View allAll Photos Tagged Embryo
There is a chance that you may have some blastocysts (advanced five to six day embryos) available for freezing (using a process called vitrification) after you have had your best embryo (s) transferred. Freezing and warming can cause damage to the cells of blastocysts, particularly those which are not good quality.http://www.indiraivf.com
Hilariously designed billboard seen in on Carnegie Avenue in Cleveland, across from Hot Sauce Williams BBQ.
Fonte Official FB Page: www.facebook.com/EMBRYO.DeathMetal
After a couple of self-produced works and a first album ('Chaotic Age' - Officina Rock) Embryo found its sound and went to Fear Studio to record its second cd 'No God Slave' (Rising Records – 2010) with producer Simone Mularoni. Salvatore Perrone directed 2 videos for the tracks “No God Slave” and “Flatterer Of Indifference”. This album has also received very good reviews (8/10 metallus.it, 10/10 truecultheavymetal.com, 6/7 metalnews.de….) and led the band to play new gigs in Switzerland, Germany and Italy and be part of Kung Fu Factory’s Supremacy MMA videogame soundtrack with 2 songs. After 'No God Slave' the guitar player Uge had the honor to become Peavey endorser. In 2014 Embryo records a promo at Atomic Stuff Studio with Oscar Burato and signs a promotional deal with Atomic Stuff Promotion. In May the band will record the new cd in Domination Studio with Simone Mularoni. The be(a)st is yet to come!
Skin: Free Speerit Kimberly
Hair: Calico Ingmann Creations - Romeo in Ash
Outfit: LeeZu! Revolution PAN
No post-process editing was done to this pic. Taken at the Embryo sim.
Go to Page 42 in the Internet Archive
Title: Manual of antenatal pathology and hygiene : the embryo
Creator: Ballantyne, J. W. (John William), 1861-1923
Publisher: New York : Wood
Sponsor: Open Knowledge Commons
Contributor: Francis A. Countway Library of Medicine
Date: 1905
Language: eng
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
This is the textbook definition of a photographic cliche verre. I took an antique metal glass slide mount and used matches to put soot on one side. I then worked my magic on the soot. Then I printed it on my minilab which did not like it much but printed it anyways.
Author: Peter Rifes
Date: 2009
Description: Confocal fluorescence microscopy (sagittal section) of an embryo of Gallus gallus at day 2 of development. View of somites and of the neural tube. Nuclear marker (blue) and cells in mitosis (green). 3D reconstruction of nuclei in mitosis (various colors).
Technique: Microscopy
Image and caption provided by: Peter Rifes, Animal Biology Department, FCUL Portugal
Fonte Official FB Page: www.facebook.com/EMBRYO.DeathMetal
After a couple of self-produced works and a first album ('Chaotic Age' - Officina Rock) Embryo found its sound and went to Fear Studio to record its second cd 'No God Slave' (Rising Records – 2010) with producer Simone Mularoni. Salvatore Perrone directed 2 videos for the tracks “No God Slave” and “Flatterer Of Indifference”. This album has also received very good reviews (8/10 metallus.it, 10/10 truecultheavymetal.com, 6/7 metalnews.de….) and led the band to play new gigs in Switzerland, Germany and Italy and be part of Kung Fu Factory’s Supremacy MMA videogame soundtrack with 2 songs. After 'No God Slave' the guitar player Uge had the honor to become Peavey endorser. In 2014 Embryo records a promo at Atomic Stuff Studio with Oscar Burato and signs a promotional deal with Atomic Stuff Promotion. In May the band will record the new cd in Domination Studio with Simone Mularoni. The be(a)st is yet to come!
He bought two, and opened them up to show us the tiny duck curled up inside it. You could specify how duckish (as opposed to eggish) your egg was.
.
Embryo (Munich, Germany) - 1991
Live at
Autonomes Kulturzentrum Metzgerstrasse Hanau
.
SQUAT - SOUNDS *
AUTONOMES KULTURZENTRUM HANAU
(Besetztes Haus / Metzgerstrasse-Squat in Hanau / Germany).
