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Sinema tutkusu olanların tek adresi sinematutkusu.com film izleme ortamında Drishyam Filmini 1080p / 720p Kalitede Türkçe Dublaj izleyebilirsiniz. Keyifli seyirler dileriz. Drishyam 2015 – Hindistan Ajay Devgan , Tabu , Shriya Saran , Rajat Kapoor , Ishita Dutta 1080p Filmler, 2015 Fil...
Shriya in Hindi ‘Drishyam’ | Newfilmstills.com
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Drishyam 💙💙
A must watch....
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Good performance by actors.. But, not up to Mohanlal's natural acting talent... #movie #hindi #bollywood #mohanlal #lalettan #thecompleteactor #ajaydevgan #laijus #laijulazar #followforfollow #yungslutfollowtrain #uglyfollowtrain #f4f #followers #Mohanlal #Drishyam ⭐️⭐️⭐️⭐️⭐️
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Drishyam 2 movie set to release globally on February 19, 2021, in amazon prime video across 240 countries and union territories, the film was written and directed by Jeethu Joseph, and produced by Antony Perumbavoor
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Ajay Devgan , Tabu & Jaey Gajera together to promote of upcoming 2015 Indian thriller drama film Drishyam - Visuals Can Be Deceptive.
twitter.com/jaeygajeraindia
#AjayDevgn #AjayDevgan #ShriyaSaran #Tabu #RajatKapoor #IshitaDutta #NishikantKamat #KumarMangatPathak #AjitAndhare #AbhishekPathak #UpendraSidhaye #JeethuJoseph #PanoramaStudios #Viacom18MotionPictures — at Indiabulls Finance Centre.
Drishyam (2015) Movie Watch Online : Drishyam (English: Visual/The Sight) is an upcoming 2015 Indian thriller drama film directed by Nishikant Kamat. It features Ajay Devgn, Shriya Saran and Tabu in the lead roles, and produced by Kumar Mangat Pathak, Ajit Andhare and Abhishek Pathak. The film ...
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Mohanlal is an Indian Film Actor, Producer, Playback Singer and Distributor known for his works in Malayalam Cinema Industry.
Mohanlal made his acting debut in the Malayalam film "Thiranottam" in the year 1978.
Till now Mohanlal has acted in more than 340 films.
Some Popular Movies of Mohanlal are
Devasuram
Kireedam
Spadikam
Drishyam
Bharatham
Mohanlal has won five National Film Awards,and also nine Kerala State Film Awards.
The Government of India honored him with the Padma Shri in 2001, and Padma Bhushan in 2019, India's fourth and third highest civilian honors, for his contributions to Indian cinema.
Check out here for the complete list of Mohanlal movies with a movie star cast, movie director, movie runtime, movie trailer and movie release date on Hoblist.
Click on Up arrow to vote for the best Mohanlal Movies on Hoblist.
Click here:-https://hoblist.com/list/vinay/movies/mohanlal-movies-list
Ajay Devgn & Jaey Gajera together watches 2015 Indian thriller drama film Drishyam - Visuals Can Be Deceptive. Film is Now Running Successfully World Wide. Visit your nearest cinemas today. twitter.com/jaeygajeraindia #AjayDevgn #AjayDevgan #ShriyaSaran #Tabu #RajatKapoor #IshitaDutta #NishikantKamat #KumarMangatPathak #AjitAndhare #AbhishekPathak #UpendraSidhaye #JeethuJoseph #PanoramaStudios #Viacom18MotionPictures — in Mumbai, Maharashtra, India.
Ajay Devgn & Jaey Gajera together watches 2015 Indian thriller drama film Drishyam - Visuals Can Be Deceptive. Film is Now Running Successfully World Wide. Visit your nearest cinemas today. twitter.com/jaeygajeraindia #AjayDevgn #AjayDevgan #ShriyaSaran #Tabu #RajatKapoor #IshitaDutta #NishikantKamat #KumarMangatPathak #AjitAndhare #AbhishekPathak #UpendraSidhaye #JeethuJoseph #PanoramaStudios #Viacom18MotionPictures — in Mumbai, Maharashtra, India.
