860297°N 4.284926°W
Public transitExhibition Centre railway station
OwnerSEC Ltd
OperatorAEG Live
Capacity13,000
Construction
Broke groundFebruary 2011
Built2011–13
Opened30 September 2013
Construction cost£125 million
ArchitectFoster and Partners
Project managerTurner & Townsend
Structural engineerArup Group Limited
General contractorLend Lease
Website
The SSE Hydro is a multi-purpose indoor arena located within the Scottish Event Campus in Glasgow, Scotland. The arena was initially named The Hydro after its main sponsor, energy company Scottish & Southern Energy subsidiary Scottish Hydro. The company then re-branded itself and its subsidiary companies as SSE, however the Hydro name was retained despite it no longer being a trading name. The arena was designed by the London-based architects Foster + Partners and officially opened on 30 September 2013, with a concert by Rod Stewart.[1]
Within 3 years of opening, the SSE Hydro became the eighth-busiest venue worldwide. The arena handled 751,487 ticket sales making it the eighth-busiest music arena in the world in terms of ticket sales. It also hosted the UFC's first event in Scotland – an event which was impossible to hold in any other arena in the country
The Encyclopedia Britannica is a relic from the past as everything is online now, and the online searches are more up-to-date and much faster.
From Wikipedia, the free encyclopedia
Bristol MMB 43 SS Great Britain.jpg
SS Great Britain in dry dock at Bristol in 2005.
History
Name:SS Great Britain
Owner:Great Western Steamship Company
Builder:William Patterson
Cost:
Projected: £70,000
Actual: £117,000
Laid down:July 1839
Launched:19 July 1843
Completed:1845
Maiden voyage:26 July 1845
In service:1845–1886
Homeport:Bristol, England
General characteristics
Type:Passenger steamship
Displacement:3,674 tons load draught
Length:322 ft (98 m)
Beam:50 ft 6 in (15.39 m)
Draught:16 ft (4.9 m)[1]
Installed power:2 × twin 88-inch (220 cm) cylinder, 6 ft (1.8 m) stroke, 500 hp (370 kW), 18 rpm inclined direct-acting steam engines
Propulsion:Single screw propeller
Sail plan:
Original: Five schooner-rigged and one square-rigged mast
After 1853: Three square-rigged masts
Speed:10 to 11 knots (19 to 20 km/h; 12 to 13 mph)
Capacity:
360 passengers, later increased to 730
1,200 tons of cargo
Complement:130 officers and crew (as completed)
SS Great Britain is a museum ship and former passenger steamship, which was advanced for her time. She was the longest passenger ship in the world from 1845 to 1854. She was designed by Isambard Kingdom Brunel for the Great Western Steamship Company's transatlantic service between Bristol and New York. While other ships had been built of iron or equipped with a screw propeller, Great Britain was the first to combine these features in a large ocean-going ship. She was the first iron steamer to cross the Atlantic, which she did in 1845, in the time of 14 days.
The ship is 322 ft (98 m) in length and has a 3,400-ton displacement. She was powered by two inclined 2 cylinder engines of the direct-acting type, with twin 88 in (220 cm) bore, 6-foot (1.8 m) stroke cylinders. She was also provided with secondary sail power. The four decks provided accommodation for a crew of 120, plus 360 passengers who were provided with cabins and dining and promenade saloons.
When launched in 1843, Great Britain was by far the largest vessel afloat. However, her protracted construction and high cost had left her owners in a difficult financial position, and they were forced out of business in 1846 having spent all their funds re-floating the ship after she was run aground at Dundrum Bay after a navigational error. In 1852 she was sold for salvage and repaired. Great Britain carried thousands of immigrants to Australia from 1852 until converted to sail in 1881. Three years later, she was retired to the Falkland Islands where she was used as a warehouse, quarantine ship and coal hulk until scuttled in 1937.[2]
In 1970, following a cash donation by Sir Jack Hayward that paid for the vessel to be towed back to the UK, Great Britain was returned to the Bristol dry dock where she was built. Now listed as part of the National Historic Fleet, she is an award-winning visitor attraction and museum ship in Bristol Harbour, with between 150,000 and 200,000 visitors annually.
Montefiore Windmill
From Wikipedia, the free encyclopedia
Montefiore Windmill
16-03-30-Jerusalem-Innenstadt-RalfR-DSCF7584.jpg
Montefiore Windmill, 30 March 2016
Origin
Mill nameMontefiore Mill
Jaffa Gate Mill
Mill locationJerusalem, Israel
31°46′17.31″N 35°13′27.03″E
Year built1857
Information
PurposeFlour mill
TypeTower mill
StoreysFour storeys
Number of sailsFour sails
Type of sailsPatent sails
WindshaftCast iron
WindingFantail
Fantail bladesSix blades
Auxiliary powerElectric motor
Number of pairs of millstonesTwo pairs
The Montefiore Windmill is a landmark windmill in Jerusalem, Israel. Designed as a flour mill, it was built in 1857 on a slope opposite the western city walls of Jerusalem, where three years later the new Jewish neighbourhood of Mishkenot Sha'ananim was erected, both by the efforts of British Jewish banker and philanthropist Moses Montefiore. Jerusalem at the time was part of Ottoman-ruled Palestine. Today the windmill serves as a small museum honored and dedicated to the achievements of Montefiore. It was restored in 2012 with a new cap and sails in the style of the originals. The mill can turn in the wind.
Contents [hide]
1History
2Anecdotes
31948 War of Independence
4Montefiore carriage
5Restoration
6References
History[edit]
The mill in 1858
The windmill and the neighbourhood of Mishkenot Sha'ananim were both funded by the British Jewish banker and philanthropist Moses Montefiore, who devoted his life to promoting industry, education and health in the Land of Israel.[1] Montefiore built the windmill with funding from the estate of an American Jew, Judah Touro, who appointed Montefiore executor of his will.[2] Montefiore mentions the windmill in his diaries (1875), noting that he had built it 18 years ago on the estate of Kerem-Moshe-ve-Yehoodit (lit. "the orchard of Moses and Judith"), and that it had since been joined by two other windmills nearby, owned by Greeks.[3] The project, bearing the hallmarks of nineteenth century artisan revival, aimed to promote productive enterprise in the Yishuv.
The mill was designed by Messrs Holman Brothers, the Canterbury, Kent millwrights. The stone for the tower was quarried locally. The tower walls were 3 feet (910 mm) thick at the base and almost 50 feet (15.24 m) high. Parts were shipped to Jaffa, where there were no suitable facilities for landing the heavy machinery. Transport of the machinery to Jerusalem had to be carried out by camel. In its original form, the mill had a Kentish-style cap and four Patent sails. It was turned to face into the wind by a fantail. The mill drove two pairs of millstones, flour dressers, wheat cleaners and other machinery.[4]
The mill as it appeared with decorative, non-functional sails and bronze cap prior to the 2012 restoration
The construction of the mill was part of a broader program to enable the Jews of Palestine to become self-supporting. Montefiore also built a printing press and a textile factory, and helped to finance several agricultural colonies. He attempted to acquire land for Jewish cultivation, but was hampered by Ottoman restrictions on land sale to non-Muslims.
The mill was not a success due to a lack of wind.[5] Wind conditions in Jerusalem could not guarantee its continued operation. There were probably no more than 20 days a year with strong enough breezes. Another reason for the mill's failure was technological. The machinery was designed for soft European wheat, which required less wind power than the local wheat. Nevertheless, the mill operated for nearly two decades until the first steam-powered mill was completed in Jerusalem in 1878.[6][7]
In the late 19th century the mill became neglected and abandoned and it was not until the 1930s that it was comsetically restored by British Mandate authorities together with the Pro-Jerusalem Society. During this restoration decorative, non-functional fixed sails were placed at the top of the structure. Over the years the building's condition had deteriorated again and following the reunification of Jerusalem in the Six-Day War another cosmetic restoration was carried out, as part of which a decorative bronze cap was also added to the structure. In 2012 these decorative elements were removed and the mill was completely restored to full working order using the original 1850s plans (which were located in the British Library) as a guide.[7]
Anecdotes[edit]
Blowing up of the windmill by the British in 1948
Two anecdotes about the windmill appear in a 1933 book, which refers to it as the Jaffa Gate Mill. The first is that there was much opposition from among the local millers to the windmill, who looked upon it with the evil eye and sent their head man to curse it. Predictions were made that the mill would be washed away during the rainy season; after it survived intact, it was declared to be the work of Satan. The second is that the Arabs developed a taste for the lubricating oil on the bearings and would lick them, prompting fear the mill would burn down from the resulting friction. The solution was said to be placing a leg of pork in the oil barrel, whereafter the Arabs lost a taste for the oil.[4]
1948 War of Independence[edit]
During the 1948 blockade of Jerusalem the windmill served as an observation point for Jewish Haganah fighters. In an attempt to impede their activities, the British authorities blew up the top of the windmill in an operation mockingly dubbed by the population "Operation Don Quixote."[8][9]
Montefiore carriage[edit]
In a glassed-in room at the windmill is a replica of the famous carriage Sir Moses Montefiore used in his travels. The original carriage was brought to Palestine by Boris Schatz, the founder of the Bezalel Academy of Art, but was destroyed in an arson fire at the site in 1986.[10]
Restoration[edit]
Cap under construction in Sloten
The mill was restored in 2012 as part of the celebrations of the 60th anniversary of the founding of Israel. A Dutch organisation, "Christians for Israel" (Dutch: Stichting Christenen voor Israël), is behind the scheme. A model of Stelling Minnis windmill, built by Tom Holman, was temporarily taken to the Netherlands to help raise funds for the restoration. None of the original machinery survives.[11] Millwright Willem Dijkstra rebuilt the floors, sails, cap and machinery in his workshop in Sloten, the Netherlands in cooperation with Dutch construction company Lont and British millwright Vincent Pargeter. The windshaft was cast and machined at Sanders’ Ijzergieterij en Machinefabriek B.V. (Sanders foundry and machines factory) in Goor, the Netherlands.[12] The parts were then shipped to Israel and reassembled on site.[13] Dijkstra, his family and employee temporarily moved to Israel to help with the restoration.[12] The cap and sails were lifted into place on July 25, 2012,[14][15] and the mill was turning for the first time again on August 6.[16][17] The first bag of flour was ground in May 2013.[7]
References[edit]
Wikimedia Commons has media related to Moses Montefiore Windmill.
Jump up ^ Montefiore Heritage Site
Jump up ^ Jerusalem Simon Goldhill
Jump up ^ Diaries of Sir Moses and Lady Montefiore: comprising their life and work as recorded in their diaries from 1812-1883, Volume 2. Adamant Media Corporation. 2001. p. 277. ISBN 9781402193149.
^ Jump up to: a b Coles Finch, William (1933). Watermills and Windmills. London: C W Daniel and Company. pp. 50–52, illustration facing p224.
Jump up ^ "The Windless Windmill". ohr.edu. Retrieved 2008-11-12.
Jump up ^ Palestine in the Late Ottoman Period , David Kushner
^ Jump up to: a b c "Historic Jerusalem Windmill" (PDF). Mishkenot Shaananim website (in Hebrew). Retrieved 22 May 2016.
Jump up ^ Eisenberg, Ronald L. (2006). The Streets of Jerusalem - Who, What, Why. Devora Publishing Company. p. 178. ISBN 1-932687-54-8.
Jump up ^ Dudman, Helga (1982). Street People. Jerusalem: Jerusalem Post/Carta. pp. 21–22.
Jump up ^ In the shadow of the walls
Jump up ^ Holman, Geoff (2010). "Kent mill moved to Holland". Cant Post (Kent Mills Society) (1): 9.
^ Jump up to: a b "Bertus Dijkstra, Bouw en Molenbouw" (in Dutch). Retrieved 8 June 2012.
Jump up ^ Walinga, Cees (5 January 2012). "Willem Dijkstra herstelt Montefiore-molen in Jeruzalem". Balkster Courant (in Dutch). p. 7. Retrieved 25 March 2012.
Jump up ^ "Historic Jerusalem mill gets new wind in sails". Retrieved 3 August 2012.
Jump up ^ "Mûne yn Jeruzalem opknapt" (in Frisian). Retrieved 3 August 2012.
Jump up ^ "Jerusalem Mill turns after 140 years". The Mills Archive Trust. August 7, 2012. Retrieved August 16, 2012.
Jump up ^ "De Montefioremolen draait weer". Alfred Muller via YouTube. 6 August 2012. Retrieved 18 August 2012.
[show] v t e
Windmills by country
Categories: Windmills in IsraelMuseums in JerusalemTower millsWindmills completed in 1857Grinding mills in IsraelBuildings and structures in JerusalemMill museumsVisitor attractions in Jerusalem
Navigation menu
Not logged inTalkContributionsCreate accountLog inArticleTalkReadEditView history
This page was last modified on 23 May 2016, at 17:12.
Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
Privacy policyAbout WikipediaDisclaimersContact WikipediaDevelopersCookie statementMobile viewWikimedia Foundation Powered by MediaWiki
Scan of a cover of the 1956 Grollier Encyclopedia. I used gradient layers to bring out the textural detail.
For your texturing and layering pleasure! Feel free to use in your own work, just don't resell or redistribute this original work as your own!
Mary of Teck
From Wikipedia, the free encyclopedia
Mary of Teck
Queen consort of the United Kingdom and the British Dominions; Empress consort of India
Tenure6 May 1910 – 20 January 1936
Coronation22 June 1911
SpouseGeorge V of the United Kingdom
Issue
Edward VIII of the United Kingdom, later Duke of Windsor
George VI of the United Kingdom
Mary, Princess Royal, Countess of Harewood
Prince Henry, Duke of Gloucester
Prince George, Duke of Kent
Prince John
Full name
Victoria Mary Augusta Louise Olga Pauline Claudine Agnes
HouseHouse of Windsor
House of Saxe-Coburg-Gotha
House of Württemberg
FatherFrancis, Duke of Teck
MotherPrincess Mary Adelaide of Cambridge
Born26 May 1867
Kensington Palace, London
Died24 March 1953 (aged 85)
Marlborough House, London
Burial31 March 1953
St George's Chapel, Windsor
Mary of Teck (Victoria Mary Augusta Louise Olga Pauline Claudine Agnes; 26 May 1867 – 24 March 1953) was the queen consort of the United Kingdom and the British Dominions, and Empress of India, as the wife of King-Emperor George V. By birth, she was a princess of Teck, in the Kingdom of Württemberg, with the style Serene Highness. To her family, she was informally known as May, after her birth month.
Her father, who was of German extraction, married into the British Royal Family, and "May" was born and brought up in the United Kingdom. At the age of 24 she was betrothed to Prince Albert Victor, Duke of Clarence and Avondale, the second in line to the British throne, but six weeks after the announcement of the engagement he unexpectedly died of pneumonia. The following year she became engaged to Albert Victor's next surviving brother, George, who subsequently became king. Before her husband's accession, she was successively Duchess of York, Duchess of Cornwall, and Princess of Wales. As his queen consort from 1910, she supported her husband through World War I, his ill-health, and major political changes arising from the aftermath of the war and the rise of socialism and nationalism. After George's death in 1936, her eldest son Edward became King-Emperor, but to her dismay he abdicated the same year in order to marry twice-divorced American socialite Mrs. Wallis Simpson. She supported her second son, Albert, who succeeded to the throne as George VI, until his death in 1952. She died the following year, at the beginning of the reign of her granddaughter, Elizabeth II. Briefly, there were three queens in the country: Mary; her daughter-in-law, Queen Elizabeth The Queen Mother; and Elizabeth II.
Contents [hide]
1 Early life
2 Engagements
3 Duchess of York
4 Princess of Wales
5 Queen consort
6 Queen Mother
7 Legacy
8 Titles, styles, honours and arms
8.1 Titles and styles
8.2 Honours
8.3 Arms
9 Ancestry
10 Issue
11 See also
12 Notes and sources
13 References
14 External links
[edit]Early life
Princess Victoria Mary ("May") of Teck was born on 26 May 1867 at Kensington Palace, London. Her father was Prince Francis, Duke of Teck, the son of Duke Alexander of Württemberg by his morganatic wife, Countess Claudine Rhédey von Kis-Rhéde. Her mother was Princess Mary Adelaide of Cambridge, the third child and younger daughter of Prince Adolphus, Duke of Cambridge, and Princess Augusta of Hesse-Cassel. She was baptised in the Chapel Royal of Kensington Palace on 27 July 1867 by Charles Thomas Longley, Archbishop of Canterbury, and her three godparents were Queen Victoria, the Prince of Wales (later King Edward VII and May's father-in-law), and Princess Augusta, the Duchess of Cambridge.[1]
May's upbringing was "merry but fairly strict".[2] She was the eldest of four children, the only girl, and "learned to exercise her native discretion, firmness and tact" by resolving her three younger brothers' petty boyhood squabbles.[3] They played with their cousins, the children of the Prince of Wales, who were similar in age.[4] May was educated at home by her mother and governess (as were her brothers until they were sent to boarding schools).[5] The Duchess of Teck spent an unusually long time with her children for a lady of her time and class,[2] and enlisted May in various charitable endeavours, which included visiting the tenements of the poor.[6]
Although her mother was a grandchild of King George III, May was only a minor member of the British Royal Family. Her father, the Duke of Teck, had no inheritance or wealth, and carried the lower royal style of Serene Highness because his parents' marriage was morganatic.[7] However, the Duchess of Teck was granted a Parliamentary Annuity of £5000, and received about £4000 a year from her mother, the Duchess of Cambridge.[8] Despite this, the family was deeply in debt and lived abroad from 1883, in order to economise.[9] The Tecks travelled throughout Europe, visiting their various relations. They stayed in Florence, Italy, for a time, where May enjoyed visiting the art galleries, churches and museums.[10]
In 1885, the Tecks returned to London, and took up residence at White Lodge, in Richmond Park. May was close to her mother, and acted as an unofficial secretary, helping to organise parties and social events. She was also close to her aunt, the Grand Duchess of Mecklenburg-Strelitz (née Princess Augusta of Cambridge), and wrote to her every week. During World War I, the Crown Princess of Sweden helped pass letters from May to her aunt, who lived in enemy territory in Germany until her death in 1916.[11]
[edit]Engagements
Princess Victoria Mary shortly before her marriage to the Duke of York in 1893
In December 1891, May was engaged to her second cousin, once-removed, Prince Albert Victor, Duke of Clarence and Avondale, the eldest son of the Prince of Wales.[12] The choice of May as bride for the Duke owed much to Queen Victoria's fondness for her, as well as to her strong character and sense of duty. However, the Duke of Clarence and Avondale died six weeks later during the worldwide influenza pandemic that swept through Britain in the winter of 1891–2.[13]
Albert Victor's brother, Prince George, Duke of York, now second in line to the throne, evidently became close to May during their shared period of mourning, and Queen Victoria still favoured May as a suitable candidate to marry a future king.[14] In May 1893, George proposed, and May accepted. They were soon deeply in love, and their marriage was a success. George wrote to May every day they were apart and, unlike his father, never took a mistress.[15]
[edit]Duchess of York
See also: Wedding of Prince George, Duke of York, and Princess Mary of Teck
May married Prince George, Duke of York, on 6 July 1893 at the Chapel Royal, St. James's Palace, in London.[16] The new Duke and Duchess of York lived in York Cottage on the Sandringham Estate in Norfolk, and in apartments in St. James's Palace. York Cottage was a modest house for royalty, but it was a favourite of George, who liked a relatively simple life.[17] They had six children: Edward, Albert, Mary, Henry, George, and John.
