View allAll Photos Tagged Digitalization
■SONY Cyber-Shot RX100■　→　http://www.sony.jp/cyber-shot/products/DSC-RX100/
■SONY NEX F3■　→　http://www.sony.jp/ichigan/products/NEX-F3K/
■CANON PowerShot G1X■　→　http://cweb.canon.jp/camera/dcam/lineup/powershot/g1x/index.html
■CANON PowerShot S100■　→　http://cweb.canon.jp/camera/dcam/lineup/powershot/s100/index.html
■NIKON 1 V1■　→　http://www.nikon-image.com/products/camera/acil/body/nikon1_v1/
■NIKON COOLPIX P7100■　→　http://www.nikon-image.com/products/camera/compact/coolpix/performance/p7100/index.htm
■OLYMPUS OM-D E-M5■　→　http://olympus-imaging.jp/product/dslr/em5/
■OLYMPUS XZ-1■　→　http://olympus-imaging.jp/product/compact/xz1/
■FUJIFILM X100■　→　http://fujifilm.jp/personal/digitalcamera/x/finepix_x100/
■FUJIFILM X10■　→　http://fujifilm.jp/personal/digitalcamera/x/x10/index.html
■RICOH GXR■　→　http://www.ricoh.co.jp/dc/gxr/
■RICOH GR DIGITAL IV■　→　http://www.ricoh.co.jp/dc/gr/digital4/
■PENTAX Q■　→　http://www.pentax.jp/japan/products/q/
■SIGMA DP1 Merrill■　→　http://www.sigma-dp.com/
■PANASONIC LUMIX LX5■　→　http://panasonic.jp/dc/lx5/index.html
Here are two of the textures from Playing With Brushes slightly altered and digitally collaged for the Playing With Brushes Group.
Artwork ©jackiecrossley
© All rights reserved. This image may not be copied, reproduced, distributed, republished, downloaded, displayed, posted or transmitted in any form or by any means, including electronic, mechanical, photocopying & recording without my written permission. Thank you.
In the style of Marsha Balian.
Here's one I didn't put in the blog post (which you can find here).
Strobist/lighting info: Metz Mecablitz 60 in 43" shoot through umbrella, attached to a paint pole and hand-held by my assistant (camera left). Fill light was SB-28 in another shoot-through, camera right and about camera position. Triggered with Cybersyncs.
Available for sale on www.artquid.com/artwork/673593/63774/fumetto.html
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My Images Do Not Belong To The Public Domain - All images are copyright by silvano franzi ©all rights reserved©
Strobist/lighting info: Alien Bee 1600 in 16" beauty dish, suspended on boom over model's head (and slightly to camera-top of the image). Fill was AB 800, aimed at a 20 ft ceiling with a metallic surface. One light was triggered with a CyberSync, the other optically.
See and read more on my blog post of the shoot here: matthainesphotography.com/photoblog/archives/1195
Some retail therapy before the holidays. Walked into Nordstrom's Loft and physically bumped into this cute sweater which was on display....it screamed at me to take her home, which I did for a steal...$130 sweater reduced to $49.
Digital ID: 88475. 1860s-1920s
Source: [Photographs and prints of Egypt and Syria.] (more info)
Repository: The New York Public Library. Photography Collection, Miriam and Ira D. Wallach Division of Art, Prints and Photographs.
See more information about this image and others at NYPL Digital Gallery.
Persistent URL: digitalgallery.nypl.org/nypldigital/id?88475
Rights Info: No known copyright restrictions; may be subject to third party rights (for more information, click here)
Digital Incense - smoke art or " art based on luck"
Incense Sticks - No processing except cropping.
Setup:
Nikon D300 full manual ( Auto focus on 1st shot to get the correct distance to the smoke)
1 SB-600 wireless triggered from in-body commander.
More data in the exif.
I think this qualifies for the Trimming challenge, even though it's not a holiday card. The trimmings I used are the lace, ribbon and string. The butterflies are from the Winged Friends digital download at 2peas. I created the background paper using the Friends Definition and Winged friends Photoshop brushes. I love how the paper turned out.
For a close up of the butterfly, go here:
www.flickr.com/photos/37217501@N06/4125345443/in/set-7215...
Please don't post your photos here nor GLITTERY IMAGES. They will be removed. Don't invite me to any group. I will not accept ;-)
This is a 100% comparison of Fujichrome Provia 100F film shot with a Nikon F80 (and scanned on a Nikon Super Coolscan 8000 ED with Vuescan software) and the same view taken with both a digital Nikon D7000 & Fujifilm X10.
Note: Although the caption above says the Fuji X10 was shot in 12MP mode, in reality, once the image is cropped to match the 2:3 aspect ratio, the dimensions change from 3000x4000 to 2664x4000, which is actually 10.7MP. The width however, is the same as 12MP APS-C.
Also, noise reduction with Imagenomic Noiseware Pro was applied in post to the Nikon F80 scan and the Fuji X10 image. The Nikon D7000 image in the middle had no noise so no noise reduction was applied.
Conclusion? For anyone who thinks film is dead, think again. With a good scanner, some tech skills and a $25 '70s era SLR, you can easily get pro results that few could tell the difference from images shot on a $1200 DSLR.
And for those wondering if the Fujifilm X10 can match or exceed film at base ISO; the answer is "yes" in sharpness, color and dynamic range and "always" in convenience and portability.
â– Please don't use my images for any purpose, including on websites or blogs, without my explicit permission.
■S.V.P ne pas utiliser cette photo sur un site web, blog ou tout autre média sans ma permission explicite.
© Tom Freda / All rights reserved - Tous droits réservés
The Sunglow Pier in Daytona Beach Shores Florida. This current 1000 foot pier it was built in 2002 replacing a former pier destroyed in an 1984 nor'easter. Print size 8x10 inches.
Daily Graffiti Photos and Street Art Culture... www.EndlessCanvas.com
Happy holidays! Pushing through here...it's fun, but I'm not as young as I used to be :) Hope you all have a wonderful holiday and all the best in 2011!!
01433_DxO_1200
Zeitpunkt Aufnahme: 2013:05:11 16:29
Belichtung 1/40
Blende f/ 4.0
Brennweite 45 mm
Digital Equipment Corporation
Eingeführt wurde die PDP-11-Baureihe im Jahr 1970.
Die PDP-11 hat eine Wortbreite von 16 bit. Es werden Einadressbefehle, Zweiadressbefehle und Sprünge unterschieden. Die Adressierung erfolgt jeweils über sechs Bit, wobei die ersten drei Bit für die acht Adressierungsmodi verwendet werden und die letzten drei für die Auswahl eines der acht Register (R0 bis R7). Viele Befehle gibt es als Wortbefehle und als Bytebefehle, das heißt, sie operieren mit 16-Bit- bzw. 8-Bit-Einheiten.