Ajay Devgan , Tabu & Jaey Gajera together to promote of upcoming 2015 Indian thriller drama film Drishyam - Visuals Can Be Deceptive.
twitter.com/jaeygajeraindia
#AjayDevgn #AjayDevgan #ShriyaSaran #Tabu #RajatKapoor #IshitaDutta #NishikantKamat #KumarMangatPathak #AjitAndhare #AbhishekPathak #UpendraSidhaye #JeethuJoseph #PanoramaStudios #Viacom18MotionPictures — at Indiabulls Finance Centre.
Jithu Joseph on working with Kamal Haasan-Drishyam Malayalam Movie Remake-Papanasham Tamil Movie-Onlookers Media
We last saw Tabu and Ajay Devgn in Drishyam and we have to say that their performances were top notch. After working in Haqeeqat, Vijaypath, Thakshak, and Drishyam, the duo has collaborated for another project again.
Ajay Devgn has apparently signed the actress for his next home production, which is a supernatural thriller. While he is already planning one film starring Kajol, he has now thought of making another film with Tabu too. While the lead hero hasn’t been decided yet, we hear that the superstar has spoken to his Rajneeti co-star Arjun Rampal to play the male lead opposite Tabu.
We haven’t seen Tabu and Arjun work together ever, so this fresh pair will be interesting to watch. Tabu will be seen next in Abhishek Kapoor’s Fitoor after replacing Rekha, while Arjun is currently shooting for Rock On 2. If Arjun agrees, the film may take off next year.
Currently Ajay Devgn is acting in, producing and directing his next Shivaay, which is also a thriller. Shivaay, also starring Sayesha Saigal, is being shot in Mussorie. The crew will then move to Bulgaria, Canada and a few other location for shoot. After wrapping up this film, Ajay will concentrate on the other two films that he is planning. filmiy.in/bollywood/tabu-and-arjun-rampal-in-ajay-devgns-...
Ajay Devgn & Jaey Gajera together watches 2015 Indian thriller drama film Drishyam - Visuals Can Be Deceptive. Film is Now Running Successfully World Wide. Visit your nearest cinemas today. twitter.com/jaeygajeraindia #AjayDevgn #AjayDevgan #ShriyaSaran #Tabu #RajatKapoor #IshitaDutta #NishikantKamat #KumarMangatPathak #AjitAndhare #AbhishekPathak #UpendraSidhaye #JeethuJoseph #PanoramaStudios #Viacom18MotionPictures — in Mumbai, Maharashtra, India.
Ajay Devgn & Jaey Gajera together watches 2015 Indian thriller drama film Drishyam - Visuals Can Be Deceptive. Film is Now Running Successfully World Wide. Visit your nearest cinemas today. twitter.com/jaeygajeraindia #AjayDevgn #AjayDevgan #ShriyaSaran #Tabu #RajatKapoor #IshitaDutta #NishikantKamat #KumarMangatPathak #AjitAndhare #AbhishekPathak #UpendraSidhaye #JeethuJoseph #PanoramaStudios #Viacom18MotionPictures — in Mumbai, Maharashtra, India.
Happy birthday ‘Shriya Saran’!!!
Shriya Saran, celebrates her 33rd birthday today! Shriya is an Indian film actress who majorly works for Telugu and Tamil films. She starred in Hindi and Kannada films too. Shriya made her Bollywood debut with the film, ‘Tujhe Meri Kasam’ which fared w...
HISTORIC AVATAR DECLARATION DAY - 20th October, 1940
The year 1940 was very significant. Satyanarayana Raju - Sathyam, Raju, Sathya, as he was affectionately called by his play mates, classmates, villagers, members of his family and even his teachers revealed his identity, his reality in three phases The first one was in 8th March 1940; the second one on May 23rd and the final Declaration on 20th October, the same year, which brought a total change in the entire town of Uravakonda. Sathya from that day onwards gave up his studies – declared that he was Sai Baba and that his devotees are calling him and that he would carry on his task and left the house and family.