Princess Victoria Mary, The Duchess of Cornwall and York. Ottawa, 1901
The Duchess loved her children, but she put them in the care of a nanny, as was usual in upper-class families at the time. The first nanny was dismissed for insolence and the second for abusing the children. This second woman, anxious to suggest that the children preferred her to anyone else, would pinch Edward and Albert whenever they were about to be presented to their parents, so that they would start crying and be speedily returned to her. On discovery, she was replaced by her effective and much-loved assistant, Mrs. Bill.[18]
Sometimes, Queen Mary appears to have been a distant mother. At first, she failed to notice the nanny's abuse of the young Princes Edward and Albert,[19] and her youngest son, Prince John, was housed in a private farm on the Sandringham Estate, in the care of Mrs. Bill, perhaps to hide his epilepsy from the public. However, despite her austere public image and her strait-laced private life, Mary was a caring mother in many respects, revealing a fun-loving and frivolous side to her children and teaching them history and music. Edward wrote fondly of his mother in his memoirs: "Her soft voice, her cultivated mind, the cosy room overflowing with personal treasures were all inseparable ingredients of the happiness associated with this last hour of a child's day ... Such was my mother's pride in her children that everything that happened to each one was of the utmost importance to her. With the birth of each new child, Mama started an album in which she painstakingly recorded each progressive stage of our childhood".[20] He expressed a less charitable view, however, in private letters to his wife after his mother's death: "My sadness was mixed with incredulity that any mother could have been so hard and cruel towards her eldest son for so many years and yet so demanding at the end without relenting a scrap. I'm afraid the fluids in her veins have always been as icy cold as they are now in death."[21]
As Duke and Duchess of York, George and May carried out a variety of public duties. In 1897, she became the Patron of the London Needlework Guild in succession to her mother. The Guild, initially established as The London Guild in 1882, was renamed several times, and was named after Mary between 1914 and 2010.[22]
On 22 January 1901, Queen Victoria died, and May's father-in-law, Albert Edward, ascended the throne as King Edward VII. For most of the rest of that year, George and May were styled TRH The Duke and Duchess of Cornwall and York. For eight months they toured the British Empire, visiting Gibraltar, Malta, Egypt, Ceylon, Singapore, Australia, New Zealand, Mauritius, South Africa and Canada. No royal had undertaken such an ambitious tour before. She broke down in tears at the thought of leaving her children, who were to be left in the care of their grandparents, for such a lengthy period of time.[23]
[edit]Princess of Wales
The Princess of Wales at court, 1902
On 9 November 1901, nine days after arriving back in Britain and on the King's sixtieth birthday, George was created Prince of Wales. The family moved their London residence from St James's Palace to Marlborough House. As Princess of Wales, May accompanied her husband on trips to Austria-Hungary and Württemberg in 1904. The following year, she gave birth to her last child, John. It was a difficult labour, and although May recovered quickly, her newborn son suffered respiratory problems.[24]
From October 1905 the Prince and Princess of Wales undertook another eight month tour, this time of India, and the children were once again left in the care of their grandparents.[25] They passed through Egypt both ways and on the way back stopped in Greece. The tour was almost immediately followed by a trip to Spain for the wedding of King Alfonso XIII to Victoria Eugenie of Battenberg, at which the bride and groom narrowly avoided assassination.[26] Only a week after returning to Britain, May and George went to Norway for the coronation of King Haakon VII and Queen Maud (George's sister).
[edit]Queen consort
King George V and Queen Mary
Queen Mary with her daughter Princess Mary during World War I.
On 6 May 1910, Edward VII died. The Prince of Wales ascended the throne as George V, and Mary became queen consort. When her husband asked her to drop one of her two official names, Victoria Mary, she chose to be called Mary, preferring not to take the name of her husband's grandmother, Queen Victoria.[27] Queen Mary was crowned with the King on 22 June 1911 at Westminster Abbey. Later in the year, the new King and Queen travelled to India for the Delhi Durbar held on 12 December 1911, and toured the sub-continent as Emperor and Empress of India, returning to Britain in February.[28] The beginning of Mary's period as consort brought her into conflict with the Dowager Queen Alexandra. Although the two were on friendly terms, Alexandra could be stubborn; she demanded precedence over Mary at the funeral of Edward VII, was slow in leaving Buckingham Palace, and kept some of the royal jewels that should have been passed to the new queen.[29]
During World War I, Queen Mary instituted an austerity drive at the palace, where she rationed food, and visited wounded and dying servicemen in hospital, which she found a great emotional strain.[30] After three years of war against Germany, and with anti-German feeling in Britain running high, the Russian Imperial Family, which had been deposed by a revolutionary government, was refused asylum, possibly in part because the Tsar's wife was German-born.[31] News of the Tsar's abdication provided a boost to those in Britain who wished to replace the monarchy with a republic.[32] After republicans used the couple's German heritage as an argument for reform, George abandoned his German titles and renamed the Royal House from the German "Saxe-Coburg and Gotha" to the English "Windsor". Other royals anglicised their names; the Battenbergs became the Mountbattens, for example. The Queen's relatives also abandoned their German titles, and adopted the British surname of Cambridge (derived from the Dukedom held by Queen Mary's British grandfather). The war ended in 1918 with the defeat of Germany and the abdication and exile of the Kaiser.
Teck-Cambridge Family
Francis, Duke of Teck[show]
Adolphus, Marquess of Cambridge[show]
Alexander, Earl of Athlone[show]
Two months after the end of the war, Queen Mary's youngest son, John, died at the age of thirteen. She described her shock and sorrow in her diary and letters, extracts of which were published after her death: "our poor darling little Johnnie had passed away suddenly ... The first break in the family circle is hard to bear but people have been so kind & sympathetic & this has helped us [the King and me] much."[33] Her staunch support of her husband continued during the latter half of his reign. She advised him on speeches, and used her extensive knowledge of history and royalty to advise him on certain matters affecting his position. He appreciated her discretion, intelligence and judgement.[34] She maintained an air of self-assured calm throughout all her public engagements in the years after the war, a period marked by civil unrest over social conditions, Irish independence and Indian nationalism.[35]
In the late 1920s, George V became increasingly ill with lung problems, exacerbated by his heavy smoking. Queen Mary paid particular attention to his care. During his illness in 1928, one of his doctors, Sir Farquhar Buzzard, was asked who had saved the King's life. He replied, "The Queen".[36] In 1935, King George V and Queen Mary celebrated their silver jubilee, with celebrations taking place throughout the British Empire. In his jubilee speech, George paid public tribute to his wife, having told his speechwriter, "Put that paragraph at the very end. I cannot trust myself to speak of the Queen when I think of all I owe her."[37]
[edit]Queen Mother
George V died on 20 January 1936, after his physician, Lord Dawson of Penn, gave him an injection of morphine and cocaine which may have hastened his death.[38] Queen Mary's eldest son, Edward, Prince of Wales, ascended the throne as Edward VIII. She was now officially Queen Mother, though she did not use that title and was instead known as Her Majesty Queen Mary.
Within the year, Edward caused a constitutional crisis by announcing his desire to marry his twice-divorced American mistress, Mrs. Wallis Simpson. Queen Mary disapproved of divorce, which was against the teaching of the Anglican Church, and thought Mrs. Simpson wholly unsuitable to be the wife of a king. After receiving advice from the Prime Minister of the United Kingdom, Stanley Baldwin, as well as the Dominion governments, that he could not remain king and marry Mrs. Simpson, Edward abdicated. Though loyal and supportive of her son, Queen Mary could not comprehend why Edward would neglect his royal duties in favour of his personal feelings.[39] Mrs. Simpson had been presented formally to both King George V and Queen Mary at court,[40] but Queen Mary later refused to meet her either in public or privately.[41] Queen Mary saw it as her duty to provide moral support for her second son, the reserved and stammering Prince Albert, Duke of York, who ascended the throne upon Edward's abdication, taking the name George VI. When Mary attended the coronation, she became the first British dowager queen ever to do so.[42] Edward's abdication did not lessen her love for him, but she never wavered in her disapproval of the damage she believed had been done to the Crown.[15][43]
Queen Mary with her granddaughters, Princesses Margaret (front) and Elizabeth
Queen Mary took an interest in the upbringing of her granddaughters, Princesses Elizabeth and Margaret, and took them on various excursions in London, to art galleries and museums. (The Princesses' own parents thought it unnecessary for them to be taxed with any demanding educational regime.)[44]
During World War II, George VI wished his mother to be evacuated from London. Although she was reluctant, she decided to live at Badminton House, Gloucestershire, with her niece, Mary Somerset, Duchess of Beaufort, the daughter of her brother, Lord Cambridge.[45] Her personal belongings were transported from London in seventy pieces of luggage. Her household, which comprised fifty-five servants, occupied most of the house, except for the Duke and Duchess's private suites, until after the war. The only people to complain about the arrangements were the royal servants, who found the house too small,[46] though Queen Mary annoyed her niece by having the ancient ivy torn from the walls as she considered it unattractive and a hazard. From Badminton, in support of the war effort, she visited troops and factories, and directed the gathering of scrap materials. She was known to offer lifts to soldiers she spotted on the roads.[47] In 1942, her youngest surviving son, Prince George, Duke of Kent, was killed in an air crash while on active service. Queen Mary finally returned to Marlborough House in June 1945, after the war in Europe had resulted in the defeat of Nazi Germany.
Queen Mary was an eager collector of objects and pictures with a royal connection.[48] She paid above-market estimates when purchasing jewels from the estate of Dowager Empress Marie of Russia[49] and paid almost three times the estimate when buying the family's Cambridge Emeralds from Lady Kilmorey, the mistress of her late brother Prince Francis.[50] In 1924, the famous architect Sir Edwin Lutyens created Queen Mary's Dolls' House for her collection of miniature pieces.[51] Indeed, she has sometimes been criticised for her aggressive acquisition of objets d'art for the Royal Collection. On several occasions, she would express to hosts, or others, that she admired something they had in their possession, in the expectation that the owner would be willing to donate it.[52] Her extensive knowledge of, and research into, the Royal Collection helped in identifying artefacts and artwork that had gone astray over the years.[53] The Royal Family had lent out many objects over previous generations. Once she had identified unreturned items through old inventories, she would write to the holders, requesting that they be returned.[54]
In 1952, King George VI died, the third of Queen Mary's children to predecease her; her eldest granddaughter, Princess Elizabeth, ascended the throne as Queen Elizabeth II. Queen Mary died the next year of lung cancer (referred to publicly as "gastric problems"[55]) at the age of 85, only ten weeks before Elizabeth's coronation. Queen Mary let it be known that, in the event of her death, the coronation was not to be postponed. Her remains lay in state at Westminster Hall, where large numbers of mourners filed past her coffin. She is buried beside her husband in the nave of St. George's Chapel, Windsor Castle.[56]
The Encyclopedia Britannica is a relic from the past as everything is online now, and the online searches are more up-to-date and much faster.
From Wikipedia, the free encyclopedia
Bristol MMB 43 SS Great Britain.jpg
SS Great Britain in dry dock at Bristol in 2005.
History
Name:SS Great Britain
Owner:Great Western Steamship Company
Builder:William Patterson
Cost:
Projected: £70,000
Actual: £117,000
Laid down:July 1839
Launched:19 July 1843
Completed:1845
Maiden voyage:26 July 1845
In service:1845–1886
Homeport:Bristol, England
General characteristics
Type:Passenger steamship
Displacement:3,674 tons load draught
Length:322 ft (98 m)
Beam:50 ft 6 in (15.39 m)
Draught:16 ft (4.9 m)[1]
Installed power:2 × twin 88-inch (220 cm) cylinder, 6 ft (1.8 m) stroke, 500 hp (370 kW), 18 rpm inclined direct-acting steam engines
Propulsion:Single screw propeller
Sail plan:
Original: Five schooner-rigged and one square-rigged mast
After 1853: Three square-rigged masts
Speed:10 to 11 knots (19 to 20 km/h; 12 to 13 mph)
Capacity:
360 passengers, later increased to 730
1,200 tons of cargo
Complement:130 officers and crew (as completed)
SS Great Britain is a museum ship and former passenger steamship, which was advanced for her time. She was the longest passenger ship in the world from 1845 to 1854. She was designed by Isambard Kingdom Brunel for the Great Western Steamship Company's transatlantic service between Bristol and New York. While other ships had been built of iron or equipped with a screw propeller, Great Britain was the first to combine these features in a large ocean-going ship. She was the first iron steamer to cross the Atlantic, which she did in 1845, in the time of 14 days.
The ship is 322 ft (98 m) in length and has a 3,400-ton displacement. She was powered by two inclined 2 cylinder engines of the direct-acting type, with twin 88 in (220 cm) bore, 6-foot (1.8 m) stroke cylinders. She was also provided with secondary sail power. The four decks provided accommodation for a crew of 120, plus 360 passengers who were provided with cabins and dining and promenade saloons.
When launched in 1843, Great Britain was by far the largest vessel afloat. However, her protracted construction and high cost had left her owners in a difficult financial position, and they were forced out of business in 1846 having spent all their funds re-floating the ship after she was run aground at Dundrum Bay after a navigational error. In 1852 she was sold for salvage and repaired. Great Britain carried thousands of immigrants to Australia from 1852 until converted to sail in 1881. Three years later, she was retired to the Falkland Islands where she was used as a warehouse, quarantine ship and coal hulk until scuttled in 1937.[2]
In 1970, following a cash donation by Sir Jack Hayward that paid for the vessel to be towed back to the UK, Great Britain was returned to the Bristol dry dock where she was built. Now listed as part of the National Historic Fleet, she is an award-winning visitor attraction and museum ship in Bristol Harbour, with between 150,000 and 200,000 visitors annually.
From Wikipedia, the free encyclopedia
Bristol MMB 43 SS Great Britain.jpg
SS Great Britain in dry dock at Bristol in 2005.
History
Name:SS Great Britain
Owner:Great Western Steamship Company
Builder:William Patterson
Cost:
Projected: £70,000
Actual: £117,000
Laid down:July 1839
Launched:19 July 1843
Completed:1845
Maiden voyage:26 July 1845
In service:1845–1886
Homeport:Bristol, England
General characteristics
Type:Passenger steamship
Displacement:3,674 tons load draught
Length:322 ft (98 m)
Beam:50 ft 6 in (15.39 m)
Draught:16 ft (4.9 m)[1]
Installed power:2 × twin 88-inch (220 cm) cylinder, 6 ft (1.8 m) stroke, 500 hp (370 kW), 18 rpm inclined direct-acting steam engines
Propulsion:Single screw propeller
Sail plan:
Original: Five schooner-rigged and one square-rigged mast
After 1853: Three square-rigged masts
Speed:10 to 11 knots (19 to 20 km/h; 12 to 13 mph)
Capacity:
360 passengers, later increased to 730
1,200 tons of cargo
Complement:130 officers and crew (as completed)
SS Great Britain is a museum ship and former passenger steamship, which was advanced for her time. She was the longest passenger ship in the world from 1845 to 1854. She was designed by Isambard Kingdom Brunel for the Great Western Steamship Company's transatlantic service between Bristol and New York. While other ships had been built of iron or equipped with a screw propeller, Great Britain was the first to combine these features in a large ocean-going ship. She was the first iron steamer to cross the Atlantic, which she did in 1845, in the time of 14 days.
The ship is 322 ft (98 m) in length and has a 3,400-ton displacement. She was powered by two inclined 2 cylinder engines of the direct-acting type, with twin 88 in (220 cm) bore, 6-foot (1.8 m) stroke cylinders. She was also provided with secondary sail power. The four decks provided accommodation for a crew of 120, plus 360 passengers who were provided with cabins and dining and promenade saloons.
When launched in 1843, Great Britain was by far the largest vessel afloat. However, her protracted construction and high cost had left her owners in a difficult financial position, and they were forced out of business in 1846 having spent all their funds re-floating the ship after she was run aground at Dundrum Bay after a navigational error. In 1852 she was sold for salvage and repaired. Great Britain carried thousands of immigrants to Australia from 1852 until converted to sail in 1881. Three years later, she was retired to the Falkland Islands where she was used as a warehouse, quarantine ship and coal hulk until scuttled in 1937.[2]
In 1970, following a cash donation by Sir Jack Hayward that paid for the vessel to be towed back to the UK, Great Britain was returned to the Bristol dry dock where she was built. Now listed as part of the National Historic Fleet, she is an award-winning visitor attraction and museum ship in Bristol Harbour, with between 150,000 and 200,000 visitors annually.
Artist Don Li-Leger and three volunteers built this house out of thousands of used, discarded and otherwise unwanted reference books – most of them donated to, and collected by, the Rotary club in South Surrey.
The art installation will stand for the month of October in the forested public space outside Newton rec centre.
His formal description of “Encyclopedia House” calls for “an unusual art project” to make use of a plethora of no-longer-used encyclopedia sets, textbooks and other reference books that exist in the age of digital information.
the art project will address topics such as housing and fundamental needs, neighbourhood development, changing sources of knowledge, and recycling.
The books are affixed to each other with screws, making the structure sturdy enough to satisfy city officials.
The house will be a focal point for several events this month, including Sources’ homelessness march on Oct. 16, the International Day for the Eradication of Poverty on Oct. 17 and some reading groups with local children.
