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Storm just went severe warned near Bearden, Ar

Another mirror selfie.

 

Pentax 67

Takumar SMC 75mm f/4.5

Kodak TMax 100

Developed with Rodinal

this isn't a test but smoke clouds are infinate i adore rain love awkward stories

so tall they need a little tweak of normal to

seem realistic

For decades, developing and emerging economies have relied on traditional financing solutions intermediated by commercial banks with limited capital market activity. A vital challenge for these countries is how to mobilise more finance to help accelerate their development and achieve the Sustainable Development Goals (SDGs). This event comes at a critical juncture as developed economies begin to tighten their monetary policies and geopolitical tensions increase dramatically, raising new questions on how sustainable capital market ambitions could be achieved going forward.

 

The current turbulent environment in Europe has also highlighted the importance of energy security and the pressing need to fast-track decarbonisation efforts. This panel explored how emerging economies can achieve significant breakthroughs by mobilising cross-border finance focused on sustainable and inclusive solutions. In particular discussing the growth of blended finance and impact investment flows and their role in building up the stock of assets in emerging market economies with the aim of achieving sustainable development impact.

 

At the heart of the EBRD’s mandate lies a focus on environmentally sound investment and sustainable development, and the Bank is determined to promote Environmental, Social, and Governance (ESG) through a unique combination of policy dialogue, investments, and private sector focus. The panel also explored how various parties -- the emerging countries’ authorities, advanced economies’ governments interested in supporting sustainable development, impact investors and IFIs - could work together to support the much-needed quantum leap in finance.

 

Featuring:

 

Andre Kuusvek

President & CEO

Nordic Investment Bank

 

Alex Pivovarsky - Speaker

Director, Capital Markets Development

EBRD

     

Developed using darktable 3.8.0

I find this shot so nostalgic that it seems to me as if it were shot in the early 70s, when I was just a little kid. Taken in Milan, (Italy) - Diana Mini, Fujicolor C200 self developed in Rollei Compard Chemistry.

Another active afternoon across southwestern Ontario. After witnessing some funnel clouds, flooding rains, and large hail about an hour earlier, we repositioned to the southwest as some cloud towers near Woodstock held the prospect for more severe weather.

This thing will hold up to 4 Minox films at a time. A future version may be double layered. This version fits a standard stainless tall drum. PVC and fishing line, but needs a filler piece to reduce the required liquid volume.

Designs developed in Vermiculture Furniture course at the Ohio State University. Course co-taught by Kay Bea Jones, Ann Silverman and Amy Youngs. Online syllabus: artandtech.osu.edu/vermiculture_furniture/

It will look better when it scales.

developed it ma self :D

Storm clouds develop over the New York City mid-town Manhattan skyline during late afternoon prior to a summer thunderstorm.

 

Image © 2012 Clarence Holmes / Clarence Holmes Photography, All Rights Reserved. The image is protected by U.S. and International copyright laws, and is not to be downloaded or reproduced in any way without written permission.

 

If you would like to use this image for any purpose, please see the available licensing and/or print options for this image on my website or contact me with any questions that you may have.

I have developed a very serious problem... I suck at grocery shopping now.

I have no idea how it happened but back in the day, I loved going grocery shopping and keeping my fridge well stocked with food, I mean there's only one person to feed [myself] so obviously it's not gonna be crazy stocked or anything but there'd be plenty of choices for a meal.

 

For the past.... several months, my fridge has been one real sad sight. You'll usually find some hummus/pita [although a friend actually left that here for ASL club and we forgot to eat it so um I am keeping it now, haha. I OWE YOU! Milk, mostly for coffee and tea... cheese... avocado... beer/cider... sauces, a lot of sauces, can't go wrong with sauce... tofu... margarine... eggs...sour cream... um... some vegetable oil... oh and a container of soup.

 

Ha. In my cupboard I have some rice, potatoes, canned soup, flour, onions, garlic, and spices... and of course tea and coffee.

