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Dorothy Ashby DJ Iida Blur Magic 1.5 Promo Only 2018 CD Various Artists Comp Bongbros Label
Tracklist
1 –Rob Swift Turntablist Anthem (Remix)
Featuring – Pharoahe Monch
2 –INVHIDE Watch It Smoke
3 –Jay Dee L.L.
4 –Illa J RU Listenin' ? (Instrumental)
5 –Illa J Sounds Like Love
Featuring – Debi Nova
6 –Joyce Wrice Good Morning (Benedek Remix)
7 –Aaliyah Rock The Boat (Get Money Remix)
8 –Notorious B.I.G. Lovin 'You Tonight
Featuring – R. Kelly
9 –2Pac Do For Love (Instrumental)
10 –G-Unit Wanna Get To Know You
Featuring – Joe
11 –Anderson .Paak Room In Here (DJ Jazzy Jeff Remix)
Featuring – The Game (2)
12 –DJ Jazzy Jeff Musik Lounge
Featuring – Oddisee
13 –Robert Glasper Thinkin Bout You (Kaytranada Remix)
Featuring – Talib Kweli
14 –Kev Brown Can Not Stay Away
Featuring – Grap Luva, Phonte Coleman
15 –INI Fakin Jax (Instrumental)
16 –Dorothy Ashby Cause I Need It
17 –Beat Konducta Ashby Road
18 –Madlib Distant Land
19 –Walkin' Large Reachin' (Instrumental)
20 –Jimmy McGriff Back On The Track
21 –Scientifik Jungles Of Da East (Instrumental)
22 –Jeru The Damaja Me Or The Papes
23 –Guru Timeless
Featuring – Herbie Hancock
24 –DJ Cam Condor
Featuring – Bald Head Slick
25 –Nas 2nd Childhood
26 –Nas Everyday Thing
Featuring – Dr. Dre
27 –Rakim New York To Cali
Credits
DJ Mix – DJ Iida
Illustration – Oritana
Mastered By – DJ Mukeccho
Dorothy Ashby - "Get Faster" - This is a graphic icon for a digital compilation distributed by International Jazz as a digital download only - It was compiled in April 2016 and consists of 7 songs from various early Dorothy Ashby albums
"A Complete Introduction To Chess" is a 2010 European master collection of genre basic rock, blues, jazz and funk music from the archives of Chess Records. This is a four CD introduction to the story of Chess Records. Chess Records was one of the most influential record labels in music history. Chess Records is the parent company to Cadet Records which is the record label that Dorothy Ashby released three of her most important record albums on. This great compilation contains the song "Afro-Harping" which of course is the title track from the 1968 Dorothy Ashby classic LP "Afro-Harping"
Track Listing of the 4 CD Set
1-1 –Jackie Brenston Rocket 88
1-2 –Chuck Berry Maybellene
1-3 –Bo Diddley Bo Diddley
1-4 –Howlin' Wolf How Many More Years
1-5 –Lowell Fulson Reconsider Baby
1-6 –Little Walter Juke
1-7 –Sonny Boy Williamson (2) Don't Start Me Talkin'
1-8 –Muddy Waters I Can't Be Satisfied
1-9 –John Lee Hooker Leave My Wife Alone
1-10 –Bo Diddley I'm A Man
1-11 –Little Walter My Babe
1-12 –Elmore James Dust My Broom
1-13 –Eddie Boyd Third Degree
1-14 –Howlin' Wolf Moanin' At Midnight
1-15 –Muddy Waters I'm Your Hoochie Coochie Man
1-16 –Moonglows, The Sincerely
1-17 –Jimmy Witherspoon When The Lights Go Out
1-18 –John Lee Hooker Sugar Mama
1-19 –Rosco Gordon Booted
1-20 –Willie Mabon Seventh Son
1-21 –Muddy Waters Mannish Boy
1-22 –Willie Dixon Crazy For My Baby
1-23 –Sugar Boy Crawford* Jock-A-Mo
1-24 –Little Walter Last Night
1-25 –Clarence "Frogman" Henry Ain't Got No Home
1-26 –Willie Dixon Pain In My Heart
2-1 –Chuck Berry Rock And Roll Music
2-2 –Bo Diddley You Can't Judge A Book By The Cover
2-3 –Eddie Fontaine Nothin' Shakin' (But The Leaves On The Trees)
2-4 –Jimmy McCracklin The Walk
2-5 –Howlin' Wolf Smokestack Lightnin'
2-6 –Muddy Waters Forty Days And Forty Nights
2-7 –Etta James Something's Got A Hold On Me
2-8 –Bobby Charles See You Later Alligator
2-9 –Chuck Berry Johnny B Goode
2-10 –Dale Hawkins Susie Q
2-11 –Jimmy Rogers Walkin' By Myself
2-12 –Etta James I Just Want To Make Love To You
2-13 –Sonny Boy Williamson (2) Nine Below Zero
2-14 –Howlin' Wolf The Red Rooster
2-15 –Elmore James I Can't Hold Out (Talk To Me Baby)
2-16 –Marathons, The Peanut Butter
2-17 –Sensations, The (2) Let Me In
2-18 –Vibrations, The The Watusi
2-19 –Clarence "Frogman" Henry (I Don't Know Why I Love You) But I Do
2-20 –Etta James At Last
2-21 –Corsairs, The Smoky Places
2-22 –Dave "Baby" Cortez Rinky Dink
2-23 –Harvey And The Moonglows* Ten Commandments Of Love
2-24 –Andre Williams (2) Cadillac Jack
2-25 –Clarence "Frogman" Henry You Always Hurt The One You Love
2-26 –Fontella Bass & Bobby McClure Don't Mess Up A Good Thing
3-1 –Fontella Bass Rescue Me
3-2 –Sugar Pie DeSanto Soulful Dress
3-3 –John Lee Hooker One Bourbon, One Scotch, One Beer
3-4 –Chuck Berry Promised Land
3-5 –Howlin' Wolf 300 Pounds Of Joy
3-6 –Little Milton We're Gonna Make It
3-7 –Chuck Berry No Particular Place To Go
3-8 –Tommy Tucker Hi Heel Sneakers
3-9 –Ramsey Lewis Wade In The Water
3-10 –Tony Clarke (2) Landslide
3-11 –Terry Callier Look At Me Now
3-12 –Jan Bradley Mama Didn't Lie
3-13 –Jaynetts, The Sally Go Round The Roses
3-14 –Jackie Ross Selfish One
3-15 –Billy Stewart Summertime
3-16 –Tony Clarke (2) The Entertainer
3-17 –Billy Stewart Sitting In The Park
3-18 –Knight Brothers, The* Temptation 'Bout To Get Me
3-19 –Radiants, The Voice Your Choice
3-20 –Bobby Moore & The Rhythm Aces Searching For My Love
3-21 –Etta James & Sugar Pie DeSanto In The Basement
3-22 –Ramsey Lewis Trio* The In Crowd
3-23 –Mitty Collier I Had A Talk With My Man Last Night
3-24 –Billy Stewart I Do Love You
3-25 –Maurice & Mac You Left The Water Running
3-26 –Dells, The Oh, What A Night
4-1 –Etta James Tell Mama
4-2 –Koko Taylor Wang Dang Doodle
4-3 –Howlin' Wolf Evil
4-4 –Rotary Connection I Am The Black Gold Of The Sun
4-5 –Muddy Waters Tom Cat
4-6 –Marlena Shaw California Soul
4-7 –Radiants, The Hold On
4-8 –Valentinos, The* Sweeter Than The Day Before
4-9 –Denise LaSalle Love Reputation
4-10 –Dorothy Ashby Afro Harping
4-11 –Marlena Shaw Woman Of The Ghetto
4-12 –Irma Thomas Good To Me
4-13 –Etta James I'd Rather Go Blind
4-14 –Laura Lee Dirty Man
4-15 –Terry Callier Ordinary Joe
4-16 –Soulful Strings, The Burning Spear
4-17 –Solomon Burke Let Me Wrap My Arms Around You
4-18 –Gene Chandler To Be A Lover
4-19 –Pigmeat Markham Here Comes The Judge
4-20 –Dells, The Give Your Baby A Standing Ovation
4-21 –Solomon Burke You And Your Baby Blues
4-22 –Chuck Berry My Ding-A-Ling
Diplo & Tripledouble – "Aeiou Two" - An "Unofficial" CD compilation released in 2003 originally as a compact disc recordable disk with basic graphics. Not from any major label, probably a bootleg but apparently a bootleg that garnered a fan base sufficient to motivate someone to re-release it twice in 2007. It features the Dorothy Ashby song "Myself When Young" from the revered 1970 Dorothy Ashby LP, "The Rubaiyat of Dorothy Ashby"
Tracklist
1-1 – Unknown Artist Untitled 8:08
1-2 – Quincy Jones Ironside
1-3 – Unknown Artist Untitled
1-4 – Howard Wales Karnaval
1-5 – Spirit (8) The Other Song
1-6 – Odetta Sakura
1-7 – Los Angeles Negros No Morira Jamas
1-8 – Unknown Artist Untitled
1-9 – Unknown Artist Untitled
1-10 – Merryweather* & Carey* Five Days On The Trail
1-11 – Lee Dorsey Occapella
1-12 – Unknown Artist Untitled
2-1 – Motherlode (2) Been So Long 5:53
2-2 – Southern Contemporary Rock Assembly Our Ship
2-3 – Underground Sunshine Take Me, Break Me
2-4 – Trifle (2) Alibi Annie
2-5 – Unknown Artist Untitled
2-6 – Unknown Artist Untitled
3-1 – Unknown Artist Untitled 6:12
3-2 – Rare Earth (I Know) I'm Losing You
3-3 – Mind Garage (2) Recessional
3-4 – Chrysalis (3) 30 Poplar
3-5 – Nancy Priddy You've Come This Way Before
3-6 – End (2) Dreamworld
4-1 – Cynara (2) Stoned Is 4:48
4-2 – Womb (8) Peace
4-3 – Ananda Shankar The River
4-4 – Unknown Artist Untitled
4-5 – Three Dog Night Out In The Country
4-6 – Unknown Artist Untitled
5-1 – Dorothy Ashby Myself When Young 6:14
5-2 – Usha Uthup No Tears
5-3 – Ladies W.C. People
5-4 – Unknown Artist Untitled
5-5 – Zoo (4) If You Lose Your Woman
6-1 – Minoru Muraoka The Positive And The Negative 8:30
6-2 – Overton Berry Ensemble Superstar
6-3 – Shocking Blue Acka Raga
6-4 – Dave Pike Set, The Mathar
6-5 – Bob Seger System, The White Wall
6-6 – Can Mushroom
