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Uber’s global headquarters, located at 1725 3rd Street in San Francisco’s thriving Mission Bay district, reflects the company’s innovative spirit through its striking modern architecture. This cutting-edge building is a glass marvel, with its sleek reflective facade mirroring the city’s evolving skyline and emphasizing Uber's forward-thinking ethos. Designed with sustainability and productivity in mind, the building stands as a beacon of Silicon Valley's influence on San Francisco's urban landscape.

 

Architecturally, Uber HQ features a distinctive curvature along the top floors, adding a dynamic visual appeal to the glass-dominated design. The generous use of glass symbolizes transparency and connectivity, integral values in the tech industry. Inside, the structure offers open, collaborative workspaces designed to foster creativity and teamwork among Uber’s global workforce. The use of sustainable materials and energy-efficient systems underscores Uber’s commitment to environmental responsibility, as reflected in its corporate operations.

 

Positioned near Chase Center, home of the Golden State Warriors, Uber’s headquarters is part of the ongoing transformation of the Mission Bay neighborhood, now a hub for technology and innovation. The area’s close proximity to the waterfront and its access to public transportation make it an ideal location for Uber’s corporate base, allowing employees easy connectivity across the Bay Area.

 

Uber HQ’s architectural design, sustainability initiatives, and key location at the crossroads of San Francisco’s business and tech sectors make it a pivotal point in the city’s modern development, marking the ongoing evolution of this iconic city.

design by maggie yackel of lucy and company; photography by mekenzie loli

A quiet corner of The Sea Ranch Lodge, where wood, light, and shadow meet in perfect harmony. The entrance to the Redwood Room feels both humble and intentional—warm cedar siding, softened by salt air, surrounds a honey-toned door that glows in contrast to the gray grain of the planks. Two simple white lamps arch gracefully overhead, their forms echoing the natural curves found along the Sonoma Coast.

 

Everything here is designed for calm. The restrained geometry, the silence of the wood underfoot, the invitation of a single doorway—it all draws the eye toward simplicity. There’s no ornament, only essence. This is architecture as meditation, a built reflection of The Sea Ranch ethos: beauty through restraint, connection through quiet.

OUT NOW!!! “F L O W-Struttura G0059”

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Ecco a voi il nuovo muro realizzato all'interno del Fidenza Village per il festival di arte urbana diretto da Luca Maleonte e prodotto dalla 4.4 Art con Matteo Maffucci e Mirko Pagani. Flow è la sintesi di forme e colori campionati all'interno del Villaggio e restituiti a più livelli creando una serie di sovrapposizioni dinamiche.

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L'opera si inserisce nella lunga ricerca sul paesaggio astratto. Natura e architettura in un dialogo continuo per generare nuove comunicazioni visive. Buona visione e visitate il Village, il festival legato all'arte urbana sta ospitando tantissimi artisti internazionali e le opere sono davvero belle.

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Special thanks to:

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Framed by soaring Corinthian columns and the monumental arches of Bernard Maybeck’s rotunda, this view inside San Francisco’s iconic Palace of Fine Arts captures a moment of calm, geometry, and grandeur. Designed for the 1915 Panama-Pacific International Exposition, the structure remains one of the city’s most photogenic landmarks, beloved for its theatrical evocation of Roman ruins. Here, from the interior looking outward, the fluted columns rhythmically draw the eye upward while the arches open like doorways into an imagined antiquity.

 

Urns perched like sentinels atop pedestal walls echo the symmetry and reinforce the Palace’s ornamental detailing. Trees just beyond soften the otherwise monumental scale and add a sense of serenity to this classical stage. Above, tucked between the arches, sculpted female figures from Ulric Ellerhusen’s program stand watch—evoking themes of reflection, creativity, and melancholy. What was once a temporary fair pavilion has become an enduring icon of San Francisco’s cultural and architectural identity, reborn in concrete after its original plaster began to deteriorate in the decades following the exposition.

