fair folk
View allAll Photos Tagged ELFLAND
the self is more distant than any star :-)
G.K. Chesterton, "The Logic of Elfland," Orthodoxy, 1908
HFF!!
rose, 'Dream Come True', little theater rose garden, raleigh, north carolina
Location:@BBBB Studio
Thank you to LadyFantaC for posing
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
The Elf-King's Daughter
-Sir William Watson-
The Kingdom of Elfland, proud and free,
With only the Law of Delight to bind it,
Where is it truly famed to be?
'Tis wheresoever we list to find it.
O'erwatched by all its peaks of gold,
There dwelt beside the Magic Water,
In forests drowsy with silence old,
That wild white Bliss, the Elf-King's Daughter.
And the elfin world was all she knew,
Till at last, on rash and luckless pinions,
Out of her father's realm she flew,
And sped across Night to Man's dominions.
She flew through calms, she flew through storms,
She alighted here and mocked at danger;
But soon she beheld two darksome forms —
Pain the Unknown, and Death the Stranger.
Aghast she gazed upon both these twain:
She had seen no shapes that theirs resembled.
No word had she heard of Death or Pain,
And they looked in her face and she quailed and trembled.
She strove to flee, upon mistlike wings,
But the mistlike wings, with foiled endeavour,
Drooped aTher sides as useless things,
Palsied in this our air for ever.
So here she remains, a wandering sprite,
And guards her secret and veils her story;
And sometimes, far in the heart of night,
She hath a glimpse of her vanished glory.
For then this region in dreams she spurns,
Revisits the verge of the Magic Water,
In dreams to her father's court returns,
And is — till the dawn — the Elf-King's Daughter.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Location: Avilion
maps.secondlife.com/secondlife/Avilion/242/125/21
Guarding the gates of the city. Commemorating the night that Melkor (the fallen Valar) attacked the city and felled the city walls which lead to the fall of Gondolian (also called The Gates of Summer)
More info here ...
tolkiengateway.net/wiki/Gates_of_Summer
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
The Splendor Falls
~Alfred Lord Tennyson~
The splendor falls on castle walls
And snowy summits old in story;
The long light shakes across the lakes,
And the wild cataract leaps in glory.
Blow, bugle, blow, set the wild echoes flying,
Blow, bugle; answer, echoes, dying, dying, dying.
O, hark, O, hear! how thin and clear,
And thinner, clearer, farther going!
O, sweet and far from cliff and scar
The horns of Elfland faintly blowing!
Blow, let us hear the purple glens replying,
Blow, bugles; answer, echoes, dying, dying, dying.
O love, they die in yon rich sky,
They faint on hill or field or river;
Our echoes roll from soul to soul,
And grow forever and forever.
Blow, bugle, blow, set the wild echoes flying,
And answer, echoes, answer, dying, dying, dying.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Location: Avilion
maps.secondlife.com/secondlife/Avilion/242/125/21
Guarding the gates of the city. Commemorating the night that Melkor (the fallen Valar) attacked the city and felled the city walls which lead to the fall of Gondolian (also called The Gates of Summer)
More info here ...
tolkiengateway.net/wiki/Gates_of_Summer
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
The Splendor Falls
~Alfred Lord Tennyson~
The splendor falls on castle walls
And snowy summits old in story;
The long light shakes across the lakes,
And the wild cataract leaps in glory.
Blow, bugle, blow, set the wild echoes flying,
Blow, bugle; answer, echoes, dying, dying, dying.
O, hark, O, hear! how thin and clear,
And thinner, clearer, farther going!
O, sweet and far from cliff and scar
The horns of Elfland faintly blowing!
Blow, let us hear the purple glens replying,
Blow, bugles; answer, echoes, dying, dying, dying.
O love, they die in yon rich sky,
They faint on hill or field or river;
Our echoes roll from soul to soul,
And grow forever and forever.
Blow, bugle, blow, set the wild echoes flying,
And answer, echoes, answer, dying, dying, dying.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
March came in that winter
like the meekest and mildest of lambs,
bringing days that were crisp and golden and tingling,
each followed by a frosty pink twilight
which gradually lost itself in an elfland of moonshine.
~L.M. Montgomery
Own image 0775 and textures
Location: Avilion
maps.secondlife.com/secondlife/Avilion/242/125/21
Guarding the gates of the city. Commemorating the night that Melkor (the fallen Valar) attacked the city and felled the city walls which lead to the fall of Gondolian (also called The Gates of Summer)
More info here ...
tolkiengateway.net/wiki/Gates_of_Summer
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
The Splendor Falls
~Alfred Lord Tennyson~
The splendor falls on castle walls
And snowy summits old in story;
The long light shakes across the lakes,
And the wild cataract leaps in glory.
Blow, bugle, blow, set the wild echoes flying,
Blow, bugle; answer, echoes, dying, dying, dying.
O, hark, O, hear! how thin and clear,
And thinner, clearer, farther going!
O, sweet and far from cliff and scar
The horns of Elfland faintly blowing!
Blow, let us hear the purple glens replying,
Blow, bugles; answer, echoes, dying, dying, dying.
O love, they die in yon rich sky,
They faint on hill or field or river;
Our echoes roll from soul to soul,
And grow forever and forever.
Blow, bugle, blow, set the wild echoes flying,
And answer, echoes, answer, dying, dying, dying.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
The door of Elfland.
“El país de las hadas contiene muchas cosas, aparte de los elfos y los trafos, y aparte de los enanos, las brujas, los trolls, los gigantes o los dragones: contienen los mares, el sol, la luna, el cielo y la tierra y todas las cosas que en ella se encuentran: árboles y pájaros, agua y piedra, vino y pan, y nosotros mismos, hombres mortales.”
― J. R. R. Tolkien
Por momentos ese dia me parecio encontrarla, la puerta al mundo de los elfos, jejeje pero al final a quien veia es al compi Santiago Rayo Monago, y jodo se me venia todo abajo... en fin ire algun dia con alguna dulce princesa a ver si es verdad...
Sony alpha 77 + tokina 11-16 f2,8
Portafiltros Lucroit + polarizado Lucroit + filtro nd 3 pasos
Timmy the Elf takes Amberlyn and Junie to visit his home in Elf Land. The two little elves welcome them and are very excited to see the girls!
The background was added in FaceApp, and this background happens to be named Elf Land. The smaller elves and teddy bear have been added in PhotoGrid.
The splendour falls on castle walls
And snowy summits old in story:
The long light shakes across the lakes,
And the wild cataract leaps in glory.
Blow, bugle, blow, set the wild echoes flying,
Blow, bugle; answer, echoes, dying, dying, dying.
O hark, O hear! how thin and clear,
And thinner, clearer, farther going!
O sweet and far from cliff and scar
The horns of Elfland faintly blowing!
Blow, let us hear the purple glens replying:
Blow, bugle; answer, echoes, dying, dying, dying.
O love, they die in yon rich sky,
They faint on hill or field or river:
Our echoes roll from soul to soul,
And grow for ever and for ever.
Blow, bugle, blow, set the wild echoes flying,
And answer, echoes, answer, dying, dying, dying.
Alfred Lord Tennyson, "Princess: A Medley: The splendour falls on castle walls".
With my Berkana runes : ))) on my new Sketchbook :
)“The most obvious Truth is hidden deep within, and only you will ever know it.” ( From The Book of Rune Secrets ).
