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OneAvatar was shown at the third edition of the Milano in Digitale event. An installation featuring a 3D game in which players could shoot the OneAvatar character, causing electric shocks to hit the body of the player wearing the OneAvatar suit, creating a phisical connection between our physical bodies and our identities in the digital worlds.
The installation features the results of the research coming from the OneAvatar project: technology, emotion, identity, relational dimensions in the digital domains are some of the fundamental topics analyzed.
For the event a complete marketing and communication strategy was produced to create a fictional, but realistic and produceable, product to create the narrative level of the performance: the performer was displayed as in a shopping center showcase, with the product and the related gadgets available for sale. A further analysis on the evolution of art in the contemporary era, in its hybridization wth communication, marketing and ethnographical practices.
more info at:
www.artisopensource.net/2008/11/15/oneavatar-milano-in-di...
and here:
concept and installation by
Salvatore Iaconesi [xDxD.vs.xDxD]
Oriana Persico [penelope.di.pixel]
OneAvatar was shown at the third edition of the Milano in Digitale event. An installation featuring a 3D game in which players could shoot the OneAvatar character, causing electric shocks to hit the body of the player wearing the OneAvatar suit, creating a phisical connection between our physical bodies and our identities in the digital worlds.
The installation features the results of the research coming from the OneAvatar project: technology, emotion, identity, relational dimensions in the digital domains are some of the fundamental topics analyzed.
For the event a complete marketing and communication strategy was produced to create a fictional, but realistic and produceable, product to create the narrative level of the performance: the performer was displayed as in a shopping center showcase, with the product and the related gadgets available for sale. A further analysis on the evolution of art in the contemporary era, in its hybridization wth communication, marketing and ethnographical practices.
more info at:
www.artisopensource.net/2008/11/15/oneavatar-milano-in-di...
and here:
concept and installation by
Salvatore Iaconesi [xDxD.vs.xDxD]
Oriana Persico [penelope.di.pixel]
Arts Bremen; Julian Rohrhuber, Music Informatics / IMM Duesseldorf; the Digitale Klasse at Angewandte Kunst, Vienna.
"The Ways Things May Go" is a meditation on invented causality in a networked world. Taking the first cue from Fischli / Weiss' "Der Lauf der Dinge", Alberto de Campo, Hannes Hoelz, Julian Rohuber and students built little causal processes with two or more possible outcomes: For example, a series of falling domino stones could split into two, and thus provoke a random decision in the physical world. Which end of the process is reached determines which causal process is activated next, so a dynamic topology of invented causal relations emerges within the network of available elements. For the CTM.13 Exhibition, more than a dozen modules are carefully assembled into a relatively small space to create the image of a highly complex, sound-producing kinetic machine. "The Ways Things May Go" is a joint project between UdK Berlin (Alberto de Campo), HfK Bremen (Hannes Hoelzl), IMM Düsseldorf (Julian Rohrhuber) and Angewandte Wien (Nico Kirisits, Klaus Filip), and open for future extension.
The works in TWTMG shown at ctm 2013 are realized by students of Alberto de Campo / Hannes Hoelzl and guests.
List of works:
Alberto de Campo "Hamster-Gestüt"
Constantin Engelmann "Time To Say Goodbye"
Sascha Hanse "Assembly Line"
Katharina Hauke "Kniffel"
Sara & Dominik Hildebrand Marques Lopes "Horses On Fire"
Hannes Hoelzl "SpeakerPendulum"
Philipp Klein "I Dance Alone"
Stephan Orendi "Quirl"
Monai de Paula Antunes "Poema Solo"
Eva Pedroza "Atmosphere"
Tobias Purfürst "SinPong"
Elisa Storelli "The Millennium Between Sunlight and Rain"
Ljupcho Temelkowski "Music Search"
www.ctm-festival.de/festival/artists/the-ways-things-may-go/
Het SNS REAAL Fonds ondersteunt met de programmaregeling ‘Digitale innovatie voor musea’ musea die hun collectie willen ontsluiten door verhalen te vertellen met digitale media.
Het seminar Moving Stories in Het Nieuwe Instituut bracht dertien gehonoreerde musea, drie experts en tweehonderd geïnteresseerden samen. De musea presenteerden hun projectplannen en gingen in discussie met experts en het publiek.