From Wikipedia, the free encyclopedia
The royal Château de Chambord at Chambord, Loir-et-Cher, France is one of the most recognizable châteaux in the world because of its very distinct French Renaissance architecture that blends traditional French medieval forms with classical Italian structures.[1]
The building, which was never completed, was constructed by King François I in part to be near to his mistress the Comtesse de Thoury, Claude Rohan, wife of Julien de Clermont, a member of a very important family of France, whose domaine, the château de Muides, was adjacent.[2] Her arms figure in the carved decor of the chateau.
Chambord is the largest castle in the Loire Valley, but was built to serve only as a hunting lodge for François I, who maintained his royal residences at Château de Blois and at Château d'Amboise. The original design of the Château de Chambord is attributed, though with several doubts, to Domenico da Cortona, whose wooden model for the design survived long enough to be drawn by André Félibien in the seventeenth century. Some authors, though, claim that the French Renaissance architect Philibert Delorme had a considerable role in the Château's design. [3] Chambord was altered considerably during the twenty years of its construction, (1519[4] 1547), during which it was overseen on-site by Pierre Nepveu. In 1913 Marcel Reymond first suggested[5] that Leonardo da Vinci a guest of François at Clos Lucé near Amboise, was responsible for the original design, which reflects Leonardo's plans for a château at Romorantin for the King's mother, and his interests in central planning and double helical staircases; the discussion has not yet concluded.[6] With the château nearing completion, François showed off his enormous symbol of wealth and power by hosting at Chambord his old archnemesis, Emperor Charles V.
Thank you very much all my dear friends for your visits, comments and favs!
Please NO MULTIGROUP invites!
Following, a text, in english, from Wikipedia the free encyclopedia:
Great Egret
For the similar Australasian species, see Eastern Great Egret.
The Great Egret (Ardea alba), also known as the Great White Egret or Common Egret or (now not in use) Great White Heron,[1][2] is a large, widely-distributed egret. Distributed across most of the tropical and warmer temperate regions of the world, in southern Europe it is rather localized. In North America it is more widely distributed, and it is ubiquitous across the Sun Belt of the United States and in the rainforests of South America. It is sometimes confused with the Great White Heron in Florida, which is a white morph of the closely related Great Blue Heron (A. herodias). Note, however, that the name Great White Heron has occasionally been used to refer to the Great Egret.
Description:
The Great Egret is a large bird with all-white plumage that can reach one meter in height, weigh up to 950 grams (2.1 lb) and a wingspan of 165 to 215 cm. It is thus only slightly smaller than the Great Blue or Grey Heron (A. cinerea). Apart from size, the Great Egret can be distinguished from other white egrets by its yellow bill and black legs and feet, though the bill may become darker and the lower legs lighter in the breeding season. In breeding plumage, delicate ornamental feathers are borne on the back. Males and females are identical in appearance; juveniles look like non-breeding adults. It is a common species, usually easily seen. It has a slow flight, with its neck retracted. This is characteristic of herons and bitterns, and distinguishes them from storks, cranes, ibises, and spoonbills, which extend their necks in flight.
The Great Egret is not normally a vocal bird; at breeding colonies, however, it often gives a loud croaking cuk cuk cuk.
Systematics and taxonomy:
Like all egrets, it is a member of the heron family, Ardeidae. Traditionally classified with the storks in the Ciconiiformes, the Ardeidae are closer relatives of pelicans and belong in the Pelecaniformes instead. The Great Egret—unlike the typical egrets—does not belong to the genus Egretta but together with the great herons is today placed in Ardea. In the past, however, it was sometimes placed in Egretta or separated in a monotypic genus Casmerodius.
Subspecies
There were four subspecies in various parts of the world, which differ but little. Differences are bare part coloration in the breeding season and size; the largest A. a. modesta from Asia and Australasia is now considered a full species, the Eastern Great Egret (Ardea modesta). The remaining three subspecies are:
Ardea alba alba (Europe)
Ardea alba egretta (Americas)
Ardea alba melanorhynchos (Africa)
Ecology and status:
The Great Egret is partially migratory, with northern hemisphere birds moving south from areas with colder winters. It breeds in colonies in trees close to large lakes with reed beds or other extensive wetlands. It builds a bulky stick nest.
The Great Egret is generally a very successful species with a large and expanding range. In North America, large numbers of Great Egrets were killed around the end of the 19th century so that their plumes could be used to decorate hats. Numbers have since recovered as a result of conservation measures. Its range has expanded as far north as southern Canada. However, in some parts of the southern United States, its numbers have declined due to habitat loss. Nevertheless, it adapts well to human habitation and can be readily seen near wetlands and bodies of water in urban and suburban areas. In 1953 the Great Egret in flight was chosen as the symbol of the National Audubon Society, which was formed in part to prevent the killing of birds for their feathers.[3][4]
The Great Egret is one of the species to which the Agreement on the Conservation of African-Eurasian Migratory Waterbirds (AEWA) applies.
Diet:
The Great Egret feeds in shallow water or drier habitats, feeding mainly on fish, frogs, small mammals, and occasionally small birds and reptiles, spearing them with its long, sharp bill most of the time by standing still and allowing the prey to come within its striking distance of its bill which it uses as a spear. It will often wait motionless for prey, or slowly stalk its victim.
Though it might appear that they feed on the parasites of African buffaloes, they actually feed on leafhoppers, grasshoppers and other insects which are stirred open as buffaloes move about in water.
In culture:
The Great Egret is depicted on the reverse side of a 5-Brazilian reais banknote.
"White Egrets" is the title of Saint Lucian Poet Derek Walcott's fourteenth collection of poems.
A seguir, texto em português da Wikipédia, a enciclopédia livre:
Garça-branca-grande
A garça-branca-grande (Casmerodius albus, sin. Ardea alba), também conhecida apenas como garça-branca, é uma ave da ordem Ciconiiformes. É uma garça de vasta distribuição e pode ser encontrada em todo o Brasil.
Dieta:
Se alimenta de presas aquáticas, depois de aproximar-se sorrateiramente com o corpo abaixado e o pescoço recolhido e bicar seu alimento, esticando seu longo pescoço.
Taxonomia:
Subespécies
C. a. modesta - Ásia e Australasia
C. a. alba - Europa
C. a. egretta - América do Norte
C. a. melanorhynchos - África
Ipê Amarelo, Tabebuia [chrysotricha or ochracea].
Ipê-amarelo em Brasília, Brasil.
This tree is in Brasília, Capital of Brazil.
Text, in english, from Wikipedia, the free encyclopedia
"Trumpet tree" redirects here. This term is occasionally used for the Shield-leaved Pumpwood (Cecropia peltata).
Tabebuia
Flowering Araguaney or ipê-amarelo (Tabebuia chrysantha) in central Brazil
Scientific classification
Kingdom: Plantae
(unranked): Angiosperms
(unranked): Eudicots
(unranked): Asterids
Order: Lamiales
Family: Bignoniaceae
Tribe: Tecomeae
Genus: Tabebuia
Gomez
Species
Nearly 100.
Tabebuia is a neotropical genus of about 100 species in the tribe Tecomeae of the family Bignoniaceae. The species range from northern Mexico and the Antilles south to northern Argentina and central Venezuela, including the Caribbean islands of Hispaniola (Dominican Republic and Haiti) and Cuba. Well-known common names include Ipê, Poui, trumpet trees and pau d'arco.
They are large shrubs and trees growing to 5 to 50 m (16 to 160 ft.) tall depending on the species; many species are dry-season deciduous but some are evergreen. The leaves are opposite pairs, complex or palmately compound with 3–7 leaflets.
Tabebuia is a notable flowering tree. The flowers are 3 to 11 cm (1 to 4 in.) wide and are produced in dense clusters. They present a cupular calyx campanulate to tubular, truncate, bilabiate or 5-lobed. Corolla colors vary between species ranging from white, light pink, yellow, lavender, magenta, or red. The outside texture of the flower tube is either glabrous or pubescentThe fruit is a dehiscent pod, 10 to 50 cm (4 to 20 in.) long, containing numerous—in some species winged—seeds. These pods often remain on the tree through dry season until the beginning of the rainy.
Species in this genus are important as timber trees. The wood is used for furniture, decking, and other outdoor uses. It is increasingly popular as a decking material due to its insect resistance and durability. By 2007, FSC-certified ipê wood had become readily available on the market, although certificates are occasionally forged.
Tabebuia is widely used as ornamental tree in the tropics in landscaping gardens, public squares, and boulevards due to its impressive and colorful flowering. Many flowers appear on still leafless stems at the end of the dry season, making the floral display more conspicuous. They are useful as honey plants for bees, and are popular with certain hummingbirds. Naturalist Madhaviah Krishnan on the other hand once famously took offense at ipé grown in India, where it is not native.
Lapacho teaThe bark of several species has medical properties. The bark is dried, shredded, and then boiled making a bitter or sour-tasting brownish-colored tea. Tea from the inner bark of Pink Ipê (T. impetiginosa) is known as Lapacho or Taheebo. Its main active principles are lapachol, quercetin, and other flavonoids. It is also available in pill form. The herbal remedy is typically used during flu and cold season and for easing smoker's cough. It apparently works as expectorant, by promoting the lungs to cough up and free deeply embedded mucus and contaminants. However, lapachol is rather toxic and therefore a more topical use e.g. as antibiotic or pesticide may be advisable. Other species with significant folk medical use are T. alba and Yellow Lapacho (T. serratifolia)
Tabebuia heteropoda, T. incana, and other species are occasionally used as an additive to the entheogenic drink Ayahuasca.
Mycosphaerella tabebuiae, a plant pathogenic sac fungus, was first discovered on an ipê tree.
Tabebuia alba
Tabebuia anafensis
Tabebuia arimaoensis
Tabebuia aurea – Caribbean Trumpet Tree
Tabebuia bilbergii
Tabebuia bibracteolata
Tabebuia cassinoides
Tabebuia chrysantha – Araguaney, Yellow Ipê, tajibo (Bolivia), ipê-amarelo (Brazil), cañaguate (N Colombia)
Tabebuia chrysotricha – Golden Trumpet Tree
Tabebuia donnell-smithii Rose – Gold Tree, "Prima Vera", Cortez blanco (El Salvador), San Juan (Honduras), palo blanco (Guatemala),duranga (Mexico)
A native of Mexico and Central Americas, considered one of the most colorful of all Central American trees. The leaves are deciduous. Masses of golden-yellow flowers cover the crown after the leaves are shed.
Tabebuia dubia
Tabebuia ecuadorensis
Tabebuia elongata
Tabebuia furfuracea
Tabebuia geminiflora Rizz. & Mattos
Tabebuia guayacan (Seem.) Hemsl.
Tabebuia haemantha
Tabebuia heptaphylla (Vell.) Toledo – tajy
Tabebuia heterophylla – roble prieto
Tabebuia heteropoda
Tabebuia hypoleuca
Tabebuia impetiginosa – Pink Ipê, Pink Lapacho, ipê-cavatã, ipê-comum, ipê-reto, ipê-rosa, ipê-roxo-damata, pau d'arco-roxo, peúva, piúva (Brazil), lapacho negro (Spanish); not "brazilwood"
Tabebuia incana
Tabebuia jackiana
Tabebuia lapacho – lapacho amarillo
Tabebuia orinocensis A.H. Gentry[verification needed]
Tabebuia ochracea
Tabebuia oligolepis
Tabebuia pallida – Cuban Pink Trumpet Tree
Tabebuia platyantha
Tabebuia polymorpha
Tabebuia rosea (Bertol.) DC.[verification needed] (= T. pentaphylla (L.) Hemsley) – Pink Poui, Pink Tecoma, apama, apamate, matilisguate
A popular street tree in tropical cities because of its multi-annular masses of light pink to purple flowers and modest size. The roots are not especially destructive for roads and sidewalks. It is the national tree of El Salvador and the state tree of Cojedes, Venezuela
Tabebuia roseo-alba – White Ipê, ipê-branco (Brazil), lapacho blanco
Tabebuia serratifolia – Yellow Lapacho, Yellow Poui, ipê-roxo (Brazil)
Tabebuia shaferi
Tabebuia striata
Tabebuia subtilis Sprague & Sandwith
Tabebuia umbellata
Tabebuia vellosoi Toledo
Ipê-do-cerrado
Texto, em português, da Wikipédia, a enciclopédia livre.
Ipê-do-cerrado
Classificação científica
Reino: Plantae
Divisão: Magnoliophyta
Classe: Magnoliopsida
Subclasse: Asteridae
Ordem: Lamiales
Família: Bignoniaceae
Género: Tabebuia
Espécie: T. ochracea
Nome binomial
Tabebuia ochracea
(Cham.) Standl. 1832
Sinónimos
Bignonia tomentosa Pav. ex DC.
Handroanthus ochraceus (Cham.) Mattos
Tabebuia chrysantha (Jacq.) G. Nicholson
Tabebuia hypodictyon A. DC.) Standl.
Tabebuia neochrysantha A.H. Gentry
Tabebuia ochracea subsp. heteropoda (A. DC.) A.H. Gentry
Tabebuia ochracea subsp. neochrysantha (A.H. Gentry) A.H. Gentry
Tecoma campinae Kraenzl.
ecoma grandiceps Kraenzl.
Tecoma hassleri Sprague
Tecoma hemmendorffiana Kraenzl.
Tecoma heteropoda A. DC.
Tecoma hypodictyon A. DC.
Tecoma ochracea Cham.
Ipê-do-cerrado é um dos nomes populares da Tabebuia ochracea (Cham.) Standl. 1832, nativa do cerrado brasileiro, no estados de Amazonas, Pará, Maranhão, Piauí, Ceará, Pernambuco, Bahia, Espírito Santo, Goiás, Mato Grosso, Mato Grosso do Sul, Minas Gerais, Rio de Janeiro, São Paulo e Paraná.
Está na lista de espécies ameaçadas do estado de São Paulo, onde é encontrda também no domínio da Mata Atlântica[1].
Ocorre também na Argentina, Paraguai, Bolívia, Equador, Peru, Venezuela, Guiana, El Salvador, Guatemala e Panamá[2].
Há uma espécie homônima descrita por A.H. Gentry em 1992.
Outros nomes populares: ipê-amarelo, ipê-cascudo, ipê-do-campo, ipê-pardo, pau-d'arco-do-campo, piúva, tarumã.
Características
Altura de 6 a 14 m. Tronco tortuso com até 50 cm de diâmetro. Folhas pilosas em ambas as faces, mais na inferior, que é mais clara.
Planta decídua, heliófita, xerófita, nativa do cerrado em solos bem drenados.
Floresce de julho a setembro. Os frutos amadurecem de setembro a outubro.
FloresProduz grande quantidade de sementes leves, aladas com pequenas reservas, e que perdem a viabilidade em menos de 90 dias após coleta. A sua conservação vem sendo estudada em termos de determinação da condição ideal de armazenamento, e tem demonstrado a importância de se conhecer o comportamento da espécie quando armazenada com diferentes teores de umidade inicial, e a umidade de equilíbrio crítica para a espécie (KANO; MÁRQUEZ & KAGEYAMA, 1978). As levíssimas sementes aladas da espécie não necessitam de quebra de dormência. Podem apenas ser expostas ao sol por cerca de 6 horas e semeadas diretamente nos saquinhos. A germinação ocorre após 30 dias e de 80%. As sementes são ortodoxas e há aproximadamente 72 000 sementes em cada quilo.
O desenvolvimento da planta é rápido.
Como outros ipês, a madeira é usada em tacos, assoalhos, e em dormentes e postes. Presta-se também para peças torneadas e instrumento musicais.
Tabebuia alba (Ipê-Amarelo)
Texto, em português, produzido pela Acadêmica Giovana Beatriz Theodoro Marto
Supervisão e orientação do Prof. Luiz Ernesto George Barrichelo e do Eng. Paulo Henrique Müller
Atualizado em 10/07/2006
O ipê amarelo é a árvore brasileira mais conhecida, a mais cultivada e, sem dúvida nenhuma, a mais bela. É na verdade um complexo de nove ou dez espécies com características mais ou menos semelhantes, com flores brancas, amarelas ou roxas. Não há região do país onde não exista pelo menos uma espécie dele, porém a existência do ipê em habitat natural nos dias atuais é rara entre a maioria das espécies (LORENZI,2000).
A espécie Tabebuia alba, nativa do Brasil, é uma das espécies do gênero Tabebuia que possui “Ipê Amarelo” como nome popular. O nome alba provém de albus (branco em latim) e é devido ao tomento branco dos ramos e folhas novas.
As árvores desta espécie proporcionam um belo espetáculo com sua bela floração na arborização de ruas em algumas cidades brasileiras. São lindas árvores que embelezam e promovem um colorido no final do inverno. Existe uma crença popular de que quando o ipê-amarelo floresce não vão ocorrer mais geadas. Infelizmente, a espécie é considerada vulnerável quanto à ameaça de extinção.
A Tabebuia alba, natural do semi-árido alagoano está adaptada a todas as regiões fisiográficas, levando o governo, por meio do Decreto nº 6239, a transformar a espécie como a árvore símbolo do estado, estando, pois sob a sua tutela, não mais podendo ser suprimida de seus habitats naturais.
Taxonomia
Família: Bignoniaceae
Espécie: Tabebuia Alba (Chamiso) Sandwith
Sinonímia botânica: Handroanthus albus (Chamiso) Mattos; Tecoma alba Chamisso
Outros nomes vulgares: ipê-amarelo, ipê, aipê, ipê-branco, ipê-mamono, ipê-mandioca, ipê-ouro, ipê-pardo, ipê-vacariano, ipê-tabaco, ipê-do-cerrado, ipê-dourado, ipê-da-serra, ipezeiro, pau-d’arco-amarelo, taipoca.
Aspectos Ecológicos
O ipê-amarelo é uma espécie heliófita (Planta adaptada ao crescimento em ambiente aberto ou exposto à luz direta) e decídua (que perde as folhas em determinada época do ano). Pertence ao grupo das espécies secundárias iniciais (DURIGAN & NOGUEIRA, 1990).
Abrange a Floresta Pluvial da Mata Atlântica e da Floresta Latifoliada Semidecídua, ocorrendo principalmente no interior da Floresta Primária Densa. É característica de sub-bosques dos pinhais, onde há regeneração regular.
Informações Botânicas
Morfologia
As árvores de Tabebuia alba possuem cerca de 30 metros de altura. O tronco é reto ou levemente tortuoso, com fuste de 5 a 8 m de altura. A casca externa é grisáceo-grossa, possuindo fissuras longitudinais esparas e profundas. A coloração desta é cinza-rosa intenso, com camadas fibrosas, muito resistentes e finas, porém bem distintas.