“March came in that winter like the meekest and mildest of lambs, bringing days that were crisp and golden and tingling, each followed by a frosty pink twilight which gradually lost itself in an elfland of moonshine.”
― L.M. Montgomery
2D to 3D Conversion of 1977 album "The King of Elfland's Daughter, by Bob Johnson and Peter Knight"
Original cover artwork by Jimmy Cauty.
Use red-cyan anaglyph glasses to see 3D
Published by Hutchinson, undated
Everyone agreed the Peeky and Boo were the two naughtiest elves in the whole of Elfland. Ond on this particular week, they'd been even naughtier than usual...
It's easy to pick holes in the legend of Thomas the Rhymer. Many of the references to him and his predictions were written centuries after his death, but folklore is not necessarily unreliable just because it's verbal, and there's a good argument that in this case, where there's smoke there may once have been fire!
The problem is that the historical reality of True Thomas has been almost completely submerged in the tidal wave of myth and legend that has grown up around him over the centuries since. While it seems reasonable to dismiss the story that he "disappeared for seven years to live with the Queen of Elfland and returned to Ercildoune with the gift of prophecy", there are plenty of predictions attributed to him that may either be genuine or may have contained some degree of truth.
Popular lore recounts that he prophesied some of the great events in Scottish history, including the death of Alexander III of Scotland in 1286. He is said to have told the Earl of Dunbar:
"On the morrow, afore noon, shall blow the greatest wind that ever was heard before in Scotland."
There having been no significant change in the weather by the time his lordship sat down for his lunch the following day, a "please explain" was sent to Thomas, who replied that the appointed hour had not yet come, shortly after which, news arrived from Fife of the king's death.
Another of the Rhymer's predictions is said to go like this:
"When the Yowes o' Gowrie come to land,
The Day o' Judgment's near at hand"
A "Yowe" in the country parts of Scotland, is a ewe and the Yowes of Gowrie were two large rounded ovine looking rocks in the Tay estuary, just off the shore from Invergowrie, close to the outlet of the Fowlis Burn. Why and how should two large rocks ever come ashore you might well wonder? Well they had been observed over a period of many years to be getting slowly but surely closer to the shoreline! Or to be more precise, the shoreline was getting closer to them! Then in the 19th century they finally did come ashore. The Dundee to Perth railway line was built along that part of the coast line, seemingly just offshore of the yowes, after which the area to landward of the railway was used as a rubbish dump - supposedly burying the yowes in the process. So technically the yowes have "come to land", without triggering the Day of Judgement, although there are parts of Dundee where it probably can't come soon enough!
Perhaps my favourite of the Rhymer's prophecies, concerns Fyvie Castle in Aberdeenshire. He is said to have said:
"Fyvie, Fyvie thou'se never thrive,
lang's there's in thee stanes three :
There's ane intill the highest tower,
There's ane intill the ladye's bower,
There's ane aneath the water-yett,
And thir three stanes ye'se never get."
What does that mean when translated loosely into understandable English?
It is believed that there were three special stones at Fyvie - weeping stones. They remained permanently damp, whatever the weather and the whereabouts of two of them are unknown. The Rhymer's prediction is interpreted as meaning that until all three were located, no eldest son would succeed to his father at Fyvie. The 'Ladye's bower' is the castle's charter room, and the one surviving stone is kept there to this day. Whether there is another one built into the castles 'highest tower', nobody seems to know, but the biggest problem is the one said to be underneath the water-gate. This would place it in the River Ythan, which runs around the castle, and trying to identify a damp stone is a river is of course a difficult task!
So what about the prediction, that no oldest son would inherit? I have known this story, without questioning it, for most of my life, having been solemnly told that indeed, no eldest son had ever inherited the castle. But in the interests of science, I though I would spend some time now trying to find out whether that's true!
Fyvie was originally (before the time of the Rhymer a royal castle. We know that King Alexander II signed charters here in February 1222 and The Bruce stayed here in the early years of the 14th century. Since then, it has been owned by five families - the Prestons, the Meldrums, the Setons, the Gordons and the Forbes-Leiths.
Actually, technically, there were six families! In 1370, King Robert II granted Fyvie to his son and heir John (later Robert III), who in turn passed the castle to his cousin, Sir James Lindsay. However, in 1388 the Scots had a rare victory over the English at the Battle of Otterburn, during which Ralph de Percy was captured by Sir Henry Preston, the brother-in-law of Sir James Lindsay. When Robert III came to the throne two years later in 1390 he purchased the rights to Ralph de Percy's ransom by transferring ownership of Fyvie Castle from Sir James Lindsay to Sir Henry Preston. This would seem rather unfair, although I imagine Sir James would have been adequately compensated, but it does of course set the prophesy off in the right direction - Sir James' heir never inherited Fyvie!
So leaving Sir James Lyndsay to one side, the first effective owner of Fyvie in the post royal era, was Sir Henry Preston. When he died around the year 1433, he wasn't succeeded by his son, because he didn't have any! Fyvie went to Sir Alexander Meldrum of that ilk, who had married one of Sir Henry's two daughters.
Fyvie remained in the hands of the Meldrums for about 160 years, passing through the hands of several (probably five) generations of the family, but as we don't know the genealogy of this part of the Meldrum family, we can't say whether an eldest son ever inherited. Probably yes, but the accuracy of the prophesy can't be disproved! In 1596, Fyvie was sold by the Meldrums to Alexander Seton, later Chancellor of Scotland.
Alexander Seton, 1st Earl of Dunfermline and Chancellor of Scotland, was born in 1555. His first wife, to whom he was already married when he bought Fyvie, was Lillias Drummond and after producing five children for him, all girls, it is said that Lord Seton, blaming his wife for the lack of a son and heir, began an affair with her cousin (and future wife) Grizel Leslie. Betrayed and heartbroken Lillias died not long after learning of the affair, .
Lillias Drummond died in May 1601 and Lord Seton married Grizel Leslie a few months later in October 1601. On their wedding night at Fyvie it is said that they were both distracted by a 'mournful moaning' from outside their bedroom window. A search for the source of the noises produced no results but the next morning the words D. LILLIAS DRUMMOND were found carved into the stone sill outside their bedroom window, in letters three inches high and upside down, the window being over 50 feet above ground level. The letters remain visible to this day and since that time, Fyvie Castle is said to have been haunted by a lady in green, roaming the corridors of the castle, crying at her betrayal by her husband and leaving behind the scent of Rose petals!
How much of that is true, I don’t know, but what is true is that before her death in 1606, Grizel Leslie produced two daughters and a son Charles, and that Charles died young! It was up to Lord Seton's third wife to produce his successor, another Charles.
The eldest son and heir of Charles Seton, 2nd Earl of Dunfermline, also named Charles, died in 1672, just before his father! Alexander, the 2nd son became 3rd Earl of Dunfermline, but dying unmarried, the title passed to his brother James.
James Seton, 4th Earl of Dunfermline, died in 1694, also unmarried - which was somewhat immaterial because, having supported the Jacobite cause in the 1689 Rising, his castle and estate had already been confiscated by the crown. Fyvie remained a crown property until it was sold in 1733.
The purchaser in 1733 was William Gordon, 2nd Earl of Aberdeen. His wife at the time was Anne Gordon, daughter of the 2nd Duke of Gordon and their eldest son William inherited Fyvie from his father. But those that have read this far and are hoping the Rhymer's prophesy will hold true will be delighted to learn that Lord William Gordon had already been married, twice and had two sons by his 2nd wife. So once again, the eldest son and heir didn't inherit Fyvie.
