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This is a vintage dress that I altered to include the top of an old cowboy boot. I also added elastic straps and panels, and cut away portions of the old dress, in an attempt to make it fit more actual humans. Like many vintage dresses it had a narrow waist designed to fit over undergarments that aren't really worn that often any more. As a result the dress is too big for me now - thank goodness I was planning on selling it anyway. I have a big sale this weekend and can't wait to see it on someone with boobs.
Nobody knows your documentation better than your customers. Theoretically you can attempt to address ALL USE CASES, but you won't reach the long tail of all of them. And why spend time trying when you can receive contributions for free?
Read the article here: www.mindtouch.com/blog/2010/05/30/customer-support-vs-soc...
Several photos were taken of the dissections to document the appearance and location of the nematodes. American eels can become infected by consuming intermediate crustacean hosts, like copepods or ostracods. They can also get infected by eating organisms that carry the parasite but are unaffected such as snails, amphibians, insect larvae and some fish.
The left and right edges of the raft are good and will form a strong but easy to remove bond between the object and the build platform. The section in the middle is squished and will stick securely to the platform when nothing else will.
This image is for the skeinforge configuration tutorial at: wiki.makerbot.com/configuring-skeinforge
A double page spread I had to do for uni explaining my use of documentation in idea generation around the theme of TIME.
Have to do a presentation tomorrow about strategies for idea generation and how I have challenged my previous working process.
AAARRGGHHHH!
My son, the college student, broke two bones in his left leg at the ankle last month and had to have surgery. He emailed his professors to explain that he would be absent for approximately a week and asked one of them if he could take a make-up test for one that he would be missing. The professor wrote back that if he produced "documentation from a doctor" he would be allowed to make up the test. Apparently, crutches and a big old cast aren't proof enough for this guy!
For the Feb. Scavenger Hunt #12 - Documentation.
This is what happens when the extruder puts down less plastic than skeinforge expects.
This image is for the skeinforge configuration tutorial at: wiki.makerbot.com/configuring-skeinforge
This is what happens when the extruder puts down more plastic than skeinforge expects.
I think this photo turned out rather well.
This image is for the skeinforge configuration tutorial at: wiki.makerbot.com/configuring-skeinforge
This binder contains the documentation for Apple's new MacOS X 10.4 Tiger. Yes, that's a ruler on the right. It measures the dead tree sheets at 4.5 inches tall. It's going to take some time to get good at this I think.
Vesuvio Café in North Beach, San Francisco.
Photographs in this collection have been produced by Heather Do, Connor Rowe, Kathleen Markham, Alison Lowrie, Kenneth Chiu, Katie Salmond, Diana Chavez, Elena Toffalori, Ashley Vink, Aimee O'Dea, Liz Dolinar, Allison Barden, Justine Khoury, Daniele Alaniz-Roux, and Justin Thach at the request of Michael Ashley for the UC Berkeley Anthropology 136e class, Spring 2011. The purpose was to digitally document the cultural heritage of Vesuvio Café to not only document the cultural history embeded into the ageless walls but also to connect spatially the symbiotic relationship that preserves the legacy of beatnik culture today.