Com ramos grossos, tortuosos e compridos, o ipê-amarelo possui copa alongada e alargada na base. As raízes de sustentação e absorção são vigorosas e profundas.
As folhas, deciduais, são opostas, digitadas e compostas. A face superior destas folhas é verde-escura, e, a face inferior, acinzentada, sendo ambas as faces tomentosas. Os pecíolos das folhas medem de 2,5 a 10 cm de comprimento. Os folíolos, geralmente, apresentam-se em número de 5 a 7, possuindo de 7 a 18 cm de comprimento por 2 a 6 cm de largura. Quando jovem estes folíolos são densamente pilosos em ambas as faces. O ápice destes é pontiagudo, com base arredondada e margem serreada.
As flores, grandes e lanceoladas, são de coloração amarelo-ouro. Possuem em média 8X15 cm.
Quanto aos frutos, estes possuem forma de cápsula bivalvar e são secos e deiscentes. Do tipo síliqua, lembram uma vagem. Medem de 15 a 30 cm de comprimento por 1,5 a 2,5 cm de largura. As valvas são finamente tomentosas com pêlos ramificados. Possuem grande quantidade de sementes.
As sementes são membranáceas brilhantes e esbranquiçadas, de coloração marrom. Possuem de 2 a 3 cm de comprimento por 7 a 9 mm de largura e são aladas.
Reprodução
A espécie é caducifólia e a queda das folhas coincide com o período de floração. A floração inicia-se no final de agosto, podendo ocorrer alguma variação devido a fenômenos climáticos. Como a espécie floresce no final do inverno é influenciada pela intensidade do mesmo. Quanto mais frio e seco for o inverno, maior será a intensidade da florada do ipê amarelo.
As flores por sua exuberância, atraem abelhas e pássaros, principalmente beija-flores que são importantes agentes polinizadores. Segundo CARVALHO (2003), a espécie possui como vetor de polinização a abelha mamangava (Bombus morio).
As sementes são dispersas pelo vento.
A planta é hermafrodita, e frutifica nos meses de setembro, outubro, novembro, dezembro, janeiro e fevereiro, dependendo da sua localização. Em cultivo, a espécie inicia o processo reprodutivo após o terceiro ano.
Ocorrência Natural
Ocorre naturalmente na Floresta Estaciobal Semidecicual, Floresta de Araucária e no Cerrado.
Segundo o IBGE, a Tabebuia alba (Cham.) Sandw. é uma árvore do Cerrado, Cerradão e Mata Seca. Apresentando-se nos campos secos (savana gramíneo-lenhosa), próximo às escarpas.
Clima
Segundo a classificação de Köppen, o ipê-amarelo abrange locais de clima tropical (Aw), subtropical úmido (Cfa), sutropical de altitude (Cwa e Cwb) e temperado.
A T.alba pode tolerar até 81 geadas em um ano. Ocorre em locais onde a temperatura média anual varia de 14,4ºC como mínimo e 22,4ºC como máximo.
Solo
A espécie prefere solos úmidos, com drenagem lenta e geralmente não muito ondulados (LONGHI, 1995).
Aparece em terras de boa à média fertilidade, em solos profundos ou rasos, nas matas e raramente cerradões (NOGUEIRA, 1977).
Pragas e Doenças
De acordo com CARVALHO (2003), possui como praga a espécie de coleópteros Cydianerus bohemani da família Curculionoideae e um outro coleóptero da família Chrysomellidae. Apesar da constatação de elevados índices populacionais do primeiro, os danos ocasionados até o momento são leves. Nas praças e ruas de Curitiba - PR, 31% das árvores foram atacadas pela Cochonilha Ceroplastes grandis.
ZIDKO (2002), ao estudar no município de Piracicaba a associação de coleópteros em espécies arbóreas, verificou a presença de insetos adultos da espécie Sitophilus linearis da família de coleópteros, Curculionidae, em estruturas reprodutivas. Os insetos adultos da espécie emergiram das vagens do ipê, danificando as sementes desta espécie nativa.
ANDRADE (1928) assinalou diversas espécies de Cerambycidae atacando essências florestais vivas, como ingazeiro, cinamomo, cangerana, cedro, caixeta, jacarandá, araribá, jatobá, entre outras como o ipê amarelo.
A Madeira
A Tabebuia alba produz madeira de grande durabilidade e resistência ao apodrecimento (LONGHI,1995).
MANIERI (1970) caracteriza o cerne desta espécie como de cor pardo-havana-claro, pardo-havan-escuro, ou pardo-acastanhado, com reflexos esverdeados. A superfície da madeira é irregularmente lustrosa, lisa ao tato, possuindo textura media e grã-direita.
Com densidade entre 0,90 e 1,15 grama por centímetro cúbico, a madeira é muito dura (LORENZI, 1992), apresentando grande dificuldade ao serrar.
A madeira possui cheiro e gosto distintos. Segundo LORENZI (1992), o cheiro característico é devido à presença da substância lapachol, ou ipeína.
Usos da Madeira
Sendo pesada, com cerne escuro, adquire grande valor comercial na marcenaria e carpintaria. Também é utilizada para fabricação de dormentes, moirões, pontes, postes, eixos de roda, varais de carroça, moendas de cana, etc.
Produtos Não-Madeireiros
A entrecasca do ipê-amarelo possui propriedades terapêuticas como adstringente, usada no tratamento de garganta e estomatites. É também usada como diurético.
O ipê-amarelo possui flores melíferas e que maduras podem ser utilizadas na alimentação humana.
Outros Usos
É comumente utilizada em paisagismo de parques e jardins pela beleza e porte. Além disso, é muito utilizada na arborização urbana.
Segundo MOREIRA & SOUZA (1987), o ipê-amarelo costuma povoar as beiras dos rios sendo, portanto, indicado para recomposição de matas ciliares. MARTINS (1986), também cita a espécie para recomposição de matas ciliares da Floresta Estacional Semidecidual, abrangendo alguns municípios das regiões Norte, Noroeste e parte do Oeste do Estado do Paraná.
Aspectos Silviculturais
Possui a tendência a crescer reto e sem bifurcações quando plantado em reflorestamento misto, pois é espécie monopodial. A desrrama se faz muito bem e a cicatrização é boa. Sendo assim, dificilmente encopa quando nova, a não ser que seja plantado em parques e jardins.
Ao ser utilizada em arborização urbana, o ipê amarelo requer podas de condução com freqüência mediana.
Espécie heliófila apresenta a pleno sol ramificação cimosa, registrando-se assim dicotomia para gema apical. Deve ser preconizada, para seu melhor aproveitamento madeireiro, podas de formação usuais (INQUE et al., 1983).
Produção de Mudas
A propagação deve realizada através de enxertia.
Os frutos devem ser coletados antes da dispersão, para evitar a perda de sementes. Após a coleta as sementes são postas em ambiente ventilado e a extração é feita manualmente. As sementes do ipê amarelo são ortodoxas, mantendo a viabilidade natural por até 3 meses em sala e por até 9 meses em vidro fechado, em câmara fria.
A condução das mudas deve ser feita a pleno sol. A muda atinge cerca de 30 cm em 9 meses, apresentando tolerância ao sol 3 semanas após a germinação.
Sementes
Os ipês, espécies do gênero Tabebuia, produzem uma grande quantidade de sementes leves, aladas com pequenas reservas, e que perdem a viabilidade em poucos dias após a sua coleta. A sua conservação vem sendo estudada em termos de determinação da condição ideal de armazenamento, e tem demonstrado a importância de se conhecer o comportamento da espécie quando armazenada com diferentes teores de umidade inicial, e a umidade de equilíbrio crítica para a espécie (KANO; MÁRQUEZ & KAGEYAMA, 1978).
As levíssimas sementes aladas da espécie não necessitam de quebra de dormência. Podem apenas ser expostas ao sol por cerca de 6 horas e semeadas diretamente nos saquinhos. A quebra natural leva cerca de 3 meses e a quebra na câmara leva 9 meses. A germinação ocorre após 30 dias e de 80%.
As sementes são ortodoxas e há aproximadamente 87000 sementes em cada quilo.
Preço da Madeira no Mercado
O preço médio do metro cúbico de pranchas de ipê no Estado do Pará cotado em Julho e Agosto de 2005 foi de R$1.200,00 o preço mínimo, R$ 1509,35 o médio e R$ 2.000,00 o preço máximo (CEPEA,2005).
From Wikipedia, the free encyclopedia
+++++++++++++++++++++++++++++++++
Rencontres d'Arles
The Rencontres d’Arles (formerly called Rencontres internationales de la photographie d’Arles) is an annual summer photography festival founded in 1970 by the Arles photographer Lucien Clergue, the writer Michel Tournier and the historian Jean-Maurice Rouquette.
The Rencontres d’Arles has an international impact by showing material that has never been seen by the public before. In 2015, the festival welcomed 93,000 visitors.
The specially designed exhibitions, often organised in collaboration with French and foreign museums and institutions, take place in various historic sites. Some venues, such as 12th-century chapels or 19th-century industrial buildings, are open to the public throughout the festival.
The Rencontres d’Arles has revealed many photographers, confirming its significance as a springboard for photography and contemporary creativity.
In recent years the Rencontres d’Arles has invited many guest curators and entrusted some of its programming to such figures as Martin Parr in 2004, Raymond Depardon in 2006 and the Arles-born fashion designer Christian Lacroix.
Contents
Art directors
A photographer, Jean-Pierre Sudre, discussing his work, Rencontres d'Arles, 1975
1970 - 1972: Lucien Clergue, Michel Tournier, Jean-Maurice Rouquette
1973 - 1976: Lucien Clergue
1977: Bernard Perrine
1978: Jacques Manachem
1979 - 1982: Alain Desvergnes (fr)
1983 - 1985: Lucien Clergue
1986 - 1987: François Hébel
1988 - 1989: Claude Hudelot (fr)
1990: Agnès de Gouvion Saint-Cyr
1991 - 1993: Louis Mesplé (fr)
1994: Lucien Clergue
1995 - 1998, délégué général: Bernard Millet (fr)
1995, artistic director: Michel Nuridsany (fr)
1996, artistic director: Joan Fontcuberta
1997, artistic director: Christian Caujolle (fr)
1998, artistic director: Giovanna Calvenzi
1999 - 2001: Gilles Mora (fr)
2002 - 2014: François Hébel
Since 2015: Sam Stourdzé (fr)
The festival
A photography exhibition, Rencontres d'Arles, 2010
Events
Opening week at the Rencontres d’Arles features photography-focused events (projections at night, exhibition tours, panel discussions, symposia, parties, book signings, etc.) in the town’s historic venues, some of which are only open to the public during the festival. Memorable events in recent years include Europe Night (2008), an overview of European photography; Christian Lacroix’s fashion show for the festival’s closing (2008); and Patti Smith’s concert for the Vu agency’s 20th anniversary (2006).
Nights at the Roman Theatre
At night, work by a photographer or a photography expert is projected in the town’s open-air Roman theatre accompanied by concerts and performances. Each event is a one-off creation. In 2009, 8,500 people attended evenings at the Roman theatre, an average of 2,000 a night, and 2,500 were there on closing night, when the Tiger Lilies played during a projection of Nan Goldin’s “The Ballad of Sexual Dependency”. In 2013 over 6,000 people attended the nighttime photography projections, an average of approximately 1,000 each night.
The Night of the Year
The Night of the Year, which was created in 2006, allows visitors to walk around and see the festival’s favourite works by artists and photographers as well as carte blanche exhibitions by institutions.
Cosmos-Arles Books
Cosmos-Arles Books is a Rencontres d’Arles satellite event dedicated to new publishing practices.
Over the past 15 years large-scale photographic publications, self-published books, and ebooks have become essential media for experimentation by photographers and artists. They allow photography to be rediscovered as a means of expression and distribution, providing a rich terrain of expression for the art’s fundamentally hybrid forms.
Symposia and panel discussions
Photographers and professionals participating in symposia and panel discussions during opening week discuss their work or issues raised by the images on display. In recent years the themes included whether a black-and-white aesthetic is still conceivable in photography (2013); the impact of social networks on creativity and information (2011); breaking with past, a key idea for photography today (2009); photography commissions: freedom or constraint (2008); challenges and changes in the photography market (2007).
The Rencontres d’Arles awards
Since 2002 the Rencontres d’Arles awards have been an opportunity to discover new talents. In 2007 the number of annual awards was reduced to three, presented at the closing ceremony of the festival’s professional week: the Discovery Award (€25,000), Author’s Book Award (€8,000) and History Book Award (€8,000).
Luma Rencontres Dummy Book Award
In 2015 the Rencontres d’Arles offered an award to assist with the publication of a dummy book. Endowed with a €25,000 budget production budget, this new prize is open to all photographers and artists using photography who submit a dummy book that has never been published.
The winner’s book will be produced in autumn 2015 and be presented at the 2016 Rencontres d’Arles.
Photo Folio Review & Gallery
Since 2006 aspiring photographers have been able to submit their portfolios to international photography experts in various fields, including publishers, exhibition curators, heads of institutions, agency directors, gallery owners, collectors, critics and photo editors, for appraisal during the festival’s opening week. Photo Folio Review & Gallery offers them an opportunity to show their work throughout the festival.
Photography classes
The Rencontres d’Arles has always been a place where professional photographers and practitioners on every level have been able to meet each other and exchange ideas. Each year, photography class participants undertake a personal journey of creation through photography’s aesthetic, ethical and technological issues. Leading photographers such as Guy le Querrec, Antoine d’Agata, Martin Parr, René Burri and Joan Fontcuberta regularly teach at the Rencontres d’Arles.
Rentrée en Images
“Rentrée en Images” has been a key part of the festival’s educational activities since 2004. During the first two weeks in September, special mediators take students from the primary to graduate school level on guided tours of the exhibitions. Based on the festival’s programming, the event aims to introduce young people to the visual arts and fits in with a wider policy of cultural democratisation. “Rentrée en Images” reaches thousands of students, and for many of them it is their first exposure to contemporary art.
Budget
Public funding accounted for 40% of the 2015 festival’s €6.3-million budget, sales (mainly of tickets and derivative products), 40% and private partnerships, 20%[clarification needed][citation needed].
Executive Committee
Hubert Védrine, president
Hervé Schiavetti, vice-president
Jean-François Dubos, vice-president
Marin Karmitz, treasurer
Françoise Nyssen, secretary
Lucien Clergue, Jean-Maurice Rouquette, Michel Tournier, founding members
The Rencontres d'Arles award winners
2002
Jury: Denis Curti, Alberto Anault, Alice Rose George, Manfred Heiting, Erik Kessels, Claudine Maugendre, Val Williams
Discovery Award: Peter Granser
No Limit award: Jacqueline Hassink
Dialogue of the humanity award: Tom Wood
Photographer of the year award: Roger Ballen
Help to the project: Pascal Aimar, Chris Shaw
Author’s Book Award: Sibusiso Mbhele and His Fish Helicopter by Koto Bolofo (powerHouse Books, 2002)
Help to publishing: Une histoire sans nom by Anne-Lise Broyer
2003
Jury: Giovanna Calvenzi, Hou Hanru, Christine Macel, Anna Lisa Milella, Urs Stahel
Discovery Award: Zijah Gafic
No Limit award: Thomas Demand
Dialogue of the humanity award: Fazal Sheikh
Photographer of the year award: Anders Petersen
Help to the project: Jitka Hanzlova
Author’s Book Award: Hide That Can by Deirdre O’Callaghan (Trolley Books, 2002)
Help to publishing: A Personal Diary of Chinese Avant-Garde in the 1990s, China (1993-1998) by Xing Danwen
2004
Jury: Eikoh Hosoe, Joan Fontcuberta, Tod Papageorge, Elaine Constantine, Antoine d’Agata
Discovery Award: Yasu Suzuka
No Limit award: Jonathan de Villiers
Dialogue of the humanity award: Edward Burtynsky
Help to the project: John Stathatos
Author’s Book Award: Particulars by David Goldblatt (Goodman Gallery, 2003)
2005
Jury: Ute Eskildsen, Jean-Louis Froment, Michel Mallard, Kathy Ryan, Marta Gili
Discovery Award: Miroslav Tichy
No Limit award: Mathieu Bernard-Reymond
Dialogue of the humanity award: Simon Norfolk
Help to the project: Anna Malagrida
Author’s Book Award: Temporary Discomfort (Chapter I-V) by Jules Spinatsch (Lars Müller Publishers, 2005)
2006
Jury: Vincent Lavoie, Abdoulaye Konaté, Yto Barrada, Marc-Olivier Wahler, Alain d’Hooghe
Discovery Award: Alessandra Sanguinetti
No Limit award: Randa Mirza
Dialogue of the humanity award: Wang Qingsong
Help to the project: Walid Raad
Author’s Book Award: Form aus Licht und Schatten by Heinz Hajek-Halke (Steidl, 2005)
2007
[1]
Jury: Bice Curiger, Alain Fleischer, Johan Sjöström, Thomas Weski, Anne Wilkes Tucker
Discovery Award: Laura Henno
Author’s Book Award: Empty Bottles by WassinkLundgren (Thijs groot Wassink and Ruben Lundgren) (Veenman Publishers, 2007)
Historical Book Award: László Moholy-Nagy: Color in Transparency: Photographic Experiments in Color, 1934–1946 by Jeannine Fiedler (Steidl & Bauhaus-Archiv, 2006)
2008
[2]
Jury: Elisabeth Biondi, Luis Venegas, Nathalie Ours, Caroline Issa and Massoud Golsorkhi, Carla Sozzani
Discovery Award: Pieter Hugo
Author’s Book Award: Strange and Singular by Michael Abrams (Loosestrife, 2007)
Historical Book Award: Nein, Onkel: Snapshots from Another Front 1938–1945 by Ed Jones and Timothy Prus (Archive of Modern Conflict, 2007)
2009
[3]
Jury: Lucien Clergue, Bernard Perrine, Alain Desvergnes, Claude Hudelot, Agnès de Gouvion Saint-Cyr, Louis Mesplé, Bernard Millet, Michel Nuridsany, Joan Fontcuberta, Christian Caujolle, Giovanna Calvenzi, Martin Parr, Christian Lacroix, Arnaud Claass, Christian Milovanoff
Discovery Award: Rimaldas Viksraitis
Author’s Book Award: From Back Home by Anders Petersen and JH Engström (Bokförlaget Max Ström, 2009)
Historical Book Award: In History by Susan Meiselas (Steidl and International Center of Photography, 2008)
2010
[4] [5]
Discovery Award: Taryn Simon
LUMA award: Trisha Donnelly
Author’s Book Award: Photography 1965–74 by Yutaka Takanashi (Only Photograph, 2010)
Historical Book Award: Les livres de photographies japonais des années 1960 et 1970 by Ryuichi Kaneko and Ivan Vartanian (Seuil, 2009)
2011
[6] [7]
Discovery Award: Mikhael Subotzky and Patrick Waterhouse[8]
Author’s Book Award: A Living Man Declared Dead and Other Chapters by Taryn Simon (Mack, 2011)[8]
Historical Book Award: Works by Lewis Baltz (Steidl, 2010)[8]
2012
[9] [10] [11]
Discovery Award: Jonathan Torgovnik
Author’s Book Award: Redheaded Peckerwood by Christian Patterson (Mack, 2011)
Historical Book Award: Les livres de photographie d’Amérique latine by Horacio Fernández (Images en Manœuvres Éditions, 2011)
2013
Discovery Award: Yasmine Eid-Sabbagh and Rozenn Quéré
Author’s Book Award: Anticorps by Antoine d’Agata (Xavier Barral & Le Bal[disambiguation needed], 2013)[12]
Historical Book Award: AOI [COD.19.1.1.43] – A27 [S | COD.23 by Rosângela Rennó (Self-published, 2013)
2014
Discovery Award: Zhang Kechun
Author’s Book Award: Hidden Islam by Nicolo Degiorgis (Rorhof, 2014)
Historical Book Award: Paris mortel retouché by Johan van der Keuken (Van Zoetendaal Publishers, 2013)
2015
Discovery Award: Pauline Fargue
Author’s Book Award: H. said he loved us by Tommaso Tanini (Discipula Editions, 2014)
Historical Book Award: Monograph Vitas Luckus. Works & Biography by Margarita Matulytė and Tatjana Luckiene-Aldag (Kaunas Photography Gallery and Lithuanian Art Museum, 2014)
Dummy Book Award: The Jungle Book by Yann Gross
Photo Folio Review: Piero Martinelo (winner); Charlotte Abramow, Martin Essi, Elin Høyland, Laurent Kronenthal (special mentions)
2016
Discovery Award: Sarah Waiswa
Author’s Book Award: Taking Off. Henry My Neighbor by Mariken Wessels (Art Paper Editions, 2015)
Historical Book Award: (in matters of) Karl by Annette Behrens (Fw: Books, 2015)
Photo-Text Award: Negative Publicity: Artefacts of Extraordinary Rendition by Edmund Clark and Crofton Black (Aperture, 2015)
Dummy Book Award: You and Me: A project between Bosnia, Germany and the US by Katja Stuke and Oliver Sieber
Photo Folio Review: David Fathi (winner); Sonja Hamad, Eric Leleu, Karolina Paatos, Maija Tammi (special mentions)
2017
[13]
Discovery Award: Carlos Ayesta and Guillaume Bression
Author's Book Award: Ville de Calais by Henk Wildschut (self-published, 2017)
Special Mention for Author's Book Award: Gaza Works by Kent Klich (Koenig, 2017)
Historical Book Award: Latif Al Ani by Latif Al Ani (Hannibal Publishing, 2017)
Photo-Text Award: The Movement of Clouds around Mount Fuji by Masanao Abe and Helmut Völter (Spector Books, 2016)
Dummy Book Award: Grozny: Nine Cities by Olga Kravets, Maria Morina, and Oksana Yushko
Photo Folio Review: Aurore Valade (winner); Haley Morris Cafiero, Alexandra Lethbridge, Charlotte Abramow, Catherine Leutenegger (special mentions)
Exhibitions
1970
Gjon Mili, Edward Weston, ...