On the twentieth day of October, 1940, Sathya started for school as usual at Uravakonda. The Excise Inspector of the place, Sri Anjaneyulu, who was very much attached to the young Baba, accompanied Him as far as the school gate and reluctantly went home. He seemed to see a superb halo around the face of Baba that day, and he could not take his eyes away from that enchantment. Within a few minutes Baba also turned back to the house. Standing on the outer doorstep, He cast aside the books He was carrying and called out, "I am no longer your Sathya. I am Sai." The sister-in-law came from the kitchen and peeped out; she was almost blinded by the splendour of the halo which she saw around Sai Baba's Head! She closed her eyes and shrieked. Baba addressed her, "I am going. I don't belong to you; Maya (illusion) has gone; My devotees are calling Me; I have My Work. I cannot stay any longer." So saying, He turned and left in spite of her pleadings. The brother hurried home on hearing of this, but Sai Baba only told him, "Give up all your efforts to 'cure' Me. I am Sai. I do not consider Myself related to you." Neighbour Sri Narayana Sastri heard the noise; he listened and realized that it was something serious. He ran in. Seeing the splendour of the halo, he fell at Sai Baba's Feet. He too heard the historic declaration: "Maya has left; I am going; My Work is waiting."
Seshama Raju was non-plussed. He could hardly collect his wits to meet the new situation. A boy, just fourteen, talking of devotees, work, illusion, and the philosophy of "belonging"! He could think of only one plan. Sathya was entrusted to him by his parents, and it was therefore his task to inform them and keep Sathya in the house until they came to Uravakonda for Him.
But Sathya would not step into the house again. He moved out into the garden of Sri Anjaneyulu's bungalow and sat on a rock in the midst of the trees. People came into the garden from all directions bringing flowers and fruits. The very first song which He taught the astonished mass of humanity was an invitation to surrender to the Feet of the Guru who had so mercifully appeared. It also contained a lesson that Baba has always emphasized since then that Bhajan or reverential adoration must be a mental upsurge, not an oral exercise. It ran thus:
Manasa Bhajare Guru Charanam,
Dustara Bhava Sagara Taranam
Guru Maharaj Guru Jai Jai
Sai Natha Sad Guru Jai Jai
"Meditate in thy mind on the Feet of the Guru.
This can take you across the difficult sea of existence in birth after birth." (Sathyam Sivam Sundaram Part I)
I held the hand of Narayana Raju, the then Municipal Commissioner of Bellary and asked, “What is this?” He said, “It is my hand.” I took out the pen from his pocket and asked, “What is this?” “It is my pen”, he said. “You say, it is my hand, my pen, my body, my mind, my senses, etc. The word ‘my’ indicates that you are different from all this. Then who are you? I asked him. Then everyone started thinking, “Yes, what Raju says is correct. We say, this mine and that is mine, but we do not know who we are.” Everybody was silent. They accepted that they did not know their true identity. I told them that I had come down in human form only to make people realise their true identity.
It is the eye that sees and the mind that thinks. (Showing the ring and handkerchief. On what basis can you say that it is a handkerchief? You say, my mind is the basis for all this. What is mind? Whom does it belong to? You do not know. What you think you know, in reality, you do not know, that is your true Self. Make efforts to realise it.
From that day (20th October 1940) onwards, many seekers of Truth started visiting Me. They used to say,”Raju, What You are saying is correct. But how are we to realise our true identity?” People quote from scriptures and talk high philosophy but do not know their real meaning. “You say, this is my ring, my body, my handkerchief, so on and so forth. Then who are you?” I questioned them. They had no answer. Then I started explaining thus: “There are two important aspects that you have to consider, one is Drishyam (seen) and the other is Drastha (seer). Yad Drishyam Thannasyam (all that is seen is bound to perish). So, whatever you is only an illusion. You are Drashta that is your true identity.”
The English lecturer, H.S. Ramana was a noble person. His house was on the way to My school. He used to sit in the front verandah of his house. As soon as he saw Me, he used to call 'Raju!’, take Me into his house and offer Me coffee and snacks. But, I was not interested in these worldly things. Earlier I used to address him as 'Sir’. But, from that day onwards, the worldly relationship of teacher-student had ceased between us. I used to tell him that all that was seen by the eye is merely Drishyam, which was perishable and that one day one had to go beyond and search for the Drastha. From that day onwards wherever I went and whomever I met, I used to teach these higher principles.