7-1 – Colosseum Elegy 5:40
7-2 – Wolfgang Dauner Just Bring It Out
7-3 – Unknown Artist Untitled
7-4 – New Riders Of The Purple Sage Garden Of Eden
7-5 – Unknown Artist Untitled
8-1 – Peter Ivers' Band Dark Illumination 9:06
8-2 – Mount Rushmore Toe Jam
8-3 – Amon Düül II B. Halluzination Guillotine
8-4 – Brainbox (3) Summertime
8-5 – Klaus Wunderlich Summertime
8-6 – Unknown Artist Untitled
8-7 – Jimi Hendrix & Curtis Knight Hush Now
8-8 – Jimmie Haskell Prelude
8-9 – Millennium, The Prelude
8-10 – Silhouettes, The (2) Lunar Invasion
8-11 – Led Zeppelin No Quarter
9-1 – Kalyanji Anandji* Dharmatma Theme Music 6:44
9-2 – Unknown Artist Untitled
9-3 – Association, The (2) Wantin' Ain't Gettin'
9-4 – Duke Of Burlington, The Jungle Duke
9-5 – Raul Danks & Stefanianna Christopherson Mountain Of Love
9-6 – Lucifer (9) Old Mother Nature
9-7 – Unknown Artist Untitled
9-8 – Unknown Artist Untitled
9-9 – Deirdre Wilson Tabac, The* The Other Side Of Life
9-10 – Phil Flowers And His United Family Prostitution (Hooked)
9-11 – Fever Tree Hey Joe
9-12 – D. J. Rogers Bail Out
9-13 – Unknown Artist Untitled
10-1 – Elias Rahbani Dance Of Maria 7:42
10-2 – Unknown Artist Untitled
10-3 – Unknown Artist Untitled
10-4 – Heads Of The Family, The Troubled People
10-5 – Halina Frąckowiak Wodo, Zimna Wodo
11-1 – William Hanna & Joseph Barbera Secret Squirrel 4:11
11-2 – Unknown Artist Untitled
11-3 – George Freeman The Bump
11-4 – Henry Mancini Police Woman Theme
11-5 – Sapodilla Punch Hold On I'm Coming
12-1 – J.K. & Co.* Christine 6:37
12-2 – Dianne And The New Worlds Steve Says
12-3 – Unknown Artist Untitled
12-4 – Unknown Artist Untitled
12-5 – Unknown Artist Untitled
12-6 – Exit 9 (2) Straight Up
12-7 – Round Trip Ticket Captain Purple Rides Again
The Dorothy Ashby song "Soul Vibrations" from the 1968 Dorothy Ashby album "Afro-Harping" is on the 2010 Various Artists CD compiled by The Amorphous Androgynous "A Monstrous Psychedelic Bubble Exploding In Your Mind Volume 3 - The Third Ear Amorphous Androgynous"
The Amorphous Androgynous has over the last decade put together several different compilations of music that encompassed Electronic, Folk Rock, Krautrock, Abstract, Psychedelic Rock and Experimental Music.
Tracklist Hide Credits
1.01 –Pierre Cavalli Chasse à L'homme 2:27
1.02 –Nektar It's All In The Mind 3:21
1.03 –Omar Rodriguez Lopez Quintet Coma Pony 4:27
1.04 –Luv Machine Witches Wand 2:36
1.05 –Golden Animals Hi / Lo 1:41
1.06 –Ravelles, The The Psychedelic Movement 2:36
1.07 –James Last Here Comes The Sun 3:41
1.08 –Özdemir Erdoğan Ve Orkestrası Uzun Ince Bir Yoldayim 2:01
1.09 –Amorphous Androgynous, The* In Fear Of The Electromagnetic Machine (Part 4) 0:41
1.10 –Spencer Davis Band* Waltz With Lumbumba 2:42
1.11 –I.D. Company Watch The Women 3:41
1.12 –Dick Hyman The Minotaur 3:22
1.13 –Bruce Haack Electric To Me Turn 1:38
1.14 –Ennio Morricone Gli Scatenati 3:21
1.15 –Aphrodites Child* The Beast 2:29
1.16 –Rotary Connection Turn Me On 1:39
1.17 –Bill Plummer Journey To The East 2:16
1.18 –Sun Dial Exploding In Your Mind 2:22
1.19 –Lau Nau Kuljen Halki Kuutarhan 1:02
1.20 –Corte Dei Miracoli E Verra L'uomo 2:45
1.21 –Mystic Moods, The* Cosmic Sea 2:29
1.22 –Moody Blues, The Thinking Is The Best Way To Travel 3:08
1.23 –Gong Master Builder (Eye Remix) 6:14
1.24 –Drum Circus Now It Hurts You 1:40
1.25 –Animated Egg, The Sock It My Way 2:01
1.26 –Linda Perhacs Parallelograms 4:24
2.01 –Timothy Leary* The Psychedelic Hierarchy 0:23
2.02 –Leon Russell The Ballad Of Hollis Brown 3:16
2.03 –It's A Beautiful Day White Bird 3:32
2.04 –Donovan Get Thy Bearings 4:48
2.05 –Bob James Nautilus 4:46
2.06 –Brave New World (4) Soma 5:50
2.07 –Paul Weller Like Water Needs A Flower (The Amorphous Androgynous MPB Remix)
Remix – Amorphous Androgynous
4:41
2.08 –Amon Düül II Toxicological Whispering 3:34
2.09 –Supergrass Run 4:20
2.10 –Tremeloes, The Hard Time 3:02
2.11 –Bonnie Dobson Bird Of Space 2:29
2.12 –Agitation Free Laila Part 2 5:05
2.13a –Tiny Tim Livin' In The Sunlight, Lovin' In The Moonlight 5:53
2.13b –John Kongos Tokoloshe Man
2.14 –Amorphous Androgynous, The* Guru Song 2:33
2.15 –Noah Georgeson Find Shelter 2:29
2.16 –Dorothy Ashby Soul Vibrations 3:24
2.17 –Dave Pike Set, The Spooky 1:48
2.18 –Cosmic Michael Now That I Found It 1:15
2.19 –Albion Country Band* Morris Medley 1:58
2.20 –Aphrodites Child* All The Seats Were Occupied (Short Version) 8:15
Notes
Compiled and mixed by The Amorphous Androgynous.
Jewel case housed in outer cardboard sheath.
Manufactured in the EU.
The tracklist on the sleeve does not match the actual disc. Disc tracklist stated above, sleeve lists 2.01 and 2.02 as being on the same index, and states 2.13 as two separate tracks - all tracks between are one index out of place.
Malcolm X / Dorothy Ashby - 1965 Event Program for the Afro-American Broadcasting Company Awards Night Presentation held on February 14, 1965 at the Ford Auditorium in Detroit, Michigan. At that event the Dorothy Ashby Trio performed jazz music and El Hadj Malik Shabazz (aka the famous historical African-American figure widely known as Malcolm X) gave his last major speech before being assassinated exactly one week later on Feb 21, 1965.- Front Cover
This is an original issue 1965 event program booklet that was published to commemorate an event on February 14, 1965 at which Malcolm X gave his last major message just 7 days before his assassination on February 21, 1965. This event happened on the very same day that Malcolm X (or El Hajj Malik El Shabazz as was his preferred name at this time) had his Queens, New York home firebombed. Because of the damage his home suffered that night, he was not wearing his customary coat and tie because most of his clothes had been destroyed.
According to the speech that Malcolm X gave that very night at that very event, the FBI acted to suppress the attendance of the Feb 14, 1965 event. Only two copies of this event program are documented to still exist, this one originally retained by Dorothy Ashby and another one that was owned by one of the people being honored at the event, Ms. Rosa Parks. The other copies not distributed to the main people that were part of the event were most likely destroyed by individuals working with the FBI.
The "Afro American Broadcasting Company" was an African American organization that was formed in 1964 primarily to produce over the air radio programs that "met with African-American approval as spiritually free Black people". The organization began in 1964 to produce and distribute its own radio programs about the African American experience for radio stations throughout the Northeastern United States. The organization was formed in response to widespread dissatisfaction in the African American community with the content and character of radio programs produced about African Americans on "white radio stations". The purpose of the event held that Valentine's Day in 1965 was to raise money by selling tickets to the event itself. The money was to be used to provide scholarships to Afro American youth to enter the field then known as "mass communications". Malcolm X was particularly interested in supporting the African American media at this time because he recognized the importance of his speeches being accurately reported to the public by the mass media. Malcolm X's concern for accurate reporting of his views would explain his supporting this organization.
The event at which Malcolm X spoke that night was actually an awards event called the "First Annual Dignity Projection and Scholarships Award Night" sponsored by the Afro American Broadcasting Company. The event was complete with live music and famous persons being honored for their achievements including African-Americans such as Rosa Parks, Sidney Poitier, and Marion Anderson. The Dorothy Ashby Trio was part of the entertainment for this event. Malcolm X was the scheduled keynote speaker and he was the final speaker for that evening.
