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Don't know how many times I used one of these at school, or had one jabbed in my thumb :)

Quando il saggio mostra il cielo, la luna, il sole e le stelle e i pianeti...lo sciocco purtroppo guarda il dito!

Ricerca, attenzione e cura. Tutto supera la tecnica di per se stessa insuperabile, qui rimane poesia.

Special thx to Federico Soffici

  

Taken with a Nokia N73

 

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Ink and wax on paper

The Sant Ferran Castle (Catalan: Castell de Sant Ferran) is situated on a hill in Figueres, Catalonia at the end of Pujada del Castell. It is a large military fortress built in the eighteenth century under the orders of several military engineers, including Pedro Martín Cermeño and Juan Martín Cermeño. It is the largest man-made monument in Catalonia.

Wikipedia

boat approaching our cruise ship in Alaska

One night, I attempted to sketch my mother. I worked on the drawing for a while, focusing mainly on her eyes. For some reason, I could not capture that sense of watchful isolation that shielded her vision. Hence, I practiced on Ms. Angel Aquino's portrait instead. I knew then that if I get this portrait "right", I would be able to draw my mother's portrait...and I did.

 

This is actually the "Genesis" of most of the pieces on my SHADOWS series- a compressed charcoal study on a 90gsm smooth paper.

 

for details=> www.saatchiart.com/art/Drawing-GUARDED/980307/4662824/view

Looking at this photo you would say that there are here 3 different kinds of rock, right? Well, …, wrong! All of it is granite whose natural colour is the dark grey of the ones in the forefront.

What makes them look completely different is the sunrise light! On the left of the image you have a glimpse of a fiery orange rock formation (granite) that is being illuminated by the early day oblique sun rays (see a more extensive example of that wonderful but brief efect on “Mountain On Fire”, that I’ve posted here). In the middle of the image you have granite again, but under the influence of reflected light it seems brownish and, in the forefront, as said, being in the shade, it shows its “natural” dark grey colour.

Light is everything in photography. It was for very good reasons that the Greeks, that were the ones creating its name (photography, I mean) have chosen to designate it from φῶς (phōs), meaning "light", and γραφή (graphê), meaning drawing/writing that jointly means “drawing with light”.

That’s what we are doing, my friends, we are drawing with light!

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Covão do Boi, Serra da Estrela, Portugal

Notes: No HDR, no exposure blend whatsoever involved here. This image results from editing a single RAW file (I don’t use HDR anyway, as I don’t like it). And, yes, the fiery orange rock was effectively showing that tone (although for just some brief moments; as the sun rose in the sky, that beautiful effect was quickly lost).

 

© All rights reserved Rui Baptista. Please do not use this image on websites, blogs or any other media without my explicit written permission.

Every day of the year, this man is drawing on the street, in the same place. Dante Alighieri, El Carmelo, Barcelona.

Tree (description just for Bernie! ;-) )

Watersnip - Common Snipe (Gallinago gallinago)

drawing , 13.0 * 20.0 , 2020 , (Z2020_007_13x20)

Drawing and plan for a discharge dyed batik

DIGITAL DRAWING BY ME :)

December, Kingston Ridge

The wind drawing with sand creates an interesting reason.

A combination of a pastel drawing and photoshop / Combinatie van een pasteltekening en photoshop.

Drawing is a fantastic communication mean

 

El Hamam

DSC_0986

Just a little sketch

While discussing the various hand movements that we use when creating Pano-Sabotage ( or TumbleWorld ) images, Paul Ewing and I shared a few different views on how this medium really stands out for its radical creation of images INSIDE the camera itself, as opposed to post camera manipulation outside of the device.

 

Something that occurred to me that as I moved the camera around in the air, wobbling it, swooping it, arcing it, I realized that I was in fact drawing the image with the movements of my hand. Only now instead of the medium being at the end of a brush, pencil or conte stick, it's IN the camera itself, while the drawing is occurring in three dimensional space.

 

The iPhone camera directly responds to the movements of my hand and thereby shapes the image. This is drawing to me. It happens in real time, as any pencil drawing does, but the piece itself is manifesting from the combination of hand movements and camera function INSIDE the camera. In order to do that, then, I have to move the iPhone camera around in 3D - hence, "Drawing in Space".

 

Once again, and not so oddly for us, Paul and I hit upon the same thing at pretty much the same time again recently. His black and white image of himself passing by a shop window in Prescott, Arizona, using this technique, happened at almost the same time as I did this one. Both images have the ghostly presence of their creators within them. Synchronicity?

 

Paul's piece: www.flickr.com/photos/quasidogo/28106080970/in/pool-28927...

 

"PANO-Vision" 's First Anniversary is coming up on August 26th, when Professor Ewing and I are going to launch a newly revised award code and a brand new banner for the group's home page. I want to publicly thank Skagitrenee for her enormous help with coding and technical assistance in "PANO-Vision". She's done a lot to get us up and running and in preparing for the First Anniversary. Stay tuned. ;-)

 

Click on Image to Enlarge !

 

© Richard S Warner ( Visionheart ) - 2016. All Rights Reserved. This image is not for use in any form without explicit, express, written permission.

 

Text Blog: visionheartblog.wordpress.com

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