View allAll Photos Tagged DoubleAction
Another Microsoft Copilot result. "Create an image of a Colt .22 cal. Bankers Special. Lay the revolver on its right side on a marble counter top. Point it at a 45 degree angle towards the center of the picture and add a pen and inkwell nearby.
Waterfilm is a series filmed since 2012 based on the idea of filming with a freehand camera for a period of exactly one minute. This series illustrates the meditative qualities of water in an urban environment. It is my belief that the close observation of this essential element has the ability to influence our perceptions. Each film is intended to be a short meditation – take your time to feel it, but don’t swim away too far...
Yanomano
Waterfilm is a series filmed since 2012 based on the idea of filming with a freehand camera for a period of exactly one minute. This series illustrates the meditative qualities of water in an urban environment. It is my belief that the close observation of this essential element has the ability to influence our perceptions. Each film is intended to be a short meditation – take your time to feel it, but don’t swim away too far...
Yanomano
Waterfilm is a series filmed since 2012 based on the idea of filming with a freehand camera for a period of exactly one minute. This series illustrates the meditative qualities of water in an urban environment. It is my belief that the close observation of this essential element has the ability to influence our perceptions. Each film is intended to be a short meditation – take your time to feel it, but don’t swim away too far...
Yanomano
Robert Adams Double-Action Pocket Revolver with the guard cat. I was photographing a private collection of antique guns and the cat jumped in.
BerettaFS Inox Great pistol, finally figured out how to change the black plastic magazine release button to an extended stainless steel version. I also added the Rosewood Grips to replace the plastic grips that came with it. All rights reserved.
This is my favorite handgun. It is very accurate—at least, it's as accurate as my shooting abilities. It's light enough for the kids to handle, it makes a loud noise with lots of smoke, and fills the air with the aroma of burnt black powder. Great family fun!
Remington produced the Model 1858 in .44 caliber with an 8-inch barrel for the Army and .36 caliber with a 7.375-inch for the Navy. In 1868, Remington began offering cartridge conversions of the cap-and-ball revolver.
Remington percussion (cap-and-ball) revolvers are a favorite in western movies. They can be seen in The Good, the Bad and the Ugly, Pale Rider, and Gone with the Wind among others. On TV they were used in early episodes of Bonanza. It's easy to identify them in movies due to their octagonal barrels, loading lever shape, and brass trigger guard.
Here is a little bit of history of the 1858 Model (I corrected some spelling errors) . . .
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Remington had three basic models of handgun that were used throughout the Civil War. These are today all commonly called Remington 1858, however in the civil war era they would be referred to as distinct model types or simply a Remington. Many companies copied the Remington design almost exactly or they changed some minor items to avoid patent infringement.
The term 1858 Remington comes from the fact that Remington purchased the Patent rights to this weapon from Beals in the year 1858.
The handgun was produced for many years and was still being produced in various styles until 1875. The Barrel was octagon and had an attached loading rod. The cylinders were never engraved as were the Colt models. Sighting was done with fixed sights that had very little modification to them, filing of the groove in the top strap was about all that was possible in the field.
The Remington models were considered some of the finest revolvers of the civil war, sought after by troops of both sides.
The Remington had three large advantages over the Colt style revolvers. It had a solid frame wrapping completely around the cylinder, notice the "top strap", as it is called over and above the cylinder. This gave the Remington models a huge advantage, both in strength of the firearm as well as accuracy over time.
A second lesser advantage was the special hammer groove ground into the cylinder in between each firing chamber on the cylinder. Not all Remington models had this but the large majority did. To use a Colt style revolver a shootist would normally load only five chambers of a six-cylinder gun, this is because the hammer must rest upon a firing chamber of the weapon. If the revolver had all six cylinders loaded the hammer would rest upon a live cylinder, if the gun were dropped or fell upon its hammer the gun could fire. The Remington models had the extra notch for hammer placement. This allowed the gun to be fully loaded, all six cylinders and still have the hammer placed in between a firing chamber, by placing the hammer into the safety notch. If the gun were dropped the hammer would simply push deeper into the safety notch causing no problems. It is hard to say how definite an advantage this was when a war was being fought. With the enemy shooting at you presumably a soldier would load all 6 rounds no matter the safety issue. Around camp, while traveling and on horseback the extra safety notch would be a definite advantage. Please note there is a minor exception to the above. Some Colts (1860 3rd, Army, IIRC) did have small pins on the rear of the cylinder that fit into a small hole in the hammer for this same purpose. This was not as effective as the Remington system as the pins could be easily sheared off or the hole in the hammer get filled with crud (technical term meaning crud) and allow the cylinder to turn and bring a capped chamber under the hammer.