What was not commonly known is that the FBI, was very active in monitoring aka spying on the life of Malcolm X as well as others active in the civil rights movement. The FBI was concerned enough about the impact that this particular event in Detroit, Michigan might have. In fact the FBI was so concerned about this event that the FBI instituted what Malcolm X described later in his speech that night as a “Blackout” In this case a “blackout” meant that the FBI instituted a “counterintellengence” (COINTEL) action against the event by contacting and discouraging the larger sponsors such as Ford Motor Company, Chrysler Motor Company and others from supporting this event.
Near the end of his speech Malcolm X thanked his Detroit audience for attending the event. Apparently the fact that the FBI had attempted to sabotage this event was well known to Malcolm X. The FBI effort to peel support away from this event was at least successful enough so that the attendance was less than expected.
So few copies of this event program exist that I myself was contacted by a Detroit historian to provide photo scans of this copy.
The only other known copy of this event program noted on the Internet is a copy formerly owned by Rosa Parks, who was one of the individuals honored and pictured in the program. Distribution for this program may have been limited to the honorees and to the individuals and groups providing entertainment for the event.
This event program is not part of any collection that originated directly from Malcolm X or his family. It was and still is traditional to publish a very limited number of programs such as this to commemorate an event and then sell or give them away at the event. Since the program is dated on the front and was published strictly for this event, it is highly unlikely that the program was distributed after the date on the front. Because of the government pressure to suppress this historic event, chances are that any surviving copies of the event program were destroyed after the event.
This event program booklet is both extremely rare and very historic. Photographs of a corresponding 2 LP record set of Malcolm X's speech that night is included elsewhere in the Dorothy Ashby Legacy Photograph Collection only to give an additional historical reference as to what other recorded media was spawned as a result of the 1965 event that that this program commemorates.
Malcolm X / Dorothy Ashby - 1965 Event Program for the Afro-American Broadcasting Company Awards Night Presentation held on February 14, 1965 at the Ford Auditorium in Detroit, Michigan. At that event the Dorothy Ashby Trio performed jazz music and El Hadj Malik Shabazz (aka the famous historical African-American figure widely known as Malcolm X) gave his last major speech before being assassinated exactly one week later on Feb 21, 1965.
This is an original issue 1965 event program booklet that was published to commemorate an event on February 14, 1965 at which Malcolm X gave his last major message just 7 days before his assassination on February 21, 1965. This event happened on the very same day that Malcolm X (or El Hajj Malik El Shabazz as was his preferred name at this time) had his Queens, New York home firebombed. Because of the damage his home suffered that night, he was not wearing his customary coat and tie because most of his clothes had been destroyed.
The "Afro American Broadcasting Company" was an African American organization that was formed in 1964 primarily to produce over the air radio programs that "met with African-American approval as spiritually free Black people". The organization began in 1964 to produce and distribute its own radio programs about the African American experience for radio stations throughout the Northeastern United States. The organization was formed in response to widespread dissatisfaction in the African American community with the content and character of radio programs produced about African Americans on "white radio stations". The purpose of the event held that Valentine's Day in 1965 was to raise money by selling tickets to the event itself. The money was to be used to provide scholarships to Afro American youth to enter the field then known as "mass communications". Malcolm X was particularly interested in supporting the African American media at this time because he recognized the importance of his speeches being accurately reported to the public by the mass media. Malcolm X's concern for accurate reporting of his views would explain his supporting this organization.
The event at which Malcolm X spoke that night was actually an awards event called the "First Annual Dignity Projection and Scholarships Award Night" sponsored by the Afro American Broadcasting Company. The event was complete with live music and famous persons being honored for their achievements including African-Americans such as Rosa Parks, Sidney Poitier, and Marion Anderson. The Dorothy Ashby Trio was part of the entertainment for this event. Malcolm X was the scheduled keynote speaker and he was the final speaker for that evening.
What was not commonly known is that the FBI, was very active in monitoring aka spying on the life of Malcolm X as well as others active in the civil rights movement. The FBI was concerned enough about the impact that this particular event in Detroit, Michigan might have. In fact the FBI was so concerned about this event that the FBI instituted what Malcolm X described later in his speech that night as a “Blackout” In this case a “blackout” meant that the FBI instituted a “counterintellengence” (COINTEL) action against the event by contacting and discouraging the larger sponsors such as Ford Motor Company, Chrysler Motor Company and others from supporting this event.
Near the end of his speech Malcolm X thanked his Detroit audience for attending the event. Apparently the fact that the FBI had attempted to sabotage this event was well known to Malcolm X. The FBI effort to peel support away from this event was at least successful enough so that the attendance was less than expected.
So few copies of this event program exist that I myself was contacted by a Detroit historian to provide photo scans of this copy.
The only other known copy of this event program noted on the Internet is a copy formerly owned by Rosa Parks, who was one of the individuals honored and pictured in the program. Distribution for this program may have been limited to the honorees and to the individuals and groups providing entertainment for the event.
This event program is not part of any collection that originated directly from Malcolm X or his family. It was and still is traditional to publish a very limited number of programs such as this to commemorate an event and then sell or give them away at the event. Since the program is dated on the front and was published strictly for this event, it is highly unlikely that the program was distributed after the date on the front. Because of the government pressure to suppress this historic event, chances are that any surviving copies of the event program were destroyed after the event.
This event program booklet is both extremely rare and very historic. Photographs of a corresponding 2 LP record set of Malcolm X's speech that night is included elsewhere in the Dorothy Ashby Legacy Photograph Collection only to give an additional historical reference as to what other recorded media was spawned as a result of the 1965 event that that this program commemorates.
5016b) Dorothy Ashby - 1965 Event Program for the Afro-American Broadcasting Company Awards Night Presentation held on February 14, 1965 at the Ford Auditorium in Detroit, Michigan. At that event the Dorothy Ashby Trio performed jazz music and El Hadj Malik Shabazz (aka the famous historical African-American figure widely known as Malcolm X) gave his last major speech before being assassinated exactly one week later on Feb 21, 1965.- Front Cover
This is an original issue 1965 event program booklet that was published to commemorate an event on February 14, 1965 at which Malcolm X gave his last major message just 7 days before his assassination on February 21, 1965. This event happened on the very same day that Malcolm X (or El Hajj Malik El Shabazz as was his preferred name at this time) had his Queens, New York home firebombed. Because of the damage his home suffered that night, he was not wearing his customary coat and tie because most of his clothes had been destroyed.
The "Afro American Broadcasting Company" was an African American organization that was formed in 1964 primarily to produce over the air radio programs that "met with African-American approval as spiritually free Black people". The organization began in 1964 to produce and distribute its own radio programs about the African American experience for radio stations throughout the Northeastern United States. The organization was formed in response to widespread dissatisfaction in the African American community with the content and character of radio programs produced about African Americans on "white radio stations". The purpose of the event held that Valentine's Day in 1965 was to raise money by selling tickets to the event itself. The money was to be used to provide scholarships to Afro American youth to enter the field then known as "mass communications". Malcolm X was particularly interested in supporting the African American media at this time because he recognized the importance of his speeches being accurately reported to the public by the mass media. Malcolm X's concern for accurate reporting of his views would explain his supporting this organization.
The event at which Malcolm X spoke that night was actually an awards event called the "First Annual Dignity Projection and Scholarships Award Night" sponsored by the Afro American Broadcasting Company. The event was complete with live music and famous persons being honored for their achievements including African-Americans such as Rosa Parks, Sidney Poitier, and Marion Anderson. The Dorothy Ashby Trio was part of the entertainment for this event. Malcolm X was the scheduled keynote speaker and he was the final speaker for that evening.
What was not commonly known is that the FBI, was very active in monitoring aka spying on the life of Malcolm X as well as others active in the civil rights movement. The FBI was concerned enough about the impact that this particular event in Detroit, Michigan might have. In fact the FBI was so concerned about this event that the FBI instituted what Malcolm X described later in his speech that night as a “Blackout” In this case a “blackout” meant that the FBI instituted a “counterintellengence” (COINTEL) action against the event by contacting and discouraging the larger sponsors such as Ford Motor Company, Chrysler Motor Company and others from supporting this event.
Near the end of his speech Malcolm X thanked his Detroit audience for attending the event. Apparently the fact that the FBI had attempted to sabotage this event was well known to Malcolm X. The FBI effort to peel support away from this event was at least successful enough so that the attendance was less than expected.
So few copies of this event program exist that I myself was contacted by a Detroit historian to provide photo scans of this copy.
The only other known copy of this event program noted on the Internet is a copy formerly owned by Rosa Parks, who was one of the individuals honored and pictured in the program. Distribution for this program may have been limited to the honorees and to the individuals and groups providing entertainment for the event.
This event program is not part of any collection that originated directly from Malcolm X or his family. It was and still is traditional to publish a very limited number of programs such as this to commemorate an event and then sell or give them away at the event. Since the program is dated on the front and was published strictly for this event, it is highly unlikely that the program was distributed after the date on the front. Because of the government pressure to suppress this historic event, chances are that any surviving copies of the event program were destroyed after the event.
This event program booklet is both extremely rare and very historic. Photographs of a corresponding 2 LP record set of Malcolm X's speech that night is included elsewhere in the Dorothy Ashby Legacy Photograph Collection only to give an additional historical reference as to what other recorded media was spawned as a result of the 1965 event that that this program commemorates.
