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Driving in to Cochise Stronghold Campground, I stopped at the descriptive entrance sign. Yes that is snow on the ground in Arizona. The Dragoon Mountains are one of the Sky Islands in southern AZ.
"Cochise Stronghold is located to the west of Sunsites, Arizona in the Dragoon Mountains at an elevation of 5,000 ft. This beautiful woodland area lies in a protective rampart of granite domes and sheer cliffs which were once the refuge of the great Apache Chief, Cochise, and his people. Located within the Coronado National Forest, it is managed by the Douglas Ranger District.
This rugged natural fortress was, for some 15 years, the home and base of operations for the famed Chiricahua Apache Chief, Cochise. Cochise and about 1,000 of his followers, of whom some 250 were warriors, located here.
Born in present-day Arizona, Cochise led the Chiricahua band of the Apache tribe during a period of violent social upheaval. In 1850, the United States took control over the territory that today comprises Arizona and New Mexico. Not hostile to the whites at first, he kept peace with the Anglo-Americans until 1861, when he became their implacable foe because of the blunder of a young U.S. Army officer, Lt. George Bascom. In that year, Cochise and several of his relatives had gone to an encampment of soldiers in order to deny the accusation that they had abducted a child from a ranch. The boy was later proved to have been kidnapped by another band of Apaches.
During the parley, Cochise and his followers were ordered held as hostages by Bascom, but Cochise managed to escape almost immediately by cutting a hole in a tent. Bascom later ordered the other Apache hostages hanged, and the embittered Cochise joined forces with Mangas Coloradas, his father-in-law, in a guerrilla struggle against the American army and settlers. The capture and murder of Mangas Coloradas in 1863 left Cochise as the Apache war chief. The U.S. Army captured him in 1871 and prepared to transfer the Chiricahua to a reservation hundreds of miles away, but he escaped again and renewed the resistance campaign. The following year after negotiating a new treaty with the help of Thomas Jeffords, the band was allowed to stay in their homeland.
Cochise is reputed to have been a master strategist and leader who was never conquered in battle. He died peacefully on the newly formed Chiricahua reservation in 1874. His son, Taza succeeded him as chief. Upon his death, he was secretly buried somewhere in or near his impregnable fortress. The exact location has never been revealed or determined.
DSC00245 acd
Descriptive catalogue of the nests & eggs of birds found breeding in Australia and Tasmania /
Sydney :F.W. White, general printer,1889.
Descriptive catalogue of flowering, ornamental trees, shrubs, bulbs, herbs, climbers, fruit trees, &c., &c., &c. /.
Yokohama, Japan :Yokohama Nursery Co..
descriptive pic : world.guns.ru/sniper/sniper-rifles/de/dsr-1-e.html
finally, after an hour and few minutes, this i made this :D:D:D
credits to Shockwave for the RIS and Grip
other than that i made evrything by myself
actually i want zack to Tachiamize it but i forgot to save the pastie x_x
specs:
Caliber(s): 7.62x51mm NATO (.308Win), .300 Winchester Magnum, .338 Lapua Magnum
Operation: bolt action
Barrel: 660 mm
Weight: 5.9 kg unloaded, without scope
Length: 990 mm
Feed Mechanism: 5 (.308) or 4 (.300WM and .338LM) rounds detachable box magazines
description
The DSR-1 rifle was designed by certain German former military ordnance engineers and bench-rest gunsmiths. This rifle is manufactured since 2000 by German company DSR-Precision GmbH. Before 2004 the same rifle was also sold by another German company, the AMP Technical Services, which was a non-exclusive dealer of DSR-Precision but is no longer so. At the present time DRS 1 rifle is being marketed by its only manufacturer, DSR-Precision GmbH. The DSR 1 is a specialized sniper rifle (not a conversion of the standard military or hunting gun). It is adopted by German GSG 9 counter-terror group, as well as by some other elite European law enforcement agencies and certain non-European military Special Operations forces.