Photographs 1987-1994
- Please scroll down for english and german info) -
The Squat - Photos:
www.flickr.com/photos/sterneck/sets/72157627799174125
Squating the Parliament (1988):
www.flickr.com/photos/sterneck/sets/72157627923787960
Concert-Photos 1987-1988:
www.flickr.com/photos/sterneck/sets/72157627799191443
Concert-Photos 1989-1990:
www.flickr.com/photos/sterneck/sets/72157627923799072
Concert-Photos 1991-1992:
www.flickr.com/photos/sterneck/sets/72157627923811302
Concert-Photos 1993-1994:
www.flickr.com/photos/sterneck/sets/72157627923815978
- Concert-Photos 1991-1992:
Cage-Sterneck-Project (Hanau) - 1991/92
Charles Hayward (London, England) - 1992
Embryo (Munich, Germany) - 1991
Girls against Boys (Washington, USA) - 1992
Hadayatullah Hübsch (Frankfurt, Germany) - 1991
In den Wolken schwebende Gänse II (Hanau, Germany) - 1991
Kaktuxxe (Hanau, Germany) - 1992
Medusa (Amsterdam?; Netherlands) - 1992
Peter Brötzmann (Wuppertal, Gemany) - 1991
The Ex (Amsterdam, Netherlands) - 1992
The Honkies (London, England) - 1992
Tom Cora (New York, USA) - 1992
..... and Friends and .....
.........
There were a lot more bands playing in the squat.
If you have photographs or recordings - please get in contact:
contact@sterneck.net
Thanx! *
- * -
THE SQUATED AUTONOMOUS CULTURE CENTER
METZGERSTRASSE / HANAU
In December 1986 some people in Hanau (Germany) decided to squat a house that had been empty for a long time, Metzgerstraße 8. They restored it and filled this free space with a new life.
Soon it became an ’Autonomous Culture-Center’ for the people and by the people, and also a focal point for a solidaric projects and for the resistance against ruling systems in all their repressive forms. The center has had a long history of attempts to establish a self-determined culture-center in Hanau, although it has always been repressed by the local city council.
The basic forum of the center is the ”squatter meeting,” which is open to everyone who has an interest in the squat as a counter-cultural free space. Decisions are made on the consent principle, which means that they try to find a decision that can be supported by everyone. Many activists in the squat, but not all, describe themselves as members of the autonomy movement, which connects anarchist, communist and feminist ideas.
At the moment there are a lot of projects, groups, and events that take place in the center. Everything is done on a do-it-yourself and nonprofit basis; no one receives money for her or his work. Solidarity, trust and self-determination are the basis for all work. Here are some examples:
- The ’Infoladen’ (Infoshop): The Infoshop is an opportunity to get information that can’t be found in the normal bourgeois media. There are a lot of autonomous, left radical and feminist leaflets, brochures and newspapers available. There is also a small media center and an archive that includes material on topics like anti-fascism, atomic politics, women’s liberation, internationalism, etc.
- The ’Volxküche’ (Peoples Kitchen): Frequently people from the community cook a vegetarian meal that is available for a small price. The idea behind this is to overcome isolation between people and the patriarchal roles typical in the kitchen, and, of course, to provide a good tasting meal for many people.
- The Concerts: Concerts in the center are organized, and absolutely dedicated to the principle of working in a self-determined way without a manager, an agency, or even a contract. The bands that play in the squat should have a mutual relation to the ideas of the center. There are no musical limits: Local punk bands have played there as well as jazz bands from North-America and Avantguarde projects from Eastern Europe. Some of the performances have been released on tapes and records.
In a way, the things that happen between the people in the center are more important than the events: changes in behavior, opportunities to live together without hierarchical structures, and new ways of relating. Although the squat is like an island in some ways, it’s far from a concrete utopia. Problems in interpersonal relations exist, as well as differences between ideals and real behaviour.
If people want to go alternative ways, the authorities try to stop them. In Hanau the local city council has said for a long time that none of the things the squatters do and organize represent culture. They decided in parliament that the center was to be closed and torn down without an alternative. In place of the squat, they planned to build five parking places. A decision that is very symbolic and characteristic. Certainly, the real aim was to destroy the ideas and the structures this center stands for.
The answer of the supporters of the Autonomous Culture-Center was the squatting of the parliament of the city. The politicians went out of the building and the squatters voted for the continuation of the center.
Up to now the authorities have not been able to realize their plans for various reasons. On the one hand there are many people who support the squat. There are also legal difficulties around closing it, and they are afraid of the resistance and activities that could take place after closing the squat.
But even if they evict the center, they can’t repress the ideas that the squat stands for. It’s about a self-determined culture and a self-determined life. It’s about dreams and ideals. It’s about consequence and change, here and now.
Wolfgang Sterneck, 2001.
Autonomes Kulturzentrum
Metzgerstrasse 8, D-63450 Hanau, Germany.