General William Gordon, 1st of Fyvie died in 1816 when, unfortunately for Thomas the Rhymer, who now can never be taken seriously again, was succeeded by his only son William Gordon, 2nd of Fyvie Castle. He died without children in 1847, whereupon Fyvie passed to his nephew, Charles Gordon 3rd of Fyvie.
When the 3rd laird died in 1851, Fyvie passed to his son and heir, for the 2nd (and last) time that we know of in five centuries, William Cosmo Gordon. Either he or his executors put Fyvie up for sale and it sold in 1889 to the 5th and last family to own it.
Fyvie's new owner was Alexander John Forbes-Leith, later 1st Baron Leith of Fyvie. He was a local boy who had made his fortune in the steel industry in the US of A and used Fyvie to house his huge collection of paintings, tapestries, armour and furniture. His only son and heir, Percy Forbes-Leith, 2nd Lt Royal Dragoons, was killed aged 19 in 1900 during the Boer War.
In 1982 Fyvie Castle was once again placed on the market, and in 1984 it was purchased by the National Trust for Scotland.
So could Thomas the Rhymer predict the future? Well it's my belief he could do so every bit as accurately as Nostradamus!
bed is placed on a custom made frame incorporating the quirks of this 1940's root cellar into this new tiny home.
EMERALD GREEN MANDALA AVATAR RAINBOW AURA PROTECTION PRESERVATION RESURRECTION REFLECTION GUARDIAN DRAGON SPIRIT WATER TEMPLE TOWER LIBRARY CASTLE MEMORY PALACE CITADEL SANCTUARY TREEOFLIFE STAIRWAYTOHEAVEN RAINBOWBRIDGE STARCASTLE HEAVENISAPLACEONEARTH RAINBOWINTHEDARK OVERTHEHILLSANDFARAWAY RAMBLEON THANKYOU 1000YEARS GODLOVESAMERICA EVERYTHINGINITSRIGHTPLACE PYRAMIDSONG WHENIGROWUP IFIHADAHEART KEEPTHESTREETSEMPTY INTRO OUTRO MIDNIGHTCITY SPIRALWIZARDTOWER NOVACITY RAINBOWTOWER MYSTICMEMORY CROSSROADSINN IMAGINATIONSTATION LABYRINTH LEGEND +++++ #TREEOFLIFE #STAIRWAYTOHEAVEN #RAINBOWBRIDGE #RAINBOWMAGIC #HEALING #TEMPLE #TOWER #LIBRARY #CASTLE #PALACE #LABYRINTH #STAIRWAY #WATERFALL #ISLAND #CONTINENT #FANTASY #SURREAL #PSYCHEDELIC #FLOWER #LIFE #HEAVEN #AURA #BUTTERFLY #CAT #TURTLE #EARTH #WATER #FIRE #AIR #SPIRIT #ELEMENTAL #BALANCE #CENTER #MANDALA #GEOMETRIC #ORDER #CREATION #DREAM #RIVER #LIGHT #SAPPHIRE #EMERALD #AMETHYST #GOLDEN #SILVER #SUN #MOON #STAR #NOSTALGIA 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#HEARTRECORDS #GOINGTOCALIFORNIA #OZZY+MEDICINEHEALING +++++++++ #3+ #OZZY+GOODTIMES ++++++++++++++ +#SHIRTS #OZZY+ +++++++++++++ +++#3+++++RECORDS #L #GATLINBURG+++++ #35 +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ #WWWRHYTHMSECTIONGATLINBURGCOMTREE #GATLINBURGSTONETEMPLEPILOTS+++++ #WWWFLICKRCOMPHOTOSMUSIC1978 #WWWREDBUBBLECOMPEOPLERHYTHMSECTIONTNSHOP #LRECORDSTORES #MTNS+ #POSTERS+RAINBOW #SPARK! #PRAYERSFORRAIN+GOINGTOCALIFORNIA #PRAYERSFORRAINPURP #PRAYERSFORRAINPURPTENNESSEE #PRAYERSFORRAIN+GOLDEN #OCEANIA #PRAYERSFORRAIN+GOINGTOCALIFORNIAOCEANIA #PRAYERSFORRAIN+GOINGTOCALIFORNIALUCK #CREATIONLIBRARY #LUCK #PRAYERSFORRAIN+GOINGTOCALIFORNIARAINBOW #PRAYERSFORRAINGREEN #GRE ♈♉♊♋♌♍♎♏♐♑♒⛎ #WHENTHESHIPCOMESIN🔵💙🙏🌻🌼❄️💜️💮🍀🌈🌠✨⭐💙⭐✨💚💟💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜RAINBOW ❄️ 💚💙 💚💙💜#INBETWEEN🔵💙🙏🌻🌼❄️💜️💮🍀🌈🌠✨⭐💙⭐✨💚💟💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜 ⛎ 🙏🌻 🐉 🐦 ❤️♈♉♊♋♌♍♎♏♐♑♒⛎⛎⛎♒♑♐♏♎♍♌♋♊♉♈❤️💛💚💙💜💜💙💚💛❤️🐲🐉💙💜💚💙💜💙💚💚💙💜💜💙💚💚💙💜💙💜💚💚💙💜💚💙💜💚💙💜💚💙💜 🍀🐉💙⭐🌈💜💚🙏🌻🌼️💮✨🌠🐉🐲🐢🌻🌼🌷🍄❤️💛💚💙💜💜💙💚💛❤️♈♉♊♋♌♍♎♏♐♑♒⛎⛎⛎♒♑♐♏♎♍♌♋♊♉♈❤️💛💚💙💜💜💙💚💛❤️🐲🐉💙💜💚💙💜💙💚💚💙💜💜💙💚💚💙💜💙💜💚💚💙💜💚💙💜💚💙💜💚💙💜 💚💙💜💚💙💜 💚 💙 💙💚💛❤️🐲🐉💙💜💚💙💜💙💚💚💙💜💜💙💚💚💙💜💙💜💚💚💙💜💚💙💜💚💙💜💚💙💜 🍀🐉💙⭐🌈💜💚🙏🌻🌼️💮✨🌠🐉🐲🐢🌻🌼🌷🍄❤️💛💚💙💜💜💙💚💛❤️💛💚💙💜💜💙💚💛❤️🐲🐉💙💜💚💙💜💙💚💚💙💜💜💙💚💚💙💜💙💜💚💚💙💜💚💙💜💚💙💜💚💙💜 💙❤️💛💚💙💜💜💙💚💛❤️🐲🐉💙💜💚💙💜 ♈♉♊♋♌♍♎♏♐♑♒⛎⛎🙏❤️💛💚💙💜♈♉♊♋♌♍♎♏♐♑♒⛎⛎❤️💚💙💜♈♉♊♋♌♍♎♏♐♑♒⛎⛎💙✨⭐💚💟💛🐈🐢🐉🐦🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟💚💙💜♈♉♊♋♌♍♎♏♐♑♒⛎⛎♥🌻🐦😻🌝🌜🔵🌈🌠✨⭐💙⭐✨💚💟💜️💮🍀🌈🌠✨⭐💙⭐✨💚💟💜️💮🍀🌈🌠✨⭐💙⭐✨💚💟💜️💮🍀🌈🌠✨⭐💙⭐✨💚💟💜️💮🍀🌈🌠✨⭐💙⭐✨💚💟💜️💮🍀🌈🌠✨⭐💙⭐✨💚💟💜️💮🍀🌈🌠✨⭐💙⭐✨💚💟💜️💮🍀🌈🌠✨⭐💙⭐✨💚💟💜️💮🍀🌈🌠✨⭐💙⭐✨💚💟💜️💮🍀 ☔ 💚💟 💜💚💙💜 🌷🍄❤️💛💚💙💜💜💙💚💛❤️❤️💛💚💙💜💜💙💚💛❤️🐲🐉💙💜💚💙💜💙💚💚💙💜💜💙💚💚💙💜💙💜💚💚💙💜💚💙💜💚💙💜💚💙💜 ♈ ♉ ♊ ♋ ♌🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚
“O hark,
O hear!
how thin and clear,
And thinner, clearer, farther going!