The DSR-1 is configured into bull-pup design, with free-floating barrel. The folding bipod is mounted onto upper rails (above the barrel), and the adjustable horizontal front grip is mounted on the lower rails (under the barrel). The rifle features fully adjustable buttstock and cheekpiece. The holder for spare magazine is installed in the front of the triggerguard to decrease reloading time or to have different type of ammunition (i.e. armor piercing) handy. DSR-1 action features match-grade, fluted barrel that is quickly interchangeable and is fixed into receiver by three screws. The action is designed for .338 Lapua Magnum ammunition, with conversion kits available for smaller calibers such as .308 Winchester or .300 Winchester Magnum. The bolt features six radial lugs that lock directly into the barrel. The barrel is protected by ventilated aluminum handguard and is fitted with muzzle brake (very useful when firing full-power magnum loads). The integrally silenced version of the DSR-1, also known as DSR-1 Subsonic, is unusual in the fact that the silencer is attached to the receiver rather than the barrel. Thus, the barrel is still free-floated within the silencer, and this guarantees consistent shot-to-shot accuracy. The trigger is two-stage, adjustable. DSR-1 features manual, ambidextrous three position safety, located above the triggerguard.
The expected accuracy of the DSR-1 is almost extreme: some sources state sub-.2 MOA accuracy (0.20 inch / 5 mm groups measured center-to-center at 100 yards) when shot by experienced operator, with correct ammunition and in good environment conditions.
Go to Page 5 in the Internet Archive
Title: Anatomy of the arteries of the human body : descriptive and surgical, with the descriptive anatomy of the heart
Creator: Power, John Hatch, 1806-1863
Publisher: Dublin : Fannin ; London : Longmans
Sponsor: Open Knowledge Commons and Harvard Medical School
Contributor: Francis A. Countway Library of Medicine
Date: 1881
Language: eng
Includes bibliographical references and index
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
Descriptive catalogue of flowering, ornamental trees, shrubs, bulbs, herbs, climbers, fruit trees, &c., &c., &c. /.
Yokohama, Japan :Yokohama Nursery Co..
Descriptive Title: Surgical instruments for amputation.
Actual Title: Tome 6. Pl. 55
Artist: Jacob, Nicolas Henri, 1781-1871
Technique: lithography, with hand-colouring
Dimensions: 39 x 27 cm.
Digital ID: RBAI077-0524
Scope and Content: Surgical instruments for amputation, shown in isolation, in 27 numbered illustrations. Various scalpels, saws, hammers, scissors shown.
General: Plate drawn by N.H. Jacob; printed by Lemercier, Benard et Cie.
Artist: Lemercier, Benard
Subject: Amputation
Subject: Surgical Instruments
This plate is taken from the book:
Title: Traité complet de l'anatomie de l'homme
Author: Bourgery, Marc Jean, 1797-1849
Published: Paris : C. Delaunay, 1831-1854
Part of the digital collection Anatomia 1522-1867 located at link.library.utoronto.ca/anatomia/application/index.cfm
Scenes from Madison Historical Society's summer Exhibition, "Over Here Over There - Madison In World War I". Sponsored by the Madison Historical Society, the Charlotte L. Evarts Memorial Archives, Inc., and cthumanities, the exhibit opened July 30 at the Lee Academy (see madisonhistory.org/current-exhibitions/). It features many of the images and artifacts in the Albums shown at right, plus many many more along with informative research and commentary.
See other scenes from the Exhibit at flic.kr/s/aHskEaskZU
(Photo credit Bob Gundersen - www.flickr.com/photos/bobphoto51/albums)
A Descriptive catalogue of the lepidopterous insects contained in the Museum of the honourable East-India company,
London,Published by Parbury, Allen, & Co.,1828-29.
The following descriptive text was written by the artist, Martin Travers. Travers painted this outstanding mural in 2002 on a wooden fence in Balmy Alley, the Mission District, San Francisco, California
____________________________________________
“NAYA BIHANA” is about communities taking their power back into their own hands, reclaiming what is theirs, utilizing the natural resources of their communities. The resources that have been taken from them for hundreds of years which have made Europe and North America so rich whilst keeping the rest of the world in dire poverty.