 

Visitors today wander this colonnade to pose for wedding photos, enjoy quiet moments by the nearby lagoon, or simply marvel at the craftsmanship of a bygone architectural ambition. This angle—underneath the rotunda and looking through its arches—reveals not just the Palace’s design brilliance, but its function as a portal: between past and present, ruin and rebirth, imagination and form.

design by maggie yackel of lucy and company; photography by mekenzie loli

design by beth keim and maggie yackel of lucy and company; photography by mekenzie loli

Inside the Sea Ranch Chapel on California’s rugged Sonoma Coast, craftsmanship and spirituality merge in a space that feels both intimate and transcendent. The interior, shown here, reveals a symphony of materials—curving redwood, hand-forged metalwork, and textured stone—each chosen to evoke the organic harmony between human creation and the natural world. Designed by architect James Hubbell in collaboration with a team of artisans, the chapel is a sculptural marvel, conceived not as a traditional religious building but as a sanctuary for reflection, creativity, and peace.

 

The flowing redwood ribs that arc overhead recall the motion of waves, while the stone walls ground the space in the earth itself. Sunlight filters through stained-glass windows in hues of amber, green, and blue, creating a dynamic play of color that shifts throughout the day. Each piece of glass was handcrafted by Hubbell’s studio, designed to refract the coastal light into living patterns across the chapel’s surfaces.

 

In this view, a graceful wrought-iron gate frames a bench and cross detail at the heart of the space. The metal’s organic tendrils mimic seaweed or flame, symbolizing life’s continual movement and renewal. The juxtaposition of raw stone and finely worked wood demonstrates the chapel’s central philosophy: art as an extension of nature, where spiritual experience is born through the tactile and sensory.

 

The Sea Ranch Chapel was completed in 1985, funded by the Brown family as a memorial to their son. True to the Sea Ranch ethos of blending built forms with the landscape, the chapel nestles unobtrusively into its environment, echoing the region’s cliffs, surf, and forests. Its design encourages quiet contemplation—whether one enters to meditate, pray, or simply admire the craftsmanship, the space invites an emotional connection that transcends words.

 

Every curve and texture within the chapel carries the unmistakable imprint of human hands. Rather than relying on uniformity or industrial precision, Hubbell embraced imperfection as part of the building’s soul. The result is a space that feels alive—like driftwood shaped by tide and time. Visitors often describe the interior as a living sculpture, one that changes character with every passing beam of light.

 

The Sea Ranch Chapel stands today not only as an architectural gem but also as a meditation on the relationship between art, faith, and the environment. It reminds us that sacredness can be found in the material world—in the grain of wood, the chill of stone, and the quiet glow of glass touched by the sun.

design by beth keim of lucy and company; photography by mekenzie loli

design by beth keim of lucy and company; photography by mekenzie loli

Against a canvas of blue sky and wispy clouds, this striking modern apartment building in Berkeley, California showcases a bold interplay of concrete, glass, and rhythm. Its distinctive zigzag façade creates a sculptural tension between solidity and motion—a dynamic interpretation of urban housing that reflects Berkeley’s evolving architectural landscape.

 

At first glance, the building’s monolithic concrete surface appears austere, but closer inspection reveals deliberate precision. Each vertical bay shifts slightly, giving the façade a sense of depth and shadow that changes throughout the day. The alternating angles capture light differently, animating the structure as morning turns to afternoon. It’s a contemporary evolution of brutalist design, softened through human-scale detailing and sustainable sensibility.

 

The building sits along University Avenue, one of Berkeley’s most storied corridors, where decades of architectural experimentation coexist—craftsman homes, mid-century commercial blocks, and new urban infill projects. This structure represents the city’s forward-looking approach to density and sustainability, using concrete not as a symbol of heaviness but as a medium for clarity and permanence. Its rhythmic windows echo the pulse of city life, while the clean street frontage offers a respectful nod to the pedestrian experience.

 

Architecturally, it embodies the Bay Area’s shift toward minimalist urban housing—simple in palette but rich in geometry. The structure’s sharp angles create deep shadows that lend drama to an otherwise restrained composition. There’s poetry in its pragmatism: vertical repetition balanced by asymmetrical nuance, form driven by function, yet never without aesthetic ambition.

 

As the photograph captures it, the building feels both monumental and intimate. The warm evening light softens the gray façade, emphasizing texture over mass. Nearby, the red structure provides a counterpoint of color and contrast, revealing how contemporary architecture can harmonize with its surroundings through thoughtful restraint.

 

In a city known for its architectural experimentation, this building stands as a quiet yet confident expression of modern Berkeley—rooted in function, shaped by design, and alive with urban rhythm. It’s not a landmark by name, but it reflects the evolving identity of a city constantly redefining what home and density mean in a 21st-century context.

