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DEEP WEB
KINETIC AUDIOVISUAL INSTALLATION AND PERFORMANCE
BY CHRISTOPHER BAUDER AND ROBERT HENKE
COMMISSIONED BY THE FESTIVAL OF LIGHTS LYON
Deep Web is a monumental immersive audiovisual installation and live performance created by light artist Christopher Bauder and composer and musician Robert Henke. Presented in enormous pitch dark indoor spaces, Deep Web plunges the audience into a ballet of iridescent kinetic light and surround sound. The work was presented as a preview at CTM 2016 Festival Berlin and will be followed by its original presentation at the Festival of Lights Lyon in December 2016.
The generative, luminous architectural structure weaves 175 motorized spheres and 12 high power laser systems into a 25 meter wide and 10 meter high super-structure, bringing to life a luminous analogy to the nodes and connections of digital networks. Moving up and down, and choreographed and synchronized to an original multi-channel musical score by Robert Henke, the spheres are illuminated by blasts of colourful laser beams resulting in three-dimensional sculptural light drawings and arrangements in cavernous darkness.
The installation brings together decades of separate research and experimentation by two artists with unique visions and passions for sound and light, and by innovative companies working in these fields. High-end laser system manufacturer LaserAnimation Sollinger provided the technical expertise and development for this very specific spatial laser setup. The high precision motor winch systems with real time feedback and the main control software are provided by Design Studio WHITEvoid in collaboration with Kinetic Lights. This novel combination of computer controlled kinetic elements and laser systems allows for setting animated end points to normally infinite laser beams. DEEP WEB uses light as a tangible material to construct threedimensional vector drawings in thin air.
The work was originally commissioned by the Festival of Lights Lyon 2015, and developed in cooperation with local producer Tetro. Due to the festival’s cancellation after the tragic events in Paris, Berliners had the unique chance to attend an exclusive preview before the project will be presented in December 2016 in Lyon for the Festival of Lights 2016.
The Artists:
An artist and designer working in the fields of light and installation art, media design and scenography, Christopher Bauder focuses on the translation of bits and bytes into objects and environments, and vice versa. Space, object, sound, light and interaction are key elements of his work. In 2004 he founded the multidisciplinary art and design studio WHITEvoid, which specializes in interactivity, media, interior architecture, and electronic engineering.
Bauder has brought his installations and performances to art events and spaces around the world, including Centre Pompidou Paris, MUTEK Montreal, Festival of Lights Lyon, Luminale Frankfurt, The Jewish Museum Berlin and The National Museum of Fine Arts in Taiwan. He is best known for his city-wide light art installation “Lichtgrenze”, created in 2014 together with his brother Marc, for the 25th anniversary of the Fall of the Berlin Wall and his large scale kinetic live shows ATOM and GRID. Both in cooperation with Robert Henke.
Alongside his numerous releases as Monolake, Robert Henke is also well known for the music, audiovisual installations and performances he has been creating under his own name since the early 90s. Due to his background in engineering and fascination with the beauty of technical objects, the development of his own instruments and algorithms has always been an integral part of his creative process. Henke also co-developed the omnipresent Ableton Live music software, which since its invention in 1999 has become the standard tool for electronic music production and completely redefined live performance practice.
His installations and performances have been presented at Tate Modern London, the Centre Pompidou Paris, PS-1 New York, MUDAM Luxembourg, MAK Vienna, the Art Gallery of New South Wales in Australia, KW Institute for Contemporary Art, Berlin, and at countless festivals.
THE DEEP WEB TEAM
Artists:
Christopher Bauder
Robert Henke
A Production by:
WHITEvoid
TETRO+A
Originally Commissioned by:
Fête de Lumière Lyon
Berlin Production by:
CTM Festival
Kraftwerk Berlin
Motor Winch Systems and Control Software:
Kinetic Lights
Laser Systems and DSP Software:
LaserAnimation Sollinger
Software Built With:
TouchDesigner
Photos:
Ralph Larmann
I still remember the feeling of being attracted by the sound and weird people there. Until this year, when asked to do one documentary, simply 1 all episodes of students in the school, I think of him and wanted to do 1 something so well known to him, Read more 1 little something about this man, and deeper through his story to every person can recognize and understand one sense in life.
Indeed to this time I still feel this is the first choice of discerning character and luck when he agreed to let me do this movie. Around my life, I have seen too many things to dig up some good stories, but the knowledge is limited and restricted in terms of time by chaos and work like the present, I have decided only operators of an emotional aspect of human hidden inside him.
Frickley Colliery score runs on the off side - after what appears to be a miscue - during a National Village Cup second round tie at Carlton Towers. Towers beat the Pontefract & District League visitors, from South Elmsall, by 189 runs to set up a home clash in the North Yorkshire (South) group regional final with Hedon-based York & District Senior League rivals South Holderness.
Frickley were left to regret dropping run machine Tom Collins off the second ball of the Carlton Towers innings. A sharp chance was put down at second slip. Collins went on to score 162 (24 fours, four sixes) at Fish Ponds. He received strong support from Rob Holah (85 not out) and Mark Holmes (67 not out) as Carlton Towers piled up a daunting total, 344-3. Louis Baker took 2-55.
Arthur Scargill's boys looked on course for a hell of a beating when they lost two wickets in the first over then slumped to 32-6. But Lewis Binns (68) and Jason Mills (50) added 65 for the seventh wicket. Their commendable effort merely delayed the inevitable. Binns was the last man out, with the Frickley score on 155. Carlton Towers used 10 bowlers. They didn't take things particularly seriously once the outcome was obvious. A bit of bowling practice, essentially. Matthew Torn finished with 3-16, Joe Romaniw 2-12.