A third major advantage was in loading and firing the Remington. The Remington and its copies had a very real advantage in battle, because of the following reasons. On a Remington style pistol a soldier could carry with him an extra loaded cylinder with all of its six chambers loaded and capped. When his pistol is empty, he can drop the loading lever, slide out the cylinder pin, and quickly pop in a freshly loaded spare cylinder. Then he would slide back in the cylinder pin and snap shut the loading lever. The soldier is now ready to fire six more bullets. This entire process can be completed by the author within five seconds, I am sure a soldier with practice could certainly do as well or much better! Modern six-shot revolvers with speed loaders cannot do much better than this. One version of the Remington had a modified cylinder pin especially ordered by the U.S. Government making it difficult to remove. I can only guess that they did not want a soldier dropping the cylinder or gun parts during battle, thereby making the gun useless.
This cannot be done on the Colt style revolvers, because they have a screw holding the pistol together, with a wedge that has to be driven out and then the loading lever has to be pulled out of the pistol and finally the barrel can be removed. In the Colt variations and copies simply reloading the cylinder itself would be much faster.
It is interesting to note the brass frame on the Remington revolvers. This was not originally planned for any aesthetic appeal. It was done because the confederate troops were short on supplies and wished to use the available gun metal (steel) for cannons and other weapons. Brass was chosen because it was more available and still supplied the necessary strength in the firearm. Union troops did not have such a problem so all of their Remingtons were produced in steel. If you ever come across an original Remington revolver in brass you will now know the reason.
I have had the opportunity to fire both the Colt model revolvers and the Remington style revolver. As far as accuracy the guns are very similar and this author is certainly not capable of pushing either weapon to its limits of accuracy. Suffice it to say the handguns were certainly both extremely accurate even by today's standards. I do prefer the Remington style revolver for its extra strong top strap and can see how Civil war troops would prefer the handgun for the same reason. I am sure for the short term of the war, ballistics and weapon accuracy would not change greatly between the Colt or Remington models, however if the guns were dropped, laid upon, fallen upon etc I can see that the extra strong Remington would have a clear advantage. If the soldier had access to spare cylinders a Remington model would have a very big advantage as far as speed of loading.
Source: Barlow, Kerry. "Remington Model Revolvers." Civil War Handgun. Undated. Downloaded 22 Apr. 2009. <http://civilwarhandgun.com/remington.htm>
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I never realized how hard it is to shoot stainless steel until I tried taking these photos. (No pun intended, but I like it.) It reflects light and dark far too well. This photo took several tries with several different arrangements of lights.
The top gun is a stainless steel Ruger Redhawk .44 Magnum. It is a six-shot double-action revolver with a 5½" barrel.
The bottom gun is a mystery. For the second time in two days, I've been unable to find info on the Internet. It is a stainless steel .22LR from Freedom Arms. I got it back in the 70s or early 80s. I don't remember a lot of detail about it other than they made a shorter barrel version that was mounted in a belt buckle. This barrel is 2⅝" long, or 3" from the front of the cylinder to the tip of the barrel. This one is a five-shot single-action revolver; most mini-revolvers I've been able to find are four-shot. The markings on the side say:
"Casull's Improvement"
Freedom Arms
22 L R
Freedom, Wyo
Patented
I checked Freedom Arms' website and could not find any mention of mini-revolvers. I'm pretty sure the Casull in "Casull's Improvement" is Dick Casull of .454 Casull cartridge fame.
I suppose I could write to Freedom Arms with the serial number and they could tell me exactly what it is. But that would take all the fun out of it.
Corporate Headquarters
Lacey Place
Southport, CT 06890
314 Highway 239
Freedom, Wyoming 83120
(307) 883-2468
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Update: The smaller revolver is a Freedom Arms Inc. model FA22LR. I'll bet the "FA" stands for Freedom Arms, the "22" stands for .22 caliber, and the "LR" stands for .22 Long Rifle ammunition. Freedom Arms manufactured this particular mini-revolver from 1978 until 1987.
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I came back here for the first time in about 23 years. It doesn't look any different from any other back stairs and basement entrance in Chicago, but this one was the scene of my most harrowing experience as a Chicago Police Officer. It wasn't when I was lying in the middle of Cicero Avenue, watching my squad car burn, or waking up from a coma to find out I was paralyzed...no, it was here.