5016a) Dorothy Ashby - 1965 Event Program for the Afro-American Broadcasting Company Awards Night Presentation held on February 14, 1965 at the Ford Auditorium in Detroit, Michigan. At that event the Dorothy Ashby Trio performed jazz music and El Hadj Malik Shabazz (aka the famous historical African-American figure widely known as Malcolm X) gave his last major speech before being assassinated exactly one week later on Feb 21, 1965.- Front Cover
This is an original issue 1965 event program booklet that was published to commemorate an event on February 14, 1965 at which Malcolm X gave his last major message just 7 days before his assassination on February 21, 1965. This event happened on the very same day that Malcolm X (or El Hajj Malik El Shabazz as was his preferred name at this time) had his Queens, New York home firebombed. Because of the damage his home suffered that night, he was not wearing his customary coat and tie because most of his clothes had been destroyed.
The "Afro American Broadcasting Company" was an African American organization that was formed in 1964 primarily to produce over the air radio programs that "met with African-American approval as spiritually free Black people". The organization began in 1964 to produce and distribute its own radio programs about the African American experience for radio stations throughout the Northeastern United States. The organization was formed in response to widespread dissatisfaction in the African American community with the content and character of radio programs produced about African Americans on "white radio stations". The purpose of the event held that Valentine's Day in 1965 was to raise money by selling tickets to the event itself. The money was to be used to provide scholarships to Afro American youth to enter the field then known as "mass communications". Malcolm X was particularly interested in supporting the African American media at this time because he recognized the importance of his speeches being accurately reported to the public by the mass media. Malcolm X's concern for accurate reporting of his views would explain his supporting this organization.
The event at which Malcolm X spoke that night was actually an awards event called the "First Annual Dignity Projection and Scholarships Award Night" sponsored by the Afro American Broadcasting Company. The event was complete with live music and famous persons being honored for their achievements including African-Americans such as Rosa Parks, Sidney Poitier, and Marion Anderson. The Dorothy Ashby Trio was part of the entertainment for this event. Malcolm X was the scheduled keynote speaker and he was the final speaker for that evening.
What was not commonly known is that the FBI, was very active in monitoring aka spying on the life of Malcolm X as well as others active in the civil rights movement. The FBI was concerned enough about the impact that this particular event in Detroit, Michigan might have. In fact the FBI was so concerned about this event that the FBI instituted what Malcolm X described later in his speech that night as a “Blackout” In this case a “blackout” meant that the FBI instituted a “counterintellengence” (COINTEL) action against the event by contacting and discouraging the larger sponsors such as Ford Motor Company, Chrysler Motor Company and others from supporting this event.
Near the end of his speech Malcolm X thanked his Detroit audience for attending the event. Apparently the fact that the FBI had attempted to sabotage this event was well known to Malcolm X. The FBI effort to peel support away from this event was at least successful enough so that the attendance was less than expected.
So few copies of this event program exist that I myself was contacted by a Detroit historian to provide photo scans of this copy.
The only other known copy of this event program noted on the Internet is a copy formerly owned by Rosa Parks, who was one of the individuals honored and pictured in the program. Distribution for this program may have been limited to the honorees and to the individuals and groups providing entertainment for the event.
This event program is not part of any collection that originated directly from Malcolm X or his family. It was and still is traditional to publish a very limited number of programs such as this to commemorate an event and then sell or give them away at the event. Since the program is dated on the front and was published strictly for this event, it is highly unlikely that the program was distributed after the date on the front. Because of the government pressure to suppress this historic event, chances are that any surviving copies of the event program were destroyed after the event.
This event program booklet is both extremely rare and very historic. Photographs of a corresponding 2 LP record set of Malcolm X's speech that night is included elsewhere in the Dorothy Ashby Legacy Photograph Collection only to give an additional historical reference as to what other recorded media was spawned as a result of the 1965 event that that this program commemorates.
5016a) Dorothy Ashby - 1965 Event Program for the Afro-American Broadcasting Company Awards Night Presentation held on February 14, 1965 at the Ford Auditorium in Detroit, Michigan. At that event the Dorothy Ashby Trio performed jazz music and El Hadj Malik Shabazz (aka the famous historical African-American figure widely known as Malcolm X) gave his last major speech before being assassinated exactly one week later on Feb 21, 1965.- Front Cover
This is an original issue 1965 event program booklet that was published to commemorate an event on February 14, 1965 at which Malcolm X gave his last major message just 7 days before his assassination on February 21, 1965. This event happened on the very same day that Malcolm X (or El Hajj Malik El Shabazz as was his preferred name at this time) had his Queens, New York home firebombed. Because of the damage his home suffered that night, he was not wearing his customary coat and tie because most of his clothes had been destroyed.
The "Afro American Broadcasting Company" was an African American organization that was formed in 1964 primarily to produce over the air radio programs that "met with African-American approval as spiritually free Black people". The organization began in 1964 to produce and distribute its own radio programs about the African American experience for radio stations throughout the Northeastern United States. The organization was formed in response to widespread dissatisfaction in the African American community with the content and character of radio programs produced about African Americans on "white radio stations". The purpose of the event held that Valentine's Day in 1965 was to raise money by selling tickets to the event itself. The money was to be used to provide scholarships to Afro American youth to enter the field then known as "mass communications". Malcolm X was particularly interested in supporting the African American media at this time because he recognized the importance of his speeches being accurately reported to the public by the mass media. Malcolm X's concern for accurate reporting of his views would explain his supporting this organization.
The event at which Malcolm X spoke that night was actually an awards event called the "First Annual Dignity Projection and Scholarships Award Night" sponsored by the Afro American Broadcasting Company. The event was complete with live music and famous persons being honored for their achievements including African-Americans such as Rosa Parks, Sidney Poitier, and Marion Anderson. The Dorothy Ashby Trio was part of the entertainment for this event. Malcolm X was the scheduled keynote speaker and he was the final speaker for that evening.
What was not commonly known is that the FBI, was very active in monitoring aka spying on the life of Malcolm X as well as others active in the civil rights movement. The FBI was concerned enough about the impact that this particular event in Detroit, Michigan might have. In fact the FBI was so concerned about this event that the FBI instituted what Malcolm X described later in his speech that night as a “Blackout” In this case a “blackout” meant that the FBI instituted a “counterintellengence” (COINTEL) action against the event by contacting and discouraging the larger sponsors such as Ford Motor Company, Chrysler Motor Company and others from supporting this event.
Near the end of his speech Malcolm X thanked his Detroit audience for attending the event. Apparently the fact that the FBI had attempted to sabotage this event was well known to Malcolm X. The FBI effort to peel support away from this event was at least successful enough so that the attendance was less than expected.
So few copies of this event program exist that I myself was contacted by a Detroit historian to provide photo scans of this copy.
The only other known copy of this event program noted on the Internet is a copy formerly owned by Rosa Parks, who was one of the individuals honored and pictured in the program. Distribution for this program may have been limited to the honorees and to the individuals and groups providing entertainment for the event.
This event program is not part of any collection that originated directly from Malcolm X or his family. It was and still is traditional to publish a very limited number of programs such as this to commemorate an event and then sell or give them away at the event. Since the program is dated on the front and was published strictly for this event, it is highly unlikely that the program was distributed after the date on the front. Because of the government pressure to suppress this historic event, chances are that any surviving copies of the event program were destroyed after the event.
This event program booklet is both extremely rare and very historic. Photographs of a corresponding 2 LP record set of Malcolm X's speech that night is included elsewhere in the Dorothy Ashby Legacy Photograph Collection only to give an additional historical reference as to what other recorded media was spawned as a result of the 1965 event that that this program commemorates.
5016c) Dorothy Ashby - 1965 Event Program for the Afro-American Broadcasting Company Awards Night Presentation held on February 14, 1965 at the Ford Auditorium in Detroit, Michigan. At that event the Dorothy Ashby Trio performed jazz music and El Hadj Malik Shabazz (aka the famous historical African-American figure widely known as Malcolm X) gave his last major speech before being assassinated exactly one week later on Feb 21, 1965.- Front Cover
This is an original issue 1965 event program booklet that was published to commemorate an event on February 14, 1965 at which Malcolm X gave his last major message just 7 days before his assassination on February 21, 1965. This event happened on the very same day that Malcolm X (or El Hajj Malik El Shabazz as was his preferred name at this time) had his Queens, New York home firebombed. Because of the damage his home suffered that night, he was not wearing his customary coat and tie because most of his clothes had been destroyed.
The "Afro American Broadcasting Company" was an African American organization that was formed in 1964 primarily to produce over the air radio programs that "met with African-American approval as spiritually free Black people". The organization began in 1964 to produce and distribute its own radio programs about the African American experience for radio stations throughout the Northeastern United States. The organization was formed in response to widespread dissatisfaction in the African American community with the content and character of radio programs produced about African Americans on "white radio stations". The purpose of the event held that Valentine's Day in 1965 was to raise money by selling tickets to the event itself. The money was to be used to provide scholarships to Afro American youth to enter the field then known as "mass communications". Malcolm X was particularly interested in supporting the African American media at this time because he recognized the importance of his speeches being accurately reported to the public by the mass media. Malcolm X's concern for accurate reporting of his views would explain his supporting this organization.
The event at which Malcolm X spoke that night was actually an awards event called the "First Annual Dignity Projection and Scholarships Award Night" sponsored by the Afro American Broadcasting Company. The event was complete with live music and famous persons being honored for their achievements including African-Americans such as Rosa Parks, Sidney Poitier, and Marion Anderson. The Dorothy Ashby Trio was part of the entertainment for this event. Malcolm X was the scheduled keynote speaker and he was the final speaker for that evening.
What was not commonly known is that the FBI, was very active in monitoring aka spying on the life of Malcolm X as well as others active in the civil rights movement. The FBI was concerned enough about the impact that this particular event in Detroit, Michigan might have. In fact the FBI was so concerned about this event that the FBI instituted what Malcolm X described later in his speech that night as a “Blackout” In this case a “blackout” meant that the FBI instituted a “counterintellengence” (COINTEL) action against the event by contacting and discouraging the larger sponsors such as Ford Motor Company, Chrysler Motor Company and others from supporting this event.