Match statistics
Carlton Towers (York & District Senior League) versus Frickley Colliery (Pontefract & District League)
National Village Cup, sponsored by The Cricketer magazine, Second Round, North Yorkshire, South, Group Four, Semi-Final (40 over match, 1pm start)
Admission: free. Programme: none. Attendance: 55. Carlton Towers won the toss and elected to bat. Carlton Towers 344-3 off 40 overs (Tom Collins 162, Rob Holah 85 not out, Mark Holmes 67 not out, Louis Baker 2-55) beat by 189 runs Frickley Colliery 155 off 32.3 overs (Lewis Binns 68, Jason Mills 50, Matthew Torn 3-16, Joe Romaniw 2-12).
Deep Purple (still in rock) live in the Heineken Music Hall, Amsterdam 04-12-2012
© all rights reserved
My car going nowhere. Been unable to get to work all week, need to clear 30 meters of snow to even reach the side roads.
Photo taken during a press conference presenting the topic of the 2017 Ars Electronica Festival that takes place in Linz / Austria from September 7 - 11.
credit: Ars Electronica / Robert Bauernhansl
All photos on the 2017 Ars Electronica Festival can be found here.
Ars Electronica Linz
Ars-Electronica-Straße 1
4040 Linz
Found this at Barnes Common nature reserve while jogging after a #Gym. Well I visited this place purposefully looking for an opportunity to catch any backlit subjects...and found this while chasing flying insects for my camera....
An older shot of Linda Paganelli doing deep safety on the deep lines during an anual 'Triple Depth' freediving competition.
Shot while Freediving (on a single breath)
Researchers lower a Deep SOLO prototype float from the deck of R/V Tangaroa during a June 16-25 cruise off New Zealand's eastern coast. Part of a new generation of profiling instruments that can travel to greater ocean depths measuring temperature and salinity, two Deep SOLOs have each done two profiles to 5,000 meters (16,400 feet), and will eventually sample to the ocean bottom - about 5,550 meters (18,200 feet). Photo: Learnz
Balls deep performing on the Sophie Lancaster Stage at Bloodstock Festival 2014.
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Photograph by Sean Larkin for Midlands Rocks
© 2014 www.seanlarkin.co.uk
Photos may not be reproduced or used anywhere without permission.
The Deep is a large underwater aquarium situated at Sammy's Point, at the confluence of the Hull and Humber rivers in Hull, England. It opened in March 2002.
Billed as 'the world's only submarium', the tank contains thousands of sea creatures (including seven species of shark), 2.5 million litres of water and 87 tonnes of salt housed in an iconic structure designed by Sir Terry Farrell and built as part of the UK National Lottery's Millennium Commission project.
As well as a tourist attraction, The Deep is a centre for marine research.
Designated in March of 2019 as a Wild and Scenic River, Deep Creek flows on the north slope of the San Bernardino Mountains
(Forest Service photo by Tania C. Parra)
This is Dexter, a boy of Siamese extraction adopted from the RSPCA in 2008. His blue eyes are striking and a pretty good indicator of what he's thinking. Right here, he's heard the rattle of cat biscuits.
Taken while I was deep in it, working on the book back in January.
(I'll be posting actual scans soon.)
Schematics showing how symbolic AI and deep neural networks, the two main branches of artificial intelligence, operate. The third panel shows how the two combine to create a hybrid known as neurosymbolic AI.
A hybrid approach, known as neurosymbolic AI, combines features of the two main AI strategies. In symbolic AI (upper left), humans must supply a “knowledge base” that the AI uses to answer questions. Deep nets (upper right) are trained to arrive at correct answers. During training, they adjust the strength of the connections between layers of nodes. The hybrid uses deep nets, instead of humans, to generate only those portions of the knowledge base that it needs to answer a given question.
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Read more in Knowable Magazine
The unlikely marriage of two major artificial intelligence approaches has given rise to a new hybrid called neurosymbolic AI. It’s taking baby steps toward reasoning like humans and might one day take the wheel in self-driving cars.
www.knowablemagazine.org/article/technology/2020/what-is-...
Read more from Annual Reviews
Deep Learning: The Good, the Bad, and the Ugly, Annual Review of Vision Science
Deep neural networks have proved to be extremely adept at image recognition, suggesting that the problem of computer vision is almost solved. How close is deep learning-enabled computer vision to human-level visual intelligence?
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CAMP BLANDING, Fla. –The 2017 143d Sustainment Command (Expeditionary) entered its second full day as 12 competitors looked deep with themselves and to one another to find the strength and courage to face seemingly countless challenges that covered the full spectrum of warrior tasks and skills.
The 143d ESC cadre and their Army Reserve drill sergeant partners split the dozen dog tired Soldiers into two even groups. One team departed for Camp Blanding’s Military Operations and Urban Terrain site, while the other proceeded to the post’s air assault course.
The MOUT site comprised seven stations that featured practical exercises that evaluated each competitor’s mastery of essential Soldier skills. From facing movements and weapons assembly to administering first aid and setting up a claymore, every Soldier had to demonstrate their ability to apply what they learned in Basic Military Training with little to no assistance from the strict instructors.
The air assault course tested the Soldiers’ speed, strength and endurance climbed, crawled, leapt and lifted their way through various obstacles designed to humble even the most resilient athlete.
Later that day, both groups switched sites, and all 12 Soldiers received a refresher course in throwing hand grenades.
After 12 hours of constant movement while carrying 35-pound ruck sacks, the competitors returned to the barracks to prepare their gear for an early morning 10-mile road march followed by an Army Service Uniform appearance board.
Story by Sgt. John L. Carkeet IV, 143d ESC
Photos by Sgt. John L. Carkeet IV, 143d ESC, and Spc. Aaron Barnes, 321st MI BN