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Essa vai para a Gureeeeisu.. q anda abusada no flickr!!!
Meninas.. quem favoritar essa, eu vou dedar!!!!!!
viu Gureisu?
In rug tzar Stephanie Odegard's Manhattan living room, subtle color on the walls (from Martha Stewart’s Fine Paints of Europe collection) shows off Odegard’s diverse furnishings, from an antique Spanish chandelier to a Saarinen table and Wegner wishbone chairs. The custom seven-foot sofa was designed by Ben Baldwin for Larsen Furniture around 1970 (purchased through www.davidedward.com) and is covered in Edelman leather.
The relief-carved marble Lotus table and latticework side table are both from the Stephanie Odegard Collection. The ceiling panel is a 17th-century Brazilian textile; the vertical drapery “falls” are unfurled saris. Hans J. Wegner wishbone chairs are from www.hivemodern.com; the Swedish Biedermeier armchairs are covered in fabric from Dedar (www.dedar-usa.com). The wall clock is an antique Howard Miller; the credenza is from BDDW (www.bddw.com).
The 22-foot-long silk-and-wool Arcade rug evokes "saffron and rhubarb -- it's gold with a lot of pink in it," says Odegard. With a minimalist border motif borrowed from a Byzantine-era painting, it is one of six designs from her Byzantine collection, produced in conjunction with the Metropolitan Museum of Art.
Photo by Antoine Bootz, Metropolitan Home, December 2008.
GA'AKSTALAS, carved by Wayne Alfred and Beau Dick in 1991, based upon a design by Russell Smith.
The pole depicts many important figures in Kwakwaka'wakw culture. Red Dedar-bark Man is an ancestor who survived the great flood and gave the people the first canoe. The hero Siwidi, shown riding a killer whale, was taken under the sea to the home of the seas-world's chief and brought back the right to use all of the sea-kindgom masks.
Rug empress Stephanie Odegard poses in her Manhattan living room, which features a 1960s Finn Juhl daybed loaded with pillows. (I'm especially fond of Juhl chairs -- check out a couple of them here.)
The Swedish Biedermeier armchairs are covered in fabric from Dedar (www.dedar-usa.com). The latticework side table is from Odegard.
Photo by Antoine Bootz, Metropolitan Home, December 2008.
'Ghoonghat ohley na luk sajna
Main mushtaq dedar de haan'
Translation
Hide not behind the veil, my love,
I long to have a glimpse of you.
_Bulleh Shah
Weddings in Pakistan are much of fun especially the event of Mehndi happens to be really colorful.Yellows, greens,blues and all other various shades of them make the event amazing.
dholak or dhol are considered as inevitable instruments on mehndi to play n celebrate.I took the above shot at my cousin's wedding in February this year.Hope u like it =)
Have a great weekend ahead
Tessuti, ma non solo!
Stiamo scegliendo i tessuti leggeri per le tende in uno dei miei recenti progetti. Ampie superfici vetrate alla sera assomigliano ad un abisso nero , e noi, insieme con la proprietaria abbiamo deciso di ricorrere all’utilizzo di tende a rete. Compromesso vincente, per riscaldare l’interno, schermirsi dagli squali dei vicini, senza isolarsi completamente dall’ambiente circostante. Tale decisione ingombra meno perché usiamo un solo strato di tessuto, perfetto per la casa moderna! Sono solita a lasciatemi campioni prediletti a casa dei committenti, per poterli valutare con diversi tipi di luce durante i giorni potersene innamorare definitivamente.
Подбираем легкие ткани для штор на одном из моих последних проектов. Остеклённая поверхность большая и вечером напоминает чёрную бездну, поэтому мы вместе с хозяйкой дома решили прибегнуть к помощи сетчатой шторы-тюли. Беспроигрышный компромис, когда нужно согреть интерьер, защитится от взглядов соседей, при этом полностью не отгораживаясь от окружающей среды. И места такое решение занимает меньше, так как используем один лишь слой, для современного дома оптимально! Как правило образцы тканей я оставляю хозяевам дома на несколько дней, чтобы оценить их при разном освещении и успеть по-настоящему влюбиться.