Vesuvio Cafe, (37.79757°N 122.40625°W), located in the North Beach region of San Francisco Bay, is a cultural bastion preserving the cultural heritage of bohemian era and the beatnik culture that generated its establishment by Henri Lenoir in 1949 and made infamous by the renown authors such as Jack Kerouac from which the adjacent alley is named. The building in which the bar is housed is otherwise known as the Cavalri building built in 1913 and expanded to a second story in 1918 and designed by Zanolini with Italian Renaissance revival elements. The transient existence of these unkempt literary members and their constituents is reflected in the liminal location of the former saloon restaurant at the border between the vagrant Chinese- Italian communities; by 1970[1], most of the diverse cultures regressed into economical housing . Vesuvio Café despite its rich history back to the 1950’s , are not historically preserved site; in fact, they were rented until 1999[2] by managers Chris and Janet Clyde, whose proprietary hopes to protect the building from other commercial interest. Over the years, Vesuvio has undergone its share of renovations and damages such as the 1999 retrofitting for earthquake safety or even the 1973 damage dealt to the building by an errant bus[3]. Over the years, the "I'll never forget after the retro-fitting, one man came in, he was about 55 years old and in a business suit," Clyde said. "He actually had tears in his eyes when he looked at the place. He said, `You didn't change anything.' Vesuvio has kept its character as a neighborhood bar.”[4]
Photographs in this collection were shot on April 11, 2011 between 7:30 am and 5:00 pm Pacific Time under variable natural lighting due to cloudy skies with intermittent periods of morning exposure conditions. Photos were captured on the following cameras: Canon DSLR XTI/T2i, S95, Sony Cybershot, Canon Powershot. Lenses used include: Macro 60mm, Telephoto 70-200, Canon T2i 18-55mm, Canon XTI 17-85mm. A tripod was used for timelapse, Gigapan, macro, telephoto, HDR, and photogrammetry shots. iPhones were also used for documentation shots and Geo-tagging. The photos were post-processed in Adobe Photoshop Lightroom 3.
Description written by Kenneth Chiu, following Addison’s proposed virtual heritage metadata format in his chapter “The Vanishing Virtual” in New Heritage: New Media and Cultural Heritage, edited by Kalay, et al., and published by Routledge in 2007.
All photos Copyright ©2011 Center for Digital Archaeology, Berkeley CA, licensed under Creative Commons BY-NC 3.0 For more information contact Center for Digital Archaeology, Berkeley, CA, 94720 or visit www.codifi.info/licensing
All photos Copyright ©2011 Center for Digital Archaeology, Berkeley CA
Creative Commons creativecommons.org/licenses/by-nc/3.0/
For more information contact Center for Digital Archaeology, Berkeley, CA,
94720 or visit www.codifi.info/licensing
For more facts and information about Alcatraz, please visit
[1] news.google.com/newspapers?id=WKI_AAAAIBAJ&sjid=JlYMA...
[2] news.google.com/newspapers?id=M0IfAAAAIBAJ&sjid=yc8EA...
[3] news.google.com/newspapers?id=hwsrAAAAIBAJ&sjid=cZoFA...
[4] www.highbeam.com/doc/1P2-4550312.html
Original Filename:
ANTHRO136SP11_VVO_Cam25-24.dng
BugGuide states --- Numbers --- enormous group with several hundred spp. in ~35 genera in our area and ~330 genera worldwide, arranged in 8 tribes
Catchfly Ct, Columbia
Howard County, MD
Quad39076_B7
Determined by V. Belov @ BugGuide
Subfamily Typhlocybinaebugguide.net/node/view/52827
documentation of the year 1969: the year of my birth.
got this several years ago on ebay and love it. it's a vera.
Upper Craig Branch
New River Gorge
I'm posting this not-so-good image purely for documentation purposes so that you can catch a glimpse of what could be the tallest waterfall in the state.
A very popular waterfall in WV is said to be the tallest and it has been measured at 60+ feet. This waterfall is easily 75 feet or more, but due to its isolated location and rugged and difficult access, Upper Craig Branch is not well known.
This was my first sight of the Upper Falls, my good friend Fred, who I hiked with on this day, had scouted here a while back under much drier conditions. That day, he hiked to the lower section on an established path and climbed up the steep and boulder strewn mountainside to reach the top. There was only a trickle of water on that day, and he had mentioned to me several times about wanting to shoot here again when there was more water.
On our hike, we decided to try and hug the cliff walls and work our way over to the upper fall. It took over an hour to navigate our way around, over and through large boulders and rhododendron thickets. When we reached the creek, we were just below where the water falls over the ledge.