Het seminar Moving Stories was een vervolgsessie op de studiedag die op 31 januari 2013 plaatsvond in Het Nieuwe Instituut. De dertien musea kregen op die dag aanwijzingen en suggesties voor hun projecten, die ze vervolgens op Moving Stories presenteerden. Verder vertelden experts Kars Alfrink en Duncan Speakman over hun werk en analyseerde Harry van Vliet van het lectoraat Crossmedia Business van de Hogeschool Utrecht de programmaregeling.
Lees het verslag en bekijk de presentaties en video’s op virtueelplatform.nl/kennis/moving-stories-in-het-nieuwe-i...
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Through its digital innovation in museums scheme, the SNS REAAL Fonds supports heritage institutions seeking to make their collections more accessible to the public through electronic storytelling.
The SNS REAAL Fonds and The New Institute brought together 13 such museums, three expert guests and 200 audience members at the Moving Stories seminar. The museums introduced their planned projects and discussed them with the experts and audience.
Game designer Kars Alfrink and artist Duncan Speakman also spoke about their work, and Harry van Vliet, a cross-media business lecturer at HU University of Applied Sciences Utrecht, analysed the digital innovation in museums scheme. The seminar followed a study day on 31 January at The New Institute, at which the museums received advice and suggestions relating to their digital narrative projects.
To read a report on the seminar and view the presentations and videos, visit virtueelplatform.nl/kennis/moving-stories-in-het-nieuwe-i... (in Dutch).
Foto's: Sebastiaan ter Burg - Creative Commons BY
OneAvatar was shown at the third edition of the Milano in Digitale event. An installation featuring a 3D game in which players could shoot the OneAvatar character, causing electric shocks to hit the body of the player wearing the OneAvatar suit, creating a phisical connection between our physical bodies and our identities in the digital worlds.
The installation features the results of the research coming from the OneAvatar project: technology, emotion, identity, relational dimensions in the digital domains are some of the fundamental topics analyzed.
For the event a complete marketing and communication strategy was produced to create a fictional, but realistic and produceable, product to create the narrative level of the performance: the performer was displayed as in a shopping center showcase, with the product and the related gadgets available for sale. A further analysis on the evolution of art in the contemporary era, in its hybridization wth communication, marketing and ethnographical practices.
more info at:
www.artisopensource.net/2008/11/15/oneavatar-milano-in-di...
and here:
concept and installation by
Salvatore Iaconesi [xDxD.vs.xDxD]
Oriana Persico [penelope.di.pixel]
OneAvatar was shown at the third edition of the Milano in Digitale event. An installation featuring a 3D game in which players could shoot the OneAvatar character, causing electric shocks to hit the body of the player wearing the OneAvatar suit, creating a phisical connection between our physical bodies and our identities in the digital worlds.
The installation features the results of the research coming from the OneAvatar project: technology, emotion, identity, relational dimensions in the digital domains are some of the fundamental topics analyzed.
For the event a complete marketing and communication strategy was produced to create a fictional, but realistic and produceable, product to create the narrative level of the performance: the performer was displayed as in a shopping center showcase, with the product and the related gadgets available for sale. A further analysis on the evolution of art in the contemporary era, in its hybridization wth communication, marketing and ethnographical practices.
more info at:
www.artisopensource.net/2008/11/15/oneavatar-milano-in-di...
and here:
concept and installation by
Salvatore Iaconesi [xDxD.vs.xDxD]
Oriana Persico [penelope.di.pixel]
ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2021. Mussolini e il Comune di Roma: La sistemazione fascista di Via dell'Impero negli anni '30 è ora in mostra digitale al Museo di Roma. Sovrintendenza Capitolina / Palazzo Braschi - Museo di Roma / Video (17/03/2021). S.v., Giulia Calanna (2020); Luca Basso Peressut & Pier Federico Caliari (ed.) (2017), & ROMA TRE (04/2017).
Foto / Video: Via dell' Impero / I Fori Imperiali (1933-34), in: Sovrintendenza Capitolina / Palazzo Braschi / Museo di Roma (17/03/2021).
1). ROMA - Online i nuovi Tour Virtuali dei musei civici di Roma Capitale. Sovrintendenza Capitolina / Museo di Roma (17/03/2021).
Tra realtà aumentata e nuovi contenuti multimediali è possibile viaggiare virtualmente alla scoperta di 8 musei, anche tramite smartphone, per vivere la bellezza dell’arte con un click.