1971
Pedro Luis Raota, Charles Vaucher, Olivier Gagliani, Steve Soltar, Judy Dater, Jack Welpott, Gordon Bennett, John Weir, Linda Connor, Neal White, Jean-Claude Gautrand, Jean Rouet, Pierre Riehl, Roger Doloy, Georges Guilpin, Alain Perceval, Jean-Louis Viel, Jean-Luc Tartarin, Frédéric Barzilay, Jean-Claude Bernath, André Recoules, Etienne-Bertrand Weill, Rodolphe Proverbio, Jean Dieuzaide, Paul Caponigro, Jerry Uelsmann, Heinz Hajek-Halke, Rinaldo Prieri, Jean-Pierre Sudre, Denis Brihat, …
1972
Hiro, Lucien Clergue, Eugène Atget, Bruce Davidson, …
1973
Imogen Cunningham, Linda Connor, Judy Dater, Allan Porter, Paul Strand, Edward S. Curtis, …
1974
Brassaï, Ansel Adams, Georges A. Tice, …
1975
Agence Viva, André Kertész, Yousuf Karsh, Robert Doisneau, Lucien Clergue, Jean Dieuzaide, Ralph Gibson, Charles Harbutt, Tania Kaleya, Eva Rubinstein, Michel Saint Jean, Kishin Shinoyama, Hélène Théret, Georges Tourdjman, …
1976
Ernst Haas, Bill Brandt, Man Ray, Marc Riboud, Agence Magnum, Eikō Hosoe, Judy Dater, Jack Welpott, Doug Stewart, Duane Michals, Leslie Krims, Bob Mazzer, Horner, S. Sykes, David Hurn, Mary Ellen Mark, René Groebli, Guy Le Querrec, …
1977
Will Mac Bride, Paul Caponigro, Neal Slavin, Max Waldman, Dennis Stock, Josef Sudek, Harry Callahan, R. Benvenisti, P. Carroll, William Christenberry, S. Ciccone, W. Eggleston, R. Embrey, B. Evans, R. Gibson, D. Grégory, F. Horvat, W. Krupsan, W. Larson, U. Mark, J. Meyerowitz, S. Shore, N. Slavin, L. Sloan-Théodore, J. Sternfeld, R. Wol, …
1978
Lisette Model, Izis, William Klein, Hervé Gloaguen, Yan Le Goff, Serge Gal, Marc Tulane, Lionel Jullian, Alain Gualina, …
1979
David Burnett, Mary Ellen Mark, Jean-Pierre Laffont, Abbas, Pedro Meyer, Yves Jeanmougin, Manuel Alvarez Bravo, …
1980
Willy Ronis, Arnold Newman, Jay Maisel, Christian Vogt, Ben Fernandez, Julia Pirotte, …
1981
Guy Bourdin, Steve Hiett, Sarah Moon and Dan Weeks, Art Kane, Cheyco Leidman, André Martin, François Kollar, …
1982
Willy Zielke, Henri Cartier-Bresson, Alexey Brodovitch, Robert Frank, William Klein, Max Pam, Bernard Plossu, …
1983
Robert Rauschenberg, Bruce Davidson, …
1984
Jean Dieuzaide, Marilyn Bridges, Mario Giacomelli, Augusto De Luca, Joyce Tenneson, Luigi Ghirri, Albato Guatti, Mario Samarughi, Arman, Raoul Ubac, …
1985
David Hockney, Fritz Gruber, Franco Fontana, Milton Rogovin, Gilles Peress, Jane Evelyn Atwood, Eugene Richards, Sebastião Salgado, Robert Capa, Lucien Hervé, …
1986
Collection Graham Nash, Annie Leibovitz, Sebastião Salgado, Martin Parr, Robert Doisneau, Paulo Nozolino, Ugo Mulas, Bruce Gilden, Georges Rousse, Peter Knapp, Max Pam, Miguel Rio Branco, Michelle Debat, Andy Summers, Baron Wolman. …
1987
Brian Griffin, Dominique Issermann, Nan Goldin, Max Vadukul, Gabriele Basilico, Paul Graham, Thomas Florschuetz, Gianni Berengo Gardin, … Autres invités des Rencontres 88: Hans Namuth, Jean-Marc Tingaud, Mary Ellen Mark, Charles Camberoque, Martine Voyeux, Marie-Paule Nègre, Xavier Lambours, Patrick Zachmann, Jean-Marie Del Moral, Nittin Vadukul, Jean Larivière, Bruce Weber, Germaine Krull, Jean-Paul Goude, Jean-Louis Boissier, Sandra Petrillo, Daniel Schwartz, Laurent Septier, Jean-Marc Zaorski, Bernard Descamps, Marc Garanger, Yan Layma, Michel Delaborde, Michel Semeniako, Françoise Huguier, Paolo Calia, Deborah Turbeville, Gundunla Schulze. Ainsi que Henri Alekan, Arielle Dombasle, Jacques Séguéla, Roland Topor, Serge July, Lucinda Childs, invited to comment on their private screening at parties in Roman Theatre, where Christian Lacroix organised a show.
1988
La danse, la Chine, la pub. Chinese photography is presented for the first time abroad as a major exhibition with 40 Chinese photographers, including Wu Yinxian, Zhang Hai-er, Chen Baosheng, Ling Fei, Xia Yonglie, curated by Karl Kugel, co-director of the film China: Inner views / Chine: vues intérieures, released at the opening of the festival. Most major photographers who have covered this country are also present either in the exhibition of Magnum Photos, curated by François Hébel, either in solo exhibitions, such as Marc Riboud ou de Jeanloup Sieff.
1989
Arles fête ses vingt ans (1969-1989); with Lucien Clergue, Lee Friedlander, Cristina García Rodero, John Demos, Philippe Bazin, George Hashigushi, Eduardo Masférré, Hervé Gloaguen, Elizabeth Sunday, Pierre de Vallombreuse, Robert Frank's The lines of My Hand (commissioned by Charles-Henri Favrod); in honour of Pierre de Fenoÿl; Julio Mitchel, Roland Schneider, Rafael Vargas, John Phillips, Annette Messager, Christian Boltanski, la collection Bonnemaison, Javier Vallhonrat, Thierry Girard, Dennis Hopper. Exhibition Ils annoncent la couleur with Stéphane Sednaoui, Jean-Baptiste Mondino, Max Vadukul, Nick Night, Nigel Shafran, Tony Viramontes, Cindy Palmano; commissioned by Marc Vascoli. Exposition et soirée Deep South with Robert Frank, Bruce Davidson, Duane Michals, Gordon Parks, Alain Desvergnes, Gilles Mora, Paul Kwilecki, William Christenberry, William Eggleston, Marylin Futtermann, Debbie Fleming Caffery, Fern Koch, Jay Leviton, Eudora Welty; commissioned by Gilles Mora.
1990
Volker Hinz, Erasmus Schröter, Stéphane Duroy, Raymond Depardon, Frédéric Brenner, Drtikol, Saudek, …
1991
Tina Modotti, Edward Weston, Graciela Iturbide, Martín Chambi, Sergio Larrain, Sebastião Salgado, Juan Rulfo, Miguel Rio Branco, Eric Poitevin, Alberto Schommer, …
1992
Don McCullin, Dieter Appelt, Béatrix Von Conta, Denise Colomb, José Ortiz-Echagüe, Wout Berger, Thibaut Cuisset, Knut W. Maron, John Statathos, …
1993
Richard Avedon, Larry Fink, Ernest Pignon-Ernest, Cecil Beaton, Raymonde April, Koji Inove, Louis Jammes, Eiichiro Sakata, …
1994
Andres Serrano, Roger Pic, Marc Riboud, Bogdan Konopka, Sarah Moon, Pierre et Gilles, Marie-Paule Nègre, Edward Steichen and Josef Sudek, Robert Doisneau, André Kertész, …
1995
Alain Fleischer, Roger Ballen, Noda, Toyoura, Slocombe, Nam June Paik, France Bourély. …
1996
Ralph Eugene Meatyard, William Wegman, Grete Stern, Paolo Gioli, Nancy Burson, John Stathatos, Sophie Calle, Luigi Ghirri, Pierre Cordier, …
1997
Collection Marion Lambert, Eugene Richards, Mathieu Pernot, Aziz + Cucher, Jochen Gerz, Antoni Muntadas, Ricard Terré, …
1998
David LaChapelle, Herbert Spring, Mike Disfarmer, Francesca Woodman, Federico Patellani, Massimo Vitali, Dieter Appelt, Samuel Fosso, Urs Lu.thi, Pierre Molinier, Yasumasa Morimura, Roman Opalka, Cindy Sherman, Sophie Weibel, …
1999
Lee Friedlander, Walker Evans, …
2000
Tina Modotti, Jakob Tuggener, Peter Sakaer, Masahisa Fukase, Herbert Matter, Robert Heinecken, Jean-Michel Alberola, Tom Drahaos, Willy Ronis, Frederick Sommer, Lucien Clergue, Sophie Calle, …
2001
Luc Delahaye, Patrick Tosani, Stéphane Couturier, David Rosenfeld, James Casebere, Peter Lindbergh, …
2002
Guillaume Herbaut, Baader Meinhof, Astrid Proll, Josef Koudelka, Gabriele Basilico, Rineke Dijkstra, Lise Sarfati, Jochen Gerz, Collection Ordoñez Falcon, Larry Sultan, Alex Mac Lean, Alastair Thain, Raeda Saadeh, Zineb Sedira, Serguei Tchilikov, Jem Southam, Alexey Titarenko, Andreas Magdanz, Sophie Ristelhueber, …
2003
Collection Claude Berri, Lin Tianmiao & Wang Gongxin, Xin Danwen, Gao Bo, Shao Yinong & Mu Chen, Hong Li, Hai Bo, Chen Lingyang, Ma Liuming, Hong Hao, Naoya Hatakeyama, Roman Opalka, Jean-Pierre Sudre, Suzanne Lafont, Corinne Mercadier, Adam Bartos, Marie Le Mounier, Yves Chaudouët, Galerie VU, Harry Gruyaert, Vincenzo Castella, Alain Willaume, François Halard, Donovan Wylie, Jérôme Brézillon & Nicolas Guiraud, Jean-Daniel Berclaz, Monique Deregibus, Youssef Nabil, Tina Barney, …
2004
Dayanita Singh, Les archives du ghetto de Lodz, Stephen Gill, Oleg Kulik, Arsen Savadov, Keith Arnatt, Raphaël Dallaporta, Taiji Matsue, Tony Ray-Jones, Osamu Kanemura, Kawauchi Rinko, Chris Killip, Chris Shaw, Kimura Ihei, Neeta Madahar, Frank Breuer, Hans van der Meer, James Mollison, Chris Killip, Mathieu Pernot, Paul Shambroom, Katy Grannan, Lucien Clergue, AES + F, György Lörinczy, …
2005
Collection William M. Hunt, Miguel Rio Branco, Thomas Dworzak, Alex Majoli, Paolo Pellegrin, Ilkka Uimonen, Barry Frydlender, David Tartakover, Michal Heiman, Denis Rouvre, Denis Darzacq, David Balicki, Joan Fontcuberta, Christer Strömholm, Keld Helmer-Petersen, …
2006
La photographie américaine à travers les collections françaises, Robert Adams, Cornell Capa, Gilles Caron, Don McCullin, Guy Le Querrec, Susan Meiselas, Julien Chapsal, Michael Ackerman, David Burnett, Lise Sarfati, Sophie Ristelhueber, Dominique Issermann, Jean Gaumy, Daniel Angeli, Paul Graham, Claudine Doury, Jean-Christophe Bechet, David Goldblatt, Anders Petersen, Philippe Chancel, Meyer, Olivier Culmann, Gilles Coulon, …
2007
The 60th year of Magnum Photos, Pannonica de Koenigswarter, Le Studio Zuber, Collections d’Albums Indiens de la Collection Alkazi, Alberto Garcia-Alix, Raghu Rai, Dayanita Singh, Nony Singh, Sunil Gupta, Anay Mann, Pablo Bartholomew Bharat Sikka, Jeetin Sharma, Siya Singh, Huang Rui, Gao Brothers, RongRong & inri, Liu Bolin, JR, …
2008
Richard Avedon, Grégoire Alexandre, Joël Bartoloméo, Achinto Bhadra, Jean-Christian Bourcart, Samuel Fosso, Charles Fréger, Pierre Gonnord, Françoise Huguier, Grégoire Korganow, Peter Lindbergh, Guido Mocafico, Henri Roger, Paolo Roversi, Joachim Schmid, Nigel Shafran,[14] Georges Tony Stoll, Patrick Swirc, Tim Walker, Vanessa Winship, …
2009
Robert Delpire, Willy Ronis, Jean-Claude Lemagny, Lucien Clergue, Elger Esser, Roni Horn, Duane Michals, Nan Goldin (invitée d'honneur), Brian Griffin, Naoya Hatakeyama, JH Engström, David Armstrong, Eugene Richards[15] (The Blue Room), Martin Parr, Paolo Nozolino, …[16]
2010
Robert Mapplethorpe[17] Lea Golda Holterman[18]
2011
Chris Marker, photos du New York Times, Robert Capa, Wang Qingsong, Dulce Pinzon, JR, ...
2012
Les 30 ans de l'ENSP, Josef Koudelka, Amos Gitai, Klavdij Sluban & Laurent Tixador, Arnaud Claass,[19] Grégoire Alexandre, Édouard Beau, Jean-Christophe Béchet, Olivier Cablat, Sébastien Calvet, Monique Deregibus & Arno Gisinger, Vincent Fournier, Marina Gadonneix, Valérie Jouve, Sunghee Lee, Isabelle Le Minh, Mireille Loup, Alexandre Maubert, Mehdi Meddaci, Collection Jan Mulder, Alain Desvergnes,[20] Olivier Metzger, Joséphine Michel, Erwan Morère, Tadashi Ono, Bruno Serralongue, Dorothée Smith, Bertrand Stofleth & Geoffroy Mathieu, Pétur Thomsen, Jean-Louis Tornato, Aurore Valade, Christian Milovanoff,[21]
2013
Hiroshi Sugimoto, Sergio Larrain, Guy Bourdin, Alfredo Jaar,[22] John Stezaker,[23] Wolfgang Tillmans,[24] Viviane Sassen,[25] Jean-Michel Fauquet, Arno Rafael Minkkinen, Miguel Angel Rojas, Pieter Hugo,[26] Michel Vanden Eeckhoudt, Xavier Barral,[27] John Davis, Antoine Gonin,[28] Thabiso Sekgala, Philippe Chancel, Raphaël Dallaporta, Alain Willaume, Cedric Nunn, Santu Mofokeng, Harry Gruyaert, Jo Ractliffe, Zanele Muholi, Patrick Tourneboeuf, Thibaut Cuisset, Antoine Cairns, Jean-Louis Courtinat, Christina de Middel, Stéphane Couturier, Frédéric Nauczyciel, Jacques Henri Lartigue, Pierre Jamet, Raynal Pellicer, Studio Fouad, Erik Kessels.