The, one day Ramana called Seshama Raju and told him. ”Seshama Raju! Do not trouble yourself much in trying to understand the behaviour of Sathyam. This boy is delving deeper and deeper into the mysteries of life. It is not possible for anybody to fathom His true nature. Let us wait for some time and see”, saying thus, he took Me into his house and offered snacks, coffee, meals, etc., with great love. Poor man! He did not realise that I was never interested in those worldly maters. I did not touch any of those food stuffs. In My view, they were all worldly things which underwent constant change. They were never permanent. I explained to him, “you brought this Upma for Me. How real is this stuff? Only till one consumes it. What happens o it after eating? Nobody can see its shape thereafter. It just disappears. You are all considering these unreal worldly things as real.” Thus, I started teaching them higher Vedantic concepts. H.S.Ramana was astonished at MY knowledge of these higher principles. Till then, he was addressing Me as Raju! Raju!” But, from then on he started addressing Me as ‘Guruji’! Holding My feet, he pleaded with Me “Guruji! Please come to my house.” Those who were witnessing the scene were amazed that this elderly gentleman was holding the feet of this young boy, his student. Then Ramana declared in front of all those people, “Not only me; a day will come when the entire world will fall at His Feet.” The people gathered there on that occasion were all powerful, holding high positions in society. There was a neighbour by name Ramnarayana Sastri, who was an astrologer. He was called in and appraised of all those higher truths of life which I was explaining to them. Sri Sastri was amazed at My knowledge of Vedantic concepts at such a young age and shed tears of joy. One or two drops of tears fell at MY feet. From then onwards, everybody in Uravakonda started addressing Me as Sathya Sai Baba. I told them that I had come only for the purpose of revealing this truth. Unable to comprehend the full truth about My revelations, some of them questioned Me, “How can You declare Yourself to be Sai Baba?’ I just took some flowers in My hand and threw them on the floor. Lo and behold! The flowers arranged themselves as Sathya Sai Baba in Telugu letters. On witnessing this miracle, they were wonderstruck and dumbfounded! Then, everybody started chanting in chorus “Sathya Sai Baba Ki Jai”, “Sathya Sai Baba Ki jai”!
I emphatically told them that this was a name which they themselves had ascribed to Me and, in fact, I had no name at all! I declared thus on the occasion thus:
Know that I am Sai in reality,
Cast off your worldly relationships.
Give up your efforts to restrain Me,
The worldly attachments can no longer bind me,
None, however great he may be, can hold Me. (Telugu Poem)
I got up and started walking away. In the meanwhile, all those assembled there including Ramana and Sastri tried to follow Mw, but to strive for self- introspection and mental transformation. Since I am not the body, none can hold Me. Therefore, I advised them to follow My ideals. Only then can they realise My true nature.
In this vast expanse of the universe, right from the minutest atom to the mightiest, everything is permeated by the Atmic reality. It appears as minutest of the minute and mightiest of the mighty. In fact, the principles of microcosm and macrocosm is the fundamental reality which You have to enquire into. That is why Ramana Maharshi used to say, “Enquire, who you really are?’
You are not a single entity.
You are. In fact, three in one,
The one you think you are, (body)
The one others think you are (mind) and
The one you really are (Atma).
The Atma is known as conscience and the body which consists of the senses is called conscious. The Chaitanya (consciousness) which is present in all, transcends the senses. There is yet another principle that is beyond consciousness. It is called Super consciousness.
In the earlier days, not many people knew who Sai Baba was. He was considered a Muslim saint. When I first returned to Puttaparthi declaring Myself as Sai Baba, people thought that I had taken a Muslim name. But, no one can bind Me to a particular religion like Hinduism or Islam.
The Vaishnavites say that the Lord Vishnu is the greatest
While the Saivaites declare that Lord Siva is the greatest of all. Ganapatyas (the worshippers of Ganapati) declare that Ganapati is the greatest.
The educated say Goddess Sarada is the greatest.
Shaaktas (worshippers of Shakti) proclaim that Goddess Shakthi is the greatest.
My devotees say I am the greatest. Some others say all are one.