#interiordesign #designlugano #decorlugano #lugano #fabricslugano #mdcreativelab #iriscolorconcepts #dedar #zimmerandrohde #sahco #ticino #decor #architetturadinterni #arredamento #tende #tessuti #ткани #шторы #лугано #декорлугано #дизайнлугано #карниз #шторы #швейцария
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Pubblicato il / Опубликовано: Jan 12, 2016 @ 10:30
Questa immagine è stata scattata presso / Геолокация: Agno, Ticino
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MD Creative Lab - Architettura e Design | Architetto ed Interior Designer a Lugano, Svizzera
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MD Creative Lab - Architecture and Design | Architect and Interior Designer in Lugano, Switzerland
"Ghonghat ohley na luk sajna
Main mushtaq dedar de haan"
- Bulle Shah
(Hide not behind the veil, my love,
I long to have a glimpse of you)
The Delphin Voyager is a German cruise ship sailing for Delphin Kreuzfahrten GmbH.
As part of their sailing schedule they sail the old Hanseatic route in Northern Europe, amongst them, Bergen.
The Hanseatic League was an alliance of trading guilds that established and maintained a trade monopoly over the Baltic Sea, to a certain extent the North Sea, and most of Northern Europe for a time in the Late Middle Ages and the early modern period, between the 13th and 17th centuries.
BE INSPIRED by reading the full article in Italian, Russian or English at architetturadesign.ch/?p=1321
#Bebitalia #Beige #Colorconcept #Coloroalette #Colorscheme #Decor #Dedar #Designproject #Farrowandball #Gold #Grey #Interiordesign #Italiandesign #Lifestyle #Maxalto #Mdcreativelab #Milan #Milano #Poliform #Sahco #Декор #Дизайнинтерьера #Милан
'Vintage Traveler Diary' :-
Inspired by: Pareeerica's work
www.flickr.com/photos/8078381@N03/
and guided by the tutorial of -
abduzeedo.com/reader-tutorial-create-vintage-traveler-dia....
It took me 3 days to make this .. so last 3 days of 09 went into making this layout.
It was not easy .. at least for me .. but thanks to you both .. I managed to complete it .. hope I did a neat job. Let me know what you both think of the layout.
Compass & Dairy has been shot by me in my Home Studio.
www.flickr.com/photos/humayunnapeerzaada/4438395834
www.flickr.com/photos/humayunnapeerzaada/4437627677
Polaroids courtesy:
www.flickr.com/photos/41222156@N03/3954297452/
www.flickr.com/photos/miasnow/2657100889/
www.flickr.com/photos/bonifaceplymouth/2255044800/
www.flickr.com/photos/miasnow/4176774619/
www.flickr.com/photos/nesster/2811119224/
Isolated Cup of Strong Coffee courtesy:
Thanks Pareeerica and Colaja for inspiring.
Storia della danza Balinese
Dopo il Majapahit guerrieri sottomisero Bali nel XIV secolo, giavanesi mini-principati e tribunali presto apparvero ovunque, creando quella miscela unica di corte e cultura contadina, che è Bali - altamente sofisticata, dinamica e vivace. La narrazione di accompagnamento per la danza e il dramma è in larga misura basata sulle storie di corte da Java pre-Majapahit. Anche l'epica indiana, un altro favorito del palcoscenico, specialmente il wayang, utilizzare giavanese, completo con lunghe citazioni dalla poesia antica giavanese Kakawin cultura così giavanese, che scomparve da Java seguendo islamizzazione nel l6th secolo, sopravvissuta ancora a Bali in una forma"Balinese", che è diventato la classica cultura Balinese.
Tuttavia, colonizzazione portò alla caduta di Bali classica. Con le corti rurali sconfigge e nuovi signori della terra, ha spostato il centro della creatività alle associazioni di villaggio e per lo sviluppo del turismo. Il ' 30 e ' 50 sono stati particolarmente fertile decenni; mentre il vecchio racconto condotto Teatro sopravvissuta, vivace assolo danze apparvero ovunque, accompagnato da una nuova, dinamica genere musicale chiamato gong kebyar. Questa tendenza è continuata negli anni 60 e 70 con la creazione di balletti sendratari colossale, che rappresentano antiche storie indiane e giavanese adattate alle esigenze del pubblico moderno.
Danza & religione
Danza balinese è inseparabile dalla religione. Una piccola offerta di cibo e fiori deve precedere anche danze per i turisti. Prima dell'esecuzione, molti ballerini pregano nei loro santuari familiari, attraente per Santo "taksu" (ispirazione) degli dèi.
