View allAll Photos Tagged EI400
Yashica TL Electro-X w/Yashinon DS-M 1.7/50mm, Kentmere 400@400, 2 solution compensating development: HC110A 2min and HC110E for 8min.
twas the night before christmas....
Pentax LX | FA 31/1.8 | Superia 800
*ei400 LX auto-exposure 5+minutes
Taken with Shen Hao 4x5 large format camera, Fujinon-A 240mm f9 lens on Ilford HP5 Plus EI400 sheet film. Digitized with Sony A7R3.
Backyard
KMZ Horizont (1960s)
Ilford HP5+
Ilfosol(1+9) 7 Min 20c
Epson v850
Silverfast 8
Lightroom
Taken on 13 Feb 2022
Randwick
New South Wales
Australia
Film: Eastman Double X 5222 @EI400
Process: Bellini Duo-Step (Diafine-type), 4+4 @22*C
Camera: Lomo LC-A (original Soviet version)
Scanner: Epson V800
I have not used my Lomo LC-A much, but I recently decided to try it out with some Double X and Bellini's Duo-Step which is now available in the UK from Nik and Trick Photographic Services of Folkestone.
This is another image from the initial roll. The old-style imaging rendering of the film seems to work well here, especially with the tree shadows and wispy clouds. It looks quite different from the Efke/pyro image I uploaded a couple of years ago.
The grain is probably in part a result of the sharpening needed following scanning with the V800. I'll likely rescan with my drum scanner at some point to see how it looks.
Lomo LC-A
Minitar 1
Ilford HP5+
HC-110B @20° 5min in Jobo1520
DSLR-Scan
Essential Film Holder with Digitaliza
Negative Lab Pro
Shot with a Pentax MX
SMC Pentax-A 100mm f/2.8 Macro lens
Ilford HP5+ 400 film
Shot at EI 400
Developed in the Ego Lab using XTOL (1:1, 5:12 min at 87F, agitating first and each minute)
Scanned on a Coolscan 9000ED
Somewhere in South Korea, could have been Seoul but I can't remember. CHM100 pushed two stops. Ricoh 35 ZF.
Film: Ilford HP5 Plus @EI400
Process: Bellini Hydrofen (Rodinal Special / Studional) 1+39, 5min 15 sec @20*C
Camera: Lomo LC-A (original Soviet version, 1986)
Scanner: Optronics ColorGetter Falcon drum scanner, wet-mounted scan
Got round to scanning another image from my trip to Paris last year, where the only analogue camera I took was my LC-A.
The film was exposed at box speed, and I used Bellini Hydrofen, a new version of Rodinal Special/Studional which is available in the UK from Nik and Trick Photographic Services of Folkestone. Inverted with my usual ColorPerfect workflow.
This particular shot was taken from a moving bus driving down the Boulevard de Clichy as night was falling. Given the lighting, I am surprised that that the image has turned out as well as it did – sharpness is very good, and the red of the windmill has been turned into gorgeous tones of grey. Exposure looks like it was spot on. Hopefully, I can get the same again!
CNY celebration in Chinatown (Manhattan, NYC), 2024.
M6, Leica Summilux 35/1.4 pre-asph v2,
HP5+,
HC-110 (dil b).
20240211HP5_13
St. Nicolas' Anglican Church
Bronica S2
Nikkor-H 50mm F/3.5
Rollei Retro 400s
EI400
ID11(1+1) 16 min 20c
Taken handheld on 30 January 2022
Coogee
New South Wales
Australia
Shot with a Minolta CLE
Leitz 40mm f/2 Summicron-C lens
Kodak Portra 400 film
Shot at EI 400
Developed by The Darkroom
Scanned on a Coolscan 9000ED
M6 TTL 0.58vf
JCH Street Pan
21mm SEM
Rodinal 1+50 20C 22:00
Yellow Filter
#classiclenses
#35mmfilm
#21mmSEM
#film
#filmphotography
#analog
#analogphotography
#classiclensespodcast
#photographywithclassiclenses
#bestvintagelens
#leica
#JCHStreetPan
#rodinal
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#banalmag
Snow. He recently became an only cat after his childhood friend and my other cat, Mimi, passed away from a sudden illness just two months prior to this photo being taken.
Dec 2017.
Leica M4
Leica 50 SUMMICRON (11817)
Ilford XP2 Super (EI400)
Kodak HC-110 (dilution E)
Nikon Coolscan 9000