O sweet and far from cliff and scar,
The horns of Elfland faintly blowing!”
~ Alfred, Lord Tennyson ~
Click HERE for more of Rick's fabulous, whimsical art!
2D to 3D Conversion of 1977 album "The King of Elfland's Daughter, by Bob Johnson and Peter Knight"
Original cover artwork by Jimmy Cauty.
Use cross-eyed viewing to see 3D
Learn how the cross-view method works:
The Postcard
A postally unused Post Office Picture Card Series. On the divided back of the card is printed:
'Children (United Nations Year
of the Child).
(Alice's Adventures in Wonderland).
Reproduced from a stamp designed
by Edward Hughes ARCA FSIAD
and issued by the Post Office on the
18th. July 1979.
Postcard Price 8p.'
Charles Dodgson
Charles Lutwidge Dodgson, better known by his pen name Lewis Carroll, was an English writer of children's fiction, notably 'Alice's Adventures in Wonderland' and its sequel 'Through the Looking-Glass'.
He was noted for his facility with word play, logic, and fantasy. The poems 'Jabberwocky' and 'The Hunting of the Snark' are classified in the genre of literary nonsense.
Charles was also a mathematician, photographer, inventor, and Anglican deacon.
Carroll came from a family of high-church Anglicans, and developed a long relationship with Christ Church, Oxford, where he lived for most of his life as a scholar and teacher.
Alice Liddell, daughter of the Dean of Christ Church, Henry Liddell, is widely identified as the original for Alice in Wonderland, though Carroll always denied this.
Scholars are divided about whether his relationship with children included an erotic component.
In 1982, a memorial stone to Carroll was unveiled in Poets' Corner, Westminster Abbey. There are Lewis Carroll societies in many parts of the world dedicated to the enjoyment and promotion of his works.
-- Charles Dodgson - The Early Years
Dodgson's family was predominantly northern English, conservative and high-church Anglican. Most of Dodgson's male ancestors were army officers or Church of England clergy.
His paternal grandfather Charles Dodgson had been an army captain, killed in action in Ireland in 1803 when his two sons were hardly more than babies. The older of these sons – yet another Charles Dodgson – was Carroll's father. He went to Westminster School and then to Christ Church, Oxford.
Lewis Carroll's father reverted to the other family tradition and took holy orders. He was mathematically gifted, and won a double first degree, which could have been the prelude to a brilliant academic career. Instead, he married his first cousin Frances Jane Lutwidge in 1830 and became a country parson.
Dodgson was born on the 27th. January 1832 in All Saints' Vicarage at Daresbury, Cheshire, the eldest boy and the third child. Eight more children followed. When Charles was 11, his father was given the living of Croft-on-Tees in the North Riding of Yorkshire, and the whole family moved to the spacious rectory. This remained their home for the next 25 years.
Charles's father was an active and highly conservative cleric of the Church of England who later became the Archdeacon of Richmond and involved himself in the intense religious disputes that were dividing the church. He was high church, inclining toward Anglo-Catholicism. Young Charles was to develop an ambivalent relationship with his father's values, and with the Church of England as a whole.
-- Charles Dodgson's Education
During his early youth, Dodgson was educated at home. His "reading lists" preserved in the family archives testify to a precocious intellect: at the age of seven, he was reading books such as The Pilgrim's Progress.
He also spoke with a stammer - a condition shared by most of his siblings - that often inhibited his social life throughout his years. At the age of twelve he was sent to Richmond Grammar School in Richmond, North Yorkshire.
-- Charles Dodgson at Rugby
In 1846, Dodgson entered Rugby School where he was evidently unhappy, as he wrote some years after leaving:
"I cannot say that any earthly considerations would
induce me to go through my three years again. I can
honestly say that if I could have been secure from
annoyance at night, the hardships of the daily life
would have been comparative trifles to bear."
Dodgson did not claim he suffered from bullying, but cited little boys as the main targets of older bullies at Rugby. Stuart Dodgson Collingwood, who was Dodgson's nephew, wrote that:
"Even though it is hard for those who have only
known him as the gentle and retiring don to
believe it, it is nevertheless true that long after
he left school, his name was remembered as that
of a boy who knew well how to use his fists in
defence of a righteous cause, which was the
protection of the smaller boys."
Scholastically, though, he excelled with apparent ease. Mathematics master R. B. Mayor observed:
"I have not had a more promising boy
at his age since I came to Rugby."
The mathematics textbook that the young Dodgson used was
Francis Walkingame's 'The Tutor's Assistant; Being a Compendium of Arithmetic.' It still survives and contains an inscription in Latin, which translates as:
"This book belongs to Charles
Lutwidge Dodgson: hands off!"
Some pages also included annotations such as the one found on page 129, where he wrote "Not a fair question in decimals" next to a question.
-- Charles Dodgson at Oxford
Charles left Rugby at the end of 1849 and matriculated at the University of Oxford in May 1850 as a member of his father's old college, Christ Church.
He went into residence in January 1851. He had been at Oxford only two days when he received a summons home. His mother had died of "inflammation of the brain" - perhaps meningitis or a stroke - at the age of 47.
Charles' early academic career veered between high promise and irresistible distraction. He did not always work hard, but was exceptionally gifted, and achievement came easily to him.
In 1852, he obtained first-class honours in Mathematics Moderations, and was shortly thereafter nominated to a Studentship by his father's old friend Canon Edward Pusey.
In 1854, he obtained first-class honours in the Final Honours School of Mathematics, standing first on the list, graduating Bachelor of Arts. He remained at Christ Church studying and teaching, but the next year he failed an important scholarship through his self-confessed inability to apply himself to study.
Even so, his talent as a mathematician won him the Christ Church Mathematical Lectureship in 1855, which he continued to hold for the next 26 years. Despite early unhappiness,
Dodgson was to remain at Christ Church, in various capacities, until his death, including that of Sub-Librarian of the Christ Church library, where his office was close to the Deanery, where Alice Liddell lived.
-- Charles Dodgson's Health Issues
As a very young child, Charles suffered a fever that left him deaf in one ear. At the age of 17, he suffered a severe attack of whooping cough, which was probably responsible for his chronically weak chest in later life. In early childhood, he acquired a stammer, which he referred to as his "hesitation"; it remained throughout his life.
The young adult Charles Dodgson was about 6 feet (1.83 m) tall and slender, with curly brown hair and blue or grey eyes (depending on the account). He was described in later life as somewhat asymmetrical, and as carrying himself rather stiffly and awkwardly, although this might be on account of a knee injury sustained in middle age.