In questa tradizione rurale, la gente dice che pace e armonia dipendono dalla protezione dagli dèi e antenati. Danza in questo contesto può compiere una serie di funzioni specifiche:
a) come un canale per la visita di dèi o divinità demoniaca, i ballerini che agisce come una sorta di archivio vivente. Queste danze di trance includono Sang Hyang Dedari, con bambine in trance e Sang Hyang Jaran, una danza del fuoco;
b) come benvenuto per visitare divinità, come ad esempio le danze pendet, rejang e sutri;
c) come intrattenimento per la visita dii, come il top e il wayang.
In alcune di queste danze, il ruolo della danza è così importante che è in realtà la chiave per qualsiasi significato si trova nel rituale. In spettacoli di wayang, il burattinaio è spesso visto come il "prete" santificare l'acqua santa.
Oltre a loro uso nelle cerimonie religiose, danza e teatro hanno anche un forte contenuto religioso. Si dice spesso che il dramma è il medium privilegiato attraverso il quale viene trasmessa la tradizione cultura Balinese. Gli episodi eseguiti sono solitamente legati ai riti che si svolgono; durante un matrimonio uno esegue una storia di matrimonio; un rituale di morte c'è una visita al "inferno" di eroi. Clown (penasar) commento in Balinese, loro scherzi con commenti religiosi e morali su cui narrazioni utilizzano Kawi (vecchio-giavanese) storie di peperone.
La tipica postura nella danza Balinese ha le gambe semicurve, il torso spostata verso un lato con il gomito accentuata e poi abbassato in un gesto che visualizza la morbidezza delle mani e dita. Il tronco è spostato in simmetria con le braccia. Se le braccia sono a destra, lo spostamento è a sinistra e viceversa.
Oltre ai loro costumi, ruoli maschili e femminili possono essere identificati principalmente dall'accentuazione di questi movimenti. Le gambe delle donne sono piegate e rannicchiate insieme, aprono i piedi, in modo da rivelare un sensuale inarcando la schiena. Le gambe degli uomini sono arcuate e loro spalle tirato su, con più marcate gesti, dando l'impressione di potenza.
Movimenti di danza seguono da altro in un continuum di gesti con nessuna rottura e nessun salto (ad eccezione di pochi personaggi demoniaci o animale).
Ogni postura di base (agem), quali l'apertura della tenda o dell'azienda del panno, si evolve in un altro agem attraverso una successione di gesti secondari o Tringali. La progressione da una serie a altra e il cambio da destra a sinistra e viceversa, è contrassegnati da un accento a scatti breve chiamato il angsel. L'espressione è completato da mimetismo del viso: la tangkep. Anche il ballo gli occhi, come si può vedere nelle danze baris e trunajaya.
Kecak Dance
"Cak-cak cak." Il suono ossessivo di un coro provenienti da fuori la polvere di età aumenta improvvisamente tra gli alti alberi. Oscurità sovrasta il palco.
Centinaia di uomini nudi-breasted sedersi in cerchio attorno alla luce tremolante di un lampadario lampada olio. "Cak-Cak". Iniziano a ballare al suono ritmico delle loro voci, le braccia sollevate al cielo e corpi agitazione all'unisono. Questo è l'unico Kecak, forse il più popolare di tutte le danze balinesi.
I visitatori lasciano raramente l'isola di Bali senza prima vedere una performance Kecak. Originariamente il Kecak era solo un elemento della danza trance Sang Hyang più anziano. Esso consisteva di un coro maschile ossessivamente pregando per le anime dei loro antenati. Su iniziativa del pittore Walter Spies, questo coro religioso fu trasformato in una danza da dotandolo di una narrazione. Il balletto è il poema epico Ramayana. Il principe Rama, sua moglie Sita e suo fratello Laksmana sono esiliati nel bel mezzo della foresta. Rama va a caccia un cervo dorato su richiesta di sua moglie, che ha visto l'animale strano e ha chiesto di prenderlo. Mentre lui è via, lei è rapita da Rahwana e presa a isola Regno di Alengka di quest'ultimo (Srilangka).