People may speak on the basis of their feelings but in truth,
There is only one GOD and that the rest are names. (Telugu Poem)
Different people may ascribe different names to the Atmic Reality and try to define it in different ways. But The underlying Atma Tattwa is one and the same. This truth has to be explained to the people in an understandable language. You can see that thee some houses beyond. In the front portion of the house, you will find a verandah; then a living room and then kitchen. Thereafter, you will find a bathroom and a toilet. Thus, there are different names for different utilities. How did they acquire these names? It is only because they are so divided by walls, for different purposes. But, the truth is they are all parts of the same house. Similarly, different people have different relationships with people like mother, brother, etc. From where did you acquire these relationships? Everything is your making. Remove these barriers. What remains is a vast expanse of oneness. One person refers to Divinity as Atma, another refers it as Brahman and the third one calls it as Vishnu. These are only names ascribed by human beings in the nameless, formless, attributeless Divinty. The Brahma Tattwa is one that has no names ascribed to it.
Where did this Brahma come from? The Atmic consciousness that permeates every living being is referred as Brahman. When it is individualised, it is called conscience. It is also referred to as Jiva. When the Atma Tattwa is encased in a body, it becomes an individual. The individual, the Atma and consciousness – ALL THE THREE ARE ONE AND THE SAME. People think they are different because they are given different names. Remove the names. There is only one Atma Tattwa in every individual. It has no form. It assumes different forms by joining different individuals. Supposing you name this object (showing handkerchief) as Atma. It is a handkerchief in common parlance. But, when you look at it from a spiritual angle, it is an object. I call it a thread. Again, after some time I refer to it as cotton; whether we call it as hand kerchief or thread or cotton, it refers to only one object. Only different names are given to the object. Take for instance the names of Rama and Krishna. Rama was not born with particular name. He was christened Rama only after His birth. Similarly, the name of Krishna. Since He was an embodiment of bliss, He was referred to as Krishna. Akarshana sakkti Iti Krishna( because He attracts, He is Krishna). But, His real nature is Ananda. He is Ananda Swarupa (embodiment of bliss) The same principle has taken different names. This one single principle Ananda is:
Brahmanandam, Parama Sukhadam, Kevalam Jnanamurtim,
Dwandwateetam, Gagana Sadrisham, Tattwamasyadi Lakshyam,
Ekam, Nityam, Vimalam, Achalam, Sarvadhee Sakshibhutam,
Bhavateetam Trigunarahitim
(God is the embodiment of Supreme bliss, He is wisdom absolute, the One without a second, beyond the pair of opposites, expansive and pervasive like the sky, the goal indicated by the Mahavakya Tattwamasi, the eternal, pure, unchanging, the witness of all functions of the intellect, beyond al mental conditions and the three Gunas of Sathwa, Rajas, and Thamas).
Divinity has no attributes. How can one give a name to it? Since it is not possible to assign any particular name to this principle, they named it as Atma. This Atma Tattwa is permeating every individual. It has no specific form. Explaining thus, I told those people that it is only for making them realise this principle that I have come. Then, Seshama Raju put a big question. He was a Telugu Pandit. Whatever question he put, had a certain value. He questioned, “Who are You?’ I answered. “Since you are calling Me as Sathya, I am Sathya. Since you are referring to Me as your brother, I am your brother, Since you call Me as a student, I am a student. By whatever name and form you refer to Me, I assume that name and form. In fact, no one is able to realise the truth, No one has any relationship whatsoever with Me. Call Me by any name, I will answer. If you call Me “Sai”, I will answer. If you call Me, “Baba”, I will respond. By whatever name you call Me, it is the same for Me. All these names are only names ascribed to Me. I have, in fact, come to make you realise thus truth” (DD 20th & 21st October 2003 p 7/12)
Bhagawan Baba Assures us: "Call Me whenever you need Me; I shall be with you". All belong to Me and I belong to all. My only wealth is love. Do not entertain any doubt or weakness. I am ready to give whatever you require. Be courageous. Why fear when I am here? "
Ajay Devgan , Tabu & Jaey Gajera together to promote of upcoming 2015 Indian thriller drama film Drishyam - Visuals Can Be Deceptive.
twitter.com/jaeygajeraindia
#AjayDevgn #AjayDevgan #ShriyaSaran #Tabu #RajatKapoor #IshitaDutta #NishikantKamat #KumarMangatPathak #AjitAndhare #AbhishekPathak #UpendraSidhaye #JeethuJoseph #PanoramaStudios #Viacom18MotionPictures — at Indiabulls Finance Centre.
