Heleen Sintobin en Amandine David: Coral Colours (2025)

Daniel Dewar & Grégory Gicquel: Marble sculpture with snails and body fragments (2025)

Kasper Bosmans: Bed-In (2025)

Sara Deraedt: Untitled (2022-2023)

Diane Simpson: Jabot - starched and hinged (2018)

Rosemarie Trockel: Kinderspielplatz (1999)

Christiane Blattmann: Passage (2025)

'Plume', 2007, acrylic on canvas, 60" x 72" (left), 'All that could be', 2006, acrylic on canvas, 60" x 84" (right)

Diane Simpson, an Olympian in rhythmic gymnastics in 1988, reads to kids at the Hall Branch for the Chicago 2016 Star Reading program.

Daniel Dewar & Grégory Gicquel: Silk painting with mirror carp, water lilies and duckweed (2025)

Diane Simpson, an Olympian in rhythmic gymnastics in 1988, reads to kids at the Hall Branch for the Chicago 2016 Star Reading program.

Rosemarie Trockel: Kinderspielplatz (1999)

'Cape' by Diane Simpson

Poster announcing my lecture in the Creative Arts Building at West Virginia University (Morgantown, West Virginia} the latest stop for 'Concurrent'. I was asked to be the visiting artist for this exhibition months ago and traveled there last Thursday and Friday (oct. 15-16). I gave a lecture on Thursday evening, just prior to the opening reception. On Friday morning, I met with three of the graduate students.

Sculptor: Diane Simpson.

Diane Simpson (left), Larry Webb (right).

Diane Simpson, Apron Armour (collagraph, 1976). On display at the Whitney Museum of American Art, NYC.

'Random Expantion' series. Water media on paper, 20" x 20" each.

'Stratum I', 2007, acrylic on canvas, 60" x 72"

Paintings by Natalie Alper (left) and Larry Webb (Right).

'Undercurrent' (left) with exhibition signage.

A better look at the cover of the Concurrent catalogue.

Daniel Dewar & Grégory Gicquel: Stoneware jar with body fragments and snails (2024)

A peek inside the Concurrent catalogue.

Diane Simpson: Tunic - folded (2012)

Exhibition Review - Diane Simpson and Lesley Vance at Herald St, London till 31st Jan 2016.

Your architectural pressure points

insert you between a mathematical equation

and the pleated silk shadows you cast

upon my seductive forms and dissonant spaces.- Drenched Co

Comment: "How does one speak of the sex of a painting or a sculpture? For this is what I see in this exhibition. I see envy in the strained curves of Vance's twisting forms - the stiffened hips to prevent them from swaying, the lifted posture from hips to shoulders, the florid over compensation and the insecure under definition. All in the face of the androgynous, strapping, broad shouldered, baritone-voiced sculptures of Simpson, cold, foreign and separate. But oh, what a beautiful couple they make!" - JayZee

See www.heraldst.com/ds-lv

See also www.woundsthatbind.com/2016/01/exhibition-review-diane-si...

See also www.soaked.space/2016/01/exhibition-review-diane-simpson-...

Caption: Image above: Installation view Diane Simpson© Lesley Vance© Herald St, London 2016

Image courtesy of the artists and Herald St, London.

We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.

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