* * * * * * * *
I'm working the Midnight Watch with a rookie. Kenny has taken the night off, since we are temporarily without a recruit, just waiting for the next batch of recruits to come out of the Training Academy. The Kid I'm working with tonight has just finished his field training with another FTO, but he has yet to finish his probationary period, which means he cannot work by himself, or team up with another rookie.
I'll be doing the driving tonight. He is not that familiar with this Beat, and I want to make sure we can get from here to there if the shit hits the fan. Besides, this is My Beat.
We spend some time getting acquainted, taking about some of the situations he has encountered thus far, working with some of the other officers on the Watch. All in all, he seems to be a good Kid, definitely better than some of the recruits I've been getting lately.
About an hour into our shift, we're talking and sipping our coffee, as I give him the grand tour of my Beat. It's a cold, quiet night, the streets are deserted, and Zone 7 radio is virtually silent as well.
We're eastbound on 68th Street now, when I spot this guy running in the opposite direction. I flip a U-turn and pull alongside. He's wearing army fatigues,and he appears to be clutching something with his right hand, but, whatever it may be, it is hidden from view, tucked underneath his jacket. Judging by the way he's holding it, I figure it's probably a car-stereo, or a similar component he's ripped from one of the cars in the area. This would certainly fit the current crime pattern in this area, now that Crack has become readily available, and junkies need more and more cash to feed their insatiable addiction.
Meanwhile, this guy keeps on running. Driving alongside, I call out to him, and he looks at me, but doesn't slow the pace. I call out to him to stop, but he only increases the pace.
"This guy doesn't look like a recreational runner," I tell the Kid. "Let's see if we can grab him."
In my mind, I'm plotting an intercept course that will allow me to cut him off at the mouth of the next alley. If everything goes according to plan, he'll knock himself silly when he runs into the side of the squad car.
Now there's a car coming from the opposite direction, so I hit the switch that activates the oscillating headlights, hoping he will yield us the right of way. "Fat chance," the asshole keeps right on coming, and I have to let him pass before I can make the left turn...
Apparently, our fugitive also had his sights set on that same alley, and he makes the turn before I can. I'm right behind him now, debating whether I can justify running him down with the car, but it's already too late for that option.
He suddenly veers to the right and runs down a flight of stairs on the west side of the alley, which presumably leads to the basement of a large apartment building. I hit the brakes, and throw the transmission into Park, just as the Kid jumps from the car and takes off after our suspect.
"Fuck." The Kid is young and strong, but we've only been partners for an hour or so, and I have no idea how he will react in this type of scenario. Eager to catch up with the Kid, I jump from the car as well, and run around the back of the squad car to get to the basement stairs.
It's only five or six steps from street level to the basement entrance, and then another five or six to reach the basement floor. Along the way, I pass underneath a bright flood-light, right before entering the near total darkness of the basement itself.
"Flashlight." I left the fucking flashlight in the car, and I can't see a fucking thing. I can hear the muffled sounds of a physical struggle off to my left somewhere, but I can't see a damn thing. I'm cautiously moving in that direction,as I'm waiting for the second or two that it will take for my eyes to adjust to the dark, but two seconds is an eternity when your partner may very well be fighting for his life.
I have my S&W 45 semi-automatic pistol in my right hand, and I'm feeling my way through the seemingly empty darkness with my right, trying to make contact with the two men who are in here somewhere...
Suddenly, there's a bright t flash, followed by the muffled "poof" of a gunshot. Under normal circumstances, it would have been a deafening sonic boom, but with mind and body now in survival mode, all visual and auditory impulses are slowed down and dampened, so that a gunshot sounds like the distant pop of a champagne cork. At the same time, I can see a double flash, but it appears to be directed off to my right, so I hold my fire, at least for now.
These flashes tell me something else as well, although I do not fully appreciate its tactical implications at that very moment: the gunfire is coming from a revolver. When the hammer strikes the primer, and that in turn ignites the powder charge inside the cartridge, and the bullet is propelled forward, leaving a flash of burning gasses inits wake. This flash becomes visible as the bullet passes the gap between the cylinder and the mouth of the barrel, and a second time when the bullet exits the muzzle.
I raise my 45, ready to fire, but who am I really aiming at? The flashes in the dark raise more questions than they provide answers. Someone is obviously firing a gun, but which one? Is it the guy with the army jacket, or is it the Kid? Did the Kid lose it somehow, firing at an unarmed man because he's resisting arrest? God knows, stranger things have happened. On the other hand, it could easily be the bad guy firing at my partner. Could he have disarmed my partner, turning the Kid's own gun against him? Of course, I know the Kid had his duty weapon going into the basement, something I cannot say about the guy with the jacket. Given the direction of the one shot fired thus far, I have to consider the possibility that it is in fact the Kid who fired his service revolver.