Ajay Devgan , Tabu & Jaey Gajera together to promote of upcoming 2015 Indian thriller drama film Drishyam - Visuals Can Be Deceptive.
twitter.com/jaeygajeraindia
#AjayDevgn #AjayDevgan #ShriyaSaran #Tabu #RajatKapoor #IshitaDutta #NishikantKamat #KumarMangatPathak #AjitAndhare #AbhishekPathak #UpendraSidhaye #JeethuJoseph #PanoramaStudios #Viacom18MotionPictures — at Indiabulls Finance Centre.
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Newton gets selected as India’s official entry to the Oscars
The second half of September is always an exciting one. After all, it’s the time when the Film Federation of India (FFI) decides which film should be the official entry of India to the Academy Awards, also known as the Oscars. And this time, it’s a Hindi film that has got the coveted chance. That flick is none other than Eros International and Colour Yellow Productions’ Newton, which incidentally has also released today in theatres.
Newton is a story of a rookie government officer who goes to the Naxal-infested jungles of Chhattisgarh to conduct free and fair elections there and how his righteousness leads to hilarious and even shocking consequences. The lead role is essayed by Rajkummar Rao and the film also stars Pankaj Tripathi, Raghubir Yadav, Anjali Patil and Raghubir Yadav. It is directed by Amit Masurkar, who rose to prominence with the indie film Sulemani Keeda. Newton had its world premiere at the 67th Berlin International Film Festival.
Aanand L Rai of Colour Yellow Productions said, “Good films need to reach the audience. Period. We as a production company are lucky to be in a place that we can be instrumental in this process. Over the years people have found connect with Colour Yellow Productions and good storytelling and we don’t want to let go of any opportunity that we get in this regard. Newton is an important film and we will call it an investment not a punt. We really believe the film it’s getting what is deserves and hope it soars more heights.”
Director Amit Masurkar says, “It’s a great honour for us to represent India at the Oscars. We hope this film will bring attention to the need to strengthen democracy in our country. The film is in theatres at the moment and this announcement will help us reach out to a larger audience.”
Manish Mundra, founder of Drishyam Films and producer of Newton says, “This is the most incredible news of our lives – all of our hard work and faith is finally paying off. Newton is a very important film and we cannot thank the Film Federation of India jury enough for recognising and appreciating our efforts. There is truly no greater honour than representing our country at the global stage. And for the news to be announced on the day of Newton‘s theatrical release across India – the stars are truly aligning for us. The critics have spoken, and now we cannot wait for our Indian audiences to go watch the film in the theatres.”
Sunil Lulla, Managing Director, Eros International Media Ltd says, “It gives us immense pleasure that Newton is India’s official entry to Oscars 2018. We at Eros are extremely proud as this film is totally deserving of this huge honour and we will continue to back good cinema as always.”
This is the second time in years that a film currently running in theatres has been selected as India’s official entry to the Oscars. The last such film in recent times that also had a similar experience was the 2012 film Barfi, starring Ranbir Kapoor, Priyanka Chopra and Ileana D’Cruz. The selection of Barfi however led to major controversies as the film was criticized for lifting scenes from prominent Hollywood and other world cinema films. The year after, 2013, saw the biggest fight of Oscar race ever. A small Gujarati film, The Good Road, was sent to Oscars which angered and shocked everyone in the industry. It was the same year when The Lunchbox, starring Irrfan Khan, Nimrat Kaur and Nawazuddin Siddiqui, had hit screens and had created waves across the world like never before. It was believed that The Lunchbox had high chances of picking an Oscar and that India lost a chance of winning the golden trophy. From 2014 onwards however, all the choices have been controversy-free – the small budget Liar’s Dice, hard-hitting Marathi film Court and the intense Tamil thriller Visaranai respectively.
The collections of Newton have been very poor till now and it remains to be seen if this news give a boost to its earnings in the days to come.
Newton gets selected as India’s official entry to the Oscars
Ajay Devgan , Tabu & Jaey Gajera together to promote of upcoming 2015 Indian thriller drama film Drishyam - Visuals Can Be Deceptive.
twitter.com/jaeygajeraindia
#AjayDevgn #AjayDevgan #ShriyaSaran #Tabu #RajatKapoor #IshitaDutta #NishikantKamat #KumarMangatPathak #AjitAndhare #AbhishekPathak #UpendraSidhaye #JeethuJoseph #PanoramaStudios #Viacom18MotionPictures — at Indiabulls Finance Centre.
