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Various Artists + Disinformation "Antiphony"
Ash International [Ash 3.4] 2xCD 1997
Sound Mirror photo © Julian Hills, Feb 1996
Sound Mirrors video © Barry Hale, 1997 -
www.youtube.com/watch?v=qsR3qyJDk0c
Imber village photo © Joe Banks, Jan 1996
The Sound Mirrors video – “Blackout” by Disinformation – has been widely exhibited in the UK and internationally since being filmed by Barry Hale and first exhibited in 1997. In 1999 and 2000 the video formed the centrepiece of the Arts Council funded “Blackout” exhibition, which toured to the Waygood Gallery (Newcastle), Broadway Centre (Nottingham) and ICA New Media Centre (London), since when the video featured in numerous group exhibitions and several Disinformation solo shows. The Sound Mirrors video has most recently been exhibited in the “Digest Sound” exhibition at the Witte Zaal [gallery] (Gent), as part of the Courtisane Film Festival in 2010, and at Le Bon Accueil [sonic arts gallery] (Rennes) in 2014.
Artangel and Imber - www.flickr.com/photos/disinfo/7042948343/
Various Artists + Disinformation "Antiphony"
Ash International [Ash 3.4] 2xCD 1997
Sound Mirror photo © Julian Hills, Feb 1996
Sound Mirrors video © Barry Hale, 1997 -
www.youtube.com/watch?v=qsR3qyJDk0c
The Sound Mirrors video – “Blackout” by Disinformation – has been widely exhibited in the UK and internationally since being filmed by Barry Hale and first exhibited in 1997. In 1999 and 2000 the video formed the centrepiece of the Arts Council funded “Blackout” exhibition, which toured to the Waygood Gallery (Newcastle), Broadway Centre (Nottingham) and ICA New Media Centre (London), since when the video featured in numerous group exhibitions and several Disinformation solo shows. The Sound Mirrors video has most recently been exhibited in the “Digest Sound” exhibition at the Witte Zaal [gallery] (Gent), as part of the Courtisane Film Festival in 2010, and at Le Bon Accueil [sonic arts gallery] (Rennes) in 2014.
The audio content of “Antiphony” consists (in large part) of remixes, by the contributing artists, of electromagnetic noise recordings, originally released by Disinformation in 1996, published by the record label Ash International.
The “Babylone Electrifiée” exhibition featured the Disinformation installations “National Grid”, “The Analysis of Beauty” and the “Blackout” [Sound Mirrors] video, alongside “Strange Lines & Distances” by the artist Joshua Bonnetta...
www.youtube.com/watch?v=qsR3qyJDk0c
La série d’expositions «Babylone électrifiée» s’inspire librement du roman d’Albert Bleunard, La Babylone Électrique, publié en 1888, pour explorer la fascination exercée par l’électricité au XIXe siècle et le développement des télécommunications. Inscrit dans un genre littéraire alors foisonnant, que l’on peut qualifier de merveilleux scientifique, puisant son imagination dans les sciences et techniques liées à la maîtrise de l’électricité, le roman d’Albert Bleunard narre le périple jusqu’en Mésopotamie d’un riche industriel anglais voulant ressusciter la grandeur passée de Babylone grâce à l’électricité. L’œuvre reflète parfaitement son époque et ses utopies, une époque où l’électricité avait acquis quasiment le statut de fluide vital ou encore de Fiat Lux d’un monde dominé par la technique. Ce premier volet, réunissant une sélection d’œuvres de Disinformation et Joshua Bonnetta, propose d’explorer les ruines de cette Babylone utopique et revisite le mythe de la tour de Babel au travers du développement des télécommunications comme remédiation à la confusion des langues. L’exposition proposera notamment de découvrir l’installation vidéo de Joshua Bonnetta, Strange Lines and Distances retournant sur les lieux «hantés» de la première transmission radio transatlantique réalisée par Guglielmo Marconi, et la vidéo de Disinformation / Barry Hale, Blackout, tournée sur les côtes anglaises où s’élèvent encore les restes des mystérieux miroirs acoustiques.
Exhibition Review - Group show:'people sometimes, die' Edel Assanti, London till 20th Feb 2016.
