View allAll Photos Tagged EXHIBIT
This photo is/was part of the first flickr@paris exhibition.
Official flyer here.
See all my sold, published, and exhibited photos in this collection : [Sold - Published - Exhibited Works]
[Taken in Paris (France) - 04Aug05]
Long view of the Quarry Exhibit Hall in the Dinosaur National Monument just north of Vernal, Utah. This building encloses a hillside containing 149-million-year-old dinosaur fossils for the public to view and (for some of the fossils) to touch. Sun was close to setting when I looked back on the Quarry Exhibit Hall.
Radio Veritas Marian Exhibit 2009
October 8-14, 2009
SM Mall of Asia
Recamadero: Cofradia de la Virgen dela Soledad de Porta Vaga, Inc.
We are pleased to announce our upcoming exhibit "Modernist Ceramics of Ted and Marion DeGrazia”! This a retrospective of the functional, decorative, and fine art ceramics produced by the married artists in 1950's and 60's Tucson. Their own regional, rustic, mid-century-modern style permeates the work from Ted's slip-cast production ware and tile murals, to Marion's ceramic and driftwood sculptures and mosaic furniture. An opening reception for the exhibit will be held from 5-7 pm on Friday, September 2nd, 2016, at the Gallery in the Sun!
Please join our event for more information www.facebook.com/events/1219197348105223/!
12th March 2014 20 x 20 oil on canvas
This group of paintings continue my work from The Pace of Nature, which were exhibited in October 2013. There was also a selection of my Ipsden paintings (winter) shown at West Ox Arts Gallery in December 2013. The past 18 month have been among the most busy of my entire career as a painter, and the work has been very focussed upon working "En Plein Air" both here in Oxfordshire and during the summer in Michigan USA.
The Moreton Gallery Spring Exhibition
An Interview with me in Glow Magazine
And about my iPad work...
Featuring an interview on Witney TV about iPad art
My first book on Ipsden featuring the autumn paintings and studies 2012
Many of these paintings are still available for sale, please contact me via Flickr-mail if you are interested in details.
Coming soon May 2014 Ipsden paintings at St Mary the Virgin church in Ipsden.
July 31 - Aug 4, 2014, my exhibits at CenterFold Convention, OH. www.ohiopaperfolders.com Next stop Pumphouse Art Gallery www.pumphouseartgallery.com/ until Aug 31. Photo courtesy of Dawn Stone Tucker www.flickr.com/photos/dmstucker/.
*This exhibit consisted of thirty abstract bullfight paintings which I titled: "Tauromaquia" The McKenzie's changed the title to "recent abstract paintings by Krikl" I was told, that had I related them to bullfighting they would never have sold since bullfighting in the seventies was strictly taboo.
Every single painting was sold on opening night. most buyers thought of them "erotic" I was forbidden to tell the truth. From than on I refrained from titling my works when exhibiting in private galleries.
p.s. on a note of interest; I used to be a smoker, I still recall the ads we used to read daily in magazines telling us how harmless smoking was. so, when we see the news and ads to-day. we wonder what is the truth
"A woman's body is beautiful. Why shouldn't I photograph it nude?" - Letizia Battaglia. Here’s a slideshow with video clips showing a wide selection of her images at the show, attended by the mayor and most of the city’s photographers: www.youtube.com/watch?v=CW0mdhnaSiE
Exhibit on "Space for Climate" put in place by ESA and CNES at the Champs-Elysées Avenue in Paris, from 18 October to 27 October 2015. ESA and CNES mobilised to share with citizens the key role of space in controlling Climate Change.
Credit: ESA–F. Doblas CC BY-SA IGO 3.0
Efebo di Sutri
Bronze
H 78 cm
Roman, Imperial period, 1st c. CE
Found in loc. Crognano, Sutri (see on Pleiades), in 1912
Photographed on display in the Museo del Palazzo Doebbing, Sutri
In the collection of, and on permanent loan from, the Museo Nazionale Romano
Seen at The Covered Market, Oxford, England - bizarre to think we were in Oxford just 2 weeks ago and now we're in the Middle East!
Thank you in advance for any comments and/or favourite and apologies for the lack of reciprocation on my part. We're still living out of bags a month down the line and I'm not sure when this will change. Getting serious photography-withdrawal symptoms :-(
You can also visit me at www.facebook.com/LyndaHPhotography
Estimated : CHF 140.000 - 200.000
Sold for CHF 218.500 - € 198.060
The Bonmont Sale
Collectors' Motor Cars - Bonhams
Golf & Country Club de Bonmont
Chéserex
Switzerland - Suisse - Schweiz
September 2019
After 17 years in production, the legendary Countach was replaced by the Diablo, which on its arrival was the fastest, most advanced and most expensive Lamborghini ever built. First exhibited publicly at Monaco in January 1990, the Diablo improved on its illustrious predecessor in every way, setting a new benchmark in supercar design. Nobody can have been surprised to learn that it had been styled by Marcello Gandini, the man responsible for the Lamborghini Miura and Countach, for the family resemblance was obvious.
Beneath the skin there was a steel spaceframe chassis, developed from the Countach's, but constructed of square-section rather than round tubing and incorporating 'crumple zones' at front and rear. The use of carbon-fibre composite panels, first seen in the Countach Evoluzione model, was extended in the Diablo, which also featured revised suspension capable of accommodating the envisaged future developments of four-wheel drive and active suspension. Stretched to 5.7 litres for the Diablo, Lamborghini's 48-valve V12 engine gained fuel injection for the first time, producing its maximum of 492 bhp at 7.000 rpm. Of equal, if not greater significance, maximum torque went up to 428 lb/ft, an improvement of 55 % over the Countach. Catalytic converters were standard, enabling the reworked V12 to meet emissions requirements worldwide.
With more power and a lower drag coefficient than the Countach, the Diablo easily eclipsed its forebear, exceeding 200 mph (322 km/h) on test. More importantly, its acceleration and top speed figures were marginally better than those of the Ferrari F40. The Diablo though, was not a limited edition model like the latter but a series production car with a luxuriously appointed interior reflecting its designers' intention to produce a civilised Gran Turismo as suited to city streets and motorways as the racetrack. Nevertheless, the Diablo was still one of the world's most expensive cars. Four-wheel drive Diablo VT and Targa-style open roadster versions soon followed.
An open roadster had been shown at the Geneva Motor Show in 1992 but another three years would pass before customers could buy the production version. Historically significant as Lamborghini's first open-top production car with a V12 engine, the Diablo Roadster was yet another example of the popular 'Targa Top' concept that relies on removable roof panels to provide fresh-air motoring. In the Diablo's case the single panel is stored over the engine cover when not in place. Despite the absence of a fixed roof, Lamborghini claimed that the Roadster was every bit as stiff as the Coupé.
The dashboard has been removed from the Diablo VT Roadster, which is offered with Equatorial Guinea registration papers and customs document.
This folding Kodak Box Brownie camera survived a full under water dunking as part of my "Immersion" project. Exhibited at the CET Building, Coventry. 21 April to 1st June 2018.
"History is a scrupulous record of missing evidence—of lost cities, smashed statues, ruined libraries. Now is the only past we’ll ever know."
--Steven Millhauser, from "Here at the Historical Society"