Probably the greatest fear shared by all police officers, is that they might shoot and kill their own partner by accident. At this point in time - December 1990 - I know of two such cases within the Chicago Police Department, and I'm not eager to make it three.
The first gunshot is now followed by a second and a third, and these muzzle flashes also continue to point away from me... My gaze is now locked in on these muzzle-flashes like a laser beam. Such tunnel vision is also part of the body's survival mechanism, by focusing only on that which threatens our very existence...
A fourth shot is now fired, and it is directed a t me! It must have been the bad guy all along, firing the first three rounds at my partner, and now firing the fourth round at me, giving me the green light to return fire at the only target I can identify: the last muzzle-flash. I squeeze the trigger and the big gun launches a 185-grain hollow-point bullet at 1200 feet per second, followed by an enormous fireball. Then, as I bring the recoiling weapon back on target, I hear a sound that instantly grips my throat with fear: it's the Kid's voice, screaming out in pain, and the screams are coming from the direction in which I just fired my weapon.
My 45 is in single-action mode now, the trigger requiring only the slightest squeeze to launch another fireball, but I now have to control my weapon, and hold my fire, even as rounds five and six are now fired at me. These two rounds somehow miss my head, perhaps because I have instinctively lowered my body into a combat firing stance. When I sent my one and only round in his direction, it must have startled or blinded him in turn, causing his last two rounds to go high.
Then, there is silence...complete, total silence, until I hear the sound of my own voice over the radio: "321 Emergency...Shots Fired!"
I call out to the Kid to make sure he is okay. He tells me he has been shot in the leg... In my mind, I can already picture his leg, torn apart by that devastating Remington round.
"321 Emergency...Police Officer Shot, get me an ambulance over here!"
"What is your location 321?"
"Make it 6815 South Indiana in the rear...in the basement."
"Ten-four 321, help is on the way and Fire is rolling."
By now, my eyes have finally adjusted to the darkness. We are in a space of about 30 by 30 feet, and the Kid is lying alongside the west wall, on top of a pile of broken glass. He's holding his left leg, obviously in pain, and he tells me that he's been hit twice. There's no sign of the shooter, and all I can see in the place where he'd been, is another doorway, leading to more darkness. Could there be a way out from there, or is he trapped, waiting for us in there, ready to finish us off?
I get back on the radio and give the responding units a basic description of the offender, just in case he's running loose out there.
I know I have to go out to the car and get our flashlights, but I do not want to leave the Kid defenseless, just in case the offender is still around and decides to come this way to make his break for freedom.
"Where is your gun," I ask.
"It's still here," he says, pointing at his holster, "I never got the chance to take it out."
"Alright, take it out now, and if anyone comes through that doorway, shoot the motherfucker. I have to go and grab our flashlights.'
Back at the car, I can only find my own flashlight, and run back down to the Kid. I take a quick look at the Kid's leg. There are two small entrance-wounds, one in the back of his left thigh, the other one in his left buttocks, and there's very little bleeding. Obviously, these wounds were the result of a small caliber weapon, and I can stop worrying: I did not shoot my own partner.
Now, I can focus on the offender, but, even with my flashlight, I can find no sign that he was ever there: no spent cartridges, no blood trail for me to follow, nothing. I counted his shots, and I know that he fired six rounds. Combine that with the absence of shell casings, and I'm quite sure that he's armed with a revolver. Since it appears to be a small caliber weapon, it raises the possibility that it is a high capacity .22 or .32 caliber weapon, some of which can hold up to 9 rounds. Even if it holds only six rounds, I have to proceed on the assumption that he has access to more ammunition, and, God knows, he's had plenty of time to reload his weapon.
Now I'm ready to go in after the shooter. Before I go, I tell the Kid again: "If anyone other than me comes through that doorway, light him up."
From the relative safety of the doorway, I can see the adjacent room and quickly realize that there is no escape from there. While it's reassuring to know that he could not have escaped, it is more than a little disconcerting to know that he is in there waiting for me, with every intention of killing me, and finishing off my partner. We are all that stands between him and his freedom.
