View allAll Photos Tagged ElectronicMusic

Jon Hopkins Concert, Sept 6, 2022, Hamburg Laeiszalle

2020

[Images of the trees, fetus, and trilobite taken from another source]

 

More artwork at: www.permiandesigns.com/

 

Instagram: www.instagram.com/permiandesigns/

Bluesky: bsky.app/profile/permiandesigns.bsky.social

 

NOTE: All works featured here are completely original creations. None are made with the assistance of any form of AI technology in any fashion whatsoever.

🌌 Multiple Exposure Landscape

Black & White 6x9 Photograph

 

A quiet yet powerful image 🌙🎶 — created by superposing multiple exposures during an electronic music festival. The camera captures rhythm, vibration, and fleeting lights, weaving them into an abstract dreamscape. Each exposure is a fragment of light, time, and movement, merging into a painting-like photograph.

 

This is not a digital montage. It is an analog recording built from real-time gestures, guided by intuition and light, like a breath caught in silver grains.

 

✨ About the work

 

This visual collage combines distant and close landscapes, urban night scenes, and sonic textures. The contrasts are dense yet soft, the shadows textured like charcoal, the lights blurred like memory. Between photography and painting, it invites feeling rather than understanding.

 

🔧 Technical Details

 

Format: 6×9 cm

 

Camera: Zeiss Ikonta (vintage folding camera)

 

Film: Fomapan 400

 

Developer: Tetenal Ultra Fin Plus 1+4

 

Technique: Multiple exposures at capture (not post-produced)

 

Scanning: Original negative, minimal digital editing

 

Process: Preserved film materiality — grain, blur, density, imperfections

 

📝 Author: François Hardel

© François Hardel – All rights reserved

Mortal Engines played live on What's This Called? Saturday, April 14th between Noon and 1 PM Pacific time.

 

This shot is a multiple exposure with my holga.

 

You may download this and other programs HERE!

Awareness is Free was a two day outdoor festival at PSU put on by KPSU featuring an eclectic mix of fringe music artists. The shows were produced by Rhen of KPSU's adventurous music program Cacophony currently on Saturdays at 4 PM Pacific Time.

2018/2019/2020

 

More artwork at: www.permiandesigns.com/

 

Instagram: www.instagram.com/permiandesigns/

Bluesky: bsky.app/profile/permiandesigns.bsky.social

 

NOTE: All works featured here are completely original creations. None are made with the assistance of any form of AI technology in any fashion whatsoever.

Danny & Tiffany Preston

www.myspace.com/rainbowarabia

©2008 Patti Farfan

Alchemelic @ Fly for Life

Fri, May 19, 2pm – 3pm pdt

  

Alchemelic is bursting with excitement to be returning Fly for Life, a benefit event in support of Relay for Life. Brace yourself for an electrifying show that will have you on cloud nine!

Join us as we hit the stage and ignite the runway with an explosion of music and particles today, on Friday, May 19th at 2pm SLT. Don't miss out on this epic extravaganza at Fly for Life - it's going to be a blast!

 

LM: maps.secondlife.com/secondlife/Fly%20for%20Life1/47/130/24

 

#SecondLife #metaverse #VirtualWorld #VirtualReality

#music #electronicmusic #electronica #musodon #3ddesign #Alchemelic

  

Visit this location at Fly for Life Expo in Second Life

Just after teleporting...

 

"The Viking: DON'T TOUCH ANYTHING YET!

Me: lol

The Viking: That I know you"

 

At the end, I was the first one in touching all buttons ;)

 

Special Featured designer:

 

Electronic Sound Machine, coming soon release by NoizaL (demo preview).

 

Other featured designers:

 

::GB:: Urban Elysium Gacha (TMD)

 

:::Breath:::Gothic TABI shoes (in store)

 

+ Cotton Usagi + {aii} (in store)

 

Processed with VSCO with f2 preset

Iztacalco,

D.F. Mèxico

11.10.14

  

Mutek México

Campo Marte

Polanco, D.F. México

06.10.13

The song here is an original creation of mine called "Yellow Red". You can check it out here: soundcloud.com/josh-rokman/yellow-red

 

- Josh

Electronic music pioneer Bruce Haack was making electronic music back in the 1950's and '60's. He's known for his originality and innovative use of acid rock and electronic sounds. Sometimes he even made his own instruments. The Electric Lucifer is a psychedelic anti-war album about the battle between heaven and hell.