 

I dunno why though, every time I go to the grocery store now I just go blank and can't think of what I should get so I just get the same stuff over and over. It's kinda sad, what happened to me?! Ha. It's okay though, I'm trying to not spend too much money on food and put more money toward debt. So I suppose this works out well.

 

p.s Yeah I am icky and drink out of the carton =\ But it's okay because only I drink it anyway. Ah the joys of living by myself.

 

View Large On Black

Developing a novel way of mapping coral reefs with laser and underwater photography.

 

Harbour School x MakerBay

Ths.edu.hk

MakerBay.org

Taken in the Georgetown neighborhood of Seattle

 

Pentax PC550 28mm

Kodak Portra 400VC

Lab C41

Epson 4490

Check out the Lightroom 5 discussion.

Chaika-2, expired Konica Centuria 200, self-developing Tetenal C41

Developed using darktable 3.8.0

This is the rack which goes inside the Dallan Developing Tank. The 12 little arched frames each hold a sheet of film and are loaded in the dark, which, after I'd gotten the hang of it, became much easier than I expected. I'm guessing that the rack may have originally held 6.5 x 9 cm glass plate negatives for development.

 

I use this tank to develop 6.5 x 9 cm sheet film shot in my Kodak/Nagel Recomar 18.

 

In this shot, the Dallan film rack is posing on the home-made plywood tripod platform that i made for my box cameras.

 

Shot with Uncle Shoe's studio strobes in his studio. I also borrowed his Nikon FM2 for the shoot; shot on Kodak Portra 160VC.

In February 1943, construction was begun in Oak Ridge on a graphite pile, which had been given the code name X-10. Though X-10 was under the jurisdiction of the University of Chicago, the staff was made-up largely of DuPont people. Everything connected with the project was kept secret;all classified materials were referred to by code name only. The English code name for uranium was "tuballoy."

The X-10 pile was still under construction when DuPont suddenly decided to switch to the water-cooling method & develop the model conceived by Dr. Eugene Wigner & his group. This was a major decision, announced by Crawford Greenewalt only after the company's careful study of the different methods. Work on helium cooling was abandoned, & the efforts of DuPonts's Design Division were concentrated exclusively on Wigner's model. Thus, the plutonium project followed a peculiar pattern: design & development were carried-out at the same time as the construction of the real plant & the building of the pilot plant. X-10 was completed in November, & although it could not serve as pilot for Hanford reactors, it produced small amounts of plutonium invaluable to the Los Alamos scientists as a research tool." MANHATTAN PROJECT...The Untold Story of the Making of the Atomic Bomb. Stephane Groueff. This picture has been used to portray the Oak Ridge, Tennessee, atomic pile/reactor prototype plutonium manufacturing industry's 1st design cooperative between giant corporations & nuclear/atomic/physicists working on the gov't's atomic device "to end the war."

I posted this short clip because I like the lighting on the clouds (nearing sunset).

CWC 3rd Review Conference Side Event: “Developing a program on chemical safety in chemical activities in Kenya” - event organized by the International Centre for Chemical Safety and Security (Poland) and TNO (Netherlands).

Photo finishing envelope from about 2005

A triple billing at The Mad Hatter, Oxford, sponsored by The Catweazle Club and Tamara T-Bone Parsons-Baker, last Wednesday, 9 April 2014. The line-up for the night was Tamara and the Martyrs, Art Theefe, and The Epstein. A fantastic show by all three bands and a comfortable, intimate venue.

 

As to photography, well, if only that could have gone as well as the music. I had just finished my first roll of film with the end of Tamara's opening act, and Art Theefe was preparing for their set. I went to wind off the roll, and my film advance locked. I spent the next half-hour trying to free it, with no success, but with great entertainment. Ultimately, I had to remove the film at home later inside a light-tight bag, and that had put an end to the photography for the night. Instead I did something at a concert which I haven't done in years. I just sat and listened.

 

I must have been significantly distracted by the camera and the show, because I left the pub without my light meter. Thanks, Henry, for finding that for me.