With curator Hlebo, incoherence becomes the site of ruptured wounds, stuck in an overwhelmingly white space. - Drenched Co.
Comment: " In this show, exploring mainly the various facets and symptoms of oppression in America, I encountered a bunch of dizzyingly busy young artists, (guns blazing on all media fronts), involved in the art and politics of ‘the post’. It was all a little unavailable but the questions it attempts to ask are compelling - what is your complicity in the oppression of the marginalised? how much has your humanity diminished as you oppress and are oppressed? Great premise for a great show. If only it wasn't trying so hard to be all 'post'. " - JayZee
See www.edelassanti.com/exhibitions/57/overview/
See also www.woundsthatbind.com/2016/02/exhibition-review-ryan-foe...
Caption: Image above: Installation view 'people sometimes, die' Edel Assanti, London 2016
Image courtesy of the artists and Edel Assanti, London. Curated by Jesse Hlebo.
We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.
#cutsoverart #drenchedco #soakedspace #peoplesometimesdie #JesseHlebo #EdelAssanti #RyanFoerster #YulanGrant #EJane #GregoryKalliche #DevinKenny #DenzelRussell #artinlondon #londonart #artlondon #artberlin #berlinart #artinberlin #artnewyork #newyorkart #artinnewyork #artreview #contemporaryart #artinstallation #installationart #videoart #artvideo #artphotography #photoart #soundart #oppression #postart #postmodern #conspiracytheory
Exhibition Review - Yoshinori Niwa: 'That Language Sounds Like a Language' at Edel Assanti, London till 21st December 2017.
“Language graduating slowly from language."- Drenched Co.
Notes: "Niwa's performances are the wrench and strain of a line, tracing edges, testing waters, shaking loose a point of view. His is the stress in a twisted wire of words, baffling tongues, fooling limits, exposing boundaries. He leads us to a cliff edge, and asks us to make out the shapes below, arranged in the shape of our confusion, angled into the light of our betrayal. I wanted the wind to snag my breath, to catch my tongue, to lean out, to stumble into Niwa's world but alas I met but a step and wished for more." - JayZee
See edelassanti.com/exhibitions/73/cover/
See also www.soaked.space/2017/12/exhibition-review-yoshinori-niwa...
See also www.woundsthatbind.com/2017/12/exhibition-review-yoshinor...
Caption: Image above: Installation view Yoshinori Niwa Edel Assanti, London 2017.
Copyright Yoshinori Niwa. Courtesy Edel Assanti, London.
We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.
#cutsoverart #drenchedco #soakedspace #EdelAssanti #YoshinoriNiwa #EdelAssantigallery #ThatLanguageSoundsLikeaLanguage #londonart #artlondon #artinlondon #artberlin #berlinart #artinberlin #artnewyork #newyorkart #artinnewyork #artreview #exhibitionreview #artreview #reviewart #language #bondary #limit #performanceart #artperformance #videoart #artvideo #perimeter #contigent #artjapan #japaneseart #artinjapan
Exhibition Review - Andrew Sutherland at Edel Assanti, London till 28th May 2016.
“Practical activity writes upon nature,
.. in a scrawling hand..”
- Drenched Co.
Quote by Henri Lefebvre "The production of space". 1991
Comment: "Andrew, to me, is above all an itinerant. The thread of his wanderings, the lines on which he conducts his life and actions, entangles with his materials, textures and patterns. Through these fluxes and flows, aided by his particular sensitivity for the invisible reality around things, Andrew composes magical intricate spaces in his work. I liked his work in 'Gold Standard' best." - FaSa
See www.edelassanti.com/exhibitions/60/overview/
See also www.soaked.space/2016/05/exhibition-review-andrew-sutherl...
See also www.woundsthatbind.com/2016/05/exhibition-review-andrew-s...
Caption: Image above: Installation view Andrew Sutherland© Edel Assanti, London 2016
Image courtesy of the artist and Edel Assanti, London.
We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.
#cutsoverart #drenchedco #soakedspace #AndrewSutherland #EdelAssanti #EdelAssantigallery #londonart #artlondon #artinlondon #artberlin #berlinart #artinberlin #artnewyork #newyorkart #artinnewyork #artreview #paintings #HenriLefebvre #materiality #compositions #geometric #pattern #texture