The second room is about the same size and shape of the first, but it contains a lot more stuff. To my left, there is a locker with a wooden door, and there's a row of chicken-wire enclosures on my right, which would make it the west wall. Those chicken-wire enclosures couldn't possibly conceal anyone, so I move on...
Next, I come to a brick wall that juts out from the west wall for about three feet, running parallel to the south wall...for no apparent reason. All this time, my heart is pounding in my chest, and I can feel the blood pulsing through my veins. I'm holding my flashlight with my left hand and my 45, now back in double-action mode, in my right, while my radio is abuzz with incessant radio traffic, with cars calling the dispatcher, or us directly: "Where is 321? What is your location 321?"
Now the dispatcher chimes in ass well: "321 what is your location?" Fumbling with my flashlight to get to my radio mike, I repeat our location yet again: "6815 S. Indiana, Squad, in the basement, right off the alley. Look for our car, it's still sitting there with the lights flashing."
Now, I need to turn my attention back to that wall. With a single flashlight in otherwise total darkness, and with a bad case of tunnel vision, things are not necessarily as they seem...
TO BE CONTINUED...
Colt made these from 1877 until 1909 and it was the first successful U.S.-made double action revolver even though it was a delicate and breakage prone design. The .38 Long Colt was called the Lightning and a .32 Colt version was called the Rainmaker. The .41 Long Colt version like this one was the preferred sidearm of outlaws John Wesley Hardin and Billy the Kid who was carrying one when Pat Garrett gunned him down in 1881. My grandfather bought this one new in 1907 from a hardware store in Vernon, Texas.
Winchester Western .41 Long Colt
I have known my friend Mike, a retired FBI agent, for over thirty years. April 6th, 2012 was his 56th birthday; I asked what he wanted for his birthday, and he eMailed back that I should take a picture of a box of ammunition for a gun he would never own. That’s a tall order -- Mike is also a gun collector; and I had to dream up something I would have access to that he didn’t -- and probably wouldn’t -- ever have. Hmm… 8mm Schönberger M1891? 2.7mm Kolibri? Ammo for both of these pistols is rarer than the guns; I have held a Kolibri cartridge in my hand, but I may never see the only known Laumann- Schönberger round up close and personal.
Then I remembered that Mike likes to collect autoloading pistols. He has a few revolvers, but they’re primarily carry guns: .38 snubbies, .357 Magnums, a .44 Magnum. I like rare, old and oddball cartridges and the .41 Long Colt is a good choice for my purpose. A so-called ‘Cowboy’ caliber developed for Colt’s first double-action revolver, it was a longer version of a cartridge designed for an earlier Colt pocket revolver, that a centerfire adaptation of the .41 rimfire frequently seen in derringer-type pistols. Oddly enough, the bullet diameter was not originally .41 inches; it was closer to .38, although later developments allowed the evolution of a .40 bullet. Colt also released a .41 LC revolver in a modern style revolver, the Model 1892. I bought one in decent shape several years ago; this box is one of a half-dozen I picked up at a flea-market price (for talking all six). No, I still haven’t fired the gun.
So, happy birthday Big Mike!
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NOTICE: If you don't like guns, that's fine. I accept responsible opposing viewpoints; but if you get rude about posting anti-gun propaganda on my photos, it will only get you blocked from my photostream permanently. Dissension is Free Speech; haranguing and harassing violates my rights.
Ruger Security Six, 4", .357 magnum.
Dan Wesson Model 15, 6", .357 magnum.
Curiously, the Ruger is easier to shoot because the grips feel so much better than the grips on the Dan Wesson.
2013-AUG-24; Inflatable boat, 9 ft long, O'Rageous 300..
Holds four people, 650 lb maximum. Four separate air chambers. Inflates in less than 10 minutes with the double-action hand pump..
Comes with an oar also. $30 firm.
The top gun is a stainless steel Ruger Redhawk .44 Magnum. The bottom gun is a blued steel Beretta Model 950BS .25 ACP.
The two cartridges are a .44 Magnum on the left and a .25 ACP on the right.
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Double action cap gun made by Nichols Industries with custom designed BogusBox by Buz
This small version of Nichols popular Stallion series was sold loose. Our friend and collector Buz designed a box for the Stallion 22 and we make them to go with your toy gun!