This mural depicts a community that has resisted and is reclaiming its power. The broken chains symbolize the breaking away from the imperial policies of the West and its financial institutions like the World Bank, IMF and the G8.
Nepal was chosen as the subject for this mural because it is one of the poorest countries in the world in which the poorest of them are rising up to regain their dignity and move Nepal into a state of self sufficiency and to determine their own future. Although I chose Nepal to represent an example of people struggling to be self sufficient, it could really be many other places in the world facing similar problems.
________________________________________________
Martin Travers is an international muralist, street artist and professional visual artist. He travels the world painting murals and working on community arts projects. Martin was born and raised in South London. He is a mural artist who has lived and worked in many different countries and his love for working
with communities has kept him close to the locals. Martin's art is rooted in a mixture of figurative realism, muralism and aerosol art. He derives inspiration from the rich heritage of artists working as social critics and documentarians. Influenced by the Mexican, Chicano and African American mural movements. His
art deals passionately with the concepts of identity and self-empowerment. Martin’s goal is to work towards building positive creative alternatives for at risk youth and communities and he specializes in teaching and facilitating workshops on this subject.
Descriptive catalogue of flowering, ornamental trees, shrubs, bulbs, herbs, climbers, fruit trees, &c., &c., &c. /.
Yokohama, Japan :Yokohama Nursery Co..
ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE
is the critical run
and other emergency art format
CRITICAL RUN / Debate Format
Critical Run is an Art Format created by Thierry Geoffroy/Colonel
debate while running .
Debate and Run together,Now,before it is too late.
www.emergencyroomscanvas todo .org/criticalrun.html
The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates
New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,
Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because
a debate was necessary here and now.
In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich
part of Colonel solo show : The Awareness Muscle Training Center
----
Interesting publication for researches on running and art
www.emergencyrooms.org/formats.html
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Zidić, Igor, and Ana Dević, Antonio Gotovac Lauer a.k.a. Tomislav Gotovac. Antonio Gotovac Lauer: Čelična mreža. Zagreb: Moderna Galerija and Studio Josip Račič, 2006.
Zorn, John W., ed. The Essential Delsarte. Metuchen, NJ: The Scarecrow Press, Inc, 1968.
Žižek, Slavoj. The Indivisible Remainder: An Essay on Schelling and Related Matters. London: Verso, 1996.
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------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
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#art #artist #artistic #artists #arte #artwork
Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal
venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS
* Dakar
kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
Thierry Geoffroy / Colonel
#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist
#artformat #formatart
#emergencyart #urgencyart #urgentart #artofthenow #nowart
emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart
#InstitutionalCritique
#venicebiennale #venicebiennale2017 #venicebiennale2015
#venicebiennale2019
#venice #biennale #venicebiennale #venezia #italy
#venezia #venice #veniceitaly #venicebiennale
#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday
#biennalevenice
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis
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CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.
Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.
It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...
The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...
Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...
Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
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In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center
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for activating the format or for inviting the installation
please contact 1@colonel.dk
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critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,
Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary
,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat
,now art,copenhagen,denmark
Dhanyakuria is a non descriptive village, near Barasat, about 40 km from Kolkata.
The non descriptive village houses some magnificent palaces belonging to the Gayen, Ballav, Sahoo and Mondal families.
Out of these the Gayen Bagan Bari of the Gayen Castle stands out.
The Cinderella styled castle is complete with towers and turrents, flanked by battlements and projected oriole windows.
Presently it is in sorry state with and have lost most of its ornamentation. The landscaped garden, with decorative fountains, which surrounded the castle is overgrown with grasses and weeds.
A detailed blog post on the Palaces of Dhanyakuria will be comming up soon in my blog.
A special thanks to my friend and fellow heritage enthusiast for arranging the necessary permission.
For more details refer to my blog post on Dhanyakuria
Descriptive catalogue of the nests & eggs of birds found breeding in Australia and Tasmania /
Sydney :F.W. White, general printer,1889.