Near the end of his speech Malcolm X thanked his Detroit audience for attending the event. Apparently the fact that the FBI had attempted to sabotage this event was well known to Malcolm X. The FBI effort to peel support away from this event was at least successful enough so that the attendance was less than expected.
So few copies of this event program exist that I myself was contacted by a Detroit historian to provide photo scans of this copy.
The only other known copy of this event program noted on the Internet is a copy formerly owned by Rosa Parks, who was one of the individuals honored and pictured in the program. Distribution for this program may have been limited to the honorees and to the individuals and groups providing entertainment for the event.
This event program is not part of any collection that originated directly from Malcolm X or his family. It was and still is traditional to publish a very limited number of programs such as this to commemorate an event and then sell or give them away at the event. Since the program is dated on the front and was published strictly for this event, it is highly unlikely that the program was distributed after the date on the front. Because of the government pressure to suppress this historic event, chances are that any surviving copies of the event program were destroyed after the event.
This event program booklet is both extremely rare and very historic. Photographs of a corresponding 2 LP record set of Malcolm X's speech that night is included elsewhere in the Dorothy Ashby Legacy Photograph Collection only to give an additional historical reference as to what other recorded media was spawned as a result of the 1965 event that that this program commemorates.
DJ Kazikiyo "Ode To *%!!^?pt.2 " is a rare various artists compilation promo only compact disk that was produced in 2005. It was originally released on the Rockwell Product Shop label as a promo compact disc in Japan and it has a Hip Hop, Jazz and Rhythm and Blues format. It features the Dorothy Ashby song "Canto De Ossanha" from the 1969 Dorothy Ashby record album on Cadet Records known as "Dorothy's Harp"
Tracklist
1 – DJ Kazikiyo Intro
2 – Hunger (2) Shout
3 – Dizzy Gillespie Matrix
4 – Beatnuts, The World's Famous
5 – Digable Planets Rebirth Of Slick (Inst)
6 – Digable Planets Examination Of What
7 – Gang Starr Words I Manifest
8 – Gang Starr I'm The Man
9 – Jeru The Damaja Mental Stamina
10 – Tragedy Khadafi Funk Mode
11 – Leaders Of The New School What's Next "Remix"
12 – Stone Alliance Sweet Pie
13 – Dorothy Ashby Canto De Ossanha
14 – Gene Ammons Cariba
15 – Tom Scott The Honey Suckle Breeze
16 – O'Donel Levy I Wanna Be Where You Are
17 – Ernie Hines Our Generation
18 – Pete Rock & C.L. Smooth Straighten It Out (Inst)
19 – Three Sounds, The Book Of Slim
20 – Blackalicious Lyric Fathom (Inst)
21 – Artifacts Wrong Side Of Da Tracks
22 – Hakim Wray Special Remedy
23 – Les DeMerle A Day In The Life
24 – Nathan Davis Stick Buddy
25 – Cannonball Adderley Quintet, The Hummin "Remix"
26 – Three Sounds, The Soul Symphony
27 – Main Source Vamos A Rapiar
28 – INI Grooveman Sport
29 – Pete Rock, Large Professor The Rap World
30 – Martin Brew Hopscotch
31 – Jackie Mittoo Too Late To Turn Back Now
32 – Dean Fraser Burial
33 – Count Bass D Down Easy
34 – Common Chapter 13
5016a) Dorothy Ashby - 1965 Event Program for the Afro-American Broadcasting Company Awards Night Presentation held on February 14, 1965 at the Ford Auditorium in Detroit, Michigan. At that event the Dorothy Ashby Trio performed jazz music and El Hadj Malik Shabazz (aka the famous historical African-American figure widely known as Malcolm X) gave his last major speech before being assassinated exactly one week later on Feb 21, 1965.- Front Cover
This is an original issue 1965 event program booklet that was published to commemorate an event on February 14, 1965 at which Malcolm X gave his last major message just 7 days before his assassination on February 21, 1965. This event happened on the very same day that Malcolm X (or El Hajj Malik El Shabazz as was his preferred name at this time) had his Queens, New York home firebombed. Because of the damage his home suffered that night, he was not wearing his customary coat and tie because most of his clothes had been destroyed.
The "Afro American Broadcasting Company" was an African American organization that was formed in 1964 primarily to produce over the air radio programs that "met with African-American approval as spiritually free Black people". The organization began in 1964 to produce and distribute its own radio programs about the African American experience for radio stations throughout the Northeastern United States. The organization was formed in response to widespread dissatisfaction in the African American community with the content and character of radio programs produced about African Americans on "white radio stations". The purpose of the event held that Valentine's Day in 1965 was to raise money by selling tickets to the event itself. The money was to be used to provide scholarships to Afro American youth to enter the field then known as "mass communications". Malcolm X was particularly interested in supporting the African American media at this time because he recognized the importance of his speeches being accurately reported to the public by the mass media. Malcolm X's concern for accurate reporting of his views would explain his supporting this organization.
The event at which Malcolm X spoke that night was actually an awards event called the "First Annual Dignity Projection and Scholarships Award Night" sponsored by the Afro American Broadcasting Company. The event was complete with live music and famous persons being honored for their achievements including African-Americans such as Rosa Parks, Sidney Poitier, and Marion Anderson. The Dorothy Ashby Trio was part of the entertainment for this event. Malcolm X was the scheduled keynote speaker and he was the final speaker for that evening.
What was not commonly known is that the FBI, was very active in monitoring aka spying on the life of Malcolm X as well as others active in the civil rights movement. The FBI was concerned enough about the impact that this particular event in Detroit, Michigan might have. In fact the FBI was so concerned about this event that the FBI instituted what Malcolm X described later in his speech that night as a “Blackout” In this case a “blackout” meant that the FBI instituted a “counterintellengence” (COINTEL) action against the event by contacting and discouraging the larger sponsors such as Ford Motor Company, Chrysler Motor Company and others from supporting this event.
Near the end of his speech Malcolm X thanked his Detroit audience for attending the event. Apparently the fact that the FBI had attempted to sabotage this event was well known to Malcolm X. The FBI effort to peel support away from this event was at least successful enough so that the attendance was less than expected.
So few copies of this event program exist that I myself was contacted by a Detroit historian to provide photo scans of this copy.
The only other known copy of this event program noted on the Internet is a copy formerly owned by Rosa Parks, who was one of the individuals honored and pictured in the program. Distribution for this program may have been limited to the honorees and to the individuals and groups providing entertainment for the event.
This event program is not part of any collection that originated directly from Malcolm X or his family. It was and still is traditional to publish a very limited number of programs such as this to commemorate an event and then sell or give them away at the event. Since the program is dated on the front and was published strictly for this event, it is highly unlikely that the program was distributed after the date on the front. Because of the government pressure to suppress this historic event, chances are that any surviving copies of the event program were destroyed after the event.
This event program booklet is both extremely rare and very historic. Photographs of a corresponding 2 LP record set of Malcolm X's speech that night is included elsewhere in the Dorothy Ashby Legacy Photograph Collection only to give an additional historical reference as to what other recorded media was spawned as a result of the 1965 event that that this program commemorates.
Dorothy Ashby's precise and intricate solo harp playing is highlighted on the song "If It's Magic" from the classic album, Stevie Wonder's 1976 Motown Tamla LP "Songs In The Key of Life".
This landmark musical production was a two record album set plus an extended play 45 rpm single. The release of "Songs In the Key of Life" remains one of, if not the most significant and successful recording projects in Stevie Wonder's stellar career.
This album was hugely significant to the career of Dorothy Ashby because she is the sole musical accompaniment to Wonder's singing and harmonica playing on the beautiful song "If It's Magic". Ashby's sensitive and intricate positioning of individual notes on the harp supported and accentuated Wonder's beautiful vocals on this song. This musical duet was accomplished, (according to private papers written by Dorothy Ashby) after Stevie Wonder auditioned several harpists (including Alice Coltrane) for the assignment.
Stevie Wonder has recently said onstage in concert that of all the harp players that auditioned to play on his "Songs In Dorothy Ashby was the best. It has been suggested that Dorothy Ashby got the nod to play on the "If It's Magic" song only because Alice Coltrane was not available but according to both Stevie Wonder and Dorothy Ashby, this was not the case. Private notes written by Dorothy herself indicated that her selection to play on the song was the end result of a auditioning process that included Alice Coltrane but in the end, Alice Coltrane was not selected. Listening to the song I am much more inclined to believe Ashby's story because it is well known that Stevie Wonder is a very exacting musician who insists on the best from his fellow musicians. Stevie Wonder took almost two years to record this album. Wonder took his time to produce the best album of his career so it stands to reason that he would have waited for his first choice in terms of a harpist. Especially for a song that highlighted to skills of the harpist as much as the song "If It's Magic".
Stevie Wonder was producing the best albums of his career and artists were lining up to work with him at this time. The most widely held story is that Bill Withers (who had been recently produced by Dorothy Ashby) , personally recommended Dorothy Ashby to Stevie Wonder.
On the song "If It's Magic" Dorothy Ashby's signature style of individual and distinct note playing on the harp is evident. Alice Coltrane was much more inclined to strum the harp continuously when playing and that would not have worked as well in this song.
Dorothy Ashby's poignant singular harp playing along side Stevie Wonder's singing on "If It's Magic" was a high point on the album. "If It's Magic" was played on many stations nationwide and the attention that Dorothy Ashby received was probably the most that she had ever received ever.
One thing is certain, Dorothy Ashby was very much in demand as a session musician after the release of this album. In fact, Dorothy Ashby played harp on many records released on Motown Records that have not yet been documented.