10/08/14 SCOTTISH CHAMPIONSHIP
RANGERS V HEARTS
IBROX - GLASGOW
Rangers' David Templeton (right) is hld back by Morgaro Gomis
10/08/14 SCOTTISH CHAMPIONSHIP
RANGERS V HEARTS
IBROX - GLASGOW
Hearts keeper Neil Alexander is closed down by Kenny Miller (right)
10/08/14 SCOTTISH CHAMPIONSHIP
RANGERS V HEARTS
IBROX - GLASGOW
Rangers' Marius Zaliukas (left) rises above Osman Sow
10/08/14 SCOTTISH CHAMPIONSHIP
RANGERS V HEARTS
IBROX - GLASGOW
Hearts' Kevin McHattie (right) hauls back Lewis MacLeod
10/08/14 SCOTTISH CHAMPIONSHIP
RANGERS V HEARTS
IBROX - GLASGOW
Lee Wallace (centre) gets between Hearts duo Jordan McGhee and Alim Ozturk (left)
10/08/14 SCOTTISH CHAMPIONSHIP
RANGERS V HEARTS
IBROX - GLASGOW
Rangers' Marius Zaliukas (centre) has a pop at goal
10/08/14 SCOTTISH CHAMPIONSHIP
RANGERS V HEARTS
IBROX - GLASGOW
Hearts' Kevin McHattie (right) hauls back Lewis MacLeod
10/08/14 SCOTTISH CHAMPIONSHIP
RANGERS V HEARTS
IBROX - GLASGOW
Hearts' Prince Buaben (left) is tackled by David Templeton
This gun was passed down from a family member. We didn't know anything about it but have been able to find online that it is a Lefaucheux (Parisian gunsmith) with Belgian marks. I found several that are very much like this one but I have not found this exact gun. If anyone can help, that would be great.
08/02/13 RBS SIX NATIONS
SCOTLAND U20 v ITALY U20 (30-17)
NETHERDALE
Scotland's Tommy Allan goes over to score a try
Colt made these from 1877 until 1909 and it was the first successful U.S.-made double action revolver even though it was a delicate and breakage prone design. The .38 Long Colt was called the Lightning and a .32 Colt version was called the Rainmaker. The .41 Long Colt version like this one was the preferred sidearm of outlaws John Wesley Hardin and Billy the Kid who was carrying one when Pat Garrett gunned him down in 1881. My grandfather bought this one new in 1907 from a hardware store in Vernon, Texas.
23/08/14 SCOTTISH CHAMPIONSHIP
STARKS PARK - KIRKCALDY
RAITH ROVERS v HEARTS
Raith Rovers' Jason Thomson gores up against Billy King (left).
10/08/14 SCOTTISH CHAMPIONSHIP
RANGERS V HEARTS
IBROX - GLASGOW
Hearts' Morgaro Gomis (left) tackles David Templeton
30/08/14 SCOTTISH CHAMPIONSHIP
HEARTS V FALKIRK
TYNECASTLE - EDIINBURGH
Falkirk's Tom Taiwo (right) makes a challenge on Hearts' Prince Buaben.
Frazier Studio
Batavia, Illinois
August 2009
Part of the Peas Project
www.flickr.com/photos/jimfrazier/albums/72157621916521505
COPYRIGHT 2009 by Jim Frazier All Rights Reserved. This may NOT be used for ANY reason without consent. See www.jimfrazier.com for more information.
You can find Jim Frazier at his web page, and on Facebook and Twitter
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23/08/14 SCOTTISH CHAMPIONSHIP
STARKS PARK - KIRKCALDY
RAITH ROVERS v HEARTS
Raith Rovers Paul Watson escapes Billy King (right).
30/08/14 SCOTTISH CHAMPIONSHIP
HEARTS V FALKIRK
TYNECASTLE - EDIINBURGH
Hearts' James Keatings sees his rebound saved by Falkirk keeper Jamie MacDonald.
23/08/14 SCOTTISH CHAMPIONSHIP
STARKS PARK - KIRKCALDY
RAITH ROVERS v HEARTS
Hearts' Alistair Roy battles with Ross Perry (right).
10/08/14 SCOTTISH CHAMPIONSHIP
RANGERS V HEARTS
IBROX - GLASGOW
Hearts' Kevin McHattie (right) rises to clear from Kenny Miller
10/08/14 SCOTTISH CHAMPIONSHIP
RANGERS V HEARTS
IBROX - GLASGOW
Hearts keeper Neil Alexander (right) clashes heads with team mate Alim Ozturk
GLASGOW, SCOTLAND - JUNE 22: Scotlands Stuart Armstrong and Nikola Vlasic in action during a Euro 2020 match between Croatia and Scotland at Hampden Park, on June 22, 2021, in Glasgow, Scotland. (Photo by Craig Williamson/SNS Group via Getty Images)