-- Charles Dodgson's Stammer
The stammer has always been a significant part of the image of Dodgson. While one apocryphal story says that he stammered only in adult company and was free and fluent with children, there is no evidence to support this idea. Many children of his acquaintance remembered the stammer, while many adults failed to notice it.
Dodgson himself seems to have been far more acutely aware of it than most people whom he met; it is said that he caricatured himself as the Dodo in Alice's Adventures in Wonderland, referring to his difficulty in pronouncing his last name, but this is one of the many supposed facts often repeated for which no first-hand evidence remains.
He did indeed refer to himself as the dodo, but whether or not this reference was to his stammer is simply speculation.
Dodgson's stammer did trouble him, but it was never so debilitating that it prevented him from applying his other personal qualities to do well in society. He lived in a time when people commonly devised their own amusements, and when singing and recitation were required social skills, the young Dodgson was well equipped to be an engaging entertainer.
He reportedly could sing tolerably well, and was not afraid to do so before an audience. He was adept at mimicry and storytelling, and was reputedly quite good at charades.
-- Charles Dodgson's Social Connections
In the interim between his early published writings and the success of the Alice books, Dodgson began to move in the pre-Raphaelite social circle. He first met John Ruskin in 1857 and became friendly with him.
Around 1863, he developed a close relationship with Dante Gabriel Rossetti and his family. He would often take pictures of the family in the garden of the Rossetti's house in Chelsea. He also knew William Holman Hunt and John Everett Millais, among other artists.
Charles knew fairy-tale author George MacDonald well - in fact it was the enthusiastic reception of Alice by the young MacDonald children that persuaded him to submit the work for publication.
-- Charles Dodgson's Politics, Religion, and Philosophy
In broad terms, Dodgson has traditionally been regarded as politically, religiously, and personally conservative. Martin Gardner labelled Dodgson as:
"A Tory who was awed by lords and
inclined to be snobbish towards
inferiors".
The Reverend W. Tuckwell, in his Reminiscences of Oxford (1900), regarded him as:
"Austere, shy, precise, absorbed in mathematical
reverie, watchfully tenacious of his dignity, stiffly
conservative in political, theological, social theory,
his life mapped out in squares like Alice's landscape".
Dodgson was ordained as a deacon in the Church of England on the 22nd. December 1861. In 'The Life and Letters of Lewis Carroll', the editor states that:
"His Diary is full of such modest depreciations of
himself and his work, interspersed with earnest
prayers (too sacred and private to be reproduced
here) that God would forgive him the past, and
help him to perform His holy will in the future."
When a friend asked him in 1897 about his religious views, Dodgson wrote in response that he was a member of the Church of England, but doubted if he was fully a 'High Churchman'. He added:
"I believe that when you and I come to lie down
for the last time, if only we can keep firm hold of
the great truths Christ taught us - our own utter
worthlessness and His infinite worth; and that He
has brought us back to our one Father, and made
us His brethren, and so brethren to one another -
we shall have all we need to guide us through the
shadows.
Most assuredly I accept to the full the doctrines
you refer to - that Christ died to save us, that we
have no other way of salvation open to us but
through His death, and that it is by faith in Him,
and through no merit of ours, that we are
reconciled to God; and most assuredly I can
cordially say I owe all to Him who loved me, and
died on the Cross of Calvary."
Dodgson also expressed interest in other fields. He was an early member of the Society for Psychical Research, and one of his letters suggests that he accepted as real what was then called 'thought reading.'
In 1895, Charles developed an argument on deductive reasoning in his article 'What the Tortoise Said to Achilles', which appeared in one of the early volumes of Mind. The article was reprinted in the same journal a hundred years later in 1995, with a subsequent article by Simon Blackburn entitled 'Practical Tortoise Raising.'
-- Charles Dodgson's Literary and Artistic Activities
From a young age, Dodgson wrote poetry and short stories, contributing heavily to the family magazine Mischmasch and later sending them to various magazines, enjoying moderate success.
Some time after 1850, he wrote puppet plays for his siblings' entertainment, of which one has survived: 'La Guida di Bragia'.
Between 1854 and 1856, his work appeared in the national publications The Comic Times and The Train, as well as smaller magazines such as the Whitby Gazette and the Oxford Critic. Most of this output was humorous, sometimes satirical, but his standards and ambitions were exacting. In July 1855 he wrote:
"I do not think I have yet written anything
worthy of real publication (in which I do not
include the Whitby Gazette or the Oxonian
Advertiser), but I do not despair of doing
so someday."
In March 1856, he published his first piece of work under the name that would make him famous. A romantic poem called 'Solitude' appeared in The Train under the authorship of 'Lewis Carroll.'
This pseudonym was a play on his real name: Lewis was the anglicised form of Ludovicus, which was the Latin for Lutwidge, and Carroll an Irish surname similar to the Latin name Carolus, from which comes the name Charles. The pseudonym was chosen by editor Edmund Yates from a list of four submitted by Dodgson, the others being Edgar Cuthwellis, Edgar U. C. Westhill, and Louis Carroll.
-- The Alice Books
In 1856, Dean Henry Liddell arrived at Christ Church, bringing with him his young family, all of whom would figure largely in Dodgson's life over the following years, and would greatly influence his writing career.
Dodgson became close friends with Liddell's wife Lorina and their children, particularly the three sisters Lorina, Edith, and Alice Liddell.
Charles was widely assumed for many years to have derived his own 'Alice' from Alice Liddell; the acrostic poem at the end of Through the Looking-Glass spells out her name in full, and there are also many superficial references to her hidden in the text of both books.
Dodgson himself repeatedly denied in later life that his 'little heroine' was based on any real child, and he frequently dedicated his works to girls of his acquaintance, adding their names in acrostic poems at the beginning of the text.
Gertrude Chataway's name appears in this form at the beginning of The Hunting of the Snark, and it is not suggested that this means that any of the characters in the narrative are based on her.
Information is scarce (Dodgson's diaries for the years 1858–1862 are missing), but it seems clear that his friendship with the Liddell family was an important part of his life in the late 1850's, and he grew into the habit of taking the children on rowing trips (first the boy Harry, and later the three girls) accompanied by an adult friend to nearby Nuneham Courtenay or Godstow.
It was on one such expedition on the 4th. July 1862 that Dodgson invented the outline of the story that eventually became his first and greatest commercial success. He told the story to Alice Liddell, and she begged him to write it down, and Dodgson eventually (after much delay) presented her with a handwritten, illustrated manuscript entitled 'Alice's Adventures Under Ground' in November 1864.
Before this, the family of friend and mentor George MacDonald read Dodgson's incomplete manuscript, and the enthusiasm of the MacDonald children encouraged Dodgson to seek publication. In 1863, he took the unfinished manuscript to Macmillan the publisher, who liked it immediately.
After possible alternative titles were rejected - 'Alice Among the Fairies' and 'Alice's Golden Hour' - the work was finally published as Alice's Adventures in Wonderland in 1865 under the Lewis Carroll pen-name, which Dodgson had first used some nine years earlier.
The illustrations were by Sir John Tenniel; Dodgson evidently thought that a published book would need the skills of a professional artist. Annotated versions provide insights into many of the ideas and hidden meanings that are prevalent in these books.[ Critical literature has often proposed Freudian interpretations of the book as "a descent into the dark world of the subconscious", as well as seeing it as a satire upon contemporary mathematical advances.
The overwhelming commercial success of the first Alice book changed Dodgson's life in many ways. The fame of his alter ego Lewis Carroll soon spread around the world. He was inundated with fan mail, and with sometimes unwanted attention.