5016f) Dorothy Ashby - 1965 Event Program for the Afro-American Broadcasting Company Awards Night Presentation held on February 14, 1965 at the Ford Auditorium in Detroit, Michigan. At that event the Dorothy Ashby Trio performed jazz music and El Hadj Malik Shabazz (aka the famous historical African-American figure widely known as Malcolm X) gave his last major speech before being assassinated exactly one week later on Feb 21, 1965.- Front Cover
This is an original issue 1965 event program booklet that was published to commemorate an event on February 14, 1965 at which Malcolm X gave his last major message just 7 days before his assassination on February 21, 1965. This event happened on the very same day that Malcolm X (or El Hajj Malik El Shabazz as was his preferred name at this time) had his Queens, New York home firebombed. Because of the damage his home suffered that night, he was not wearing his customary coat and tie because most of his clothes had been destroyed.
The "Afro American Broadcasting Company" was an African American organization that was formed in 1964 primarily to produce over the air radio programs that "met with African-American approval as spiritually free Black people". The organization began in 1964 to produce and distribute its own radio programs about the African American experience for radio stations throughout the Northeastern United States. The organization was formed in response to widespread dissatisfaction in the African American community with the content and character of radio programs produced about African Americans on "white radio stations". The purpose of the event held that Valentine's Day in 1965 was to raise money by selling tickets to the event itself. The money was to be used to provide scholarships to Afro American youth to enter the field then known as "mass communications". Malcolm X was particularly interested in supporting the African American media at this time because he recognized the importance of his speeches being accurately reported to the public by the mass media. Malcolm X's concern for accurate reporting of his views would explain his supporting this organization.
The event at which Malcolm X spoke that night was actually an awards event called the "First Annual Dignity Projection and Scholarships Award Night" sponsored by the Afro American Broadcasting Company. The event was complete with live music and famous persons being honored for their achievements including African-Americans such as Rosa Parks, Sidney Poitier, and Marion Anderson. The Dorothy Ashby Trio was part of the entertainment for this event. Malcolm X was the scheduled keynote speaker and he was the final speaker for that evening.
What was not commonly known is that the FBI, was very active in monitoring aka spying on the life of Malcolm X as well as others active in the civil rights movement. The FBI was concerned enough about the impact that this particular event in Detroit, Michigan might have. In fact the FBI was so concerned about this event that the FBI instituted what Malcolm X described later in his speech that night as a “Blackout” In this case a “blackout” meant that the FBI instituted a “counterintellengence” (COINTEL) action against the event by contacting and discouraging the larger sponsors such as Ford Motor Company, Chrysler Motor Company and others from supporting this event.
Near the end of his speech Malcolm X thanked his Detroit audience for attending the event. Apparently the fact that the FBI had attempted to sabotage this event was well known to Malcolm X. The FBI effort to peel support away from this event was at least successful enough so that the attendance was less than expected.
So few copies of this event program exist that I myself was contacted by a Detroit historian to provide photo scans of this copy.
The only other known copy of this event program noted on the Internet is a copy formerly owned by Rosa Parks, who was one of the individuals honored and pictured in the program. Distribution for this program may have been limited to the honorees and to the individuals and groups providing entertainment for the event.
This event program is not part of any collection that originated directly from Malcolm X or his family. It was and still is traditional to publish a very limited number of programs such as this to commemorate an event and then sell or give them away at the event. Since the program is dated on the front and was published strictly for this event, it is highly unlikely that the program was distributed after the date on the front. Because of the government pressure to suppress this historic event, chances are that any surviving copies of the event program were destroyed after the event.
This event program booklet is both extremely rare and very historic. Photographs of a corresponding 2 LP record set of Malcolm X's speech that night is included elsewhere in the Dorothy Ashby Legacy Photograph Collection only to give an additional historical reference as to what other recorded media was spawned as a result of the 1965 event that that this program commemorates.
Dorothy Ashby played harp on the somewhat obscure but revered 1976 soul funk classic "Shout It Out" by singer and keyboard player Bobby Glenn. Her harp is particularly prominent on the song "Sounds Like A Love Song" This song was both sampled and covered by Jay Z in his 2002 work "Song Cry"
Album Tracks
A1 Must Be Funk 3:45
A2 Hey Love! 3:20
A3 Lady, Lady, Lady 3:32
A4 Sounds Like A Love Song 4:42
A5 Shout It Out! 4:35
B1 Morning Song 4:27
B2 Shake A Hand 3:06
Ask B3 4:15
B4 Put Yourself In My Place, Friend 6:57
Credits
Bobby Glenn: Voice
Ralph Johnson: drums
John Raines: Battery
Phillip Bailey: congas
Henry Davis: Low
Al McKay: guitars
Dorothy Ashby: Harp
Larry Dunn keyboards
Bob Farrell: keyboards
Douglas Gibbs: keyboards
Kenny Moore: keyboards
Producers: Douglas Gibbs, Glen Scott, Ralph Johnson
Dorothy Ashby played harp and worked as music director on the soundtrack of the rare and eclectic 1982 film "Human Highway" which starred and was directed by the 1960s classic rock icon Neil Young. Neil Young is described in The Rock and Roll Hall of Fame website as "one of rock and roll’s greatest songwriters and performers". This rare film also features performances by Dennis Hopper, Dean Stockwell, Russ Tamblyn, Charlotte Stewart and Sally Kirkland.
This barely distributed and hard to find cult film classic was directed by Neil Young, who credited his participation in the film to his cinematic alter ego which he named "Bernard Shakey". The bizarre story centered concerns a combination gas station and road house diner that was placed very close to a nuclear power plant and takes place on the last day of life on planet Earth. This movie includes musical tunes by both Neil Young and the 1980s avant-garde rock group DEVO.
The front cover of this promo copy of the first album release by Dorothy Ashby looks the same as the commercial copy. The labels of the record also look the same. The back cover however, is stamped "Sample Copy - Not For Sale" repeatedly. The stamping also appears to have been done by hand.
The purpose of promotional designation is to prevent free promo copies distributed by the record company from being returned by record stores for credit.
5016e) Dorothy Ashby - 1965 Event Program for Afro-American Broadcasting Company Awards Night Presentation at which El Hadj Malik Shabazz aka Malcolm X gave his last major speech and the Dorothy Ashby Trio performed. Page 5
This is an original issue 1965 event program booklet that was published to commemorate an awards event on February 14, 1965 at which Malcolm X gave his “last message” just 7 days before his assassination on February 21, 1965. This event occured the very same night that Malcolm X (or El Hajj Malik El Shabazz as was his preferred name at this time) had his home firebombed. According to his own words in the speech that he gave that evening, because of the damage his home suffered that night, he was not wearing his customary coat and tie.
The event at which Malcolm X spoke that night was actually an awards event called the "First Annual Dignity Projection and Scholarships Award Night" sponsored by the Afro American Broadcasting Company. The event was complete with live music and famous persons being honored for their achievements including Rosa Parks, Sidney Poitier, and Marion Anderson. The Dorothy Ashby Trio was part of the entertainment for the event. Malcolm X was the scheduled keynote and final speaker for that evening.
From reading page three of this event program I have determined that the "Afro American Broadcasting Company" was an African American organization that was formed in 1964 primarily to produce radio programs that "met with our approval as spiritually free black people". The organization began in 1964 to produce and distribute its own radio programs about the African American experience to radio stations throughout the northeastern United States. The organization was formed in response to dissatisfaction in the African American community with the content and character of radio programs produced about African Americans on "white radio stations". The purpose of the event held that Valentine's Day in 1965 was to raise money by selling tickets to the event itself. The money was to be used to provide scholarships to Afro American youth to enter the field of "mass communications". Malcolm X was particularly interested in supporting the African American media at this time because he recognized the importance of his speeches being accurately reported to the public by the media which would explain his supporting this organization.
History would determine that this was to be Malcolm X's last major public speech. It was given that night at the Ford Auditorium in Detroit, Michigan on Feb 14, 1965. The historical importance of this 12 page event program is that it provides and illuminates the social and political context that existed at the time that Malcolm X’s last major speech was given. This context has never been illustrated as clearly as it is by studying this event program.
There is no reference found anywhere on the Internet to the existence of this historic event program.
This event program is not part of any collection that originated directly from Malcolm X or his family. It was and still is traditional to publish a very limited number of programs such as this to commemorate an event and then sell or give them away at the event. Since the program is dated on the front and was published strictly for this event, it is highly unlikely that the program was distributed after the date on the front.
This event program booklet is both extremely rare and very historic. The corresponding pictured 2 LP record set of the speech that was given by Malcolm X that night is included with the booklet only to give the winner an additional historical reference as to what media was spawned as a result of the event that that this program commemorates. The cover of the record is very good minus. The disks are in very good plus condition. This speech has also been transferred to compact disk which is not included with this auction.
This is an extremely rare historical document. I don't know of another copy.
Dorothy Ashby "Music To Instant Karma" Dorothy Ashby's tip of the hat to John Lennon of the Beatles?
This is the Rare Brazillian version of 1970 USA LP "The Rubiayat of Dorothy Ashby"
This LP has an alternate cover and title from the US version. The Brazil title of this LP is interesting because "Instant Karma" was the name of a worldwide hit single that John Lennon of the Beatles recorded and released in 1970, the same year the US version of "The Rubiayat of Dorothy Ashby" was released. Before this, "Instant Karma" was not exactly a household expression. This title lends itself to the spacy reputation that this Dorothy Ashby classic album has to this day.
