View allAll Photos Tagged Depth
maps.secondlife.com/secondlife/Lula
wiki.secondlife.com/wiki/Depth_of_field
Raw, with a touch of contrast and leveling for that appealing "toy camera" tilt-shift look.
The isle of Rum taken from the singing sands beach on the Isle of Eigg Taken by Nathan Peplow -#nathanpeplow
Canon EOS 400D
Leica Lens Summilux 1:1.4:50 or Elmarit R 1:2.8:28 (I don't remember)
Novoflex EOS/LER Adapter
Creator:
Cleveland-Cliffs Iron Company
Publisher:
Cleveland-Cliffs Iron Company
Description:
Black and white photomicrograph of “Plate 4 – Cascade-Depth 410' - Martitic chert” from Cascade Oxidized Iron-Formation. Note: “Martite, white; gangue, grey; and pits, black. Screen size: plus 400 mesh (800 grains per inch). D.D.H. No. 32. Depth 410'. Polished Section No. 547. Photomicrograph No. 356.”
Location:
Marquette (Michigan, United States)
Worktype:
Black-and-white photomicrograph
Type:
Image
Source:
Image from page 520 of 1954 Mining Agents Annual Report
Date:
1954
Format:
TIFF
Identifier:
Volume 2025
Repository:
Central Upper Peninsula and Northern Michigan University Archives
Rights:
Restrictions on Use:
Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.
Archives of Michigan Permission to Duplicate Form:
www.michigan.gov/documents/hal/hal_mhc_am_Photo_Permissio...
Restrictions on Access:
There are no restrictions on accessing material in these record groups.
Rights Holder
Michigan State Archives
Collection:
Cleveland-Cliffs Iron Company (CCI) Records
Record Group:
MS86-100
Series:
Two: Agents Annual Reports
Link to Project Website:
In this example of depth of field, I offer the viewer the choice of looking at the sharp but darkened soy sauce bottle, or the bright but blurry trees in the window.
I also decided to play with the lighting settings to give this photograph a different feel.
2022-11-17: Kelly M. Mbokeli, Regional Human Resources Business Partner, Chief, AfDB presenting the slides during the In-Depth Session.
Skill from Photo 5:
Movement: This image has 2 moving subjects. It was taken from a further distance than my other movement photo with my dog. The movement aspects can be seen in the dog's legs and my brother's arms. Even though they were running, I find the image to still be clear. The "sports" setting on the Canon Rebel T3i was used to take this image.
F/5.6
Shutter Speed: 1/640
maps.secondlife.com/secondlife/Stepford
wiki.secondlife.com/wiki/Depth_of_field
Raw, with a touch of contrast and leveling for that appealing "toy camera" tilt-shift look.
FMS Photo a Day prompt for 26th October 2013 (iPhone shot so no real control of depth of field. Glad it worked!)
View an in-depth conversation with world renowned Italian tenor, recording artist, and singer-songwriter Andrea Bocelli. A living example of the power of art and music to connect people across the globe, Mr. Bocelli will share his thoughts on the importance of music and the arts in the lives of young people and provide insight into the work of his Foundation and the ways in which it is empowering individuals across the world. @GESF #GESF
Speakers: Mr Vikas Pota, CEO, Varkey Foundation | Mr Andrea Bocelli, Tenor, Recording Artist, and Singer-Songwriter.
32 images stacked in Zerene.
An attempt to photograph a spider in its web, side on, with a good depth of field. To get reasonable focus across the image 32 shots were needed. Unfortunately the breeze moved the web slightly during the shooting making stacking the multiple images very difficult and loads of touching up was needed to get anywhere near an acceptable result.
I might try again if I can get a well lit spider indoors, otherwise I'm sure some other subject will grab my attention.
Taken near the ducks in the previous picture but lens set to 300mm to get more telephoto and shallower depth field at F5.6. Exposure 1/250. I like the way the water is blurry with the reflections.
"The best way to predict our future is to invent it."
(Alan Kay 1971)
Open Sailing aims to design and invent future lifestyles to overcome any possible natural and manmade disasters stimulating people’s ingenuity and sense of solidarity. Might it be global warming or energy conflicts, we are living in a time where we are sniffing the ‘Apocalypse’, finally realising our human part of responsibility as the earth is crumbling. 2012 is a year when a collection of apocalyptic events are rumored to happen. We are taking 2012 as an ideal dystopic symbol we design for. 2012 is tomorrow, we must design quickly using these constraints and invent bootstrapping DIY technologies.
Open Sailing method is to convert apocalyptic threats into design constraints. From our compiled set of threat maps, we found that oceans are the safest locations. Ocean survival architecture became our new starting point, but we need to go further than surviving : how can we live together in this new fluid configuration and remain a hyper-connected intelligent social being? We are trying to make a truly “open architecture” : pre-broken, under-defined, reconfigurable, moveable, pluggable, organic, fluid. Can we reach a harmonious dynamic state of interdependence with each other and the earth? Is this the next step of civilization progress? Will we dissociate our concept of progress with infrastructure and metropolis?
NEXT STEPS IN 2009
Finding motivated knowledgeable collaborators and funders (february).
Prototyping technology equipment for ocean living, UK (march ~ april).
Testing the Open Sailing in the Atlantic ocean, Morocco (may).
Public presentation of Open Sailing researches (june)
Model made by
Martin gautron : martingautron.com
Hiromi Ozaki : hiromiozaki.com
Adrien Lecuru :
Cesar Harada : cesarharada.com
Photography direction, Cereinyn Ord : cereinyn.com/
While my new lens isn't a macro lens in any traditional sense the narrow depth of field does make it very good for detail shots because you can isolate just a tiny part of something like this flower for example.
I'm having a lot of fun with my new lens but I need to find some additional subject...
"Depth of field is the space in front of and behind the plane of best focus, within which objects appear acceptably sharp. Though accurate, this definition tells you nothing about the power that depth of field has in helping you communicate your visual ideas. You can, for example, use it to imply space, to suggest being inside the action, or to emphasize the separation between elements within the picture area" - Digital Photographers Handbook, Tom Ang.