Autonomes Kulturzentrum Metzgerstraße:
- www.metzgerstrasse-hanau.org
- de-de.facebook.com/people/Metzgerstrasse-Acht-Hanau/10000...
- www.myspace.com/metzgerstrasse
Info on the Project of John Cage and Sterneck / KomistA in benefit of the squat:
- www.sterneck.net/john-cage/metzgerstrasse-e
- * -
SUBVERSIVE SOUNDS *
Konzerte im Autonomen Kulturzentrum Hanau.
Das besetzte Haus
Im Dezember 1986 kam es in Hanau zur Besetzung eines ehemaligen Nachtclubs in der Metzgerstraße 8. Das Gebäude, das zuvor über Jahre hinweg leer stand, wurde renoviert, neu gestaltet, umbenannt und wird seitdem als Autonomes Kulturzentrum genutzt. Das Ziel der Besetzung war es, einen Freiraum zu schaffen, in dem die Vorstellung einer autonomen Kultur wie auch die Wiederaneignung des entfremdeten Alltags konkret umsetzbar wird.
Vor diesem Hintergrund gelang es, ein Zentrum zu entwickeln, in dem solidarisches Handeln, kollektives Leben und politische Identität auf vielen Ebenen verschmelzen oder sich zumindest annähern. Die Metzgerstraße wurde dadurch zu einem wichtigen Bezugspunkt von dem auf verschiedenen Ebenen vielschichtige politische, soziale und kulturelle Impulse ausgingen.
Im Laufe der Jahre entstanden vielfältige Projekte wie die Volxküche (Essen zum Selbstkostenpreis), der Infoladen (Aktuelle politische Informationen und Archiv) und das Basta-Cafe (Treffpunkt und Sozialberatung). Die politischen Schwerpunkte der im Kulturzentrum aktiven Gruppen liegen unter anderen in den Bereichen 'Internationale Solidarität', Antifaschismus und 'Soziale Veränderung'.
Die Entscheidungen innerhalb des Kulturzentrums werden basisdemokratisch nach dem Konsensprinzip getroffen. Alle Aktivitäten basieren auf einer idealistischen Grundhaltung. Keine Person aus dem Zentrum erhält für ihre Tätigkeiten eine finanzielle Entlohnung.
Selbstbestimmte Kultur ohne Kommerz
Musik hatte von Anfang an in der Metzgerstraße eine besondere Bedeutung. Über das Musikhören hinaus machen viele AktivistInnen selbst Musik, veröffentlichen eigene Aufnahmen oder organisieren Konzerte. Im Sinne des DIY-Prinzipes ('Do it Yourself') werden die Auftritte im direkten Kontakt mit den MusikerInnen ohne Konzertagenturen und auch ohne Verträge auf völlig nichtkommerzieller Basis organisiert.
Eine Grundlage bildet ein solidarisches Verhältnis der MusikerInnen zur Metzgerstraße, was sich unter anderem auch in der Gage ausdrückt, die sich in der Regel auf die für die Band entstandenen Unkosten und die Verpflegung beschränkt. Der Eintrittspreis ist so ausgerichtet, dass er für alle interessierten Personen erschwinglich ist und die anfallenden Kosten deckt bzw. im Rahmen von Benefiz-Konzerten bestimmte Projekte unterstützt.
Freiräume statt Parkplätze
Während der ehemalige sozialdemokratische Kulturdezernat Hanaus davon sprach, dass in der Metzgerstraße keine Kultur stattfindet, bildete dass selbstorganisierte Zentrum durch die Auftritte von Bands aus Westeuropa und Nordamerika einen im Hanauer Kulturleben herausragenden internationalen Bezugspunkt. Die musikalische Bandbreite umfasst unter anderem Rockmusik in den verschiedensten Schattierungen, Punk, Hardcore, Folk und Jazz, sowie experimentelle und improvisierte Musik. Lokale Nachwuchsbands traten im Laufe der Jahre genauso auf wie renommierte Gruppen aus unterschiedlichsten Ländern. Einen Kultcharakter erlangten zudem die Nachtcafe-Sessions, an denen jeder und jede teilnehmen konnte.
Die Aufnahmen einiger Konzerte wurden später auf verschiedenen Tonträgern veröffentlicht. 1992 kam es daneben zur Veröffentlichung eines der Metzgerstraße gewidmeten Stücks des Avantgarde-Komponisten John Cage.
