Ilford ID-11
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An old abandoned homestead caught on film. Agfa Speedex camera, expired Kodak Tri-X film and caffenol developer.
Zero Image 6x9, TMY in Tanol Speed,
New Cyanotype on COT-320,
Nitric acid developer 4 mins, oxidation bath 30 secs, Lead acetate 1% 30 secs.
Nikon N90, Nikon 50mm 1.8, apx100, epson v600 - this is an archival shot and not sure which developer I have used, Foma powder, I presume
It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
FP4 N+1 in Tanol.
coolest Kallitype tone without a toning is a combination of Arches Platine and Sodium acetate developer
I had thought that the light had ruined the shots from here, but by cranking up the contrast and adding a bit of clarity in SilkyPix this came out which I quite like. One of the last shots taken before heading straight down as a hailstorm was rapidly approaching from behind..
View from Bald Head Island
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 18mm
Iridient Developer
Affinity Photo
Glen Falls Trail, Nantahala National Forest
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Photo information:
ISO: 100
Film type: 120
Film name: Fomapan 100
Developer: Adox FX-39II
Process: 20°C.
Developer dilution: 1+19
Developing time: 14'
Agitation: in 10 sec every 2 min.
Camera: Zenza Bronica S2
Lens: Nikkor-H C 1: 2.8 f=75mm
Filter(s) used: Yellow
Aperture: 16
Exposure time: 1/8
Focal length: 75
Scanner manufacturer: Epson Perfection V550 Photo.
Wisteria arbor, Coker Arboretum, University of North Carolina at Chapel Hill
590nm IR-converted Pentax K-5
Lensbaby Velvet 28/2.5
Iridient Developer
Excerpt from www.cambridge.ca/en/learn-about/resources/Dickson-Hill-HC...:
Dickson Hill is one of the most unique communities in the City of Cambridge.
Dickson Hill is named for the Honourable William Dickson, a prominent Galt settler who arrived to the area in 1816. Dickson is credited with founding the Village of Galt due to his considerable land holdings and was responsible for much of the commercial development on the west bank of the Grand River.
His son, William Dickson Jr., acquired most of the lands that currently make up the residential area of Dickson Hill. His own residence, located at 16 Byng Avenue was constructed in 1832. The development of the residential component occurred over several decades and by a series of developers. Florence Dickson, niece to William Dickson Jr., and his heir, controlled the development of this area until the 1890’s.
Dickson Hill features an extremely high concentration of significant buildings of various types: residential, institutional, commercial and manufacturing. In addition to the buildings, key elements that define the character of Dickson Hill are:
• Tree-lined streets;
• Distinctive globe street lights; and
• Prominent urban public spaces and landscape features.
Live Oak (Quercus virginiana) canopy, Bald Head Island, North Carolina
Pentax K-1
Lensbaby Velvet 56/1.6
Iridient Developer
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
(Shot with an Agfa Isolette III on Ilford FP4+; developed in Moersch Eco Film Developer; digitized with DSLR + hugin; edited with the GIMP)
light over the Sydney coast, August 2020. Olympus OM4-Ti OM Zuiko 21mm f/3.5, Ilford HP5+ in Ilfotec HC developer. V700 scan. Lightroom 6.
Illustrations/code-names for the development team here at work.
If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
AGFA APX 400 film
Adox Rodinal developer
Leica M2
Summicron 50mm f2 v3
Box Hill, Victoria, Australia
April 2022
Franklin, NC
#5 from a morning walk on Monday, August 13, 2018.
Pentax K-1
SMC Pentax 1:1.8 85mm
Iridient Developer
Affinity Photo
World of Warcraft: Mists of Pandaria
Developer(s)
Blizzard Entertainment
Team 2
Publisher(s)
Blizzard Entertainment
Designer(s)
Tom Chilton
Cory Stockton
Greg Street
Ion Hazzikostas
Composer(s)
Neal Acree
Russell Brower
Jeremy Soule
Platforms
Microsoft Windows, OS X
Release
NA / EU: September 25, 2012[1]
Latest release
5.4.8
Genre(s)
Expansion pack
Mode(s)
Multiplayer
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
************************
In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…
2011. Contax G1 (Carl Zeiss Biogon 28mm F2.8). Author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1.
I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.
The comprehensive review can be found on my blog here:
amazingsky.net/2023/01/01/testing-raw-developer-software-...
Firenze, still wearing the remnants of his shaggy winter coat, scratches his back happily on one of the panels of Andy's corral—his favorite scratching spot—while Andy focuses intently on his morning hay.
Camera: Ferrania Rondine (1948, with Ferrania Linear 7.5cm f/8.8 lens). A tiny Italian box camera, similar in size to the Kodak Baby Brownie and the Eho Baby Box.
Film: Efke R100 127 film (expired 2000), developed in Arista Liquid Developer (1+9) for 7:45 minutes @ 66 degrees, and scanned with an Epson V600 scanner. I chose the Efke film because I figured that, with the film having been expired for 20 years, its ISO would have edged down to about 50, a good match for the Rondine's 1/75 second shutter speed and fixed f/8.8 aperture. The exposure did indeed turn out well, though the film's emulsion had suffered a bit in the intervening years, as old Efke sometimes does. It's not a perfect world :-)
Joshua Tree (Yucca brevifolia), down but not out. This higher-elevation section of the park is remarkably lush, from the abundance of flowers in this “superbloom” year as well as the pinyon-juniper forest intermixed with Joshua Trees.
Pentax K-1
Mirex tilt/shift adapater
SMC Pentax-A 645 1:3.5 150mm
Iridient Developer
Leica MP
Leica Summicron 35mm f/2 IV "King of Bokeh"
Adox Silvermax
Adox Silvermax Developer (1+29)
11 min 20°C
Scan from negative film
Testing out some ancient film I was given for free – Agfa Ortho 25 document film, expired in 1990, unknown storage.
I knew it would turn out quite contrasty, tried to tame it by using a more dilute developer. Worked pretty well but I could've given it a little less development I think.
Split grade print: #00 to preserve highlight detail, #5 for deep shadows, some burning with #2
Printed on Ilford MGIV RC with Rollei RPN Eco 1+9
Toned in selenium (Moersch MT 1 1+50) for a few minutes
Mamiya RB 67 Pro S + Sekor 50mm 1:4.5 + Agfa Ortho 25
Film developed in Rodinal 1+50 @ 20 °C, time guessed, untested
Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.