Rama si allea con le scimmie e in particolare con il bianco scimmia Hanuman. Costruiscono un ponte e attraversare l'isola. Guerra ensues fino a quando finalmente Rama sconfigge Rahwana e viene di nuovo Unito con sua moglie fedele.
A Bergdorf Goodman window display for Todd Merrill Studio, a special pop-up shop. Wallcovering courtesy of Dedar, Milano. Shot around 2:45 a.m.
A Bergdorf Goodman window display for Todd Merrill Studio, a special pop-up shop. Wallcovering courtesy of Dedar, Milano.
In honored memory of
JACOB BROOM, signer United States Constitution
by the
Delaware State Society, NSDAR
in
This bicentennial year 1987
"Jacob Broom
Delaware
Jacob Broom was a local politician whose interests remained focused throughout his career on the government of his city and state. Thrust onto the national stage, he realized the opportunities presented to the small states by a strong central government and supported the Constitution. Surrounded by wealthy planters, lawyers, and merchants at the Constitutional Convention, he quietly voiced the concerns of the downhome politician.
CAREER BEFORE THE CONSTITUTIONAL CONVENTION. Broom was the son of a blacksmith turned prosperous farmer. After receiving his primary education at Wilmington's Old Academy, he became in turn a farmer, surveyor, and finally, a prosperous local businessman. Even as a young man Broom attracted considerable attention in Wilmington's thriving business community, a prominence that propelled him into a political career. He held a variety of local offices, including borough assesor, president of the city's "street regulators;" a group responsible for the care of the street, water, and sewage systems, and justice of the peace for New Castle County. He became assistant burgess (vice-mayor) of Wilmington in 1776, winning reelection to this post six times over the next few decades. He also served as chief burgess of the city four times. Although the strong pacifist influence of his Quaker friends and relatives kept him from fighting in the Revolution, Broom was nevertheless a Patriot who contributed to the cause of independence. For example, he put his abilities as a surveyor at the disposal of the Continental Army, preparing detailed maps of the region for General Washington shortly before the battle of Brandywine. Broom's political horizons expanded after the Revolution when his community sent him as their representative to the state legislature (1784-86 and 1788), which in turn chose him to represent the state at the Annapolis Convention. Like many other delegates, Broom was unable to attend the sessions of the short meeting, but he likely sympathized with the convention's call for political reforms.
CONTRIBUTIONS TO THE CONSTITUTIONAL CONVENTION. Despite his lack of involvement in national politics prior to the Constitutional Convention, Broom was a dedicated supporter of strong central government. When George Washington visited Wilmington in 1783, Broom urged him to "contribute your advice and influence to promote that harmony and union of our infant governments which are so essential to the permanent establishment of our freedom, happiness and prosperity."
Broom carried these opinions with him to Philadelphia, where he consistently voted for measures that would assure a powerful government responsive to the needs of the states. He favored a nine-year term for members of the Senate, where the states would be equally represented. He wanted the state legislatures to pay their representatives in Congress, which, in turn, would have the power to veto state laws. He also sought to vest state legislatures with the power to select presidential electors, and he wanted the President to hold office for life. Broom faithfully attended the sessions of the Convention in Philadelphia and spoke out several times on issues that he considered crucial, but he left most of the speechmaking to more influential and experienced delegates. Georgia delegate William Pierce described him as "a plain good Man, with some abilities, but nothing to render him conspicuous, silent in public, but chearful and conversible in private."
CAREER AFTER THE CONSTITUTIONAL CONVENTION. Broom's exposure to the national political scene proved short-lived. His primary interest remained in local government, and after the Convention he returned to familar political surroundings. In addition to continuing his service in Wilmington's government, he became the city's first postmaster (1790-92). His long-standing affiliation with the Old Academy led him to become involved in its reorganization into the College of Wilmington, and to serve on the college's first Board of Trustees. Broom was also deeply involved in his community's religious affairs as a lay leader of the Old Swedes Church.
PERSONAL DATA
BIRTH: 1752 (exact date unknown), in Wilmington, Delaware
DEATH: 1810 (exact date unknown), in Philadelphia
INTERMENT: Christ Church Burial Ground, Philadelphia, Pennsylvania "
Local tribute to the triumvirate imperial comprising 2pac, Snoop and producer extraordinaire De. Dar.
Esta zona de estar debe su sensación invernal no solo al colorido sino también a su combinación con el capitoné. Un modo de construcción tapicera muy acolchada y acogedora. Tela de Dedar.