Indeed, according to one popular story, Queen Victoria herself enjoyed Alice in Wonderland so much that she commanded that he dedicate his next book to her, and was accordingly presented with his next work, a scholarly mathematical volume entitled 'An Elementary Treatise on Determinants.'
Dodgson himself vehemently denied this story, commenting:
"It is utterly false in every particular:
nothing even resembling it has
occurred."
It is also unlikely for other reasons. As T. B. Strong commented in a Times article:
"It would have been clean contrary to all
his practice to identify the author of Alice
with the author of his mathematical works".
Although Charles began earning quite substantial sums of money, he continued with his seemingly disliked post at Christ Church.
Late in 1871, he published the sequel Through the Looking-Glass, and What Alice Found There. Its somewhat darker mood possibly reflects changes in Dodgson's life. His father's death in 1868 plunged him into a depression that lasted some years.
-- The Hunting of the Snark
In 1876, Dodgson produced his next great work, The Hunting of the Snark, a fantastical 'nonsense' poem, with illustrations by Henry Holiday, exploring the adventures of a bizarre crew of nine tradesmen and one beaver, who set off to find the snark.
It received largely mixed reviews from Carroll's contemporary reviewers, but was enormously popular with the public, having been reprinted seventeen times between 1876 and 1908. It has seen various adaptations into musicals, opera, theatre, plays and music. Painter Dante Gabriel Rossetti reputedly became convinced that the poem was about him.
-- Sylvie and Bruno
In 1895, 30 years after the publication of his masterpieces, Carroll attempted a comeback, producing a two-volume tale of the fairy siblings Sylvie and Bruno. Carroll entwines two plots set in two alternative worlds, one set in rural England and the other in the fairytale kingdoms of Elfland, Outland, and others.
The fairytale world satirises English society, and more specifically the world of academia. Sylvie and Bruno came out in two volumes and is considered a lesser work, although it has remained in print for over a century.
-- Charles Dodgson's Photography (1856–1880)
In 1856, Dodgson took up the new art form of photography under the influence first of his uncle Skeffington Lutwidge, and later of his Oxford friend Reginald Southey. He soon excelled at the art, and became a well-known gentleman-photographer. Charles even toyed with the idea of making a living out of it in his early years.
A study by Roger Taylor and Edward Wakeling exhaustively lists every surviving print, and Taylor calculates that just over half of his surviving work depicts young girls, though about 60% of his original photographic portfolio is now missing.
Dodgson also made many studies of men, women, boys, and landscapes; his subjects also include skeletons, dolls, dogs, statues, paintings, and trees. His pictures of children were taken with a parent in attendance, and many of the pictures were taken in the Liddell garden because natural sunlight was required for good exposures.
Charles also found photography to be a useful entrée into higher social circles. During the most productive part of his career, he made portraits of notable sitters such as John Everett Millais, Ellen Terry, Dante Gabriel Rossetti, Michael Faraday, Lord Salisbury, and Alfred Lord Tennyson.
By the time that Dodgson abruptly ceased photography in 1880, over 24 years), he had established his own studio on the roof of Tom Quad. Over the course of 24 years he created around 3,000 images, and was an amateur master of the medium, although fewer than 1,000 images have survived time and deliberate destruction.
Charles stopped taking photographs because keeping his studio working was too time-consuming. He used the wet collodion process; commercial photographers who started using the dry-plate process in the 1870's took pictures more quickly.
-- Charles Dodgson's Inventions
In order to promote letter writing, Dodgson invented "The Wonderland Postage-Stamp Case" in 1889. This was a cloth-backed folder with twelve slots, two marked for inserting the most commonly used penny stamp, and one each for the other current denominations up to one shilling.
The folder was then put into a slipcase decorated with a picture of Alice on the front, and the Cheshire Cat on the back. It was intended to organize stamps wherever writing utensils were stored. Carroll expressly noted in 'Eight or Nine Wise Words about Letter-Writing' that it was not intended to be carried in a pocket or purse, as individual stamps could easily be carried on their own. The pack included a copy of a pamphlet version of this lecture.
Another invention was a writing tablet called the nyctograph that allowed note-taking in the dark, thus eliminating the need to get out of bed and strike a light when one woke with an idea. The device consisted of a gridded card with sixteen squares and a system of symbols representing an alphabet of Dodgson's design, using letter shapes similar to the Graffiti writing system on a Palm device.
Charles also devised a number of games, including an early version of what today is known as Scrabble. He appears to have invented - or at least certainly popularised - the 'doublet', a form of brain-teaser that is still popular today, changing one word into another by altering one letter at a time, each successive change always resulting in a genuine word.
The games and puzzles of Lewis Carroll were the subject of Martin Gardner's March 1960 Mathematical Games column in Scientific American.
Charles' other inventions include:
-- A rule for finding the day of the week for any date
-- A a means for justifying right margins on a typewriter
-- A steering device for a velociam (a type of tricycle)
-- Fairer elimination rules for tennis tournaments
-- A new type of postal money order
-- Rules for reckoning postage
-- Rules for a win in betting
-- Rules for dividing a number by various divisors
-- A cardboard scale for the Senior Common Room at Christ Church which, held next to a glass, ensured the right amount of liqueur for the price paid
-- A double-sided adhesive strip to fasten envelopes or mount things in books
-- A device for helping a bedridden invalid to read from a book placed sideways
-- At least two ciphers for cryptography.
Charles also proposed alternative systems of parliamentary representation. He proposed the so-called Dodgson's method. In 1884, he proposed a proportional representation system based on multi-member districts, each voter casting only a single vote, quotas as minimum requirements to take seats, and votes transferable by candidates through what is now called Liquid democracy.
-- Charles Dodgson's Mathematical Work
Within the academic discipline of mathematics, Dodgson worked primarily in the fields of geometry, linear and matrix algebra, mathematical logic, and recreational mathematics, producing nearly a dozen books under his real name.
Dodgson also developed new ideas in probability and linear algebra (e.g., the first printed proof of the Kronecker–Capelli theorem). He also researched the process of elections and committees; some of this work was not published until well after his death.
-- Charles Dodgson's Mathematical Logic
Charles' work in the field of mathematical logic attracted renewed interest in the late 20th. century. Martin Gardner's book on logic machines and diagrams, and William Warren Bartley's posthumous publication of the second part of Dodgson's symbolic logic book have sparked a re-evaluation of Dodgson's contributions to symbolic logic.
In his Symbolic Logic Part II, Dodgson introduced the Method of Trees, the earliest modern use of a truth tree.
-- Charles Dodgson's Algebra
Robbins' and Rumsey's investigation of Dodgson condensation, a method of evaluating determinants, led them to the alternating sign matrix conjecture, which is now a theorem.
-- Charles Dodgson's Recreational Mathematics
The discovery in the 1990's of additional ciphers that Dodgson had constructed, in addition to his 'Memoria Technica', showed that he had employed sophisticated mathematical ideas in their creation.
-- Charles Dodgson's Correspondence
Dodgson wrote and received as many as 98,721 letters, according to a special letter register which he devised. He documented his advice about how to write more satisfying letters in a missive entitled 'Eight or Nine Wise Words about Letter-Writing'.
-- Charles Dodgson - The Later Years
Dodgson's existence remained little changed over the final twenty years of his life, despite his growing wealth and fame. He continued to teach at Christ Church until 1881, and remained in residence there until his death.