Sono online i nuovi Tour Virtuali dei musei civici di Roma Capitale, viaggi virtuali per scoprire e vivere la bellezza del patrimonio museale attraverso un’esperienza digital che supera i limiti spaziali, da pc e smartphone. Dotati di nuove potenzialità tecnologiche, nuovi contenuti multimediali e più accessibili nella fruizione, sono stati aggiornati e ampliati rispetto alla versione precedente, secondo un progetto promosso da Roma Culture, Sovrintendenza Capitolina ai Beni Culturali, prodotto da Zètema Progetto Cultura con la direzione scientifica della Sovrintendenza Capitolina ai Beni Culturali e realizzato da Skylab Studios.
Fonte / source:
--- Sovrintendenza Capitolina / Museo di Roma (17/03/2021).
www.museodiroma.it/it/notizie/online-i-nuovi-tour-virtual...
www.museodiroma.it/en/nuovo_allestimento/come_muoversi_ne...
2). ROME - The new Virtual Tours of the Museums of the City of Rome are online. Sovrintendenza Capitolina / Museo di Roma (17/03/2021).
With new virtual reality and multimedia content, it is now possible to discover and view the 8 major museums of the City of Rome, and view their amazing collections Via smartphone and the Internet / personal computer. The museum are now equipped with technological advancements with new multimedia content, and now making the museums accessible to Romans and the international community. The new virtual tours museum projects designed by the City of Rome's office of Roma Culture, the Superintendence for Cultural Heritage of Rome, assisted by the office of Zètema Progetto Cultura and by Skylab Studios.
Fonte / source:
--- Sovrintendenza Capitolina / Museo di Roma (17/03/2021).
www.museodiroma.it/it/notizie/online-i-nuovi-tour-virtual...
www.museodiroma.it/en/nuovo_allestimento/come_muoversi_ne...
3). ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2021. Palazzo Braschi / Museo di Roma. Mussolini e il Comune di Roma: La sistemazione fascista di Via dell'Impero negli anni '30 è ora in mostra digitale al Museo di Roma. Sovrintendenza Capitolina / Video (17/03/2021).
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“You are conferring praise on me in advance.” He continued. “My work is only just beginning, and I would prefer that Rome should accept me when my labors are done.” (…) “In Rome there are two main classes of problems, problems of practical necessity and problems of moral grandeur. The first, consist in lack of houses and means of communications. This will be faced and solved immediately. The problem of greatness consists largely in removing the other problems, that Rome maybe worthy of her history and glory, which constantly renews itself. To do this we must have faith and tenacity, such as the ancient Romans had.”
--- Benito Mussolini (Italian Prime Minister [later Fascist dictator, 1922–43]), in:
“MUSSOLINI BECOMES A CITIZEN OF ROME; Ancient Honor Is Conferred on Him on the City's 2,677th Anniversary.
HE PREDICTS NEW GLORIES Fascist Premier Envisions a New Imperial Rome Leading the Rest of the World.”
The New York Times (22 April, 1924): 4; NYT Archives | Online edition. www.nytimes.com (accessed April 2005).
‘The news is important: the "Via dei Fori Imperiali" as we know it today will soon be a memory. As far as the archaeological excavations, pride of the Pre-Jubilee Rome, it would not have been realizable without the demolitions carried out during the Fascist period. That according to Prof. Adriano La Regina, the Archaeological Superintendent of Rome.'
--- Prof. Adriano La Regina (Italian archaeologist), in:
Antonio Debenedetti, 'The Ancient City Lives Again - "Also Thanks to Il Duce." The expropriations already realized by Mussolini would have cost Billions of Lira.'
The Corriere Della Sera (29 July, 1999): 27.*
'...It is not about demolishing the Via dei Fori Imperiali, but about re-constructing its identity for the next millennium.' (...) 'We restart from the Via dei Fori Imperiali as a work of art.
--- Luca Basso Peressut & Pier Federico Caliari (ed.), Rome, Conference poster for: 'Via dei Fori Imperiali come opera d'arte / Via dei Fori Imperiali as a work of art.'
PRIRANESI - PRIX DI ROME. PROGETTO PER LA NOUVA VIA DEI FORI IMPERIALI.' Rome, Conference / Exhibit (23 March - 2 April 2017).**
Notes:
* = The original Italian title & text of the Corriere Della Sera (July 1999) article = ‘RIVIVE L` URBE ANTICA “ANCHE GRAZIE AL DUCE.” Gli espropri gia` realizzati da Mussolini costerebbero centinaia di miliardi, Corriere Della Sera (29 July 1999): 27; along with following text =
'La notizia e` importante: via dei Fori Imperiali, come la conosciamo oggi, diventera` presto un ricordo. Quanto agli scavi archeologici, fiore all’ occhiello della Roma pre Giubelio, non sarebbero stati realizzabili senza gli sventramenti operati in epoca fascista. A dirlo e` Adriano La Regina, autorevole soprintendente archeologico di Roma.'