Descriptive catalogue of the nests & eggs of birds found breeding in Australia and Tasmania /
Sydney :F.W. White, general printer,1889.
This descriptive plaque is located near the entrance to the carousel, with the river in the background.
I suppose it was just an accident of the way the sun was shining on it, but I thought the reflection was pretty cool ...
*******************************
Because I work and live in Manhattan, I don’t often visit the four other boroughs of New York City … but there’s a magical place in Brooklyn that I want to tell you about, located in Brooklyn Bridge Park at the edge of the East River. It’s right on the water, framed by the Manhattan Bridge on the north and the Brooklyn Bridge on the south. A few NYC residents and perhaps even a few visitors are already nodding their heads as they read this, but I suspect that most readers of these Flickr notes are as oblivious as I was, and have never heard of Jane’s Carousel.
“Jane” is, as I’ve now learned, Jane Walentas, an artist who spent 20 years overseeing the restoration of a magnificent 48-horse carousel, created by the Philadelphia Toboggan Company, and first installed in a park in Youngstown, Ohio in 1922. Ms. Walentas and her husband, David, bought the carousel and the wooden horses at an auction in 1984 for $385,000; I have no idea what inspired them to do so, or what could possibly have inspired Jane to spend the next 20 years scraping off layers of paint and restoring the original design and colors, the pin-striping and the gold leaf as the carousel sat in a studio in Dumbo (for the non-New Yorkers who might have stumbled onto this page of notes, “DUMBO” is an acronym that means “Down Under the Manhattan Bridge Overpass).
Anyway, the carousel was opened in mid-September 2011, and for reasons unknown, I was completely oblivious as to its existence for the next three years. It’s located in a $9 million transparent acrylic “jewel box” that was designed by the French architect Jean Novel, and it’s absolutely stunning to see. My wife coaxed me into taking the somewhat laborious subway ride from the Upper West Side (via the “C” and the “F” trains) over to Brooklyn a couple days ago, and we were lucky to have chosen a brilliantly sunny Saturday afternoon, arriving just at the beginning of the “golden hour” when the light was perfect for photography.
In the three years since it opened, Jane’s Carousel has apparently attracted a lot of attention: there were some New Yorkers like me wandering around, and some visitors from nearby New Jersey and Long Island … but I also heard and saw evidence of visitors from France, Germany, Russia, Japan, Korea, and a lot of other places which would normally have great difficulty distinguishing Brooklyn from the Bronx or Staten Island. You can arrange birthday parties at the carousel; and there were heavily-costumed bridal parties along with the dog-walkers, the photographers, and the tour boats (including the venerable Circle Line) cruising up and down the East River.
And speaking of the East River, one of the most dazzling aspects of this place is the view that you get, with the two mammoth bridges spanning the river, along with the Wall Street skyline, the South Street Seaport, and the massive Freedom Tower in the background. Even if you didn’t spend a minute looking at the brightly painted carousel horses, and listening to the hypnotic music of the carousel, you could easily spend the afternoon watching the tugboats and sailboats and barges and ferries, the cruise boats and the motorboats chugging up and down the river. One can only imagine what it must have been like a century ago, before the railroads and jet planes had eliminated the bulk of water travel.
I’m embarrassed that it took me so long to visit this place, and I hope that you’ll take the hint and go see it yourself, at your first opportunity. If you would like to see some more details about the place, you might want to start with the official website for Jane’s Carousel, located here:
A New York Times article, written shortly before the official opening of the carousel in mid-September 2011, can be found here
www.nytimes.com/2011/09/02/arts/design/janes-carousel-at-...
and an October 2012 New Yorker article about the impact of Hurricane Sandy on the carousel can be found here:
www.newyorker.com/culture/culture-desk/the-carousel-survives
Descriptive catalogue of the nests & eggs of birds found breeding in Australia and Tasmania /
Sydney :F.W. White, general printer,1889.