Public appearances included attending the West End musical Alice in Wonderland (the first major live production of his Alice books) at the Prince of Wales Theatre on the 30th. December 1886.
The two volumes of his last novel, Sylvie and Bruno, were published in 1889 and 1893, but the intricacy of this work was apparently not appreciated by contemporary readers; it achieved nothing like the success of the Alice books, with disappointing reviews and sales of only 13,000 copies.
The only known occasion on which Charles travelled abroad was a trip to Russia in 1867 as an ecclesiastic, together with the Reverend Henry Liddon. He recounts the travel in his 'Russian Journal', which was first commercially published in 1935.
-- The Death of Charles Dodgson
Dodgson died of pneumonia following influenza on the 14th. January 1898 at his sisters' home, 'The Chestnuts', in Guildford, Surrey, just four days before the death of Henry Liddell. Charles was two weeks away from turning 66 years old.
His funeral service was held at the nearby St. Mary's Church, and he was laid to rest at the Mount Cemetery in Guildford.
-- Charles Dodgson's Sexuality
Some late twentieth-century biographers have suggested that Dodgson's interest in children had an erotic element, including Morton N. Cohen in his 1995 book 'Lewis Carroll: A Biography.'
Cohen, speculates that:
"Dodgson's sexual energies sought unconventional
outlets.
We cannot know to what extent sexual urges lay
behind Charles's preference for drawing and
photographing children in the nude. He contended
the preference was entirely aesthetic. But given his
emotional attachment to children as well as his
aesthetic appreciation of their forms, his assertion
that his interest was strictly artistic is naïve.
He probably felt more than he dared acknowledge,
even to himself."
Cohen goes on to note that:
"Dodgson apparently convinced many of his friends
that his attachment to the nude female child form
was free of any eroticism, however later generations
look beneath the surface."
He argues that Dodgson may have wanted to marry the 11-year-old Alice Liddell, and that this was the cause of the unexplained "break" with the family in June 1863, an event for which other explanations are offered.
Biographers Derek Hudson and Roger Lancelyn Green stop short of identifying Dodgson as a paedophile (Green also edited Dodgson's diaries and papers), but they concur that he had a passion for small female children and next to no interest in the adult world. Catherine Robson refers to Carroll as:
"The Victorian era's most
famous (or infamous) girl
lover".
Several other writers and scholars have challenged the evidential basis for Cohen's and others' views about Dodgson's sexual interests. Hugues Lebailly has endeavoured to set Dodgson's child photography within the "Victorian Child Cult", which perceived child nudity as essentially an expression of innocence.
Lebailly claims that studies of child nudes were mainstream and fashionable in Dodgson's time, and that most photographers made them as a matter of course. Lebailly states that child nudes even appeared on Victorian Christmas cards, implying a very different social and aesthetic assessment of such material.
Lebailly concludes that it has been an error of Dodgson's biographers to view his child-photography with 20th.- or 21st.-century eyes, and to have presented it as some form of personal idiosyncrasy, when it was consistent with the norms of the time.
Karoline Leach's re-appraisal of Dodgson focused on his controversial sexuality. She argues that the allegations of paedophilia rose initially from a misunderstanding of Victorian morals, as well as the mistaken idea - fostered by Dodgson's various biographers - that he had no interest in adult women.
Leach termed the traditional image of Dodgson "the Carroll Myth". She drew attention to the large amounts of evidence in his diaries and letters that he was also keenly interested in adult women, married and single, and enjoyed several relationships with them that would have been considered scandalous by the social standards of his time.
She also pointed to the fact that many of those whom he described as "child-friends" were girls in their late teens and even twenties. She argues that suggestions of paedophilia emerged only many years after his death, when his well-meaning family had suppressed all evidence of his relationships with women in an effort to preserve his reputation, thus giving a false impression of a man interested only in little girls.
Similarly, Leach points to a 1932 biography by Langford Reed as the source of the dubious claim that many of Carroll's female friendships ended when the girls reached the age of 14.
In addition to the biographical works that have discussed Dodgson's sexuality, there are modern artistic interpretations of his life and work that do so as well – in particular, Dennis Potter in his play 'Alice' and his screenplay for the motion picture 'Dreamchild', and Robert Wilson in his musical 'Alice'.
-- Charles Dodgson's Ordination
Dodgson had been groomed for the ordained ministry in the Church of England from a very early age, and was expected to be ordained within four years of obtaining his master's degree, as a condition of his residency at Christ Church.
Charles delayed the process for some time, but was eventually ordained as a deacon on the 22nd. December 1861. But when the time came a year later to be ordained as a priest, Dodgson appealed to the dean for permission not to proceed.
This was against college rules and, initially, Dean Liddell told him that he would have to consult the college ruling body, which would almost certainly have resulted in his being expelled.
However for unknown reasons, Liddell changed his mind overnight, and permitted him to remain at the college in defiance of the rules. Dodgson never became a priest, unique amongst senior students of his time.
There is no conclusive evidence about why Dodgson rejected the priesthood. Some have suggested that his stammer made him reluctant because he was afraid of having to preach. Wilson quotes letters by Dodgson describing difficulty in reading lessons and prayers rather than preaching in his own words.
However Dodgson did indeed preach in later life, even though not in priest's orders, so it seems unlikely that his impediment was a major factor affecting his choice.
Wilson also points out that the Bishop of Oxford, Samuel Wilberforce, who ordained Dodgson, had strong views against clergy going to the theatre, one of Dodgson's great interests. Charles was interested in minority forms of Christianity (he was an admirer of F. D. Maurice) and "alternative" religions such as theosophy.
Dodgson became deeply troubled by an unexplained sense of sin and guilt at this time (the early 1860's), and frequently expressed the view in his diaries that he was a "vile and worthless" sinner, unworthy of the priesthood. This feeling of sin and unworthiness may well have affected his decision to abandon being ordained into the priesthood.
-- The Missing Diaries
At least four complete volumes and around seven pages of text are missing from Dodgson's 13 diaries. The loss of the volumes remains unexplained; the pages have been removed by an unknown hand.
Most scholars assume that the diary material was removed by family members in the interests of preserving the family name, but this has not been proven. Except for one page, material is missing from his diaries for the period between 1853 and 1863 (when Dodgson was 21–31 years old).
This was a period when Dodgson began suffering great mental and spiritual anguish, and confessing to an overwhelming sense of his own sin. This was also the period of time when he composed his extensive love poetry, leading to speculation that the poems may have been autobiographical.
Many theories have been put forward to explain the missing material. A popular explanation for one missing page (27th. June 1863) is that it might have been torn out to conceal a proposal of marriage on that day to the 11-year-old Alice Liddell.
However, there has never been any evidence to suggest that this was so, and a paper offers some evidence to the contrary which was discovered by Karoline Leach in the Dodgson family archive in 1996.
This paper is known as the "Cut Pages in Diary" document, and was compiled by various members of Carroll's family after his death. Part of it may have been written at the time when the pages were destroyed, though this is unclear.
The document offers a brief summary of two diary pages that are missing, including the one for the 27th. June 1863. The summary for this page states that Mrs. Liddell told Dodgson that there was gossip circulating about him and the Liddell family's governess, as well as about his relationship with "Ina", presumably Alice's older sister Lorina Liddell.
The "break" with the Liddell family that occurred soon after was presumably in response to this gossip. An alternative interpretation has been made regarding Carroll's rumoured involvement with "Ina": Lorina was also the name of Alice Liddell's mother.
