View allAll Photos Tagged Designing
Dr. Louise Trott. Photograph taken during the 'Designing the Archive' joint ICA / ASA / ARANZ / PARBICA conference, Adelaide, South Australia
Photograph taken during the 'Designing the Archive' joint ICA / ASA / ARANZ / PARBICA conference, Adelaide, South Australia.
Photograph taken during the 'Designing the Archive' joint ICA / ASA / ARANZ / PARBICA conference, Adelaide, South Australia.
Have you always wanted to impress friends & family with a beautifully hand letter envelope? Looking to add a little pizzaz to your scrapbook pages? Now you can!
We'll get you started learning a beautiful italic writing and go from there as the group desires. You'll learn the tricks of the trade that make calligraphy easier than it looks. I'll bring a variety of tools and papers for students to try. Each student will take home a calligraphy marker, assortment of paper and practice sheets.
Nicolle designing the new media connect event website during the social networking class session. Focussed and Passionate about design as usual
Photograph taken during the 'Designing the Archive' joint ICA / ASA / ARANZ / PARBICA conference, Adelaide, South Australia
Photograph taken during the 'Designing the Archive' joint ICA / ASA / ARANZ / PARBICA conference, Adelaide, South Australia.
Photograph taken during the 'Designing the Archive' joint ICA / ASA / ARANZ / PARBICA conference, Adelaide, South Australia.
Editorial illustration for Eurostar magazine detailing potential fashion designers they would love to see Kate Middleton wear on and following her nuptuals to Prince William.
Sarah Doherty, Co-Founder and Chief Technology Officer, TeleHealthRobotics, USA at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2015. Copyright by World Economic Forum / Jakob Polacsek
Photograph taken during the 'Designing the Archive' joint ICA / ASA / ARANZ / PARBICA conference, Adelaide, South Australia.
Photograph taken during the 'Designing the Archive' joint ICA / ASA / ARANZ / PARBICA conference, Adelaide, South Australia
Henry and Chris and their two kids live very much in the 21st century - technology is at the centre of their every day. From social networking, to email, family administration and listening to music; the design of the home needs to reflect this.
Photograph taken during the 'Designing the Archive' joint ICA / ASA / ARANZ / PARBICA conference, Adelaide, South Australia
Photograph taken during the 'Designing the Archive' joint ICA / ASA / ARANZ / PARBICA conference, Adelaide, South Australia.
Photograph taken during the 'Designing the Archive' joint ICA / ASA / ARANZ / PARBICA conference, Adelaide, South Australia.
Photograph taken during the 'Designing the Archive' joint ICA / ASA / ARANZ / PARBICA conference, Adelaide, South Australia.
Kaboom.org is partnering with the Taylor Bend Family YMCA to design and develop a playground and outdoor fitness area for adults on October 5, 2013.
Photograph taken during the 'Designing the Archive' joint ICA / ASA / ARANZ / PARBICA conference, Adelaide, South Australia
The 11th International FDSS Cup Floral Designing Competition at the Meadow, Gardens by the Bay during Singapore Garden Festival 2018.
Photograph taken during the 'Designing the Archive' joint ICA / ASA / ARANZ / PARBICA conference, Adelaide, South Australia.
Photograph taken during the 'Designing the Archive' joint ICA / ASA / ARANZ / PARBICA conference, Adelaide, South Australia
Photograph taken during the 'Designing the Archive' joint ICA / ASA / ARANZ / PARBICA conference, Adelaide, South Australia
Kenneth Smith, Senior Research Scholar; Director, Mobility Division, Stanford Center on Longevity, Stanford University, USA at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2015. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
Photograph taken during the 'Designing the Archive' joint ICA / ASA / ARANZ / PARBICA conference, Adelaide, South Australia.
Photograph taken during the 'Designing the Archive' joint ICA / ASA / ARANZ / PARBICA conference, Adelaide, South Australia
THE short road on the right—Lothair Road South—is the first of 22 intersections on the right (East) side of the road.
There are roads going off to the left, or west, but they number only two or three and are short cul de sacs:
► Railway Approach – leading to Harringay railway station
► Hampden Road – by the Wightman Road Mosque and leading to Hornsey railway station
► Denmark Road – leading to a number of residences near the northern end
Note train in background zooming past.
Photograph taken during the 'Designing the Archive' joint ICA / ASA / ARANZ / PARBICA conference, Adelaide, South Australia.
Kaboom.org is partnering with the Taylor Bend Family YMCA to design and develop a playground and outdoor fitness area for adults on October 5, 2013.
The Bridge and Cascade.
Grade I listed.
Cascade I Bridge and cascade. Designed with a single arch by Robert Adam in 1761. Redesigned, with three arches in 1764. Executed 1770- 1771. Ashlar. The bridge has three round-arched spans with moulded hoodmoulds. Fluted roundels in the spandrels. Projecting piers with apsed niches and moulded sill band. The tops of the piers with swags. Fluted frieze and dentil cornice. Balustraded parapet the balusters divided into three units per span. Cast iron balusters. Steep road approaches with the end walls curving outwards and downwards. End piers. Rubblestone cascade to east.
Listing NGR: SK3126840716
historicengland.org.uk/listing/the-list/list-entry/1335352
The Bridge by Robert Adam
Kedleston Hall is an English country house in Kedleston, Derbyshire, approximately four miles north-west of Derby, and is the seat of the Curzon family whose name originates in Notre-Dame-de-Courson in Normandy. Today it is a National Trust property.