From left to right, Eun-Joo Min, Director, WIPO Judicial Institute;
Colin Birss, Justice, High Court of England and Wales, London, United Kingdom; Dedar Singh Gill, Judicial Commissioner, Supreme Court of Singapore; and Klaus Grabinski, Judge, Federal Court of Justice, Karlsruhe, Germany at session 7 of the 2019 Intellectual Property Judges Forum on Remedies Addressing Multi-Territorial Infringement.
Taking place at WIPO Headquarters in Geneva from November 13-15, 2019, the Forum provided a platform for judges from across the globe to exchange their expertise on the most pressing intellectual property (IP) challenges raised by accelerating innovation and the increasingly transnational use of IP.
Copyright: WIPO. Photo: Emmanuel Berrod. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.
Dedar Singh Gill, Judicial Commissioner, Supreme Court of Singapore, speaking at session 7 of the 2019 Intellectual Property Judges Forum on Remedies Addressing Multi-Territorial Infringement.
Taking place at WIPO Headquarters in Geneva from November 13-15, 2019, the Forum provided a platform for judges from across the globe to exchange their expertise on the most pressing intellectual property (IP) challenges raised by accelerating innovation and the increasingly transnational use of IP.
Copyright: WIPO. Photo: Emmanuel Berrod. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.
A Bergdorf Goodman window display for Todd Merrill Studio, a special pop-up shop. Wallcovering courtesy of Dedar, Milano.
Materiales necesarios:
Para un cojín de 40 x 60 cm necesitarás: 1 retal de tela A de 46 x 66 cm para el frontal (tela chocolate Dedalus, de la firma Dedar), y otros 2 retales B1 y B2 de 33 x 66 cm cada uno para la trasera y autocierre (tela jaspeada Fifty Fifty, de Dedar). Una máquina de coser o voluntad para coserlo a mano. Si quieres darle un toque, puedes reforzar su cierre con botonadura y cordón.
This set contains photos of the Auckland Police Launch Deodar III on Wellington Harbour in November 2007 on a stop over on its maiden voyage from it's builder in Wanganui on its way up to Auckland.
Also in this gallery are photos of the restored Police Launch Deodar. She was crushed under a wharf up in Auckland (in the 1980s?) by a Korean Merchant Vessel that overshot its berth!
When the Deodar was written off a private (I think?) vessel filled in for a year or two until the Dedar II was designed and built to take over from her. Now the Deodar III has taken over from the Deodar II.
The painting by Antonio Más over the bed established the room’s palette. “I’ve always liked contemporary art,” says Armstrong. McGuire lamps. O. Henry House chairs, with Rogers & Goffigon fabric. Dedar bedcovering and bolster fabric; Glant headboard fabric. Drapery silk from Duralee; Great Plains sheer.
"fifty/50"
Le studio Janréji, en partenariat avec ABMP tapissier, les tissus Kvadrat & Dedar, a dessiné "fifty/50", une ligne de sièges et tables empruntant à Jean Prouvé, Edward Wormley, Charlotte Perriand, Jean Royère, ses grand parents de coeur.
Pour cette collection réalisée en France et dans les règles de l'art du savoir faire traditionnel français, le studio Janréji réinterprète ses maîtres en les adaptant aux contraintes CHR, en terme d'encombrement, de résistance, et de praticité.
La ligne "fifty/50" sera présentée au salon équip hôtel du 11 au 15 Novembre 2012 à porte de Versailles, Stand B 31
Bold colors and prints jumped off the walls... these particular curtains were created to replicate a digital print. Look closely at the right curtain...
"fifty/50"
Le studio Janréji, en partenariat avec ABMP tapissier, les tissus Kvadrat & Dedar, a dessiné "fifty/50", une ligne de sièges et tables empruntant à Jean Prouvé, Edward Wormley, Charlotte Perriand, Jean Royère, ses grand parents de coeur.
Pour cette collection réalisée en France et dans les règles de l'art du savoir faire traditionnel français, le studio Janréji réinterprète ses maîtres en les adaptant aux contraintes CHR, en terme d'encombrement, de résistance, et de praticité.
La ligne "fifty/50" sera présentée au salon équip hôtel du 11 au 15 Novembre 2012 à porte de Versailles, Stand B 31