What is deemed most crucial and surprising is that the document seems to imply that Dodgson's break with the family was not connected with Alice at all; until a primary source is discovered, the events of the 27th. June 1863 will remain in doubt.
-- Charles Dodgson's Migraine and Epilepsy
In his diary for 1880, Dodgson recorded experiencing his first episode of migraine with aura, describing very accurately the process of "moving fortifications" that are a manifestation of the aura stage of the syndrome.
Unfortunately, there is no clear evidence to show whether this was his first experience of migraine per se, or whether he may have previously suffered the far more common form of migraine without aura. The latter seems most likely, given that migraine most commonly develops in the teens or early adulthood.
Another form of migraine aura called Alice in Wonderland syndrome has been named after Dodgson's little heroine because its manifestation can resemble the sudden size-changes in the book. It is also known as micropsia and macropsia, a brain condition affecting the way that objects are perceived.
For example, an afflicted person may look at a larger object such as a basketball and perceive it as if it were the size of a golf ball. Some authors have suggested that Dodgson may have suffered from this type of aura, and used it as an inspiration in his work, although there is no evidence that he did.
Dodgson also suffered two attacks in which he lost consciousness.They were diagnosed as "epileptiform" seizures. Some have concluded from this that he was a lifetime sufferer of this condition, but there is no evidence of this in his diaries beyond these two attacks.
Sadi Ranson has suggested that Carroll may have suffered from temporal lobe epilepsy, in which consciousness is not always completely lost but altered, and in which the symptoms mimic many of the same experiences as Alice in Wonderland.
Carroll had at least one incident in which he suffered full loss of consciousness and awoke with a bloody nose, which he recorded in his diary and noted that the episode left him not feeling himself for "quite sometime afterward". This attack was diagnosed as possibly "epileptiform" and Carroll himself later wrote of his "seizures" in the same diary.
Most of the standard diagnostic tests of today were not available in the nineteenth century. Yvonne Hart, consultant neurologist at the John Radcliffe Hospital, Oxford, has concluded that Dodgson very likely had migraine, and may have had epilepsy, but she emphasises that she would have considerable doubt about making a diagnosis of epilepsy without further information.
-- Charles Dodgson's Legacy
There are societies in many parts of the world dedicated to the enjoyment and promotion of Charles' works and the investigation of his life.
Copenhagen Street in Islington, north London is the location of the Lewis Carroll Children's Library.
In 1982, Charles' great-nephew unveiled a memorial stone to him in Poets' Corner, Westminster Abbey.
In January 1994, an asteroid, 6984 Lewiscarroll, was discovered and named after Carroll.
The Lewis Carroll Centenary Wood near his birthplace in Daresbury opened in 2000.
Born in All Saints' Vicarage, Daresbury, Cheshire, in 1832, Lewis Carroll is commemorated at All Saints' Church, Daresbury in its stained glass windows depicting characters from Alice's Adventures in Wonderland. In March 2012, the Lewis Carroll Centre, attached to the church, was opened.
Smailholm Tower near Melrose in the Borders of Scotland has a wonderful display of artwork including figures from Sir Walter Scott's stories and songs. This one depicts the road to Elfland from Scott's "Thomas the Rhymer". Taken by diaduck.
"Home University Bookshelf, Vol. III, Folk-lore, Fables and Fairy Tales. The University Society, 1945. Many illustrations from 1909 through 1945.
This single family home in full X'mas light display is owned by Dave Rezendes in Livermore. With 345,000 lights, his house draws 40K visitors each year. When I showed up yesterday, there 's already a long line of crowd waiting to get in. There 's no entrance fee, just get in at your own risk and you can browse around in the front yard and backyard. To find out more detail, please see the following article:
www.contracostatimes.com/news/ci_22123851
Merry X'mas to all my Flickr friends.
Marlborough Sounds, South Island taken from Boom Rock, North Island, New Zealand [?]
Explore #134 - 13.04.2009
O hark, O hear! how thin and clear,
And thinner, clearer, farther going!
O sweet and far from cliff and scar
The horns of Elfland faintly blowing!
Blow, let us hear the purple glens replying:
Blow, bugle; answer, echoes, dying, dying, dying.
O love, they die in yon rich sky,
They faint on hill or field or river:
Our echoes roll from soul to soul,
And grow for ever and for ever.
Blow, bugle, blow, set the wild echoes flying,
And answer, echoes, answer, dying, dying, dying.
From The Princess: The Splendour Falls on Castle Walls by Alfred, Lord Tennyson (1809 - 1892)
Published by Hutchinson, undated
Everyone agreed the Peeky and Boo were the two naughtiest elves in the whole of Elfland. Ond on this particular week, they'd been even naughtier than usual...
The splendour falls on castle walls
And snowy summits old in story:
The long light shakes across the lakes,
And the wild cataract leaps in glory.
Blow, bugle, blow, set the wild echoes flying,
Blow, bugle; answer, echoes, dying, dying, dying.
O hark, O hear! how thin and clear,
And thinner, clearer, farther going!
O sweet and far from cliff and scar
The horns of Elfland faintly blowing!
Blow, let us hear the purple glens replying:
Blow, bugle; answer, echoes, dying, dying, dying.
O love, they die in yon rich sky,
They faint on hill or field or river:
Our echoes roll from soul to soul,
And grow for ever and for ever.
Blow, bugle, blow, set the wild echoes flying,
And answer, echoes, answer, dying, dying, dying.
For more information on the artist Kinuko Y Craft contact Chalk Farm Gallery at chalkfarm@newmexico.com
i changed when i got home to do some gardening!
tie dyed shirt- inspiringcolor.etsy.com
leggings- elfland.etsy.com
flip flops- old navy
delicious apple- local market from local farm!! mmmm, organic.
This is a small display that I built for one tower of my entertainment system. I put Santa's Visting Center in the middle of the display and surrounded it with buisinesses like the new Snowman Suplly Center, Pointy-Toed Shoe Maker, Elfland General Store and finally Santa's Sleigh Launch on the top of the moutain.
LEGO 71018 Minifigures Series 17
This set was released in 2017
Elf Maiden
“Hark! I sense adventure on the horizon!”
Most Elves are content to keep hidden within the woods of the Elflands, but the Elf Maiden has decided that her calling lies beyond their fabled borders. So with sword and shield in hand, she has set out to seek adventure in the great unknown, searching for villains to thwart, towns to protect, and princes or princesses in distress who could use a helping hand.
The Elf Maiden is clever, quick to make friends, and very determined. Once she sets herself on a path, she always sees her course through to the end. If she has only one regret, it’s having brought an enchanted golden singing sword along on her journey. The tunes are nice for long walks, but it’s really hard to get it to stay quiet when she’s trying to complete a stealthy quest!
[text from LEGO.com]
This is my entry for the elflands contest on eurobricks.com . It's the Elf Queen's griffin-pulled flying carriage. It's being escorted be a brave elf guard. That's good because there is an undead skeleton warrior preparing for an ambush!
10 April 2009
this is my going out outfit for the day. went to get some yarn for a sweater, to the outdoor market (bazaar, i guess a lot of folks call it) for veggies and fruits, dropped the little sister off at school.
dress- H&M from when i was 15
cardigan- remix'd
leggings- elfland.etsy.com
docs- vintageshoesnboots.etsy.com IN A TRADE!!
dog butt- connecticut