BE INSPIRED by reading the full article in Italian, Russian or English at architetturadesign.ch/?p=1793

 

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design by beth keim of lucy and company; photography by mekenzie loli

design by beth keim of lucy and company; photography by mekenzie loli

design by maggie yackel of lucy and company; photography by mekenzie loli

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design by beth keim of lucy and company; photography by mekenzie loli

design by beth keim of lucy and company; photography by mekenzie loli

✰ This photo was featured on The Epic Global Showcase here: ift.tt/1XwvvQI

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design by maggie yackel of lucy and company; photography by mekenzie loli

Master Bedroom for Parker and Stephen Shuford

 

Modern art and that fabulous very popular Kelly Wearstler citrine geometric print mix nicely with these traditional monogrammed linens and a very sweet Cowtan & Tout floral.

  

Perched above the rugged Sonoma coastline, this weathered cedar residence at The Sea Ranch captures the defining ethos of the community—architecture as landscape. The linear form steps gently along the bluff, its wood siding faded to silver by decades of salt air and sun. Expansive glass panels reflect the horizon, while interior light spills outward in quiet dialogue with the Pacific beyond.

 

Every element of the structure serves the philosophy that shaped The Sea Ranch in the 1960s: restraint, respect for the environment, and the celebration of natural materials. The home’s unpainted boards and angular massing allow it to blend seamlessly into the coastal meadow, where native grasses and low shrubs flow right up to its edges. Even the simple outdoor seating area, surrounded by mulch and wind-shaped vegetation, feels like part of the terrain—an intentional erasure of boundaries between built and wild.

 

The play of sunlight across weathered grain transforms the facade throughout the day, echoing the rhythm of waves below. Seen here under a clear blue sky, this Sea Ranch home exemplifies how thoughtful design can coexist beautifully with untamed nature.

 

This Sea Ranch coastal home embodies the region’s iconic modernism—minimalist wood architecture integrated with the Northern California landscape and open Pacific horizon.

A warm shaft of light cuts through the stillness at The Sea Ranch Lodge, illuminating a staircase crafted entirely from wood. Every surface glows in the late-day sun—the walls, the steps, the handrails—revealing the natural grain and subtle imperfections that make this architecture feel alive. The number eight painted on the wall is the only deliberate mark of human order in a space that otherwise celebrates raw material and shadow.

 

This corridor embodies the guiding principles of Sea Ranch design: simplicity, restraint, and connection to nature. The architects rejected ornamentation in favor of honest materials and careful proportion, creating spaces that age gracefully with their coastal environment. The air smells faintly of cedar and salt, and the boards creak softly underfoot, echoing the rhythm of waves just beyond the bluff.

 

The light itself becomes the artwork here, shifting by the minute as clouds pass over the Pacific. Each change reveals a new geometry—a dialogue between structure and sun that defines The Sea Ranch’s enduring beauty.

design by beth keim of lucy and company; photography by mekenzie loli

Standing beneath the soaring rotunda of San Francisco's Palace of Fine Arts reveals the grandeur and theatricality of architect Bernard Maybeck’s Beaux-Arts vision. Captured here in delicate overcast light, the Corinthian columns, oversized urns, and detailed frieze work frame a perfectly symmetrical view toward the rotunda’s outer archways. The octagonal coffered ceiling overhead hints at classical inspiration, while the interplay of shadow and light lends a cinematic air to the monumental space. Built originally for the 1915 Panama-Pacific International Exposition, the Palace was designed as a place for quiet reflection, and that mood persists even today. Spring blossoms peek in from the right edge of the frame, softening the otherwise imposing architecture and reinforcing the seamless marriage between built environment and landscape that Maybeck envisioned. Located in San Francisco’s Marina District near Crissy Field and the Presidio, this beloved structure has become one of the city’s most iconic wedding venues and photo locations. A careful observer will note the lion keystones and Greek key molding—small gestures among the overwhelming verticality of the pink-hued fluted columns. The Palace may have been born of a world’s fair, but over a century later, it remains a permanent reminder of the city’s romantic embrace of art, nature, and human creativity.

Nestled within the sculptural form of the Sea Ranch Chapel on California’s rugged Sonoma Coast, this stained glass window is one of the building’s most poetic features—a luminous focal point that captures the spirit of the natural world outside. Designed by artist Bronze Faure, the window radiates with sweeping organic lines and vibrant hues of turquoise, gold, and rose. Its abstract forms echo waves, wings, and the rhythms of the wind that constantly shape the Northern California coastline.

