View allAll Photos Tagged ECN2
Herrengrabenfleet
Ellerntorbrücke
Kodak Gold 200
ECN2 developed and 4K scanned by Silbersalz35
Minolta XD5
Minolta MD35-70 f/3.5
Försterteiche
Minollta XD5
Minolta MD35-70 f/3.5
Kodak Gold 200
ECN2 processed and 4K scanned by Silbersalz35
Alte Post und Rathaus
Along Post Str.
Old Post Office and City Hall after Sunrise
Analog Times
Silbersalz35 050D (Kodak Motion Picture Film)
ECN2 developed and 4K scanned by Silbersalz35
#4K-Scan #Silbersalz#Minolta #XD5 #MD35-70
Chilehaus
Film is not dead.
Kodak Gold 200
Minolta XD5
Minolta MD35-70 f/3.5
ECN2 developed and 4K scanned by Silbersalz35
Deichtor Office Zentrum
Knife Edge
Film is not dead
Kodak Gold 200
ECN2 developed and 4K scanned by Silbersalz35
Minolta Manual Focus
Minolta XD5
Minolta MD 35-70 f/3.5
At an exhibition of historic bicycles
Details of a saddle
Analog times
As they did full suspension
Kodak Ektar 100
ECN2 developed and 4K developed by Silbersalz35
Minolta XD5 manual focus
Minolta MD35-70 f/3.5
Milldale, Peak District.
Minolta X700
Fuji Reala 500D (expired) Developed in Bellini ECN2 kit, Sony mirrorless scan,
Processed in grain2pixel (PS).
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The founder greeting customers to Vidler's in East Aurora, NY. Photographed on a bright sunny January day atypically devoid of any snow ... #etbtsy
Continued on my blog: A Walk through East Aurora
Photographed with a 35mm Zorki 4 camera and Jupiter 8 50mm lens on Kodak Vision 3 250D color negative movie film, developed in ECN2.
Sunrise over the Western Desert, Eastman Kodak EXR 5245 50D well expired. Nikon F4 with Nikkor 43-86mm non- AI lens (Ken Rockwell WORST lens Nikon ever made, ghosts everywhere - You bet Ken!)
Developed in simple ECN-2 with Copper Sulfate bleach as published by Patrick Dignan based on Ackley ...
Dignan / Ackley ECN-2 (SCN-2) simple development
DEVELOPMENT SCHEDULE AT 75° F + ½° F •
Develop ................. 14 Minutes
Rinse ......................(two quick fills and dumps)
Short Stop
Remove Rem Jet Backing
Wash . . . . . . . . . . . 2 Minutes
Bleach . . . . . . . . . . 6 Minutes
Wash . . . . . . . . . . . 4 Minutes
Fix . . . . . . . . . . . . . 6 - 8 Minutes
Wash . . . . . . . . . . . 5 Minutes
DEVELOPER (One Shot)
Part A
Water (de-ionized) ................ 350.0 ml
Sodium Sulfite . . . . . . . . . . . . . . 1.28 grams
Potassium Bromide ................... 0.5 gram
Sodium Carbonate (mono) ..... 12.5 grams
Part B
Water (de-ionized) ............... 100.0 ml
CD-3 . . . . . . . . . . .. . . . . . . . . . 2.0 grams
pH 10.25 . . . . . . . .. . . . . . . . . 10.25
Immediately add 'B' to 'A', add de-ionized water to make a total of 500 ml. Age one hour, but do not use after 12 hours. Loses activity after that time. For one roll, use a double 35mm tank, with a dummy reel on top. Use only 250 ml developer. Agitation: Vigorous agitation must be avoided or overall density and contrast will increase to an unwanted level. Best method, seems to be to lift the tank from the water bath, invert and continue through 360 degrees, then set tank back in water bath. Do this once each 30 seconds. This will assure each point of the negative getting different developer and will prevent hot spots and streaks.
