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I had the pleasure of working with this young lady her name is Giovanna and as you can see she is a true beauty and a natural in front of the lens... I will be working with her in the next few months to finish up her shoot...
this shot was taken at a club night, edit in LRcc + silver efex pro 2 following Robin's tip great tip on the workflow Thanks
“It is the city of mirrors, the city of mirages, at once solid and liquid, at once air and stone.” Erica Jong
for TDF. rawr. my other one looked too happy. :b so yeah. And i didn't know we were allowed to use brushes. ^^
so here it is, the new and improved belle from beauty and the beast. >..<
From a set of photographs I took and posted in October/November, last year. Finally got around to recropping the image and adding a touch more saturation.
A re-edit of a photo I took and edited several years ago. I made a number of adjustments in Luminar 4 and applied a lookup table. The end result is completely different than the duotoned version I did previously.
Home studio session with Anna.
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Design credit goes to Oliver Grimes
Unauthorised use of any image is prohibited and a violation of the copyright law. These images may not be reproduced, copied, edited, published, transmitted or uploaded in any way without my permission, many thanks.
Contact - ajc.photography@outlook.com
While I had Photoshop open I thought I'd do one of these. It's interesting to see how much people edit their photos (and then laugh at how weak they are) (and by "they" I mean ME)
My house is dark, so even though I regularly use f/1.8, I'm too lazy to use my tripod so I need a fast shutter speed and all my photos are underexposed. I like them dark though so I guess it works out.
Usually my editing process goes like this:
1. Duplicate layer, set it to Screen. Edit levels on that layer until it doesn't look like shit.
2. Pick a random light blue-grey, fill a new layer with it, set the layer to Soft Light. Edit the Hue/Saturation/Lightness on that layer until it doesn't look like shit. (This is for color balance because I prefer cool tones)
3. Use Clone Stamp to erase any flaws that are bugging me like lint or stray hairs. If I miss any and notice them later, cry a lot.
4. If the resin match makes me want to scream, fix it. (Somehow I don't care in person, but in photos I want them to MATCH, DAMN IT.)
5. Flatten, and Unsharp Mask. Admire. Sharpen again. Is it enough? Sharpen it again. Regret later.