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Drishyam
2015 Film
Drishyam (English: Visual/The Sight) is a 2015 Indian thriller drama film directed by Nishikant Kamat.It features Ajay Devgn,Shriya Saran and Tabu in the lead roles,and produced by Kumar Mangat Pathak, Ajit Andhare and Abhishek Pathak.The film is a remake of the...
www.downloadmovies.website/drishyam-2015-hd-movie-torrent...
Kamal Hassan's Papanasam (Drishyam Remake) Pic Leaked | Newfilmstills.com
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Ajay Devgn has started shooting for Drishyam 2. He shared a picture from the set with his fans to inform them of the good news.
Ajay Devgn's Drishyam, which was released in 2015, was a huge hit. This is the Hindi remake of Mohanlal's Malayalam film of that name, which came out in 2013. Ajay is now helping to get Drishyam 2 into production. The actor shared a photo with co-star Shriya Saran and filmmaker Abhishek Paak on social media.
Ajay Devgan starts shooting for Drishyam 2
Soon, Ajay Devgn will appear in the Disney+ Hotstar's Rudra. As expected, Drishyam 2, the sequel to Drishyam, is currently in production. #Drishyam2 begins with Ajay sharing a photo from the sets and asking, "Can Vijay save his family again?". @tabutiful @shriya_saran1109 @abhishekpathakk @kumarmangatpathak (sic)."
twitter.com/ajaydevgn/status/1494167479136157696
Shriya Saran and Ajay Devgn will reprise their roles as Vijay Salgaonkar, and Nandini Salgaonkar respectively in the film. Drishyam is a film starring these two actors as husband and wife.
Drishyam by Nishikant Kamat is an emotional thriller about Vijay Salgaonkar, a cable operator. (Ajay) His life revolves around his family: Nandini (Shriya Saran), Anju, and Anu. Tabu plays the role of IG Meera Deshmukh.
www.spirenews.net/breaking/ajay-devgan-starts-shooting-fo...
Dum Ghutta Hai Full HD Video Song : Drishyam Movie 2015 | Ajay Devgn, Shriya Saran & Tabu
Title: Dum Ghutta Hai
Lyrics: Gulzar
Music: Vishal Bhardwaj
Singer: Rekha Bhardwaj & Rahat Fateh Ali Khan
Music Producer: Ketan Sodha
Nylon Guitar: Chintoo Singh
Flute: Paras Nath
Percussions:...
www.hitclues.com/dum-ghutta-hai-full-hd-video-song-drishy...
Masaan
2015 Film
Fly Away Solo (Hindi title: मसान, Masaan) is a 2015 Indian Hindivdrama film directed by Neeraj Ghaywan.The directorial debut film is an Indo-French co-production produced by Drishyam Films, Macassar Productions, Phantom Films, Sikhya Entertainment, Arte France Cinema and ...
www.downloadmovies.website/masaan-2015-hd-movie-torrent-d...
Kanunun ızdırap kurallarından ve adaletsizliğinden ailesini korumaya çalışırken beklenmedik aynı suça müdahil bire bir ev reisinin hikayesi anlatılmaktadır. Bakalım Ailesini ve kendisini bu keleş dünyadan kurtabilecek midir?
Drishyam | 2015 (Hint Filmi) dizi film izle
Everybody knows drishyam is being remade by Kamal hasan and Gautami,As per the trade chemistry between lead couple is awesome and once again Kamal did a terrific job .Movie got overall a postive talk from both critics and audience and anothet hit film for kamal hasan
cinemababu.com/kamal-hasan-s-papanasanam-got-positiv-talk...
અભિનેતા અજય દેવગણની આગામી ફિલ્મ ‘દૃશ્યમ’નું ટ્રેલર રિલીઝ થયું છે. આ ટ્રેલરને ગુરુવારે મુંબઈના એક પ્રિવ્યુ થીયેટરમાં લોન્ચ કરવામાં આવ્યું છે. આ અવસર પર આ ફિલ્મની પૂરી ટીમ હાજર હતી.
www.vishvagujarat.com/ajay-devgns-film-drishyam-trailer-r...
#Drishyam Official Trailer First Look #AjayDevgn #Tabu & #ShriyaSaran - Wrong Or Wronged
Watch it here: bit.ly/1ARhvrH