2014
Lucien Clergue, Christian Lacroix, Raymond Depardon, Léon Gimpel, David Bailey, Vik Muniz, Patrick Swirc, Denis Rouvre, Vincent Pérez, Chema Madoz, Élise Mazac, Robert Drowilal, Anouck Durand, Refik Vesei, Pleurat Sulo, Katjusha Kumi,Ilit Azoulay, Katharina Gaenssler, Miguel Mitlag, Victor Robledo, Youngsoo Han, Kechun Zhang, Pieter Ten Hoopen, Will Steacy, Kudzanai Chiurai, Patrick Willocq, Ciril Jazbec, Milou Abel, Sema Bekirovic, Melanie Bonajo, Hans de Vries, Hans Eijkelboom, Erik Fens, Jos Houweling, Hans van der Meer, Maurice van Es, Benoît Aquin, Luc Delahaye, Mitch Epstein, Nadav Kander.
2015
Walker Evans, Stephen Shore, Robert Venturi, Denise Scott Brown, Toon Michiels, Olivier Cablat, Markus Brunetti, Paul Ronald, Sandro Miller, Eikoh Hosoe, Masahisa Fukase, Daido Moriyama, Masatoshi Naito, Issei Suda, Kou Inose, Sakiko Nomura, Daisuke Yokota, Martin Gusinde, Paolo Woods, Gabriele Galimberti, Natasha Caruana, Alex Majoli, Paolo Pellegrin, Ambroise Tézenas, Thierry Bouët, Anna Orlowska, Vlad Krasnoshchok, Sergiy Lebedynskyy, Vadym Trykoz, Lisa Barnard, Robert Zhao Renhui, Pauline Fargue, Julián Barón, Delphine Chanet, Omar Victor Diop, Paola Pasquaretta, Niccolò Benetton, Simone Santilli, Dorothée Smith, Rebecca Topakian, Denis Darzacq, Swen Renault, Paolo Woods, Elsa Leydier, Alice Wielinga, Cloé Vignaud, Louis Matton, Swen Renault et Pablo Mendez.
References
O'Hagan, Sean (11 July 2011). "Tower blocks and tomes dominate the Rencontres d'Arles". The Guardian. Retrieved 17 November 2014.
www.rencontres-arles.com/C.aspx?VP3=CMS3&VF=ARL_709_V...
www.rencontres-arles.com/C.aspx?VP3=CMS3&VF=ARL_709_V...
O'Hagan, Sean (9 July 2012). "Torgovnik's powerful portraits from Rwanda take top prize at Arles". London: The Guardian. Retrieved 2 February 2015.
O'Hagan, Sean (8 July 2013). "Lost and found: Discovery award winners at Recontres d'Arles 2013". The Guardian. Retrieved 25 October 2015.
"2017 Book Awards". Rencontres d'Arles. 4 July 2017. Retrieved 7 July 2017.
"Exhibitions". Rencontres d'Arles. Retrieved 26 August 2016.
"Exhibitions: Eugene Richards: The Blue Room". Rencontres d'Arles. Retrieved 26 June 2015.
"Rencontres d’Arles 2009 Photography", Rencontres d'Arles. Accessed 3 December 2014.
Présentation de Robert Mapplethorpe sur le site rencontres-arles.com
"Lea Golda Holterman, Orthodox Eros". Retrieved 24 August 2016.
Arles 2012: Arnaud Claass sur La Lettre de la Photographie.com
Arles 2012: Alain Desvergnes sur La Lettre de la Photographie.com
Signe des temps: Arles 2012, un festival courageux (Photographie.com)
Fiche d'Alfredo Jaar sur rencontres-arles.com
Fiche de John Stezaker sur rencontres-arles.com
Fiche de Wolfgang Tillmans sur rencontres-arles.com
Fiche de Viviane Sassen sur rencontres-arles.com
Fiche de Pieter Hugo sur rencontres-arles.com
Fiche de Xavier Barral sur rencontres-arles.com
Fiche de Antoine Gonin sur rencontres-arles.com
From Wikipedia, the free encyclopedia
The Roman Theater in Amman.
Amman's Roman Theatre is a 6,000-seat, 2nd-century Roman theatre. A famous landmark in the Jordanian capital, it dates back to the Roman period when the city was known as Philadelphia. The theatre and the nearby Odeon are flanking the new Hashemite Plaza from the south and the east respectively, while the Roman Nymphaeum is just a short stroll away in south-westerly direction.
The theatre was built during the reign of Antonius Pius (138-161 CE). The large and steeply raked structure could seat about 6,000 people: built into the hillside, it was oriented north to keep the sun off the spectators.
It was divided into three horizontal sections (diazomata). Side entrances (paradoi) existed at ground level, one leading to the orchestra and the other to the stage. Rooms behind these entrances now house the Jordan Museum of Popular Tradition on the one side, and the Jordan Folklore Museum on the other side.
The highest section of seats in a theatre, known in British English as "the gods", even though far from the stage, offer here excellent sightlines, while the actors can be clearly heard, owing to the steepness of the cavea.
The theatre is now used as a venue for cultural activities including the Amman International Book Fair, the Amman Marathon prize ceremony, and musical concerts, most notably the Al-Balad Music Festival.
From Wikipedia, the free encyclopedia
The Queen Emma Bridge (Dutch: Koningin Emmabrug) is a pontoon bridge across St. Anna Bay in Curaçao. It connects the Punda and Otrobanda quarters of the capital city, Willemstad. The bridge is hinged and opens regularly to enable the passage of oceangoing vessels. On the opposite end from the hinge is a small shelter where an operator controls two diesel engines turning propellers. The propellers are mounted perpendicular to the length of the bridge and allow it to swing parallel to the shore. The process only takes a few minutes to complete.
Following, a text, in english, from Wikipedia the free encyclopedia:
Great Egret
For the similar Australasian species, see Eastern Great Egret.
The Great Egret (Ardea alba), also known as the Great White Egret or Common Egret or (now not in use) Great White Heron,[1][2] is a large, widely-distributed egret. Distributed across most of the tropical and warmer temperate regions of the world, in southern Europe it is rather localized. In North America it is more widely distributed, and it is ubiquitous across the Sun Belt of the United States and in the rainforests of South America. It is sometimes confused with the Great White Heron in Florida, which is a white morph of the closely related Great Blue Heron (A. herodias). Note, however, that the name Great White Heron has occasionally been used to refer to the Great Egret.
Description:
The Great Egret is a large bird with all-white plumage that can reach one meter in height, weigh up to 950 grams (2.1 lb) and a wingspan of 165 to 215 cm. It is thus only slightly smaller than the Great Blue or Grey Heron (A. cinerea). Apart from size, the Great Egret can be distinguished from other white egrets by its yellow bill and black legs and feet, though the bill may become darker and the lower legs lighter in the breeding season. In breeding plumage, delicate ornamental feathers are borne on the back. Males and females are identical in appearance; juveniles look like non-breeding adults. It is a common species, usually easily seen. It has a slow flight, with its neck retracted. This is characteristic of herons and bitterns, and distinguishes them from storks, cranes, ibises, and spoonbills, which extend their necks in flight.
The Great Egret is not normally a vocal bird; at breeding colonies, however, it often gives a loud croaking cuk cuk cuk.
Systematics and taxonomy:
Like all egrets, it is a member of the heron family, Ardeidae. Traditionally classified with the storks in the Ciconiiformes, the Ardeidae are closer relatives of pelicans and belong in the Pelecaniformes instead. The Great Egret—unlike the typical egrets—does not belong to the genus Egretta but together with the great herons is today placed in Ardea. In the past, however, it was sometimes placed in Egretta or separated in a monotypic genus Casmerodius.
Subspecies
There were four subspecies in various parts of the world, which differ but little. Differences are bare part coloration in the breeding season and size; the largest A. a. modesta from Asia and Australasia is now considered a full species, the Eastern Great Egret (Ardea modesta). The remaining three subspecies are:
Ardea alba alba (Europe)
Ardea alba egretta (Americas)
Ardea alba melanorhynchos (Africa)
Ecology and status:
The Great Egret is partially migratory, with northern hemisphere birds moving south from areas with colder winters. It breeds in colonies in trees close to large lakes with reed beds or other extensive wetlands. It builds a bulky stick nest.
The Great Egret is generally a very successful species with a large and expanding range. In North America, large numbers of Great Egrets were killed around the end of the 19th century so that their plumes could be used to decorate hats. Numbers have since recovered as a result of conservation measures. Its range has expanded as far north as southern Canada. However, in some parts of the southern United States, its numbers have declined due to habitat loss. Nevertheless, it adapts well to human habitation and can be readily seen near wetlands and bodies of water in urban and suburban areas. In 1953 the Great Egret in flight was chosen as the symbol of the National Audubon Society, which was formed in part to prevent the killing of birds for their feathers.[3][4]
The Great Egret is one of the species to which the Agreement on the Conservation of African-Eurasian Migratory Waterbirds (AEWA) applies.
Diet:
The Great Egret feeds in shallow water or drier habitats, feeding mainly on fish, frogs, small mammals, and occasionally small birds and reptiles, spearing them with its long, sharp bill most of the time by standing still and allowing the prey to come within its striking distance of its bill which it uses as a spear. It will often wait motionless for prey, or slowly stalk its victim.
Though it might appear that they feed on the parasites of African buffaloes, they actually feed on leafhoppers, grasshoppers and other insects which are stirred open as buffaloes move about in water.
In culture:
The Great Egret is depicted on the reverse side of a 5-Brazilian reais banknote.
"White Egrets" is the title of Saint Lucian Poet Derek Walcott's fourteenth collection of poems.
A seguir, texto em português da Wikipédia, a enciclopédia livre:
Garça-branca-grande
A garça-branca-grande (Casmerodius albus, sin. Ardea alba), também conhecida apenas como garça-branca, é uma ave da ordem Ciconiiformes. É uma garça de vasta distribuição e pode ser encontrada em todo o Brasil.
Dieta:
Se alimenta de presas aquáticas, depois de aproximar-se sorrateiramente com o corpo abaixado e o pescoço recolhido e bicar seu alimento, esticando seu longo pescoço.
Taxonomia:
Subespécies
C. a. modesta - Ásia e Australasia
C. a. alba - Europa
C. a. egretta - América do Norte
C. a. melanorhynchos - África
Ipê Amarelo, Tabebuia [chrysotricha or ochracea].
Ipê-amarelo em Brasília, Brasil.
This tree is in Brasília, Capital of Brazil.
Text, in english, from Wikipedia, the free encyclopedia
"Trumpet tree" redirects here. This term is occasionally used for the Shield-leaved Pumpwood (Cecropia peltata).
Tabebuia
Flowering Araguaney or ipê-amarelo (Tabebuia chrysantha) in central Brazil
Scientific classification
Kingdom: Plantae
(unranked): Angiosperms
(unranked): Eudicots
(unranked): Asterids
Order: Lamiales
Family: Bignoniaceae
Tribe: Tecomeae
Genus: Tabebuia
Gomez
Species
Nearly 100.
Tabebuia is a neotropical genus of about 100 species in the tribe Tecomeae of the family Bignoniaceae. The species range from northern Mexico and the Antilles south to northern Argentina and central Venezuela, including the Caribbean islands of Hispaniola (Dominican Republic and Haiti) and Cuba. Well-known common names include Ipê, Poui, trumpet trees and pau d'arco.
They are large shrubs and trees growing to 5 to 50 m (16 to 160 ft.) tall depending on the species; many species are dry-season deciduous but some are evergreen. The leaves are opposite pairs, complex or palmately compound with 3–7 leaflets.
Tabebuia is a notable flowering tree. The flowers are 3 to 11 cm (1 to 4 in.) wide and are produced in dense clusters. They present a cupular calyx campanulate to tubular, truncate, bilabiate or 5-lobed. Corolla colors vary between species ranging from white, light pink, yellow, lavender, magenta, or red. The outside texture of the flower tube is either glabrous or pubescentThe fruit is a dehiscent pod, 10 to 50 cm (4 to 20 in.) long, containing numerous—in some species winged—seeds. These pods often remain on the tree through dry season until the beginning of the rainy.
Species in this genus are important as timber trees. The wood is used for furniture, decking, and other outdoor uses. It is increasingly popular as a decking material due to its insect resistance and durability. By 2007, FSC-certified ipê wood had become readily available on the market, although certificates are occasionally forged.
Tabebuia is widely used as ornamental tree in the tropics in landscaping gardens, public squares, and boulevards due to its impressive and colorful flowering. Many flowers appear on still leafless stems at the end of the dry season, making the floral display more conspicuous. They are useful as honey plants for bees, and are popular with certain hummingbirds. Naturalist Madhaviah Krishnan on the other hand once famously took offense at ipé grown in India, where it is not native.
Lapacho teaThe bark of several species has medical properties. The bark is dried, shredded, and then boiled making a bitter or sour-tasting brownish-colored tea. Tea from the inner bark of Pink Ipê (T. impetiginosa) is known as Lapacho or Taheebo. Its main active principles are lapachol, quercetin, and other flavonoids. It is also available in pill form. The herbal remedy is typically used during flu and cold season and for easing smoker's cough. It apparently works as expectorant, by promoting the lungs to cough up and free deeply embedded mucus and contaminants. However, lapachol is rather toxic and therefore a more topical use e.g. as antibiotic or pesticide may be advisable. Other species with significant folk medical use are T. alba and Yellow Lapacho (T. serratifolia)
Tabebuia heteropoda, T. incana, and other species are occasionally used as an additive to the entheogenic drink Ayahuasca.
Mycosphaerella tabebuiae, a plant pathogenic sac fungus, was first discovered on an ipê tree.
Tabebuia alba
Tabebuia anafensis
Tabebuia arimaoensis
Tabebuia aurea – Caribbean Trumpet Tree
Tabebuia bilbergii
Tabebuia bibracteolata
Tabebuia cassinoides
Tabebuia chrysantha – Araguaney, Yellow Ipê, tajibo (Bolivia), ipê-amarelo (Brazil), cañaguate (N Colombia)
Tabebuia chrysotricha – Golden Trumpet Tree
Tabebuia donnell-smithii Rose – Gold Tree, "Prima Vera", Cortez blanco (El Salvador), San Juan (Honduras), palo blanco (Guatemala),duranga (Mexico)
A native of Mexico and Central Americas, considered one of the most colorful of all Central American trees. The leaves are deciduous. Masses of golden-yellow flowers cover the crown after the leaves are shed.
Tabebuia dubia
Tabebuia ecuadorensis
Tabebuia elongata
Tabebuia furfuracea
Tabebuia geminiflora Rizz. & Mattos
Tabebuia guayacan (Seem.) Hemsl.
Tabebuia haemantha
Tabebuia heptaphylla (Vell.) Toledo – tajy
Tabebuia heterophylla – roble prieto
Tabebuia heteropoda
Tabebuia hypoleuca
Tabebuia impetiginosa – Pink Ipê, Pink Lapacho, ipê-cavatã, ipê-comum, ipê-reto, ipê-rosa, ipê-roxo-damata, pau d'arco-roxo, peúva, piúva (Brazil), lapacho negro (Spanish); not "brazilwood"
Tabebuia incana
Tabebuia jackiana
Tabebuia lapacho – lapacho amarillo
Tabebuia orinocensis A.H. Gentry[verification needed]
Tabebuia ochracea
Tabebuia oligolepis
Tabebuia pallida – Cuban Pink Trumpet Tree
Tabebuia platyantha
Tabebuia polymorpha
Tabebuia rosea (Bertol.) DC.[verification needed] (= T. pentaphylla (L.) Hemsley) – Pink Poui, Pink Tecoma, apama, apamate, matilisguate
A popular street tree in tropical cities because of its multi-annular masses of light pink to purple flowers and modest size. The roots are not especially destructive for roads and sidewalks. It is the national tree of El Salvador and the state tree of Cojedes, Venezuela
Tabebuia roseo-alba – White Ipê, ipê-branco (Brazil), lapacho blanco
Tabebuia serratifolia – Yellow Lapacho, Yellow Poui, ipê-roxo (Brazil)
Tabebuia shaferi
Tabebuia striata
Tabebuia subtilis Sprague & Sandwith
Tabebuia umbellata
Tabebuia vellosoi Toledo
Ipê-do-cerrado
Texto, em português, da Wikipédia, a enciclopédia livre.
Ipê-do-cerrado
Classificação científica
Reino: Plantae
Divisão: Magnoliophyta
Classe: Magnoliopsida
Subclasse: Asteridae
Ordem: Lamiales
Família: Bignoniaceae
Género: Tabebuia
Espécie: T. ochracea
Nome binomial
Tabebuia ochracea
(Cham.) Standl. 1832
Sinónimos
Bignonia tomentosa Pav. ex DC.
Handroanthus ochraceus (Cham.) Mattos
Tabebuia chrysantha (Jacq.) G. Nicholson
Tabebuia hypodictyon A. DC.) Standl.
Tabebuia neochrysantha A.H. Gentry
Tabebuia ochracea subsp. heteropoda (A. DC.) A.H. Gentry
Tabebuia ochracea subsp. neochrysantha (A.H. Gentry) A.H. Gentry
Tecoma campinae Kraenzl.
ecoma grandiceps Kraenzl.
Tecoma hassleri Sprague
Tecoma hemmendorffiana Kraenzl.
Tecoma heteropoda A. DC.
Tecoma hypodictyon A. DC.
Tecoma ochracea Cham.
Ipê-do-cerrado é um dos nomes populares da Tabebuia ochracea (Cham.) Standl. 1832, nativa do cerrado brasileiro, no estados de Amazonas, Pará, Maranhão, Piauí, Ceará, Pernambuco, Bahia, Espírito Santo, Goiás, Mato Grosso, Mato Grosso do Sul, Minas Gerais, Rio de Janeiro, São Paulo e Paraná.
Está na lista de espécies ameaçadas do estado de São Paulo, onde é encontrda também no domínio da Mata Atlântica[1].
Ocorre também na Argentina, Paraguai, Bolívia, Equador, Peru, Venezuela, Guiana, El Salvador, Guatemala e Panamá[2].
Há uma espécie homônima descrita por A.H. Gentry em 1992.
Outros nomes populares: ipê-amarelo, ipê-cascudo, ipê-do-campo, ipê-pardo, pau-d'arco-do-campo, piúva, tarumã.
Características
Altura de 6 a 14 m. Tronco tortuso com até 50 cm de diâmetro. Folhas pilosas em ambas as faces, mais na inferior, que é mais clara.
