View allAll Photos Tagged EiffelTower
I took a few more tripod based photos from another perspective, but this hand-held one turned out to be my favourite.
|| taken June 21, 2017 with Canon EOS 5D Mark IV and EF24-70mm f/2.8L II USM at 24, ¹⁄₁₂₅₀ sec at f/10 with ‒ 2 ⅓ EV, ISO 100 || Copyright 2017 Stephen Shankland
The Eiffel Tower (French: La Tour Eiffel, nickname La dame de fer, the iron lady) is an 1889 iron lattice tower located on the Champ de Mars in Paris that has become both a global icon of France and one of the most recognizable structures in the world. The tallest building in Paris, it is the most-visited paid monument in the world; millions of people ascend it every year. Named for its designer, engineer Gustave Eiffel, the tower was built as the entrance arch to the 1889 World's Fair.
The tower stands 324 metres (1,063 ft) tall, about the same height as an 81-storey building. Upon its completion, it usurped the Washington Monument to assume the title of tallest man-made structure in the world, a title it held for 41 years, until the Chrysler Building in New York City was built in 1930. Not including broadcast antennas, it is the second-tallest structure in France after the 2004 Millau Viaduct.
The tower has three levels for visitors. Tickets can be purchased to ascend, by stairs or lift, to the first and second levels. The walk to the first level is over 300 steps, as is the walk from the first to the second level. The third and highest level is accessible only by elevator. Both the first and second levels feature restaurants.
Source: Wikipedia
By Robert Delaunay (1885-1941). With a particular fascination for geometric shapes and colours, Delaunay featured the Eiffel Tower in many of his works.
Georges Seurat
French, 1859-1891
Eiffel Tower
1889
Oil on panel
Seurat painted this view on the new, ultra-modern, highly controversial Eiffel Tower before it was completed in the summer of 1889, prior to the opening of the Universal Exposition. Without its crowning platform, the top of tower dissolves into the sky. In shading his color upward from reds and oranges at the base of the structure to a lighter palette dominated by yellow, Seurat seems to have followed the scheme of iridescent colors with which Gustave Eiffel convered the tower in a paint of his own invention, further irritating detractors who found the new monument a gross expression of industrial power and bad taste.
Seurat sided with those who saw the tower as an exciting symbol of modernity. His small painting projects a strong and solemn impact, larely due to its iconic treatment of the tower. Using the so-called neo-impressionist or pointillist technique that he had pioneered, Seurat bathes the scene in a soft but vivid light created by the optical interaction of small dots of birght color. His viewpoint is low, across a foreground balcony or wall that provides a sturdy base for the composition.
Museum purchase, William H. Noble Bequest Fund,
The Fine Arts Museums of San Francisco
1979.48
From the placard: San Francisco Legion of Honor Art Museum