 

The Sea Ranch Chapel itself, completed in 1985 and designed by architect James Hubbell, is a small non-denominational sanctuary created as a space for reflection, peace, and unity with nature. Every element of the chapel flows in harmony—from the undulating wooden shell to the river stones that cradle the structure. This window, set within a sweeping arc of warm cedar panels and rugged stone, becomes a living artwork where architecture and landscape meet.

 

Light plays the role of a silent partner here. As sunlight filters through the stained glass, it projects soft color across the stone walls, changing with every passing hour. Morning light brings a gentle glow, while afternoon sun ignites the glass into a kaleidoscope of color. Visitors often describe the experience as meditative—the feeling that time slows, sound softens, and the building itself seems to breathe with the rhythm of the Pacific just beyond.

 

The imagery within the glass suggests transformation: tendrils of blue resembling ocean currents, golden lines evoking sunbeams or prayer, and a central flourish of pink and amber that recalls both a blossoming flower and a flickering flame. The window’s asymmetry mirrors the natural world outside—never static, always evolving. It invites the observer not to interpret it literally but to feel it emotionally, much like the chapel as a whole.

 

Hubbell’s approach to architecture has always been deeply humanistic and ecological. He rejected rigid geometry in favor of organic form, handcraft, and collaboration between artists and artisans. The Sea Ranch Chapel remains one of the finest expressions of this philosophy—a living sculpture that honors the materials, the landscape, and the shared creative spirit of its makers.

 

Standing before this stained glass window, one can sense how art and architecture merge into something spiritual yet grounded. It’s a reminder that sacred spaces need not belong to any particular faith—they can instead celebrate the universal wonder of light, color, and nature’s quiet power.

A closer look upward in this Portuguese restaurant reveals not a simple ceiling, but a masterpiece of architectural texture—a marriage of craftsmanship and time. Here, stone and plaster tell a quiet story of human touch: every groove, every line, every chiselled surface shaped by centuries of local building tradition. The tactile rhythm of the pattern evokes both the discipline of masonry and the poetry of design, as if the structure itself were breathing the memory of its builders.

 

In Portugal, architecture has long celebrated surfaces as storytelling tools. The interplay between rough and smooth, matte and sheen, is as deliberate as any tilework in Lisbon or fresco in Sintra. This ceiling detail exemplifies heritage architecture at its most intimate scale—where beauty is not found in ornament but in texture, proportion, and the dance of light across uneven stone. Morning sunlight brushes gently across the ridged plaster, emphasizing the geometric hatching and concentric curves that might once have echoed the rhythms of the vaulted ceilings above.

 

The warm palette of ochres and creams reflects the earthy tones of Portuguese clay and limestone—materials abundant across the Iberian Peninsula and beloved for their durability and honesty. These surfaces are not perfect; they are preserved, proudly bearing the patina of time. That authenticity connects diners beneath it to something deeper than décor: the enduring artistry of historic preservation and architectural reuse.

 

Such interiors reveal how Portugal integrates the old with the new. Many contemporary restaurants are built within historic frameworks—former stables, convents, or warehouses—lovingly adapted into vibrant dining spaces. This commitment to adaptive reuse ensures the nation’s architectural legacy remains part of its living culture. The effect is both physical and emotional: dining beneath such craftsmanship feels like an act of gratitude, an acknowledgment of beauty that endures through centuries.

 

Photographically, the appeal lies in the structure’s architectural symmetry and its tactile rhythm. The precision of the composition—half smooth limestone, half patterned brick—draws the viewer into a dialogue between permanence and imperfection. It’s a study in contrast, but also in continuity, as tradition literally supports the present-day space.

 

In the end, this ceiling detail is less about design and more about devotion—to craft, to place, to history. The stones may be silent, but their surface hums with centuries of Portuguese artistry.

Thrilled to be represented by The Artling - an international art consultancy / gallery headquartered in Singapore. I have a bunch of originals and select, high-end prints available on their site.

theartling.com/en/artists/argyle-plaids/

design by beth keim of lucy and company; photography by mekenzie loli

design by maggie yackel of lucy and company; photography by mekenzie loli

design by beth keim of lucy and company; photography by mekenzie loli

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