 

* Rolleiflex 2,8F Planar *

* Ilford Delta 3200 *

* Developed in Kodak TMax *

* Epson V500 scanner *

* Photoshop CS6 *

 

www.DavidStumpp.com

Tyler McNeill watches the play develop in the corner where Daniel Lambert has the puck. Watching from the bench (left to right) are Geordan Coutts, David Purchase, James Armstrong, Coach Dave Cambell, Éric Séguin, Andrew Clarke, Mathieu Trudel, Aidan Ross, and Assistant Coach Jim Hill. Gloucester Hockey Association Bantam A exhibition game between the Blackburn Stingers and the Cumberland Dukes, held at the, R.J. Kennedy Arena, Cumberland (Ottawa), Ontario, 2 November 2013.

Olympus OM - Ilford HP5 plus

Ilford DD-X, Ilfostop, Rapid Fixer.

 

I put this up to see if anyone can help me rather than because i think it's that good. This did have to be brought back in photoshop because the contrast wasn't that great but the thing i'm more annoyed about is the horizontal banding that you can see mostly in the blurred bits. Does anyone know why this happens? As far as I could tell I followed the developing guidelines to the letter.

Storms NW of Omaha

Shot with Nikon FM10

75-150f/3.5

Polarizer

DNP200 Expired last year

Self developed with Tetenal C41 kit

Arsenal KIEV Ⅱ

KMZ JUPITER-9 85mm F2

ILFORD HP5 PLUS 400

Self_developed FX-5_Dev

HM Dockyard, Gibraltar was first developed in the 18th century. After the Capture of Gibraltar, victualling facilities were provided from a small quay around what is now the North Mole, but a lack of berths prevented further development. In the 1720s, however, the building of the South Mole was accompanied by the establishment of a small dockyard facility consisting of a careening wharf, mast house and various workshops. The yard remained relatively small in scale for a century and a half, although coaling facilities were added in the 1840s.

 

In 1871 Captain Augustus Phillimore made the proposal that a new naval dockyard should be constructed in Gibraltar. Phillimore's scheme lied dormant in the Admiralty for 22 years before it was put to Parliament in 1895. The idea was to take five years and just under £1.5m pounds. In 1896 the scheme was further extended with the creation of new moles and three dry docks and a new budget of £4.5m pounds. The transformation was large and the government were still passing enabling legislation in 1905.

 

The three large graving docks initially known as docks Number 1, 2 and 3, were excavated on what had been the site of the old naval yard. Number 3 dock, the smallest at just over 50,000 tons of water capacity, was the first to be named in 1903 and was named King Edward VII, Queen Alexandra named the 60,000 ton Number 2 dock after herself in 1906, and the largest, Number 1 dock, which could hold over 100,000 tons of water, was called the Prince and Princess of Wales dock, having been named by their Royal Highnesses in 1907, subsequently King George V and Queen Mary.

 

In 1937 the warning of the Chiefs of Staff gave way to rearmament. The danger of a war being settled in the Mediterranean meant that No. 1 and No. 2 dock were extended so that Gibraltar could handle aircraft carriers and the new larger battleships.

 

(Text Wikipedia)

Nikon F3

Six Gates Films Orwell BW @400 iso

developed in Tmax dev 7''

epson v700

 

almost all of this picture were taken by Luca (Laszlo K.) while i was developing.

 

it has been a glorious day. We developed over 23 rolls of color negative cinema film in a vintage Morse G3 tank. We had some major fixing issue but we saved some good frames & had a good time.

 

Bottom line:

1)ECN2 is totally feasible for home processing

2) Morse G3 tank agitation could not be the best for these films.

3) we took a little step forward for DIY film photography

Representatives from Malawi, Mozambique, Tanzania, Zambia and Zanzibar gathered in Dar es Salaam for 3 days to pilot the use of the GPE/UNGEI Guidance for developing gender-responsive education sector plans.

Credit: GPE/Chantal Rigaud

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