The Curzon family have owned the estate at Kedleston since at least 1297 and have lived in a succession of manor houses near to or on the site of the present Kedleston Hall. The present house was commissioned by Sir Nathaniel Curzon (later 1st Baron Scarsdale) in 1759. The house was designed by the Palladian architects James Paine and Matthew Brettingham and was loosely based on an original plan by Andrea Palladio for the never-built Villa Mocenigo. At the time a relatively unknown architect, Robert Adam was designing some garden temples to enhance the landscape of the park; Curzon was so impressed with Adam's designs, that Adam was quickly put in charge of the construction of the new mansion.
World War II
In 1939, Kedleston Hall was offered by Richard Curzon, 2nd Viscount Scarsdale for use by the War Department.[1] Kedleston Hall provided various facilities during the period 1939–45 including its use as a mustering point and army training camp. It also formed one of the Y-stations used to gather Signals Intelligence via radio transmissions which, if encrypted, were subsequently passed to Bletchley Park for decryption.
National Trust
In the 1970s the estate was too expensive for the Curzon family to maintain. When Richard Nathaniel Curzon, 2nd Viscount Scarsdale died, his cousin Francis Curzon, 3rd Viscount Scarsdale offered the estate to the nation in lieu of death duties. A deal was agreed with the National Trust that it should take over Kedleston while still allowing the family to live rent-free in the 23-room Family Wing, which contained an adjoining garden and two rent-free flats for servants or other family members.
External design
The design of the three-floored house is of three blocks linked by two segmentally curved corridors. The ground floor is rusticated, while the upper floors are of smooth-dressed stone. The central, largest block contains the state rooms and was intended for use only when there were important guests in the house. The East block was a self-contained country house in its own right, containing all the rooms for the family's private use, and the identical West block contained the kitchens and all other domestic rooms and staff accommodation. Plans for two more pavilions (as the two smaller blocks are known) of identical size, and similar appearance were not executed. These further wings were intended to contain, in the south east a music room, and south west a conservatory and chapel. Externally these latter pavilions would have differed from their northern counterparts by large glazed Serlian windows on the piano nobile of their southern facades. Here the blocks were to appear as of two floors only; a mezzanine was to have been disguised in the north of the music room block. The linking galleries here were also to contain larger windows, than on the north, and niches containing classical statuary.
If the great north front, approximately 107 metres in length, is Palladian in character, dominated by the massive, six-columned Corinthian portico, then the south front (illustrated right) is pure Robert Adam. It is divided into three distinct sets of bays; the central section is a four-columned, blind triumphal arch (based on the Arch of Constantine in Rome) containing one large, pedimented glass door reached from the rusticated ground floor by an external, curved double staircase. Above the door, at second-floor height, are stone garlands and medallions in relief. The four Corinthian columns are topped by classical statues. This whole centre section of the facade is crowned by a low dome visible only from a distance. Flanking the central section are two identical wings on three floors, each three windows wide, the windows of the first-floor piano nobile being the tallest. Adam's design for this facade contains huge "movement" and has a delicate almost fragile quality.
Gardens and grounds
The gardens and grounds, as they appear today, are largely the concept of Robert Adam. Adam was asked by Nathaniel Curzon in 1758 to "take in hand the deer park and pleasure grounds". The landscape gardener William Emes had begun work at Kedleston in 1756, and he continued in Curzon's employ until 1760; however, it was Adam who was the guiding influence. It was during this period that the former gardens designed by Charles Bridgeman were swept away in favour of a more natural-looking landscape. Bridgeman's canals and geometric ponds were metamorphosed into serpentine lakes.
Adam designed numerous temples and follies, many of which were never built. Those that were include the North lodge (which takes the form of a triumphal arch), the entrance lodges in the village, a bridge, cascade and the Fishing Room. The Fishing Room is one of the most noticeable of the park's buildings. In the neoclassical style it is sited on the edge of the upper lake and contains a plunge pool and boat house below. Some of Adam's unexecuted design for follies in the park rivalled in grandeur the house itself. A "View Tower" designed in 1760 – 84 feet high and 50 feet wide on five floors, surmounted by a saucer dome flanked by the smaller domes of flanking towers — would have been a small neoclassical palace itself. Adam planned to transform even mundane utilitarian buildings into architectural wonders. A design for a pheasant house (a platform to provide a vantage point for the game shooting) became a domed temple, the roofs of its classical porticos providing the necessary platforms; this plan too was never completed. Among the statuary in the grounds is a Medici lion sculpture carved by Joseph Wilton on a pedestal designed by Samuel Wyatt, from around 1760-1770.
In the 1770s, George Richardson designed the hexagonal summerhouse, and in 1800 the orangery. The Long Walk was laid out in 1760 and planted with flowering shrubs and ornamental trees. In 1763, it was reported that Lord Scarsdale had given his gardener a seed from rare and scarce Italian shrub, the "Rodo Dendrone".
The gardens and grounds today, over two hundred years later, remain mostly unaltered. Parts of the estate are designated as a Site of Special Scientific Interest, primarily because of the "rich and diverse deadwood invertebrate fauna" inhabiting its ancient trees.
Photograph taken during the 'Designing the Archive' joint ICA / ASA / ARANZ / PARBICA conference, Adelaide, South Australia
Photograph taken during the 'Designing the Archive' joint ICA / ASA / ARANZ / PARBICA conference, Adelaide, South Australia
Every year I design my schedule and hang it on my wall for a little pre-semester practice, just never thought to post it anywhere. Plus, now you can try to avoid me if you have me in one of your classes. (': Hurrhurr.
If you're wondering about the background image; What are my two of my favorite things?
Smoking and driving.
So, what do you guys think? I think it needs a title somewhere.
Photograph taken during the 'Designing the Archive' joint ICA / ASA / ARANZ / PARBICA conference, Adelaide, South Australia