A1 Myself When Young 5:16
A2 For Some We Loved 4:02
A3 Wax And Wine 4:25
A4 Drink 2:30
A5 Wine 3:56
B1 Dust 2:51
B2 Joyful Grass And Grape 3:38
B3 Shadow Shapes 3:32
B4 Heaven And Hell 3:10
B5 The Moving Finger 5:39
Dorothy Ashby - "The Ashby Players" - 1960s Advertising Flyer for the theatrical plays "The Choice" and "3-6-9" performed on tour at Malcolm X College in Chicago, Ill. This were two of the theatrical musical plays that Dorothy and John Ashby produced together as the theatrical company, The Ashby Players. .
2250) Dorothy Ashby - 1960s Theatrical Flyer for the play "3-6-" starring the pictured Dorothy Ashby as an actress and performed at the Dexter Theater. Dorothy Ashby was co-founder of the theatrical group that would be most commonly known as "The Ashby Players" The play "3-6-" was one of the theatrical musical plays that Dorothy and John Ashby produced together as the theatrical company, Aid to Creative Arts. Aid to Creative Arts was one of the many names that "The Ashby Players" went by. In the case of the play " 3-6" , John Ashby probably wrote the book and Dorothy Ashby wrote the music and lyrics to all the songs in the play. Dorothy Ashby also played harp and piano on the soundtrack to this play.
Dorothy Ashby - Beyond There "Something From The Radio" This is a very rare various artists compilation promo only cassette that was produced in 1998. It was originally a radio show that was broadcast in Germany and it has a Hip Hop, Jazz and Rhythm and Blues format. It features the Dorothy Ashby song "It's A Minor Thing" from the 1958 Dorothy Ashby and Frank Wess record album "In A Minor Groove"
Tracklist
A1 – Beyond There BTTB Theme - Intro
A2 – Basement Khemists Vibrate
A3 – Arsonists, The The Session
A4 – Billy Deal Tuck's Theme
A5 – James Brown Funky President
A6 – Ugly Duckling Fresh Mode
A7 – Roxanne Shanté Queen Of Rox
A8 – Lee Ritenour Catapillar
A9 – Mr. Complex Visualize
A10 – Ramsey Lewis Tambura
A11 – Mr. Complex I'm Rhymin'
A12 – Love Doggone
A13 – Beyond There Dadaism
A14 – J.J. Johnson & Quincy Jones Pull Jubai Pull
A15 – Show & AG* Q&A Beats
A16 – Dilated Peoples Work The Angles
A17 – Jake One Ft. Kutfather One Man Band
A18 – Dorothy Ashby It's A Minor Thing
B1 – David Mccallum The Edge
B2 – Missin' Linx M.I.A.
B3 – Ill Brothers Funkneck
B4 – Progression (3) Tom Tom
B5 – Original Concept Can You Feel It?
B6 – T La Rock It´s Yours
B7 – Beyond There Ft. Tony Vegas It´s Straws
B8 – K. Fanat Zoo York
B9 – George Benson Cheeba Cheeba
B10 – Microphone Pager & Lord Finesse Yamu Machi
B11 – Microphone Pager & Muro XXX Large
B12 – Bo Diddley I Love You More Than You´ll Ever Know
B13 – Sic Sense Positional Bypass
B14 – Mountain Long Red
B15 – Fab 5 Freddy & Chris Stein Down By Law
B16 – Beyond There BTTB Theme - Outro
B17 – Freddie Robinson The Coming Atlantis
2253) Dorothy Ashby - Circa 1960s 11" by 17" Poster for the theatrical play "The Choice" starring 1960s soul singer Maxcine Dixon produced by "The Ashbys". This was one of the theatrical musical plays that Dorothy and John Ashby produced together as the theatrical company, The Ashbys. In the case of the play " The Choice , John Ashby wrote the play and Dorothy Ashby wrote the music and lyrics to all the songs in the play. Dorothy Ashby also played harp and piano on the soundtrack to this play.
Dorothy Ashby's Autographed Copy of a 1940 Radio City Edition Album of Negro Spirituals Sheet Music. Jazz harpist Dorothy Ashby also sang and played Negro Spirituals as a child prodigy and early in her adult career.
Extremely rare Picture Sleeve for the Fat Bob and Dorothy Ashby Benchmark EP What Does A Mother Say featuring a mother and child on the front of the picture sleeve.
“Tight Songs - Guest Selects #2: Moodymoonleaf” by Low Leaf is a freeform very unusual musical wavefile various artists mix that was first release as a radio broadcast on the Tight Songs radio show, hosted by Fresh Selects on XRAY FM (KXRY in Portland, Oregon), and later released through Soundcloud. It was first released in May of 2014. It featured the Dorothy Ashby song “Wax and Wane” from her 1970 record album “The Rubaiyat of Dorothy Ashby” The entire sound of the wavefile has a kind of ethereal Japanese atmosphere to it. Almost surreal.
Tracklist
1.1 –Low Leaf Seperent's Prayer
1.2 –Carlo Mombelli Joburg Downpipe Gutter Bows
1.3 –Dwight Trible Hyku For Peace / Come Ye
1.4 –Pasta Groove Run It Down
1.5 –Geoff Love & His Orchestra Three Days Of The Condor
1.6 –Carlo Mombelli The Hurricane Of Silence
1.7 –Guzheng Spring River Flower Moon Night
1.8 –Colleen A Swimming Pool Near The Railway Track
1.9 –Pharoah Sanders Astral Traveling
1.10 –Dorothy Ashby Wax And Wane
1.11 –Georgia Anne Muldrow as Jyoti (2) The Language Of The Flame
1.12 –Hiatus Kaiyote Rainbow Rhodes
1.13 –David Axelrod The Warning Talk (Part II)
1.14 –DelCosmo Quintet A Day Out Of Time
1.15 –Low Leaf Tala At Twilight
1.16 –Cosmic Debris Unknown
1.17 –Alice Coltrane The Sun
Dorothy Ashby - "Expensive Bling" - This is a graphic icon for a digital compilation distributed by International Jazz as a digital download only - It was compiled in April 2016 and consists of 8 songs from various early Dorothy Ashby albums
Maxcine Dixon and The Dorothy Ashby Trio - Double-Talkin' -
This is a rare early 1960s popcorn soul 45 RPM record on the rare soul Topaz record label. Rare 1960s release that probably predates any Cadet record that Dorothy Ashby released. Maxcine Dixon was a soul vocalist and occasional actress that worked very closely with Dorothy Ashby. Dorothy Ashby also wrote this song. The song on the other side of this 45 is "Can't Be Bothered"
2254) Dorothy Ashby - 1960s The Ashbys 11" by 17" Poster for the theatrical play "The Duffers". This was one of the theatrical musical plays that Dorothy and John Ashby produced together as the theatrical company, "The Ashbys". In the case of the play "The Duffers" , John Ashby wrote the book and Dorothy Ashby wrote the music and lyrics to all the songs in the play. Dorothy Ashby also played harp and piano on the soundtrack to this play. This performance was at the Detroit Institute Of Arts
2252) Dorothy Ashby - 1960s Toronto Workshop Productions Flyer for the theatrical play "The Game". Advertized as "Black Theater At Its Best" This was one of the theatrical musical plays that Dorothy and John Ashby produced together as the theatrical company, "The Ashbys". On this flyer, their theatrical company is referred to as "The Ashby's"
Extremely rare Picture Sleeve for the "What Does A Mother Say" 45 rpm Extended Play Record Picture Sleeve Version 2 featuring a photo of "Fat Bob" Dorothy Ashby plays harp on this record.
7020a) Dorothy Ashby - This is the Sept. 18, 1971 Chicago-Suburban News Newspaper front page featuring the historic "Attica Prison Shooting" headline with heading banner above that about "The Ashby Players" production of the African-American play "The Choice" being performed in Chicago, Ill. at Malcolm X College.
"The Ashby Players" was the most common name for the theatrical production company started by John and Dorothy Ashby.
"Attica Prison Shooting with 40 dead..." refers to what history commonly refers to as the infamous "Attica Prison Riots" The Attica Prison Riots are so historically significant that I am going to include a portion of the Wikipedia article as follows:
Attica Prison riot
From Wikipedia, the free encyclopedia
The Attica Prison riot occurred at the Attica Correctional Facility in Attica, New York, United States in 1971. The riot was based upon prisoners' demands for political rights and better living conditions. On September 9, 1971, responding to the death of prisoner George Jackson, a black radical activist prisoner who had been shot to death by corrections officers in California's San Quentin Prison on August 21, about 1,000 of the Attica prison's approximately 2,200 inmates rebelled and seized control of the prison, taking 33 staff hostage.
During the following four days of negotiations, authorities agreed to 28 of the prisoners' demands, but would not agree to demands for complete amnesty from criminal prosecution for the prison takeover or for the removal of Attica's superintendent. By the order of then-Governor Nelson Rockefeller, state police took back control of the prison. When the uprising was over, at least 39 people were dead, including ten correctional officers and civilian employees.
At the time of the riots, black militancy was at its peak and many black prisoners had transferred to Attica causing prison population to increase from its designed 1200 prisoners to 2243.[18] 54% of these were Black American, 9% Puerto Rican and 37% white;[19] however, all of the 383 correctional officers were white. Some corrections officers were openly racist and assaulted the prisoners with their batons, which they dubbed "nigger sticks".[18] Additionally, George Jackson, a member of the Black Panther Party, had died at the hands of white prison officers two weeks before the riot in the San Quentin State Prison in California.
Dorothy Ashby "Swan Lake" Stock copy of rare 1960s 45 rpm vinyl record on the rare Peridot Records label. Dorothy Ashby performs her own version of Swan Lake on the harp. The person credited on drums, John Tooley, is actually John Ashby, husband and artistic partner of Dorothy Ashby.
2237) Dorothy Ashby - Flyer for 1960s musical plays "The Choice" and "3-6-9" At the 11th Street Theater. These were both theatrical musical plays that Dorothy and John Ashby produced together as the theatrical company, The Ashby Players. In the case of both the plays " The Choice' and "3-6-9" , John Ashby wrote the scripts and Dorothy Ashby wrote the music and lyrics to all the songs in both of these plays. Dorothy Ashby also played harp and/or piano on the soundtrack to these plays.