Maker: F.W. Maynard
Born: UK
Active: UK
Medium: book
Size: 10 1/2 in x 14 1/2 in
Location:
Object No. 2022.683
Shelf: N-41
Publication: F.W. Maynard, Descriptive Notice of the Drawings and Publications of the Arundel Society, from 1869 to 1873 Inclusive; (Being a continuation of "Twenty Yaers of the Arundel Society") Illustrated by Photographs of All the Publications, Arranged in the Order of Their Issue, Arundel Society, Nichols and Sons London, 1873
Other Collections:
Provenance:
Notes: A 1873 catalog illustrated with photographs listing the books published by the Arundel Society between 1869 and 1873 years. The Arundel Society was founded at London in 1849 and named after the Earl of Arundel, the famous collector of the Arundel Marbles and one of the first great English patrons and lovers of the arts. The society's purpose was to promote knowledge of the art works of the old Italian, Flemish, and other European masters. Much of the work of the society consisted of publishing chromolithographs of Italian art works, especially fresco paintings, of earlier centuries and raising public awareness for the preservation of these works. The society was discontinued in 1897.
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Descriptive Title: Treatment for a depressed skull fracture.
Technique: engraving/etching
Dimensions: 20 x 12 cm.
Digital ID: RBAI010-0021
Scope and Content: Treatment of patient with depressed skull fracture to the parietal bone. Surgical instrument used to drill into the bone and lift the fractured section.
General: Male head, in vivo.
Subject: Skull
Subject: Skull Fractures
Subject: Surgical Instruments
This plate is taken from the book:
Title: Succenturiatus anatomicus
Author: Paaw, Pieter, 1564-1617
Published: Lugduni Batavorum [Leiden] : Apud Iodocum á Colster, 1616
Part of the digital collection Anatomia 1522-1867 located at link.library.utoronto.ca/anatomia/application/index.cfm
From a descriptive text on Germany's 1950s industrial reconstruction a rather fine view of the post-war reconstruction of the Germania Colliery in Dortmund-Marten, that belonged to the post-war grouping of the G.B.A.G. that had been spun out of the pre-war giant Vereinigte Stahlwerke AG. The company was one of the true giants of the deep coal mining business and operated some large collieries in the Ruhr district around Essen and Gelsenkirchen, shafts being organised so as to best utilise reserves that were both relatively easy to 'win' along with ones that were of more meager output.
I probably need some one with local knowledge but I'm wondering of one of the structures we see here is the headframes now relocated to the German Mining Museum at Bochum when the Germania complex closed in 1971?
The Museum's headframes. that stood over the main shaft of the Germania mine complex in Dortmund-Marten. Designed by renowned industrial architects, Fritz Schupp and Martin Kremmer, this solid-walled double headframe was constructed in 1943-44.
Descriptive catalogue of the nests & eggs of birds found breeding in Australia and Tasmania /
Sydney :F.W. White, general printer,1889.
Descriptive catalogue of the nests & eggs of birds found breeding in Australia and Tasmania /
Sydney :F.W. White, general printer,1889.
Scenes from Madison Historical Society's summer Exhibition, "Over Here Over There - Madison In World War I". Sponsored by the Madison Historical Society, the Charlotte L. Evarts Memorial Archives, Inc., and cthumanities, the exhibit opened July 30 at the Lee Academy (see madisonhistory.org/current-exhibitions/). It features many of the images and artifacts in the Albums shown at right, plus many many more along with informative research and commentary.
This panel is dedicated to Paul Pavelka, a Madison adventurous resident who served in the Lafayette Escadrille.
The color painting insert is "Nieuports of Lafayette Escadrille", displayed here with permission of the artist Robert Karr (www.facebook.com/Robert.Karr.Artist/). It is
Number 7 of 79 limited edition prints by Artist Rober Karr, © 2010. Please do not copy it.