Archive shot of Kraftwerk's 'Die Mensch-Maschine' influenced window display. Reprocessed and reframed it looks a good bit better than the original post.

PERFORMANCE

Wednesday, April 21, 2016

6:30pm

Institute of Contemporary Art

 

Robert Aiki Aubrey Lowe taught a masterclass for Penn students in ICA's auditorium, followed by a performance in the Rodney McMillian exhibition. The sound system used in the performance was built by House of Roots.

 

Organized by Eugene Lew (Instructor, MUSC 275: Musica Practica / Elettronica Viva) and Anthony Elms (ICA, Chief Curator).

 

web.sas.upenn.edu/electronicmusic/

 

icaphila.org/programs/7968/concert-robert-aiki-aubrey-lowe

 

----

 

Sponsored by the Institute of Contemporary Art, the Provost's Interdisciplinary Arts Fund, and the Department of Music at the University of Pennsylvania.

 

---

 

Robert Aiki Aubrey Lowe (b. 1975) is an artist and multi instrumentalist that combines voice and patch pieces with modular synthesizer for spontaneous performances. His live performances and recordings emphasize the physicality of sound to usher listeners into a trancelike state.

 

Lowe has often performed under the moniker of Lichens. and in collaboration with Ben Russell, Ben Rivers, Rose Lazar, Hisham Akira Bharoocha, Tarek Atoui, Ben Vida, Mark Borthwick, Lucky Dragons, Alan Licht, Michael Zerang, Doug Aitken, Patrick Smith, Monica Baptista, Lee Ranaldo, White/Light, Kevin Martin, OM, Tyondai Braxton, David Scott Stone, Genesis P-Orridge and Rose Kallal, as well as many others.

 

Photo by Wing T. Dyana So.

Ahxello - Frisbee (StockMusic )

If you want to use tracks from Free Songs To Use, you must add this in your video or description:

- Music provided by FreeSongsToUse:

IAhxello - Frisbee

www.youtube.com/watch?v=oi2UTzGsMxI

Download:

goo.gl/8L5HlC

 

www.toneden.io/uyrii-smit

www.taringa.net/UyriiSmit

 

• NCS релизы могут быть использованы любым YouTube или Twitch

пользователя в их Монетизированных содержание.

 

NoCopyrightSounds это лейбл, который соединяет создателей контента с лучшими звуками для повышения творческого потенциала и популярности их содержания, которое является безопасным от любого нарушения авторских прав.

Если вы используете нашу музыку, которую вы должны в описании видео:

1. Включите полное название трека. (Констатируя музыка была предоставлена ​​NCS)

2. Включите ссылку на трек на NoCopyrightSounds YouTube.

3. Кредит художник (ы) трека, включив их ссылки в социальных сетях.

  

CC0 Public Domain

Free for commercial use

Attribution is not required

Images and videos posted on the Web site under a license Creative Commons CCO. The authors of the images freely allowed to use their works for free. You can edit photos and use them for commercial purposes without reference to the author or source. Link to Pixabay also not required, but we will appreciate if you specify it.

pixabay.com/ru/черное-и-белое-портрет-...

 

Доброго времени суток .мы из России ,

Вы хотите больше трафика на свой канал ?

Мы можем вам помочь

Подпишись на наш канал :

www.youtube.com/c/StockMusic

и зарегистрируйся в :

www.facebook.com/StockMusi

twitter.com/uyriismyt

plus.google.com/u/0/+StockMusic

www.tumblr.com/blog/stockmusi...

Потом напиши нам и мы подскажем что делать .

Без вложений .

New Movement Collective: Collapse, A Period Drama

 

New Movement Collective (NMC) premieres their new work 'Collapse - a period drama' at the Royal Festival Hall, Southbank Centre. 30 July-6 August 2016.