In den Anfangsjahren plante der Hanauer Magistrat das Haus nach einer Räumung abreißen zu lassen, um dort stattdessen fünf Parkplätze zu errichten. Die Kulturpolitik des Magistrates entlarvte sich dadurch in einer kaum zu übertreffenden symbolhaften Weise selbst. Das Vorhaben wurde jedoch nicht zuletzt in Folge einer Besetzung des Stadtparlamentes durch Unterstützerinnen des Kulturzentrums nicht weiter verfolgt.
Rund 25 Jahre nach der Besetzung wird das Haus weiterhin als Kulturzentrum genutzt. Im ansonsten auf Konsum und Kommerz ausgerichteten Stadtzentrum Hanaus ist es mit seinen vielfältigen Projekten kreativer wie auch subversiver Freiraum.
Wolfgang Sterneck, September 2011.
Autonomes Kulturzentrum Metzgerstraße:
- www.metzgerstrasse-hanau.org
- de-de.facebook.com/people/Metzgerstrasse-Acht-Hanau/10000...
- www.myspace.com/metzgerstrasse
Eine ausführliche Beschreibung der Geschichte des Kulturzentrums:
Freiräume entwickeln - Das besetzte autonome Kulturzentrum Metzgerstraße Hanau
- www.sterneck.net/squat/metzgerstrasse-d
English Info:
The squated Autonomous Culture Center Metzgerstrasse Hanau
- www.sterneck.net/squat/metzgerstrasse-e
Infos zum Benefiz-Projekt von John Cage und Sterneck / KomistA für das Kulturzentrum:
- * -
Longitudinal section of a Ruppia megacarpa achene.
Ruppia megacarpa is an aquatic herb of brackish lagoons. It occurs in New Zealand and southern Australia, from Western Australia through to New South Wales. Within Tasmania this species is considered threatened and listed as Rare (pdf here).
The achenes (single-seeded fruits) of Ruppia are typically held on very elongated stems. The clusters of these stalked fruits give these plants their common name of tassleweed or seatassle. In this image the stalk has been cut prior to cutting the fruit.
Heavy winter rains replenished Township Lagoon at Tunbridge, after ten years of drought. This allowed the Tasmanian Seedsafe program to collect over 2,000 seeds.
I was a little unsure when doing this but I am glad I did in the end. Effect works pretty well and I am happy with the outcome.
Also gives me the chance to use naked as a tag !
Neurons in the hindbrain of a zebrafish embryo are illuminated due to the use of flourscent chemicals. The branchiomotor neurons are labeled with green and the commissural axons are labeled with red. | Photo by Suman Gurung
Until recently, successfully culturing embryos to the blastocyst stage was difficult. This term describes the process when the embryos grow for longer in the laboratory, and undergo critical developmental changes before being returned to the womb.https://indiraivf.wordpress.com/category/blastocyst-embryo-implant
Fonte Official FB Page: www.facebook.com/EMBRYO.DeathMetal
After a couple of self-produced works and a first album ('Chaotic Age' - Officina Rock) Embryo found its sound and went to Fear Studio to record its second cd 'No God Slave' (Rising Records – 2010) with producer Simone Mularoni. Salvatore Perrone directed 2 videos for the tracks “No God Slave” and “Flatterer Of Indifference”. This album has also received very good reviews (8/10 metallus.it, 10/10 truecultheavymetal.com, 6/7 metalnews.de….) and led the band to play new gigs in Switzerland, Germany and Italy and be part of Kung Fu Factory’s Supremacy MMA videogame soundtrack with 2 songs. After 'No God Slave' the guitar player Uge had the honor to become Peavey endorser. In 2014 Embryo records a promo at Atomic Stuff Studio with Oscar Burato and signs a promotional deal with Atomic Stuff Promotion. In May the band will record the new cd in Domination Studio with Simone Mularoni. The be(a)st is yet to come!
Entry in category 1. Object of study; @ CC-BY-NC-ND: Lara Demonsais
"Mature Arabidopsis thaliana seed sections of 1 μM, stained with calcofluor-white and Auramine O. Observation was done with fluorescent widefield microscope with DAPI filter. Picture was taken with a colour camera at 400x magnification. Image treatment was done using Fiji and Lightroom.
The fineness of this section, coupled with a staining specific to structures containing cellulose, thus bringing to light cell walls, allows to precisely understand the internal architecture of the seed.
Nowadays, comprehension of plant development is a major challenge. Complications related to food-processing industry and the increase of people on earth are serious problems for which scientists absolutely must find solutions. Studying seed can become a foundation in the progress of agriculture, regarding their characteristics, such as germination time for example, which could help to increase yields on a time scale.
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