View allAll Photos Tagged DesignInspiration
The distinctive indoor space with the undulating glass-and-steel canopy is the Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery in Washington, D.C.
These two museums share the historic Old Patent Office Building. The courtyard was enclosed in 2007 with a wave-like roof designed by the British architectural firm Foster & Partners. It’s one of the most beautiful indoor public spaces in Washington DC — filled with natural light, trees, and seating. The space is often used for events, concerts, and quiet relaxation between gallery visits.
By far the most beautiful of the booths this year. This impressive series of light orbs give it a perfect, modern throwback vibe.
lucborell est un photophone artiste
www.lucborell-photophones.com/artworks/1725190/dernieres-...
Lien ci dessous vers ma dernière publication
www.blurb.fr/bookstore/invited/7317212/53d5fe3db20ec2e93b...
The distinctive indoor space with the undulating glass-and-steel canopy is the Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery in Washington, D.C.
These two museums share the historic Old Patent Office Building. The courtyard was enclosed in 2007 with a wave-like roof designed by the British architectural firm Foster & Partners. It’s one of the most beautiful indoor public spaces in Washington DC — filled with natural light, trees, and seating. The space is often used for events, concerts, and quiet relaxation between gallery visits.
Influenced by the artwork of Mirit Ben-Nun
Artwork ©jackiecrossley
© All rights reserved. This image may not be copied, reproduced, distributed, republished, downloaded, displayed, posted or transmitted in any form or by any means, including electronic, mechanical, photocopying & recording without my written permission. Thank you.
stock:
vexels.com
png stock
designinspiration.net
Looking up from within a stunning architectural space in Washington, D.C., the viewer is captivated by a dynamic interplay of form, light, and shadow. A constellation of circular skylights diffuses soft daylight through a sculptural atrium rimmed by wavy translucent panels that recall both futuristic design and organic flow. A glowing orange disc—suspended like a setting sun—adds a pop of bold color and spatial tension. This image blurs the line between built environment and abstract art, evoking celestial metaphors and space-age dreams. A celebration of symmetry, rhythm, and materiality, this photo invites contemplation from architects, designers, and curious travelers alike.
Lien ci dessous vers ma dernière publication
Link below to my last post
www.blurb.fr/bookstore/invited/7317212/53d5fe3db20ec2e93b...
Through a perfectly aligned window frame, The Sea Ranch reveals its philosophy in a single view: structure and landscape as one seamless composition. The weathered cedar siding, aged to silvery gray, contrasts against the vivid greens of coastal vegetation and the deep blue of the Pacific beyond. Morning light glances across the façade, tracing the precise geometry of the architecture—a quiet choreography of form, texture, and light that defines The Sea Ranch’s timeless appeal.
This framing device, likely intentional in design, captures the community’s original vision articulated by architects Charles Moore, William Turnbull Jr., Donlyn Lyndon, and landscape architect Lawrence Halprin. The open window becomes both a literal and conceptual aperture, focusing attention on the natural environment while grounding the built form within it. The wild grasses and native shrubs flow to the edge of the structure, reinforcing the principle of “living lightly on the land.”
The scene is at once intimate and expansive—an invitation to pause and see how architecture can amplify, rather than dominate, its surroundings.
Framed by weathered cedar, this Sea Ranch view exemplifies the community’s defining ethos: minimalist modernism shaped by the Northern California coast’s raw beauty.
Light spills into the courtyard of Pena Palace, revealing a mesmerizing dialogue between geometry and nature. Glazed azulejo tiles shimmer in repeating patterns of green, blue, and terracotta, each one a hand-painted echo of Portugal’s Moorish heritage. The checkerboard floor draws the eye inward to a massive stone clam shell—transformed into a planter, where a fern rises like a living sculpture from centuries of stone and craft.
The courtyard feels suspended between worlds: part monastery, part dream. Every archway and column seems designed to frame both shadow and air, giving rhythm to stillness. The details invite long looking—the way the worn tile edges catch light, the faint patina along the shell, the soft interplay between ornate precision and the irregular textures of time.
Here, architecture behaves like a poem in three dimensions—pattern layered over silence, earth grounded by art. Standing within this space, you can almost feel the coolness of the stone underfoot and hear the distant echo of footsteps fading through the arcades, a reminder that beauty in Portugal often lives quietly in the in-between.