Planta decídua, heliófita, xerófita, nativa do cerrado em solos bem drenados.
Floresce de julho a setembro. Os frutos amadurecem de setembro a outubro.
FloresProduz grande quantidade de sementes leves, aladas com pequenas reservas, e que perdem a viabilidade em menos de 90 dias após coleta. A sua conservação vem sendo estudada em termos de determinação da condição ideal de armazenamento, e tem demonstrado a importância de se conhecer o comportamento da espécie quando armazenada com diferentes teores de umidade inicial, e a umidade de equilíbrio crítica para a espécie (KANO; MÁRQUEZ & KAGEYAMA, 1978). As levíssimas sementes aladas da espécie não necessitam de quebra de dormência. Podem apenas ser expostas ao sol por cerca de 6 horas e semeadas diretamente nos saquinhos. A germinação ocorre após 30 dias e de 80%. As sementes são ortodoxas e há aproximadamente 72 000 sementes em cada quilo.
O desenvolvimento da planta é rápido.
Como outros ipês, a madeira é usada em tacos, assoalhos, e em dormentes e postes. Presta-se também para peças torneadas e instrumento musicais.
Tabebuia alba (Ipê-Amarelo)
Texto, em português, produzido pela Acadêmica Giovana Beatriz Theodoro Marto
Supervisão e orientação do Prof. Luiz Ernesto George Barrichelo e do Eng. Paulo Henrique Müller
Atualizado em 10/07/2006
O ipê amarelo é a árvore brasileira mais conhecida, a mais cultivada e, sem dúvida nenhuma, a mais bela. É na verdade um complexo de nove ou dez espécies com características mais ou menos semelhantes, com flores brancas, amarelas ou roxas. Não há região do país onde não exista pelo menos uma espécie dele, porém a existência do ipê em habitat natural nos dias atuais é rara entre a maioria das espécies (LORENZI,2000).
A espécie Tabebuia alba, nativa do Brasil, é uma das espécies do gênero Tabebuia que possui “Ipê Amarelo” como nome popular. O nome alba provém de albus (branco em latim) e é devido ao tomento branco dos ramos e folhas novas.
As árvores desta espécie proporcionam um belo espetáculo com sua bela floração na arborização de ruas em algumas cidades brasileiras. São lindas árvores que embelezam e promovem um colorido no final do inverno. Existe uma crença popular de que quando o ipê-amarelo floresce não vão ocorrer mais geadas. Infelizmente, a espécie é considerada vulnerável quanto à ameaça de extinção.
A Tabebuia alba, natural do semi-árido alagoano está adaptada a todas as regiões fisiográficas, levando o governo, por meio do Decreto nº 6239, a transformar a espécie como a árvore símbolo do estado, estando, pois sob a sua tutela, não mais podendo ser suprimida de seus habitats naturais.
Taxonomia
Família: Bignoniaceae
Espécie: Tabebuia Alba (Chamiso) Sandwith
Sinonímia botânica: Handroanthus albus (Chamiso) Mattos; Tecoma alba Chamisso
Outros nomes vulgares: ipê-amarelo, ipê, aipê, ipê-branco, ipê-mamono, ipê-mandioca, ipê-ouro, ipê-pardo, ipê-vacariano, ipê-tabaco, ipê-do-cerrado, ipê-dourado, ipê-da-serra, ipezeiro, pau-d’arco-amarelo, taipoca.
Aspectos Ecológicos
O ipê-amarelo é uma espécie heliófita (Planta adaptada ao crescimento em ambiente aberto ou exposto à luz direta) e decídua (que perde as folhas em determinada época do ano). Pertence ao grupo das espécies secundárias iniciais (DURIGAN & NOGUEIRA, 1990).
Abrange a Floresta Pluvial da Mata Atlântica e da Floresta Latifoliada Semidecídua, ocorrendo principalmente no interior da Floresta Primária Densa. É característica de sub-bosques dos pinhais, onde há regeneração regular.
Informações Botânicas
Morfologia
As árvores de Tabebuia alba possuem cerca de 30 metros de altura. O tronco é reto ou levemente tortuoso, com fuste de 5 a 8 m de altura. A casca externa é grisáceo-grossa, possuindo fissuras longitudinais esparas e profundas. A coloração desta é cinza-rosa intenso, com camadas fibrosas, muito resistentes e finas, porém bem distintas.
Com ramos grossos, tortuosos e compridos, o ipê-amarelo possui copa alongada e alargada na base. As raízes de sustentação e absorção são vigorosas e profundas.
As folhas, deciduais, são opostas, digitadas e compostas. A face superior destas folhas é verde-escura, e, a face inferior, acinzentada, sendo ambas as faces tomentosas. Os pecíolos das folhas medem de 2,5 a 10 cm de comprimento. Os folíolos, geralmente, apresentam-se em número de 5 a 7, possuindo de 7 a 18 cm de comprimento por 2 a 6 cm de largura. Quando jovem estes folíolos são densamente pilosos em ambas as faces. O ápice destes é pontiagudo, com base arredondada e margem serreada.
As flores, grandes e lanceoladas, são de coloração amarelo-ouro. Possuem em média 8X15 cm.
Quanto aos frutos, estes possuem forma de cápsula bivalvar e são secos e deiscentes. Do tipo síliqua, lembram uma vagem. Medem de 15 a 30 cm de comprimento por 1,5 a 2,5 cm de largura. As valvas são finamente tomentosas com pêlos ramificados. Possuem grande quantidade de sementes.
As sementes são membranáceas brilhantes e esbranquiçadas, de coloração marrom. Possuem de 2 a 3 cm de comprimento por 7 a 9 mm de largura e são aladas.
Reprodução
A espécie é caducifólia e a queda das folhas coincide com o período de floração. A floração inicia-se no final de agosto, podendo ocorrer alguma variação devido a fenômenos climáticos. Como a espécie floresce no final do inverno é influenciada pela intensidade do mesmo. Quanto mais frio e seco for o inverno, maior será a intensidade da florada do ipê amarelo.
As flores por sua exuberância, atraem abelhas e pássaros, principalmente beija-flores que são importantes agentes polinizadores. Segundo CARVALHO (2003), a espécie possui como vetor de polinização a abelha mamangava (Bombus morio).
As sementes são dispersas pelo vento.
A planta é hermafrodita, e frutifica nos meses de setembro, outubro, novembro, dezembro, janeiro e fevereiro, dependendo da sua localização. Em cultivo, a espécie inicia o processo reprodutivo após o terceiro ano.
Ocorrência Natural
Ocorre naturalmente na Floresta Estaciobal Semidecicual, Floresta de Araucária e no Cerrado.
Segundo o IBGE, a Tabebuia alba (Cham.) Sandw. é uma árvore do Cerrado, Cerradão e Mata Seca. Apresentando-se nos campos secos (savana gramíneo-lenhosa), próximo às escarpas.
Clima
Segundo a classificação de Köppen, o ipê-amarelo abrange locais de clima tropical (Aw), subtropical úmido (Cfa), sutropical de altitude (Cwa e Cwb) e temperado.
A T.alba pode tolerar até 81 geadas em um ano. Ocorre em locais onde a temperatura média anual varia de 14,4ºC como mínimo e 22,4ºC como máximo.
Solo
A espécie prefere solos úmidos, com drenagem lenta e geralmente não muito ondulados (LONGHI, 1995).
Aparece em terras de boa à média fertilidade, em solos profundos ou rasos, nas matas e raramente cerradões (NOGUEIRA, 1977).
Pragas e Doenças
De acordo com CARVALHO (2003), possui como praga a espécie de coleópteros Cydianerus bohemani da família Curculionoideae e um outro coleóptero da família Chrysomellidae. Apesar da constatação de elevados índices populacionais do primeiro, os danos ocasionados até o momento são leves. Nas praças e ruas de Curitiba - PR, 31% das árvores foram atacadas pela Cochonilha Ceroplastes grandis.
ZIDKO (2002), ao estudar no município de Piracicaba a associação de coleópteros em espécies arbóreas, verificou a presença de insetos adultos da espécie Sitophilus linearis da família de coleópteros, Curculionidae, em estruturas reprodutivas. Os insetos adultos da espécie emergiram das vagens do ipê, danificando as sementes desta espécie nativa.
ANDRADE (1928) assinalou diversas espécies de Cerambycidae atacando essências florestais vivas, como ingazeiro, cinamomo, cangerana, cedro, caixeta, jacarandá, araribá, jatobá, entre outras como o ipê amarelo.
A Madeira
A Tabebuia alba produz madeira de grande durabilidade e resistência ao apodrecimento (LONGHI,1995).
MANIERI (1970) caracteriza o cerne desta espécie como de cor pardo-havana-claro, pardo-havan-escuro, ou pardo-acastanhado, com reflexos esverdeados. A superfície da madeira é irregularmente lustrosa, lisa ao tato, possuindo textura media e grã-direita.
Com densidade entre 0,90 e 1,15 grama por centímetro cúbico, a madeira é muito dura (LORENZI, 1992), apresentando grande dificuldade ao serrar.
A madeira possui cheiro e gosto distintos. Segundo LORENZI (1992), o cheiro característico é devido à presença da substância lapachol, ou ipeína.
Usos da Madeira
Sendo pesada, com cerne escuro, adquire grande valor comercial na marcenaria e carpintaria. Também é utilizada para fabricação de dormentes, moirões, pontes, postes, eixos de roda, varais de carroça, moendas de cana, etc.
Produtos Não-Madeireiros
A entrecasca do ipê-amarelo possui propriedades terapêuticas como adstringente, usada no tratamento de garganta e estomatites. É também usada como diurético.
O ipê-amarelo possui flores melíferas e que maduras podem ser utilizadas na alimentação humana.
Outros Usos
É comumente utilizada em paisagismo de parques e jardins pela beleza e porte. Além disso, é muito utilizada na arborização urbana.
Segundo MOREIRA & SOUZA (1987), o ipê-amarelo costuma povoar as beiras dos rios sendo, portanto, indicado para recomposição de matas ciliares. MARTINS (1986), também cita a espécie para recomposição de matas ciliares da Floresta Estacional Semidecidual, abrangendo alguns municípios das regiões Norte, Noroeste e parte do Oeste do Estado do Paraná.
Aspectos Silviculturais
Possui a tendência a crescer reto e sem bifurcações quando plantado em reflorestamento misto, pois é espécie monopodial. A desrrama se faz muito bem e a cicatrização é boa. Sendo assim, dificilmente encopa quando nova, a não ser que seja plantado em parques e jardins.
Ao ser utilizada em arborização urbana, o ipê amarelo requer podas de condução com freqüência mediana.
Espécie heliófila apresenta a pleno sol ramificação cimosa, registrando-se assim dicotomia para gema apical. Deve ser preconizada, para seu melhor aproveitamento madeireiro, podas de formação usuais (INQUE et al., 1983).
Produção de Mudas
A propagação deve realizada através de enxertia.
Os frutos devem ser coletados antes da dispersão, para evitar a perda de sementes. Após a coleta as sementes são postas em ambiente ventilado e a extração é feita manualmente. As sementes do ipê amarelo são ortodoxas, mantendo a viabilidade natural por até 3 meses em sala e por até 9 meses em vidro fechado, em câmara fria.
A condução das mudas deve ser feita a pleno sol. A muda atinge cerca de 30 cm em 9 meses, apresentando tolerância ao sol 3 semanas após a germinação.
Sementes
Os ipês, espécies do gênero Tabebuia, produzem uma grande quantidade de sementes leves, aladas com pequenas reservas, e que perdem a viabilidade em poucos dias após a sua coleta. A sua conservação vem sendo estudada em termos de determinação da condição ideal de armazenamento, e tem demonstrado a importância de se conhecer o comportamento da espécie quando armazenada com diferentes teores de umidade inicial, e a umidade de equilíbrio crítica para a espécie (KANO; MÁRQUEZ & KAGEYAMA, 1978).
As levíssimas sementes aladas da espécie não necessitam de quebra de dormência. Podem apenas ser expostas ao sol por cerca de 6 horas e semeadas diretamente nos saquinhos. A quebra natural leva cerca de 3 meses e a quebra na câmara leva 9 meses. A germinação ocorre após 30 dias e de 80%.
As sementes são ortodoxas e há aproximadamente 87000 sementes em cada quilo.
Preço da Madeira no Mercado
O preço médio do metro cúbico de pranchas de ipê no Estado do Pará cotado em Julho e Agosto de 2005 foi de R$1.200,00 o preço mínimo, R$ 1509,35 o médio e R$ 2.000,00 o preço máximo (CEPEA,2005).
Just got these in the mail and all I can really say is "wow". I'm so honored & grateful that somebody really appreciated my photos so much to put them into a book. This means a lot to me. Not only from an artists view but from a true sneakerhead and Jordan fans view. Although I hate what the game has become, I still never lost my love for the shoes and I never will. A big thanks to everybody who helped fund this project. I owe all of you big time. Without you, this wouldn't have been possible. Thank you to Mr. George Lawrence for appreciating my work and being amazing throughout the whole process. A special shoutout to Rolo Tanedo Jr who is also included in the book as well. Much love & respect to the homie. I will be selling the two other books I have here. I'm selling them for $125 each. They're currently sold out and will restock. I have no idea when. So if you missed out, heres your chance to buy one now. DM or email me if interested (bsilvera22@live.com). Only accepting payment through PAYPAL.
Again, thank you everybody & much love! This is just the beginning!
Le rhinocéros, graffiti in Arles
From Wikipedia, the free encyclopedia
++++++++++++++++++++++++++++++++++
Arles
Arles is located in France
Arles is located in Provence-Alpes-Côte d'Azur
Coordinates: 43°40′36″N 4°37′40″ECoordinates: 43°40′36″N 4°37′40″E
Country France
Region Provence-Alpes-Côte d'Azur
Department Bouches-du-Rhône
Arrondissement Arles
Canton Arles
Intercommunality CA Arles-Crau-Camargue-Montagnette
Government
• Mayor (2014–2020) Hervé Schiavetti (PCF)
Area1 758.93 km2 (293.02 sq mi)
Population (2012)2 52,439
• Density 69/km2 (180/sq mi)
Time zone CET (UTC+1)
• Summer (DST) CEST (UTC+2)
INSEE/Postal code 13004 /13200
Elevation 0–57 m (0–187 ft)
(avg. 10 m or 33 ft)
1 French Land Register data, which excludes lakes, ponds, glaciers > 1 km² (0.386 sq mi or 247 acres) and river estuaries.
2 Population without double counting: residents of multiple communes (e.g., students and military personnel) only counted once.
Arles (French pronunciation: [aʁl]; Provençal [ˈaʀle] in both classical and Mistralian norms; Arelate in Classical Latin) is a city and commune in the south of France, in the Bouches-du-Rhône department, of which it is a subprefecture, in the former province of Provence.
A large part of the Camargue is located on the territory of the commune, making it the largest commune in Metropolitan France in terms of territory (though Maripasoula, French Guiana, is much larger). The city has a long history, and was of considerable importance in the Roman province of Gallia Narbonensis. The Roman and Romanesque Monuments of Arles were listed as UNESCO World Heritage Sites in 1981. The Dutch post-Impressionist painter Vincent van Gogh lived in Arles from 1888 to 1889 and produced over 300 paintings and drawings during his time there. An international photography festival has been held in the city since 1970.
Geography
The river Rhône forks into two branches just upstream of Arles, forming the Camargue delta. Because the Camargue is for a large part administratively part of Arles, the commune as a whole is the largest commune in Metropolitan France in terms of territory, although its population is only slightly more than 50,000. Its area is 758.93 km2 (293.02 sq mi), which is more than seven times the area of Paris.
Climate
Arles has a Mediterranean climate with a mean annual temperature of 14.6 °C (1948 - 1999). The summers are warm and moderately dry, with seasonal averages between 22 °C and 24 °C, and mild winters with a mean temperature of about 7 °C. The city is constantly, but especially in the winter months, subject to the influence of the mistral, a cold wind which can cause sudden and severe frosts. Rainfall (636 mm per year) is fairly evenly distributed from September to May, with the summer drought being less marked than in other Mediterranean areas.[1]
Climate data for Arles, 1948–1999
Month Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec Year
Average high °C (°F) 10.4
(50.7) 12.3
(54.1) 15.7
(60.3) 18.5
(65.3) 22.8
(73) 27.1
(80.8) 30.3
(86.5) 29.7
(85.5) 25.5
(77.9) 20.3
(68.5) 14.4
(57.9) 11.0
(51.8) 19.8
(67.6)
Average low °C (°F) 2.1
(35.8) 2.8
(37) 5.3
(41.5) 7.5
(45.5) 11.2
(52.2) 14.5
(58.1) 17.7
(63.9) 17.3
(63.1) 14.4
(57.9) 10.4
(50.7) 5.9
(42.6) 3.1
(37.6) 9.4
(48.9)
Average precipitation mm (inches) 54.7
(2.154) 50.8
(2) 49.3
(1.941) 50.3
(1.98) 48.6
(1.913) 37.3
(1.469) 17.1
(0.673) 39.2
(1.543) 81.7
(3.217) 85.7
(3.374) 66.7
(2.626) 54.7
(2.154) 636.1
(25.043)
Source: Italian Wikipedia article on Arles
History
Arles Amphitheatre, a Roman arena.
Passageway in Roman arena
Church of St. Trophime and its cloister.
Ancient era
The Ligurians were in this area from about 800 BC. Later, Celtic influences have been discovered. The city became an important Phoenician trading port, before being taken by the Romans.
The Romans took the town in 123 BC and expanded it into an important city, with a canal link to the Mediterranean Sea being constructed in 104 BC. However, it struggled to escape the shadow of Massalia (Marseilles) further along the coast.
Its chance came when it sided with Julius Caesar against Pompey, providing military support. Massalia backed Pompey; when Caesar emerged victorious, Massalia was stripped of its possessions, which were transferred to Arelate as a reward. The town was formally established as a colony for veterans of the Roman legion Legio VI Ferrata, which had its base there. Its full title as a colony was Colonia Iulia Paterna Arelatensium Sextanorum, "the ancestral Julian colony of Arles of the soldiers of the Sixth."