2237c) Dorothy Ashby - 1960s Theatrical Program for a performance at 11th Street Theater in Chicago, Ill. Event Program for the theatrical plays "The Choice" and "3-6-9". These were both theatrical musical plays that Dorothy and John Ashby produced together as the theatrical company, The Ashby Players. In the case of both the plays " The Choice' and "3-6-9" , John Ashby wrote the scripts and Dorothy Ashby wrote the music and lyrics to all the songs in both of these plays. Dorothy Ashby also played harp and/or piano on the soundtrack to these plays.
Dorothy Ashby's Autographed Copy of a 1964 Edith Piaf Memorial Album of Sheet Music. Dorothy Ashby sang and played various styles of music as a child prodigy and throughout in her career.
2234) Dorothy Ashby - 1960s Stage Vest Pocket Program for the theatrical play "The Choice". This was one of the theatrical musical plays that Dorothy and John Ashby produced together as the theatrical company, The Ashby Players. In the case of the play " The Choice , John Ashby wrote the book and Dorothy Ashby wrote the music and lyrics to all the songs in the play. Dorothy Ashby also played harp and piano on the soundtrack to this play. Two songs from this play; "Lonely" and "Life Has Its Trials" were later released on Dorothy Ashby's 1968 record album "Afro-Harping" The song "Lonely" from the play was renamed "Lonely Girl" for Ashby's 1968 "Afro-Harping" record album.
2233) Dorothy Ashby - Aid to Creative Arts Program for the theatrical play "The Choice" performed at the Detroit Institute Of the Arts on March 25 and 26, 1970. This was one of the theatrical musical plays that Dorothy and John Ashby produced together as the theatrical company, Aid to Creative Arts. In the case of the play " The Choice" , John Ashby wrote the book and Dorothy Ashby wrote the music and lyrics to all the songs in the play. Dorothy Ashby also played harp on the soundtrack of this particular production of this play.
Dorothy Ashby - "Favourite Dish" - This is a graphic icon for a digital compilation distributed by International Jazz as a digital download only - It was compiled in May 2016 and consists of 7 songs from various early Dorothy Ashby albums
2237d) Dorothy Ashby - Rear view of 1960s 11th Street Theater in Chicago, Ill. Event Program for the theatrical plays "The Choice" and "3-6-9". These were both theatrical musical plays that Dorothy and John Ashby produced together as the theatrical company, The Ashby Players. In the case of both the plays " The Choice' and "3-6-9" , John Ashby wrote the scripts and Dorothy Ashby wrote the music and lyrics to all the songs in both of these plays. Dorothy Ashby also played harp and/or piano on the soundtrack to these plays
2236a) Dorothy Ashby - Rear view of 6) 1960s Stage Vest Pocket Program for the theatrical play "3-6-9" This was one of the theatrical musical plays that Dorothy and John Ashby produced together as the theatrical company, The Ashby Players. In the case of the play " 3-6-9", John Ashby wrote the book and Dorothy Ashby wrote the music and lyrics to all the songs in the play. Dorothy Ashby also played piano on the soundtrack to this play. Ernie Hudson of Ghostbusters 1 and 2 fame (credited in this play as Earnest L. Hudson) played the part of "Bill" in this play. Also Venida Evans,
22310) Dorothy Ashby - Scene Magazine of Toronto, Canada - May 25-31,1970 - featuring front page article on the theatrical play "The Choice" performed at the Toronto Workshop Productions Theater. This was one of the theatrical musical plays that Dorothy and John Ashby produced together as the theatrical company, The Ashby Players. In the case of the play " The Choice , John Ashby wrote the book and Dorothy Ashby wrote the music and lyrics to all the songs in the play. Dorothy Ashby also played harp and electric piano on the soundtrack to this play.
2233a) Dorothy Ashby - Interior to Aid to Creative Arts Program for the theatrical play "The Choice" performed at the Detroit Institute Of the Arts on March 25 and 26, 1970. This was one of the theatrical musical plays that Dorothy and John Ashby produced together as the theatrical company, The Ashby Players. In the case of the play " The Choice , John Ashby wrote the book and Dorothy Ashby wrote the music and lyrics to all the songs in the play. Dorothy Ashby also played harp on the soundtrack of this particular production of this play.
2210A) Dorothy Ashby - 1967 Handwritten Signed 9 Page Letter from Dorothy Ashby Urging Support for the "Aid to Creative Artists" Theater Group Pages 1 and 2 "You want to know why Negroes riot?" was the opening line for this letter.
This letter was written during what can be called the period of African American civil unrest in the United States during the mid 1960s. This was a very provocative way for any African American to begin a letter in 1967. This was a question that much of White America was asking at the time.
This letter more than any other document discovered thus far demonstrates the intensity of the commitment that Dorothy Ashby had for her theater performance group, then known as the "Aid To Creative Artists". This letter in particular also illustrates the anger and frustration that Ms. Ashby felt at the lack of political and financial support that her group was able to garner from the Detroit political machine. Although the theater group was popular in the inner city and African American community of Detroit, the nature of the productions that Aid to Creative Artists put on did not motivate the Detroit goverment to act to support Ashby's group. The Ashby's used virtually all of their financial resources to keep the theater group alive.
2210B) Dorothy Ashby - 1967 Handwritten Signed 9 Page Letter from Dorothy Ashby Urging Support for the "Aid to Creative Artists" Theater Group Pages 3 and 4
"You want to know why Negroes riot?" This letter was written during what can be called the period of African American civil unrest in the United States during the mid 1960s. This was a very provocative way for any African American to begin a letter in 1967. This was a question that much of White America was asking at the time.
This letter more than any other document discovered thus far demonstrates the intensity of the commitment that Dorothy Ashby had for her theater performance group, then known as the "Aid To Creative Artists". This letter in particular also illustrates the anger and frustration that Ms. Ashby felt at the lack of political and financial support that her group was able to garner from the Detroit political machine. Although the theater group was popular in the inner city and African American community of Detroit, the nature of the productions that Aid to Creative Artists put on did not motivate the Detroit goverment to act to support Ashby's group. The Ashby's used virtually all of their financial resources to keep the theater group alive.
Bonobo "LateNightTales " is a 2013 electronica, jazz funk and soul various artists compilation record album and compact disk. It features the Dorothy Ashby song "Essence of Sapphire" from the 1965 Dorothy Ashby record album on Atlantic Records known as "The Fantastic Jazz Harp of Dorothy Ashby"
Tracklist
– Dustin O'Halloran An Ending A Beginning 2:10
– Khruangbin A Calf Born In Winter 3:14
– Bonobo Get Thy Bearings (Exclusive Donovan Cover Version) 2:57
– Darondo Didn't I 3:18
– Nina Simone Baltimore 4:30
– Hypnotic Brass Ensemble Flipside 2:29
– Menahan Street Band The Traitor 2:28
– Andrew Ashong & Theo Parrish Flowers 5:54
– Romare Down The Line (It Takes A Number) 2:50
– Shlohmo Places 3:00
– Lapalux Gutter Glitter 2:37
– Invisible, The (2) Wings (Floating Points Remix) 4:08
– BadBadNotGood Hedron 1:54
– Matthew Bourne VIII. Juliette 3:20
– Airhead (5) South Congress 3:25
– Matthew Halsall Sailing Out To Sey 1:29
– Dorothy Ashby Essence Of Sapphire 3:09
– Peter And Kerry One Thing 3:27
– Eddi Front Gigantic 3:19
– Bill Evans Peace Piece 6:36
– Benedict Cumberbatch Flat Of Angels Part 3 (Exclusive Spoken Word Piece) 6:32
2210C) Dorothy Ashby - 1967 Handwritten Signed 9 Page Letter from Dorothy Ashby Urging Support for the "Aid to Creative Artists" Theater Group Pages 5 and 6.
"You want to know why Negroes riot?" This letter was written during what can be called the period of African American civil unrest in the United States during the mid 1960s. This was a very provocative way for any African American to begin a letter in 1967. This was a question that much of White America was asking at the time.
This letter more than any other document discovered thus far demonstrates the intensity of the commitment that Dorothy Ashby had for her theater performance group, then known as the "Aid To Creative Artists". This letter in particular also illustrates the anger and frustration that Ms. Ashby felt at the lack of political and financial support that her group was able to garner from the Detroit political machine. Although the theater group was popular in the inner city and African American community of Detroit, the nature of the productions that Aid to Creative Artists put on did not motivate the Detroit goverment to act to support Ashby's group. The Ashby's used virtually all of their financial resources to keep the theater group alive.
2210D) Dorothy Ashby - 1967 Handwritten Signed 9 Page Letter from Dorothy Ashby Urging Support for the "Aid to Creative Artists" Theater Group Pages 7 and 8.
"You want to know why Negroes riot?" is the first sentence in this handwritten letter penned by Dorothy Ashby. This letter was written during what can be called the period of African American civil unrest in the United States during the mid 1960s. This was a very provocative way for any African American to begin a letter in 1967. This was a question that much of White America was asking at the time.
This letter more than any other document discovered thus far demonstrates the intensity of the commitment that Dorothy Ashby had for her theater performance group, then known as the "Aid To Creative Artists". This letter in particular also illustrates the anger and frustration that Ms. Ashby felt at the lack of political and financial support that her group was able to garner from the Detroit political machine. Although the theater group was popular in the inner city and African American community of Detroit, the nature of the productions that Aid to Creative Artists put on did not motivate the Detroit goverment to act to support Ashby's group. The Ashby's used virtually all of their financial resources to keep the theater group alive.