SHORT STOP
Water ............................ 450.0 ml
Sodium Bisulfite . . .. . .. . 2.5 grams
Add water to ............... 500.0 ml
pH 4.5
COPPER SULFATE BLEACH
Water ........................... 400.0 ml
Copper Sulfate ...... . . . . 25.0 grams
Ammonium Chloride ... 25.0 grams
When mixed, add water to .. . . . . 500.0 ml
pH 3.0
Dignan -- SIMPLIFIED COLOR PROCESSING FORMULAS
Pulling out a little again to show a ton of raindrops. Nikon F3HP, ORWO NC500 Color, ECN-2 development.
#Externstein #Analog #Times
#Silbersalz #050D (#Cine Film)
#ECN2 developed and 4K scanned by Silbersalz35
#MinoltaXD5
#MinoltaMD35-70f/3.5
Keep Chinatown Affordable.
Toronto, Ontario
Fujifilm 8522 F-64D
Nikon FE
Nikkor 50mm F1.8 E Series
Epson V370
canon F1
canon fd 200mm f2.8
fd 2x telephoto extender
fd macro extension tube
multi image filter
kodak vision 5201 50D (expired)
home development ECN2
v600 scan
Clouds in the sky mirrored in a pond
Försterteiche
Silbersalz 050D
ECN2 developed and 4K scanned by Silbersalz35
Minolta XD5
Minolta Md 50mm f/1.7
Lemgo, Lippe, Germany
Steinmühle
Beautiful half-timbered building
Film is not dead
Kodak Gold 200
ECN2 processed and 4K processed by Silbersalz35
Minolta XD5
Minolta MD35-70 f/3.5
Spiegel Building
Ericusspitze
"Der Spiegel" Building
Ericusspitze
Film is not dead.
Minolta XD5 and Minolta MD35-70 f/3.5
Kodak Ektar 100
ECN2 developed and 4K scanned by Silbersalz35 (14K super-high-res scan possible)
#Hamburg
Film is not dead
ECN2 developed and 4K scanned by Silbersalz35
Minolta XD
Minolta MD35-70 f/3.5
More from my first roll of home developed C41 film..
Model - Alex, UK
Leica M2 + Zeiss ZM Biogon 25mm f2.8 + ECN Kodak Vision3 500T 5219 (CineStill 800T with RemJet layer not removed) + 85B filter
..excuse the composition I guessed the framing while hanging over the edge of the railing!
Home C41 developing at 38 degrees.
With 2024 being the centenary of Marcello Mastroianni's birth, I had to get a shot of this sign advertising the Rome Film Fest which had a retrospective.
Nikon F4. Nikkor 50mm F1.2 lens. Mr. Negative 50D 35mm ECN2 film.
minolta-16 II subminiature / spy camera
rokkor 22mm f2.8
kodak vision 2 7218 500T @100 16mm (expired)
home development ECN2 (light leak / dev error)
v600 scan
Expired Fuji Eterna Motion picture Ecn2 film 500T shot at 400asa with an 85A filter.
Minolta 700si and Beercan.
Developed in Bellini Ecn2 kit,
Scanned using the Pixl-latr x Valoi hybrid holder and converted in Grain2pixel.
This colorful store in Flagler Beach is striking. Leica R4, Summicron 50mm f/2, Lomography Turquoise 2021, ECN-2 development.
Peking in the German Port Museum
Steel-Hulled Four-Masted Barque
One of the Flying P-Liners
Hansa-Hafen
Deutsches Hafenmuseum
Flying P-Liner
Tallship
en.wikipedia.org/wiki/Peking_(ship)
Film is not dead
Kodak Gold 200
ECN2 processed and 4K scanned by Silbersalz35
Minolta XD5
Minolta MD35-70 f/3.5
Multiple exposure of Via di San Michele, a filming location from Fellini's il Bidone, with a red Hoya Pop Colour Filter being used.
The doors with the flags above it was used as the police station in the film In the scene, the main character is released from here.
This was also the same street Fellini used as the exterior for Alberto's house in I Vitelloni. Not the same location, but just a few doors away.
Nikon F4. Mr. Negative 200T 35mm ECN2 film.