 

Choreography, concept + performance: New Movement Collective

Sculpture, design + film: Scanlab Projects

Composer + cello: Oliver Coates

Lighting design: Zeynep Kepekli

Performers: Clemmie Sveaas, Patricia Okenwa, Alexander Whitley, Jonathan Goddard, Joe Walkling, Renaud Wiser

 

see www.dancetabs.com

photo - © Foteini Christofilopoulou | All rights reserved | For all usage/licensing enquiries please contact www.foteini.com

Intentional blur, movement experimenting in live band photography.

 

Masterclass with Kaitlyn Aurelia Smith + Mark Verbos

 

Monday, April 14, 2016

 

MUSC 275

Instructor: Eugene Lew

 

----

 

Kaitlyn Aurelia Smith's formative years were spent communing with nature on Orcas Island in the northwest region of Washington state, a place she describes as "one of the most magical and peaceful places I have ever been." Though she wouldn't begin experimenting with modular synthesis until many years later, her creative work continues to be infused with and inspired by the vitality and serenity of Orcas.

 

Smith left the island to attend Berklee College of Music, where she studied composition and sound engineering, initially focusing on her voice as her primary instrument, before switching to classical guitar and piano. She employed many of the skills she refined in college in her indie-folk band Ever Isles, but a fateful encounter with a neighbor who lent her a Buchla 100 synthesizer, had a profound effect on her. Mesmerized by the Buchla’s potential, she explains "I got so distracted and enamored with the process of making sounds with it that I abandoned the next Ever Isles album." Starting with rhythmic patterns and melodic pulses, she soon began sculpting lush and exciting worlds of sound.

 

-----

 

Mark Verbos is a music producer/engineer and music equipment technician with 20 years of experience. He is known to the synth community for his work with vintage Buchla systems as well as custom modules that work with them. His designs are focused on discrete transistor circuits, hardware CMOS logic and various vintage electronics design techniques, however they are presented with an understanding of how modular gear is used by this generation.

 

------

 

All masterclasses are free and open to the public.

 

www.sas.upenn.edu/music/events/musica-practicaelettronica...

 

web.sas.upenn.edu/electronicmusic/

MASTERCLASS

Wednesday, April 21, 2016

6:30pm

Institute of Contemporary Art

 

Robert Aiki Aubrey Lowe taught a masterclass for Penn students in ICA's auditorium, followed by a performance in the Rodney McMillian exhibition. The sound system used in the performance was built by House of Roots.

 

Organized by Eugene Lew (Instructor, MUSC 275: Musica Practica / Elettronica Viva) and Anthony Elms (ICA, Chief Curator).

 

web.sas.upenn.edu/electronicmusic/

 

icaphila.org/programs/7968/concert-robert-aiki-aubrey-lowe

 

----

 

Sponsored by the Institute of Contemporary Art, the Provost's Interdisciplinary Arts Fund, and the Department of Music at the University of Pennsylvania.

 

---

 

Robert Aiki Aubrey Lowe (b. 1975) is an artist and multi instrumentalist that combines voice and patch pieces with modular synthesizer for spontaneous performances. His live performances and recordings emphasize the physicality of sound to usher listeners into a trancelike state.

 

Lowe has often performed under the moniker of Lichens. and in collaboration with Ben Russell, Ben Rivers, Rose Lazar, Hisham Akira Bharoocha, Tarek Atoui, Ben Vida, Mark Borthwick, Lucky Dragons, Alan Licht, Michael Zerang, Doug Aitken, Patrick Smith, Monica Baptista, Lee Ranaldo, White/Light, Kevin Martin, OM, Tyondai Braxton, David Scott Stone, Genesis P-Orridge and Rose Kallal, as well as many others.

 

Photo by Wing T. Dyana So.

Intentional blur, movement experimenting in live band photography.

 

The Human League : The Dignity of Labour Parts I-IV

Flexi-disc

Fast Product (1980)

VF-1

 

[Flexi-disc with a conversation between the band members about what the free flexi should actually contain. ]

 

Design: Bob Last

Prowl Vader Ned Algos

New Gods

Man God

Ancient God

What matters to you

Secret business

Rapid change

Towards complete and permanent cessation

 

Read more: www.jjfbbennett.com/2019/12/m...

 

One-off sponsorship: www.paypal.me/bennettJJFB

Collage and Photoshop, 50x70xm. BsAs 2012.

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