Source: Corriere Della Sera (July 1999), the Press Service of the Italian Ministry of Culture, Rome [Online edition]; rassegnastampa.beniculturali.it/RassEco/rassegna/rassegna... (accessed late July 1999).The English translation of the Corriere Della Sera (July 1999) article courtesy of: Dr. Marisa Iannarelli, Rome (June 2000). Traduzione a cura della Dott.ssa Marisa Iannarelli, Roma (06/2000).
** = Conference poster for: 'Via dei Fori Imperiali come opera d'arte / Via dei Fori Imperiali as a work of Art.'- PRIRANESI - PRIX DI ROME. PROGETTO PER LA NOUVA VIA DEI FORI IMPERIALI.' Mostra dei progetti della Call Internazionale di Progettazione e Riqualificazione e Risignificazione di Via dei Fori Imperiali. Rome, the Curia Senatus (23 March - 2 April 2017). See: Luca Basso Peressut & Pier Federico Caliari (ed.), Piranesi Prix de Rome Progetti per la nuova Via dei Fori Imperiali. Rome: AIÓN EDIZIONI (2017): pp. 1-500. Conference poster text in Italiano / English. Ital., text =
'...Non si tratta guindi di demolire Via dei Fori Imperiali, ma di ricostruirne l`identita` per il prossimo millennio' (...) 'Si riparte da Via dei Fori Imperiali come opera d'arte.'
Source: ACCADEMIA ADRIANEA DI ARCHITETTURA E ARCHEOLOGIA ONLUS, Rome (March 2017).
lnx.accademiaadrianea.net/2017/03/15/23-marzo-2017-conveg...(accessed April 2017).
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www.flickr.com/photos/imperial_fora_of_rome/50150069326
ROMA - Palazzo Braschi / Museo di Roma. Sala 16. Paesaggi urbani e paesaggi archeologici. Via dell’Impero, via del Mare, via delle Botteghe Oscure.
ROME - Palazzo Braschi / Museo di Roma. Room 16. The Urban and Archaeological Landscapes: The Via dell’Impero, Via del Mare, Via delle Botteghe Oscure.
ROMA – Le prime due sale espongono frammenti lapidei, ceramici e di affreschi staccati provenienti dalle zone di via dei Fori Imperiali, via Alessandrina e via del Mare (sala 16) e dalla demolizione della Spina dei Borghi in Vaticano (sala 17). Nella sala 16 sono esposti affreschi staccati provenienti dalla chiesa della Santissima Annunziata nel Foro di Augusto e dal monastero di Sant’Eufemia nel Foro di Traiano, frammenti lapidei e ceramici dalla via del Mare e decorazioni fittili dalla cosiddetta Casa delle Terrecotte, che sorgeva nell’attuale via Arco de’ Ginnasi. Un modello in legno, realizzato nel 2017 dal Dipartimento di Architettura dell’Università degli Studi Roma Tre, rappresenta una ricostruzione del tessuto urbano del quartiere alessandrino nel 1871, precedente cioè sia gli interventi tardo ottocenteschi che portarono all’apertura di via Cavour, sia la creazione in epoca fascista di via dell’Impero. Un filmato realizzato da Roland Sejko con materiali originali prodotti dall’Istituto Luce mostra i lavori di costruzione di via dell’Impero [fig. 8].
Fonte / source:
--- ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2020. Paesaggi urbani e paesaggi archeologici. Via dell’Impero, via del Mare, via delle Botteghe Oscure (1930-33), in: Giulia Calanna, "Il Museo di Roma in Palazzo Braschi," (2020): 225-239 [in PDF]. wp.me/pbMWvy-qs
S.v.,
www.flickr.com/photos/imperial_fora_of_rome/34293429565
--- ROMA ARCHEOLOGIA e RESTAURO ARCHITETTURA: A PALAZZO BRASCHI L’UNIVERSITA’ ROMA TRE METTE IN MOSTRA UN PREZIOSO MODELLO LIGNEO DEL QUARTIERE ALESSANDRINO E DEL FORO ROMANO NEL 1871, ROMA TRE (04/2017). wp.me/pPRv6-3IP
Digitale steden agenda startbijeenkomst: Veiligheid maken we samen.
Zie voor meer informatie over de digitale stedenagenda: dsa.pleio.nl/