It was something special to witness, but due to the massive flow of water from recent heavy rains, we were unable to photograph from that vantage point. We worked our way down to this spot where we were able to somewhat escape the incredible amounts of spray.
In the next day or so I'll post an image of one of the lower waterfalls of Craig Branch and rest assured, we'll be back to tackle this one again soon!
(illustration from a structured discussion on reclaiming the commons) Meeting participant Maymay talked about patterns he has found in researching how oppression is carried out. Examining many different revolutionary and cultural struggles has shown a tactical pattern used over and over again by repressive governments and other dominant groups. The dominant group is not a majority but they work to keep the rest of society from uniting against them. The tactics they use, time and again, are :
Divide & Conquer – Infiltrators often provoke infighting, divisiveness, and discord within communities as part of their efforts to derail the momentum of revolutionary movements.
Obscure & Homogenize – The state uses and encourages artificial categorization to obscure the diverse and infinitely subtle possibilities of human existence. The media divides the organic spectrum of the population into segments, and within each segment creates an archetype or sketched-in models of how we are all supposed to be. These manufactured ideal images create hurdles within communities for members who do not fit the idealized definition.
(Further Reading - www.ribbonfarm.com/2010/07/26/a-big-little-idea-called-le...)
Proven resistance strategy starts with identifying the specific tactics an opponent or organization uses, and encourages loose networks of allied groups to unify around countering a specific tactic. The tactics used by the state to repress us are the pillars of support for the system itself. When we are choosing actions, we can use this to help us decide how to focus our energies.
What strategies can we make to counteract these acts of repression against us?
-Four counter strategies are suggested: Transparency, Access, Equality, Diversity
-These boil down to a fundamental strategic and philosophical statement: unity through diversity. This is how we can reclaim the commons.
Unity through Diversity!
Kurnell Exchange - "RADIO - White noise & metering results", "Mini-link", "Inital Caller Meter Readings"
Documentation photo of a White-winged Scoter at Edward's Ferry, Montgomery County, Maryland, 2/2/14.
Commissioned to work with SALT Research collections, artist Refik Anadol employed machine learning algorithms to search and sort relations among 1,700,000 documents. Interactions of the multidimensional data found in the archives are, in turn, translated into an immersive media installation. Archive Dreaming, which is presented as part of The Uses of Art: Final Exhibition with the support of the Culture Programme of the European Union, is user-driven; however, when idle, the installation "dreams" of unexpected correlations among documents. The resulting high-dimensional data and interactions are translated into an architectural immersive space.
Shortly after receiving the commission, Anadol was a resident artist for Google's Artists and Machine Intelligence Program where he closely collaborated with Mike Tyka and explored cutting-edge developments in the field of machine intelligence in an environment that brings together artists and engineers. Developed during this residency, his intervention Archive Dreaming transforms the gallery space on floor -1 at SALT Galata into an all-encompassing environment that intertwines history with the contemporary, and challenges immutable concepts of the archive, while destabilizing archive-related questions with machine learning algorithms.
In this project, a temporary immersive architectural space is created as a canvas with light and data applied as materials. This radical effort to deconstruct the framework of an illusory space will transgress the normal boundaries of the viewing experience of a library and the conventional flat cinema projection screen, into a three dimensional kinetic and architectonic space of an archive visualized with machine learning algorithms. By training a neural network with images of 1,700,000 documents at SALT Research the main idea is to create an immersive installation with architectural intelligence to reframe memory, history and culture in museum perception for 21st century through the lens of machine intelligence.
SALT is grateful to Google's Artists and Machine Intelligence program, and Doğuş Technology, ŠKODA, Volkswagen Doğuş Finansman for supporting Archive Dreaming.
Location : SALT Gatala, Istanbul, Turkey
Exhibition Dates : April 20 - June 11
6 Meters Wide Circular Architectural Installation
4 Channel Video, 8 Channel Audio
Custom Software, Media Server, Table for UI Interaction
For more information:
refikanadol.com/works/archive-dreaming/