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Another shot from yesterday morning after I'd been rudely awoken by mother nature. I'm glad I made the effort to get out of bed! Taken at Ocean Reef, Western Australia. For those who are interested, this is a single shot of 30 seconds at f/8, ISO100
This osprey was calmly watching for a fish, but the crows kept harassing it. This was one of the flybys.
MX//: Mᴜʟᴛɪᴘʟʏ·s ﹕
MX // Dɪsʀᴜᴘᴛᴏʀ Sɴᴇᴀᴋᴇʀs
Comes in 11 colours.
Slink // Belleza // Maitreya compatible. Unrigged version also included
Item available:
﹫Tʜᴇ Gᴀʟʟᴇʀɪᴀ Mᴀʟʟ
maps.secondlife.com/secondlife/Galleria/192/184/21
ᵂᵉᵃʳᶤᶰᵍ: ᴺᵒᶤʳᵉ ⁽ˢˡᶤᶰᵏ⁾
A visit to the forest was very much needed to stretch my legs for an hour. I walked around just as the mist was lifting! But! Just Imagine how it could have looked if I had got there earlier ...And it was really misty!
Quote.....
You can't change anything without causing some degree of disruption. It's impossible, that is exactly what change is. Some people are uncomfortable with the disruption that change causes, but the disruption is necessary if anything is going to change.`(Afeni Shakur)
Karl Barth once said that Christian doctrine is truthful only to the extent that it ‘points beyond itself and summons us to hear not itself, but [Christ].’ 17 The Christian tradition, in Williams’ view, is the extension through time of that act of self-dispossessing witness. Tradition is a theological reality. It is not meant to answer all our questions; its aim is to point beyond itself, to formalize its own unfinishedness, to hold open a space for new encounters with what Flannery O’ Connor called God’s ‘dark and disruptive’ grace. 18 Tradition keeps the church in contact with its own traumatic origins: the dark grace of an empty tomb.
---Christ the Stranger: The Theology of Rowan Williams, by Benjamin Myers, pg 48
A new fighter design - perhaps influenced slightly by the the style of craft in the video game "Destiny".
Finally got some parts in to finish my large mecha but I'm deep into a home renovation/rewiring project at the moment, so here is a fighter I managed to get together over the course of the last couple weeks. When I get a break I will resume "mech"ing it up.
Nadine Ijewere is leading the way for a new generation of artists. Through her unique visual language, the 28-year-old British photographer shows that fashion is fun, and beauty multifaceted – regardless of Eurocentric norms. Everything’s possible, there are no limits. Ijewere doesn't care about old rules, she prefers to write her own. Nadine Ijewere shot numerous VOGUE covers and campaigns for brands like Nina Ricci and Stella McCartney. “Beautiful Disruption”, the photographer’s first institutional solo exhibition, is on display at C/O Berlin now.
Source Vogue
The exhibition ends on 02.09.21
If you click on the image you will see how much electricity was in the air. Tons of little tendrils.