Arelate was a city of considerable importance in the province of Gallia Narbonensis. It covered an area of some 40 hectares (99 acres) and possessed a number of monuments, including an amphitheatre, triumphal arch, Roman circus, theatre, and a full circuit of walls. Ancient Arles was closer to the sea than it is now and served as a major port. It also had (and still has) the southernmost bridge on the Rhône. Very unusually, the Roman bridge was not fixed but consisted of a pontoon-style bridge of boats, with towers and drawbridges at each end. The boats were secured in place by anchors and were tethered to twin towers built just upstream of the bridge. This unusual design was a way of coping with the river's frequent violent floods, which would have made short work of a conventional bridge. Nothing remains of the Roman bridge, which has been replaced by a more modern bridge near the same spot.
The city reached a peak of influence during the 4th and 5th centuries, when Roman Emperors frequently used it as their headquarters during military campaigns. In 395, it became the seat of the Praetorian Prefecture of the Gauls, governing the western part of the Western Empire: Gaul proper plus Hispania (Spain) and Armorica (Brittany). At that time, the city was perhaps home to 75,000–100,000 people.[2][3][4][5]
It became a favorite city of Emperor Constantine I, who built baths there, substantial remains of which are still standing. His son, Constantine II, was born in Arles. Usurper Constantine III declared himself emperor in the West (407–411) and made Arles his capital in 408.
Arles became renowned as a cultural and religious centre during the late Roman Empire. It was the birthplace of the sceptical philosopher Favorinus. It was also a key location for Roman Christianity and an important base for the Christianization of Gaul. The city's bishopric was held by a series of outstanding clerics, beginning with Saint Trophimus around 225 and continuing with Saint Honoratus, then Saint Hilarius in the first half of the 5th century. The political tension between the Catholic bishops of Arles and the Visigothic kings is epitomized in the career of the Frankish St. Caesarius, bishop of Arles 503–542, who was suspected by the Arian Visigoth Alaric II of conspiring with the Burgundians to turn over the Arelate to Burgundy, and was exiled for a year to Bordeaux in Aquitaine. Political tensions were evident again in 512, when Arles held out against Theodoric the Great and Caesarius was imprisoned and sent to Ravenna to explain his actions before the Ostrogothic king.[6]
The friction between the Arian Christianity of the Visigoths and the Catholicism of the bishops sent out from Rome established deep roots for religious heterodoxy, even heresy, in Occitan culture. At Treves in 385, Priscillian achieved the distinction of becoming the first Christian executed for heresy (Manichaean in his case, see also Cathars, Camisards). Despite this tension and the city's decline in the face of barbarian invasions, Arles remained a great religious centre and host of church councils (see Council of Arles), the rival of Vienne, for hundreds of years.
Roman aqueduct and mill
Aqueduct of Arles at Barbegal
The Barbegal aqueduct and mill is a Roman watermill complex located on the territory of the commune of Fontvieille, a few kilometres from Arles. The complex has been referred to as "the greatest known concentration of mechanical power in the ancient world".[7] The remains of the mill streams and buildings which housed the overshot water wheels are still visible at the site, and it is by far the best-preserved of ancient mills. There are two aqueducts which join just north of the mill complex, and a sluice which enabled the operators to control the water supply to the complex. The mill consisted of 16 waterwheels in two separate rows built into a steep hillside. There are substantial masonry remains of the water channels and foundations of the individual mills, together with a staircase rising up the hill upon which the mills are built. The mills apparently operated from the end of the 1st century until about the end of the 3rd century.[8] The capacity of the mills has been estimated at 4.5 tons of flour per day, sufficient to supply enough bread for 6,000 of the 30-40,000 inhabitants of Arelate at that time.[9] A similar mill complex existed also on the Janiculum in Rome. Examination of the mill leat still just visible on one side of the hill shows a substantial accretion of lime in the channel, tending to confirm its long working life.
It is thought that the wheels were overshot water wheels with the outflow from the top driving the next one down and so on, to the base of the hill. Vertical water mills were well known to the Romans, being described by Vitruvius in his De Architectura of 25 BC, and mentioned by Pliny the Elder in his Naturalis Historia of 77 AD. There are also later references to floating water mills from Byzantium and to sawmills on the river Moselle by the poet Ausonius. The use of multiple stacked sequences of reverse overshot water-wheels was widespread in Roman mines.
Middle Ages
Place de la République.
Cafe Terrace at Night by Vincent van Gogh (September 1888), depicts the warmth of a café in Arles
In 735, after raiding the Lower Rhône, Andalusian Saracens led by Yusuf ibn 'Abd al-Rahman al-Fihri moved into the stronghold summoned by Count Maurontus, who feared Charles Martel's expansionist ambitions, though this may have been an excuse to further Moorish expansion beyond Iberia. The next year, Charles campaigned south to Septimania and Provence, attacking and capturing Arles after destroying Avignon. In 739. Charles definitely drove Maurontus to exile, and brought Provence to heel. In 855, it was made the capital of a Frankish Kingdom of Arles, which included Burgundy and part of Provence, but was frequently terrorised by Saracen and Viking raiders. In 888, Rudolph, Count of Auxerre (now in north-western Burgundy), founded the kingdom of Transjuran Burgundy (literally, beyond the Jura mountains), which included western Switzerland as far as the river Reuss, Valais, Geneva, Chablais and Bugey.
In 933, Hugh of Arles ("Hugues de Provence") gave his kingdom up to Rudolph II, who merged the two kingdoms into a new Kingdom of Arles. In 1032, King Rudolph III died, and the kingdom was inherited by Emperor Conrad II the Salic. Though his successors counted themselves kings of Arles, few went to be crowned in the cathedral. Most of the kingdom's territory was progressively incorporated into France. During these troubled times, the amphitheatre was converted into a fortress, with watchtowers built at each of the four quadrants and a minuscule walled town being constructed within. The population was by now only a fraction of what it had been in Roman times, with much of old Arles lying in ruins.
The town regained political and economic prominence in the 12th century, with the Holy Roman Emperor Frederick Barbarossa traveling there in 1178 for his coronation. In the 12th century, it became a free city governed by an elected podestat (chief magistrate; literally "power"), who appointed the consuls and other magistrates. It retained this status until the French Revolution of 1789.
Arles joined the countship of Provence in 1239, but, once more, its prominence was eclipsed by Marseilles. In 1378, the Holy Roman Emperor Charles IV ceded the remnants of the Kingdom of Arles to the Dauphin of France (later King Charles VI of France) and the kingdom ceased to exist even on paper.
Modern era
Arles remained economically important for many years as a major port on the Rhône. In the 19th century, the arrival of the railway diminished river trade, leading to the town becoming something of a backwater.
This made it an attractive destination for the painter Vincent van Gogh, who arrived there on 21 February 1888. He was fascinated by the Provençal landscapes, producing over 300 paintings and drawings during his time in Arles. Many of his most famous paintings were completed there, including The Night Cafe, the Yellow Room, Starry Night Over the Rhone, and L'Arlésienne. Paul Gauguin visited van Gogh in Arles. However, van Gogh's mental health deteriorated and he became alarmingly eccentric, culminating in the well-known ear-severing incident in December 1888 which resulted in two stays in the Old Hospital of Arles. The concerned Arlesians circulated a petition the following February demanding that van Gogh be confined. In May 1889, he took the hint and left Arles for the Saint-Paul asylum at nearby Saint-Rémy-de-Provence.
Jewish history
Main article: History of the Jews in Arles
Arles had an important and evident Jewish community between the Roman era and until the end of the 15th century. A local legend describes the first Jews in Arles as exiles from Judaea after Jerusalem fell to the Romans. Nevertheless, the first documented evident of Jews in Arles is not before fifth century, when a distinguished community had already existed in town. Arles was an important Jewish crossroads, as a port city and close to Spain and the rest of Europe alike. It served a major role in the work of the Hachmei Provence group of famous Jewish scholars, translators and philosophers, who were most important to Judaism throughout the Middle Ages. At the eighth century, the jurisdiction of the Jews of Arles were passed to the local Archbishop, making the Jewish taxes to the clergy somewhat of a shield for the community from mob attacks, most frequent during the Crusades. The community lived relatively peacefully until the last decade of the 15th century, when they were expelled out of the city never to return. Several Jews did live in the city in the centuries after, though no community was found ever after. Nowadays, Jewish archaeological findings and texts from Arles can be found in the local museum.[10]
Population
Historical population
Year Pop. ±%
1806 20,151 —
1820 20,150 −0.0%
1831 20,236 +0.4%
1836 20,048 −0.9%
1841 20,460 +2.1%
1846 23,101 +12.9%
1851 23,208 +0.5%
1856 24,816 +6.9%
1861 25,543 +2.9%
1866 26,367 +3.2%
1872 24,695 −6.3%
1876 25,095 +1.6%
1881 23,480 −6.4%
1891 24,288 +3.4%
1896 24,567 +1.1%
1901 28,116 +14.4%
1906 31,010 +10.3%
1911 31,014 +0.0%
1921 29,146 −6.0%
1926 32,485 +11.5%
1946 35,017 +7.8%
1954 37,443 +6.9%
1962 41,932 +12.0%
1968 45,774 +9.2%
1975 50,059 +9.4%
1982 50,500 +0.9%
1990 52,058 +3.1%
1999 50,426 −3.1%
2008 52,729 +4.6%
2010 57,328 +8.7%
Main sights
Gallo-Roman theatre.
The Alyscamps.
Arles has important Roman remnants, most of which have been listed as UNESCO World Heritage Sites since 1981 within the Arles, Roman and Romanesque Monuments group. They include:
The Gallo-Roman theatre
The arena or amphitheatre
The Alyscamps (Roman necropolis)
The Thermae of Constantine
The cryptoporticus
Arles Obelisk
Barbegal aqueduct and mill
The Church of St. Trophime (Saint Trophimus), formerly a cathedral, is a major work of Romanesque architecture, and the representation of the Last Judgment on its portal is considered one of the finest examples of Romanesque sculpture, as are the columns in the adjacent cloister.
The town also has a museum of ancient history, the Musée de l'Arles et de la Provence antiques, with one of the best collections of Roman sarcophagi to be found anywhere outside Rome itself. Other museums include the Musée Réattu and the Museon Arlaten.
The courtyard of the Old Arles hospital, now named "Espace Van Gogh," is a center for Vincent van Gogh's works, several of which are masterpieces.[11] The garden, framed on all four sides by buildings of the complex, is approached through arcades on the first floor. A circulation gallery is located on the first and second floors.[12]
Archaeology
Main article: Arles portrait bust
In September–October 2007, divers led by Luc Long from the French Department of Subaquatic Archaeological Research, headed by Michel L'Hour, discovered a life-sized marble bust of an apparently important Roman person in the Rhône near Arles, together with smaller statues of Marsyas in Hellenistic style and of the god Neptune from the third century AD. The larger bust was tentatively dated to 46 BC. Since the bust displayed several characteristics of an ageing person with wrinkles, deep naso-labial creases and hollows in his face, and since the archaeologists believed that Julius Caesar had founded the colony Colonia Iulia Paterna Arelate Sextanorum in 46 BC, the scientists came to the preliminary conclusion that the bust depicted a life-portrait of the Roman dictator: France's Minister of Culture Christine Albanel reported on May 13, 2008, that the bust would be the oldest representation of Caesar known today.[13] The story was picked up by all larger media outlets.[14][15] The realism of the portrait was said to place it in the tradition of late Republican portrait and genre sculptures. The archaeologists further claimed that a bust of Julius Caesar might have been thrown away or discreetly disposed of, because Caesar's portraits could have been viewed as politically dangerous possessions after the dictator's assassination.
Historians and archaeologists not affiliated with the French administration, among them Paul Zanker, the renowned archaeologist and expert on Caesar and Augustus, were quick to question whether the bust is a portrait of Caesar.[16][17][18] Many noted the lack of resemblances to Caesar's likenesses issued on coins during the last years of the dictator's life, and to the Tusculum bust of Caesar,[19] which depicts Julius Caesar in his lifetime, either as a so-called zeitgesicht or as a direct portrait. After a further stylistic assessment, Zanker dated the Arles-bust to the Augustan period. Elkins argued for the third century AD as the terminus post quem for the deposition of the statues, refuting the claim that the bust was thrown away due to feared repercussions from Caesar's assassination in 44 BC.[20] The main argument by the French archaeologists that Caesar had founded the colony in 46 BC proved to be incorrect, as the colony was founded by Caesar's former quaestor Tiberius Claudius Nero on the dictator's orders in his absence.[21] Mary Beard has accused the persons involved in the find of having willfully invented their claims for publicity reasons. The French ministry of culture has not yet responded to the criticism and negative reviews.
Sport
AC Arles-Avignon is a professional French football team. They currently play in Championnat de France Amateur, the fourth division in French football. They play at the Parc des Sports, which has a capacity of just over 17,000.
Culture
A well known photography festival, Rencontres d'Arles, takes place in Arles every year, and the French national school of photography is located there.
The major French publishing house Actes Sud is also situated in Arles.
Bull fights are conducted in the amphitheatre, including Provençal-style bullfights (courses camarguaises) in which the bull is not killed, but rather a team of athletic men attempt to remove a tassle from the bull's horn without getting injured. Every Easter and on the first weekend of September, during the feria, Arles also holds Spanish-style corridas (in which the bulls are killed) with an encierro (bull-running in the streets) preceding each fight.
The film Ronin was partially filmed in Arles.
European Capital of Culture
Arles played a major role in Marseille-Provence 2013, the year-long series of cultural events held in the region after it was designated the European Capital of Culture for 2013. The city hosted a segment of the opening ceremony with a pyrotechnical performance by Groupe F on the banks of the Rhône. It also unveiled the new wing of the Musée Départemental Arles Antique as part of Marseille-Provence 2013.
Economy
Arles's open-air street market is a major market in the region. It occurs on Saturday and Wednesday mornings.
Transport
The Gare d'Arles railway station offers connections to Avignon, Nîmes, Marseille, Paris, Bordeaux and several regional destinations.
Notable people
Vincent van Gogh, lived here from February 1888 until May 1889.
The Provençal poet Frédéric Mistral (1830–1914) was born near Arles
Jeanne Calment (1875–1997), the oldest human being whose age is documented, was born, lived and died, at the age of 122 years and 164 days, in Arles
Anne-Marie David, singer (Eurovision winner in 1973)
Christian Lacroix, fashion designer
Lucien Clergue, photographer
Djibril Cissé, footballer
Antoine de Seguiran, 18th-century encyclopédiste
Genesius of Arles, a notary martyred under Maximianus in 303 or 308
Blessed Jean Marie du Lau, last Archbishop of Arles, killed by the revolutionary mob in Paris on September 2, 1792
Juan Bautista (real name Jean-Baptiste Jalabert), matador
Maja Hoffmann, art patron
Mehdi Savalli, matador
The medieval writer Antoine de la Sale was probably born in Arles around 1386
Home of the Gipsy Kings, a music group from Arles
Gael Givet, footballer
Lloyd Palun, footballer
Fanny Valette, actress
Luc Hoffmann, ornithologist, conservationist and philanthropist.
Saint Caesarius of Arles, bishop who lived from the late 5th to the mid 6th century, known for prophecy and writings that would later be used by theologians such as St. Thomas Aquinas
Samuel ibn Tibbon, famous Jewish translator and scholar during the Middle Ages.
Kalonymus ben Kalonymus, famous Jewish scholar and philosopher, Arles born, active during the Middle Ages.
Twin towns — sister cities
See also: List of twin towns and sister cities in France
Arles is twinned with:
Pskov, Russia
Jerez de la Frontera, Spain
Fulda, Germany
York, Pennsylvania, United States
Cubelles, Spain
Vercelli, Italy
Sagné, Mauritania
Kalymnos, Greece
Wisbech, United Kingdom
Zhouzhuang, Kunshan, Jiangsu, People's Republic of China
Verviers, Belgium
See also
Archbishopric of Arles
Montmajour Abbey
Trinquetaille
Langlois Bridge
Saint-Martin-de-Crau
Communes of the Bouches-du-Rhône department
References
This article incorporates text from a publication now in the public domain: Herbermann, Charles, ed. (1913). "Archdiocese of Aix". Catholic Encyclopedia. New York: Robert Appleton.
INSEE
The table contains the temperatures and precipitation of the city of Arles for the period 1948-1999, extracted from the site Sophy.u-3mrs.fr.
www.academia.edu/1166147/_The_Fall_and_Decline_of_the_Rom...
Rick Steves' Provence & the French Riviera, p. 78, at Google Books
Nelson's Dictionary of Christianity: The Authoritative Resource on the Christian World, p. 1173, at Google Books
Provence, p. 81, at Google Books
Wace, Dictionary)
Greene, Kevin (2000). "Technological Innovation and Economic Progress in the Ancient World: M.I. Finley Re-Considered". The Economic History Review. New Series. 53 (1): 29–59 [p. 39]. doi:10.1111/1468-0289.00151.
"Ville d'Histoire et de Patrimoine". Patrimoine.ville-arles.fr. Retrieved 2013-03-25.
"La meunerie de Barbegal". Etab.ac-caen.fr. Retrieved 2013-03-25.
jewishencyclopedia.com/articles/1784-arles
Fisher, R, ed (2011). Fodor's France 2011. Toronto and New York: Fodor's Travel, division of Random House. p. 563 ISBN 978-1-4000-0473-7.
"Espace Van Gogh". Visiter, Places of Interest. Arles Office de Tourisme. Retrieved 2011-04-29.
Original communiqué (May 13, 2008); second communiqué (May 20, 2008); report (May 20, 2008)
E.g."Divers find marble bust of Caesar that may date to 46 B.C.". Archived from the original on 2008-06-05. Retrieved 2008-05-14. , CNN-Online et al.
Video (QuickTime) Archived May 28, 2008, at the Wayback Machine. on the archaeological find (France 3)
Paul Zanker, "Der Echte war energischer, distanzierter, ironischer" Archived May 29, 2008, at the Wayback Machine., Sueddeutsche Zeitung, May 25, 2008, on-line
Mary Beard, "The face of Julius Caesar? Come off it!", TLS, May 14, 2008, on-line
Nathan T. Elkins, 'Oldest Bust' of Julius Caesar found in France?, May 14, 2008, on-line
Cp. this image at the AERIA library
A different approach was presented by Mary Beard, in that members of a military Caesarian colony would not have discarded portraits of Caesar, whom they worshipped as god, although statues were in fact destroyed by the Anti-Caesarians in the city of Rome after Caesar's assassination (Appian, BC III.1.9).
Konrat Ziegler & Walther Sontheimer (eds.), "Arelate", in Der Kleine Pauly: Lexikon der Antike, Vol. 1, col. 525, Munich 1979; in 46 BC, Caesar himself was campaigning in Africa, before later returning to Rome.