See other scenes from the Exhibit at flic.kr/s/aHskEaskZU
(Photo credit Bob Gundersen - www.flickr.com/photos/bobphoto51/albums)
Go to Page 552 in the Internet Archive
Title: A manual of human anatomy [electronic resource] : descriptive, practical, and general
Creator: Knox, Robert, 1791-1862
Creator: Westmacott, Richard, 1775-1859
Creator: Phillips, John, Sir, 1855-1928, former owner
Creator: Blandford, G. Fielding, (George Fielding) 1829-1911 former owner
Creator: King's College London
Publisher: London : Renshaw
Sponsor: Jisc and Wellcome Library
Contributor: King's College London, Foyle Special Collections Library
Date: 1853
Language: eng
Description: "Illustrated by 250 highly finished wood engravings, from drawings by Dr. Westmacott." -- title page
Includes index
This material has been provided by King’s College London. The original may be consulted at King’s College London
King’s College London
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
Descriptive catalogue of the lepidopterous insects contained in the Museum of the Honourable East-India Company :.
London :Parbury, Allen,1828-1829..
Descriptive Title: Dissection of the head and neck, cranial, spinal and sympathetic nerves.
Actual Title: Tome 3. Pl. 93
Artist: Jacob, Nicolas Henri, 1781-1871
Technique: lithography, with hand-colouring
Dimensions: 36 x 23 cm.
Digital ID: RBAI077-0268
Scope and Content: Dissection of the head and neck, cranial and sympathetic nerves, shown in situ. Neck muscles, salivary glands, carotid artery also shown. Lateral view.
General: Plate drawn by N.H. Jacob; transferred to the stone by Léveillé. Printed by Lemercier.
Artist: Léveillé
This plate is taken from the book:
Title: Traité complet de l'anatomie de l'homme
Author: Bourgery, Marc Jean, 1797-1849
Published: Paris : C. Delaunay, 1831-1854
Part of the digital collection Anatomia 1522-1867 located at link.library.utoronto.ca/anatomia/application/index.cfm
The Brave Little Tailor
Record number: 23051102
Artist: Hinke, Gorter (Dutch, 1866-1956)
Item caption, front: Brüder Grimm / Das tapfere Schneiderlein / G. Hinke, pinx.
Item caption/descriptive text, back: 4. Den König reute sein Versprechen. Der Schneider sollte zuerst das gefürchtete Einhorn im Walde erlegen, ehe er die Königstochter zur Frau bekäme. Er zog in den Wald und reizte das Einhorn. Das wilde Tier rannte auf den Schneider zu, um ihn zu durchbohren. Der verbarg sich hinter dem Baumstamm und hatte nun das Tier, das sich mit seinem Horn festgebohrt hatte, gefangen. = The king regretted his promise. He decreed that the Tailor must first kill the dreaded unicorn of the forest before he could marry the king's daughter. The Tailor went into the forest and taunted the unicorn. The beast ran at the Tailor to pierce him with its horn. He dodged behind a tree, and thereby caught the animal, which had stuck its horn into the trunk.
Uniform title: Grimm: Das tapfere Schneiderlein (“The Brave Little Tailor” or “Seven with One Blow”)
Dimensions: 141 x 93 mm.
Date: ca. mid-1920s or earlier
Nationality: German
Publisher: Uvachrom Gesellschaft für Farbenphotographie m.b.H., Stuttgart, [Germany]
Series: Serie 299 Nr. 4782
Medium: Uvachrom color print from original watercolor painting
Interpretive notes: The Little Tailor captures a fierce unicorn by taunting it into charging at him and then dodging, causing the beast's horn to stick in a tree.
Subject headings: Unicorns
Credit: The Jack Zipes Historic Fairy Tale Postcard Collection/Minneapolis College of Art and Design
Descriptive Title: Muscles.
Technique: engraving/etching
Dimensions: 10 x 22 cm.
Digital ID: RBAI040-0003
Scope and Content: Muscles, superioficial view. Male figure, lateral view.
General: Figure shown in a landscape.
General: Illustration serves as head-piece. Repeated at p. 1, 11, 60, 91, 103.
This plate is taken from the book:
Title: Myotomia reformata
Author: Cowper, William, 1666-1709
Published: London : Printed for Robert Knaplock, and William and John Innys ...; and Jacob Tonson ..., 1724
Part of the digital collection Anatomia 1522-1867 located at link.library.utoronto.ca/anatomia/application/index.cfm